Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
60
Digital
Sheet Music
30
Sheet Music
Books
367
Music
Equipment
14
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
1
PIANO & KEYBOARDS
GUITARS
Guitar
23
Guitar notes and tablatures
4
Baritone Ukulele
1
VOICE
WOODWIND
WOODBRASS
STRINGS
Violin, Cello (duet)
1
PERCUSSION & ORCHESTRA
OTHERS
You've selected:
60 Pieces for Classical Guitar
Sheetmusic to print
30 sheet music found
<
1
26
60 pieces for Classical Guitar
Guitar
Guitar - Digital Download SKU: A0.1056858 Composed by Jordan Grigg. Concert,Contemp…
(+)
Guitar - Digital Download SKU: A0.1056858 Composed by Jordan Grigg. Concert,Contemporary,Instructional,Jazz,Standards. Full Performance. Duration 4311. Jordan Grigg #3458439. Published by Jordan Grigg (A0.1056858).
$9.99
9.01 €
#
Guitar
#
Jordan Grigg
#
60 pieces for Classical Guitar
#
Jordan Grigg
#
SheetMusicPlus
60 Pieces for Classical Guitar
Guitar notes and tablatures
Guitar - Level 4 - Digital Download SKU: A0.863042 Composed by Jordan Grigg. 20th C…
(+)
Guitar - Level 4 - Digital Download SKU: A0.863042 Composed by Jordan Grigg. 20th Century,Concert,Standards. Guitar Tab. 88 pages. Jordan Grigg #3385487. Published by Jordan Grigg (A0.863042).
$23.95
21.6 €
#
Guitar notes and tablatures
#
Jordan Grigg
#
60 Pieces for Classical Guitar
#
Jordan Grigg
#
SheetMusicPlus
Music Pocketbook II. Easy Pieces for Classical Guitar
Guitar
Composed by Andriy M. Andrushko. Children, Instructional, Standards. Individual part. 6…
(+)
Composed by Andriy M. Andrushko. Children, Instructional, Standards. Individual part. 60 pages. Andriy M. Andrushko #697586. Published by Andriy M. Andrushko
$17.97
16.21 €
#
Guitar
#
Andriy M
#
Music Pocketbook II. Easy Pieces for Classical Guitar
#
Andriy M. Andrushko
#
SheetMusicPlus
Selected Works by Matteo Carcassi (for Solo Guitar)
Guitar notes and tablatures
Guitar Tab, Classical guitar - Intermediate - Digital Download Composed by Matteo Car…
(+)
Guitar Tab, Classical guitar - Intermediate - Digital Download Composed by Matteo Carcassi (1792-1853). Arranged by Kenneth Pasciak. Etudes and Exercises, Repertoire, Recital. Individual Part, Score, Tablature. 27 pages. Published by Kenneth Pasciak
Selected Works by Matteo Carcassi features five pieces (plus one recomposed piece) by Italian guitarist and composer Matteo Carcassi. The melodic, harmonic and textural elements of these particular pieces foreshadow many features of his most famous work, 25 Progressive Studies, Op. 60. Score with tablature plus individual guitar part without tabs included for each title. (Each title also available separately, search item number below.)<br> <br> Contents:<br> <br> Siciliano, Op. 59, No 22 (S0.1015363)<br> Valse, Op. 11, No. 7 (S0.1041843)<br> Andantino Grazioso, Op. 59, No. 25 (S0.1021513)<br> Allegretto, Op. 5, No. 12 (S0.1015759)<br> Larghetto, Op.1, No. 2 and Larghetto recomposed (S0.1043249)<br> <br> Kenneth Pasciak Music Publishing, ASCAP<br> kenpasciak.com
$3.99
3.6 €
#
Guitar notes and tablatures
#
Matteo Carcassi (1792-1853)
#
Selected Works by Matteo Carcassi
#
Kenneth Pasciak
#
SheetMusicPlus
The Singing Guitar
Guitar notes and tablatures
Guitar, Fingerstyle guitar - Advanced Intermediate - Digital Download Composed by El …
(+)
Guitar, Fingerstyle guitar - Advanced Intermediate - Digital Download Composed by El McMeen. Arranged by El McMeen. Gospel, Sacred, Folk, Celtic, Americana. 264 pages. Published by Ellsworth McMeen
Internationally acclaimed guitarist Ellsworth ("El") McMeen has done over 220 solo fingerstyle guitar arrangements and compositions in the last 30 years. He has numerous recordings, books,<br> and DVD lessons and has concertized throughout the United States.<br> <br> Of his work, he has selected for this voluminous book<br> 60 pieces with his favorite melodies. (Among them is an instrumental<br> he composed for his wife, called "Song for Sheila.")<br> <br> The music is diverse in genre and mood, but each piece is compelling in its own way.<br> Included are folk tunes, a classical piece, hymns, a patriotic song,<br> ancient Celtic harp music, lullabies, El's favorite Christmas song<br> ("In the Bleak Midwinter"), El's favorite Irish jig ("The Kid on the Mountain"),<br> laments, love songs, and Irish airs.<br> <br> El is included in the Digitaldreamdoor listing of the 100 Greatest Acoustic Guitarists.<br> https://tinyurl.com/GreatestGuitarists Several of his recordings are referenced here:<br> https://elmcmeen.bandcamp.com/<br> <br> The audio sampler contains all or part of the following selections, in the CGDGAD tuning<br> except as otherwise indicated. (When El has recorded some of this music, he has used a capo,<br> usually at fret II or IV, for tonal atmosphere.)<br> <br> 1. America the Beautiful<br> 2. Be Still, My Soul<br> 3. Be Thou My Vision<br> 4. Carolan's Concerto<br> 5. Carolan's No. 179<br> 6. Come, Thou Long-Expected Jesus<br> 7. Give Me Your Hand<br> 8. Hector the Hero<br> 9. In the Bleak Midwinter<br> 10. Jerusalem (Drop D)<br> 11. Jesu, Joy of Man's Desiring<br> 12. Kid on the Mountain<br> 13. My Mary of the Curling Hair<br> 14. Niel Gow's Lament for the Death of His Second Wife<br> 15. Rose of Allendale<br> 16. Song for Sheila
$35.00
31.57 €
#
Guitar notes and tablatures
#
El McMeen
#
The Singing Guitar
#
Ellsworth McMeen
#
SheetMusicPlus
Duets For Violin & Violoncello 49-64 (volume 4)
Violin, Cello (duet)
Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1360674 Compose…
(+)
Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1360674 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 72 pages. Socrates Arvanitakis #945173. Published by Socrates Arvanitakis (A0.1360674). GENERAL PREFACE – ΓΕÎΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS49  ΓΙΑΤΡΟΣ Ο (The Doctor)50  ΓΙΩΡΓΟΣ Ο (George)51  ΓΚΙΟΥΛ ΜΠΑΞΕΣ (Beautiful Garden)52  ΓΛΥΚΟΧΑΡΑΖΕΙ Η ΧΑΡΑΥΓΗ (The Dawn Comes Sweetly)53  ΔΑΧΤΥΛΙΔΙ ΤΟ (The Ring)54  ΔΕÎΤΡΟ ΤΟ (The Tree)55  ΔΕΡΒΙΣΑΚΙ ΤΟ (The Little Dervish)56  ΔΗΜΟΣ Ο (Demos)57  ΔΙΑΜΑÎΤΙ ΔΑΧΤΥΛΙΔΙ (Diamond Ring)58  ΔΙΑΜΑÎΤΩ Η (Diamanto)59  ΔΥΟΣΜΑΡΑΚΙ ΤΟ (The Peppermint)60  ΕΓΩ ΕΙΜΑΙ Η ΒΛΑΧΑ (I Am The Wallachian Woman)61  ΕΙΚΟΣΙΠΕÎΤΕ ΤΟΥ ΜΑΡΤΙΟΥ (25th of March)62  ΕΙΧΑ ΜΙΑΠΑΓΑΠΗ (I Had A Love)63  ΕΞΟΜΟΛΟΓΗΣΗ Η (The Confession)64  ΕΡΗ, ΕΡΗÎΑΚΙ ΜΟΥ (Eri, My Little Erini).
$20.00
18.04 €
#
Violin, Cello (duet)
#
Socrates Arvanitakis
#
Duets For Violin & Violoncello 49-64
#
Socrates Arvanitakis
#
SheetMusicPlus
Pieces for six-string guitar. Part 6.
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1019415 Composed by Konstantin Shc…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1019415 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 205 pages. Konstantin Shchenitsyn #3379371. Published by Konstantin Shchenitsyn (A0.1019415). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
27.06 €
#
Guitar
#
Konstantin Shchenitsyn
#
Pieces for six-string guitar. Part 6.
#
Konstantin Shchenitsyn
#
SheetMusicPlus
Pieces for six-string guitar. Part 12.
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1019421 Composed by Konstantin Shc…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1019421 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 156 pages. Konstantin Shchenitsyn #3379391. Published by Konstantin Shchenitsyn (A0.1019421). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
27.06 €
#
Guitar
#
Konstantin Shchenitsyn
#
Pieces for six-string guitar. Part 12.
#
Konstantin Shchenitsyn
#
SheetMusicPlus
Pieces for six-string guitar. Part 10.
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1019419 Composed by Konstantin Shc…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1019419 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 177 pages. Konstantin Shchenitsyn #3379383. Published by Konstantin Shchenitsyn (A0.1019419). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
27.06 €
#
Guitar
#
Konstantin Shchenitsyn
#
Pieces for six-string guitar. Part 10.
#
Konstantin Shchenitsyn
#
SheetMusicPlus
Pieces for six-string guitar. Part 9.
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1019418 Composed by Konstantin Shc…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1019418 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 162 pages. Konstantin Shchenitsyn #3379381. Published by Konstantin Shchenitsyn (A0.1019418). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
27.06 €
#
Guitar
#
Konstantin Shchenitsyn
#
Pieces for six-string guitar. Part 9.
#
Konstantin Shchenitsyn
#
SheetMusicPlus
Pieces for six-string guitar. Part 4.
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1019413 Composed by Konstantin Shc…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1019413 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 181 pages. Konstantin Shchenitsyn #3379365. Published by Konstantin Shchenitsyn (A0.1019413). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
27.06 €
#
Guitar
#
Konstantin Shchenitsyn
#
Pieces for six-string guitar. Part 4.
#
Konstantin Shchenitsyn
#
SheetMusicPlus
Pieces for six-string guitar. Part 3.
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1019412 Composed by Konstantin Shc…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1019412 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 153 pages. Konstantin Shchenitsyn #3379363. Published by Konstantin Shchenitsyn (A0.1019412). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
27.06 €
#
Guitar
#
Konstantin Shchenitsyn
#
Pieces for six-string guitar. Part 3.
#
Konstantin Shchenitsyn
#
SheetMusicPlus
Pieces for six-string guitar. Part 7.
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1019416 Composed by Konstantin Shc…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1019416 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 182 pages. Konstantin Shchenitsyn #3379373. Published by Konstantin Shchenitsyn (A0.1019416). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
27.06 €
#
Guitar
#
Konstantin Shchenitsyn
#
Pieces for six-string guitar. Part 7.
#
Konstantin Shchenitsyn
#
SheetMusicPlus
Pieces for six-string guitar. Part 11.
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1019420 Composed by Konstantin Shc…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1019420 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 174 pages. Konstantin Shchenitsyn #3379387. Published by Konstantin Shchenitsyn (A0.1019420). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
27.06 €
#
Guitar
#
Konstantin Shchenitsyn
#
Pieces for six-string guitar. Part 11.
#
Konstantin Shchenitsyn
#
SheetMusicPlus
Pieces for six-string guitar. Part 8.
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1019417 Composed by Konstantin Shc…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1019417 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 188 pages. Konstantin Shchenitsyn #3379379. Published by Konstantin Shchenitsyn (A0.1019417). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
27.06 €
#
Guitar
#
Konstantin Shchenitsyn
#
Pieces for six-string guitar. Part 8.
#
Konstantin Shchenitsyn
#
SheetMusicPlus
Pieces for six-string guitar. Part 2.
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1019411 Composed by Konstantin Shc…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1019411 Composed by Konstantin Shchenitsyn. Instructional,Standards. Individual part. 146 pages. Konstantin Shchenitsyn #3379361. Published by Konstantin Shchenitsyn (A0.1019411). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
27.06 €
#
Guitar
#
Konstantin Shchenitsyn
#
Pieces for six-string guitar. Part 2.
#
Konstantin Shchenitsyn
#
SheetMusicPlus
Pieces for six-string guitar. Part1.
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1019404 Composed by Konstantin Shc…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1019404 Composed by Konstantin Shchenitsyn. Contemporary,Instructional,Standards. Individual part. 162 pages. Konstantin Shchenitsyn #3376971. Published by Konstantin Shchenitsyn (A0.1019404). 60 copyright pieces for classical guitar. Pieces in different styles and genres. The level of difficulty from beginners to masters of the guitar. Suitable for music schools and concert repertoire.
$30.00
27.06 €
#
Guitar
#
Konstantin Shchenitsyn
#
Pieces for six-string guitar. Part1.
#
Konstantin Shchenitsyn
#
SheetMusicPlus
25 Etudes Esquisses for Guitar
Guitar
By Gerald Garcia. For Guitar (Classical). Classic. 60 pages. Published by Mel Bay Publicat…
(+)
By Gerald Garcia. For Guitar (Classical). Classic. 60 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609740443. This collection of classic guitar studies is intended for the intermediate guitarist. As a whole, these etudes emulate the content of Carcassi's famed 25 Etudes, yet in a more contemporary harmonic and rhythmic idiom. These pieces are also distinguished in that they are not only valuable as left and right-hand technical exercises- but also as valid, pleasurable concert repertoire. The first ten etudes 11-20 focus on the use of the a finger in combination with i and m. Etudes 4,7,11,13,15, and 17 also concentrate on left-hand slurs. The final five etudes were composed as - and intended to be performed- as a set with each piece dedicated to a particular Latin American composer.
$17.99
16.23 €
#
Guitar
#
Gerald Garcia
#
25 Etudes Esquisses for Guitar
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.31 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.31 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.31 €
#
Guitar
#
Richard Strauss
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version