Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
4,696
Digital
Sheet Music
21,758
Sheet Music
Books
17,226
Music
Equipment
3,208
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
4131
PIANO & KEYBOARDS
Piano solo
1289
Piano, Voice
707
Easy Piano
399
Piano, Vocal and Guitar
340
C Instruments
197
Organ
104
Piano Accompaniment
77
Piano Trio: piano, violin, cello
37
1 Piano, 4 hands
27
Piano Quartet: piano, violin, viola, cello
21
2 Pianos, 4 hands
19
Accordion
10
Piano Quartet: piano, 2 violins, cello
9
Organ, Trumpet (duet)
8
Harpsichord
6
Piano Quintet: piano, 2 violins, viola, cello
5
Piano (band part)
5
Organ, Piano (duet)
2
Big Note Piano
1
2 Pianos, 8 hands
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
176
Guitar notes and tablatures
117
2 Guitars (duet)
29
Melody line, (Lyrics) and Chords
24
Ukulele
23
Mandolin
21
Bass guitar
14
4 Guitars (Quartet)
11
Piano, Guitar (duet)
11
Guitar (band part)
11
Banjo
11
3 Guitars (trio)
7
Guitar Ensemble
4
Mandolin, Guitar (duet)
3
Lyrics and Chords
3
Dulcimer
3
Electric Bass (band part)
2
Mandolin, Piano (duet)
2
Plectrum Orchestra
1
2 Ukuleles
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
726
Choral 2-part
192
Choral 3-part
181
Choral TTBB
128
Choral Unison
94
Choral SSAA
94
Tenor voice, Piano
52
Soprano voice, Piano
50
Alto voice, Piano
45
Baritone voice, Piano
37
Vocal duet, Piano
31
Vocal duet
30
High voice
11
Medium voice, Piano
7
Low voice, Piano
4
Soprano voice
3
Tenor voice
2
Choral SSATTB
2
Mezzo-Soprano voice, Piano
2
Choral SSAATTBB
2
Low voice
1
Voice, Guitar
1
Soli, Mixted choir and accompaniment
1
Choral SSATB
1
Choral
1
Voice solo
1
Instrumentations suivantes
Retracter
WOODWIND
2 Saxophones (duet)
322
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
299
Flute and Piano
248
Saxophone Quartet: 4 saxophones
230
Saxophone Quintet: 5 Saxophones
216
Oboe, Piano (duet)
213
Clarinet and Piano
200
Alto Saxophone and Piano
164
2 Flutes (duet)
164
2 Clarinets (duet)
140
Flute, Oboe, Clarinet, Bassoon
127
Tenor Saxophone and Piano
126
Clarinet
118
Flute
116
Soprano Saxophone and Piano
116
Clarinet Quartet: 4 clarinets
109
Oboe (band part)
106
Saxophone ensemble
96
Saxophone (band part)
92
Alto Saxophone
83
Clarinet, Violin (duet)
82
Saxophone, Clarinet (duet)
80
Flute, Clarinet (duet)
75
Baritone Saxophone, Piano
73
2 Oboes (duet)
62
Flute Quintet : 5 flutes
57
Clarinet, Trumpet (duet)
52
Oboe, Bassoon (duet)
51
Flute Quartet: 4 flutes
49
English horn, Piano
49
Oboe, Clarinet (duet)
48
Clarinet Ensemble
48
3 Saxophones (trio)
47
Flute, Violin
45
Tenor Saxophone
41
2 Recorders (duet)
41
Flute ensemble
40
Clarinet and Viola
38
Flute, Viola (duet)
37
Clarinet Quintet: 5 clarinets
36
Flute, Saxophone (duet)
35
Bass Clarinet, Piano
33
Flute, Trumpet (duet)
26
Oboe, Flute
24
3 Clarinets (trio)
24
Descant (Soprano) Recorder
23
Clarinet, Bassoon (duet)
21
Flute, Oboe (duet)
20
Recorder Quartet
19
Flute, Oboe, Clarinet (trio)
19
Recorder
17
Oboe, Violin (duet)
16
Oboe
14
Clarinet, Cello (duet)
14
Flute Trio: 3 flutes
14
Flute, Violoncello
14
Oboe, Cello
13
Soprano Saxophone
12
Clarinet, Trombone (duet)
12
Flute, Bassoon, and Piano
12
Flute, Violin, Piano
11
Clarinet (band part)
10
Oboe, Clarinet, Bassoon (trio)
10
2 Clarinets, Piano
9
5 Recorders
9
Pennywhistle
9
Baritone Saxophone
9
Treble (Alto) Recorder
8
Flute and Guitar
7
2 Flutes, Piano
7
Flute, Clarinet, Piano (trio)
7
Flute, Oboe, Piano (trio)
6
Descent (Soprano) Recorder, Piano
6
Flute (band part)
6
3 Recorders (trio)
6
Flute, Clarinet, Horn and Bassoon (Quartet)
6
Flute, Trombone (duet)
6
Clarinet, Guitar (duet)
5
Flute, Viola and Piano
5
Flute, harp and violin
4
Piccolo, Piano
4
Saxophone and Harp
4
Ocarina
4
Flute, trombone and piano
4
Flute, Oboe, Bassoon
4
Clarinet, Cello, Piano (trio)
4
Saxophone
4
Treble (Alto) Recorder, Piano
4
Oboe and viola (duet)
3
Flute, Cello, Piano (trio)
3
Oboe, Harp
3
Flute, Violin and Violoncello
3
Tenor Recorder
3
Oboe, Violin, Piano
2
Flute, Harp and Cello
2
Clarinet, trumpet and piano
2
2 Saxophones, Piano
2
Clarinet, Tuba
2
2 English horns and Pianoforte
2
Oboe, Guitar (duet)
2
Clarinet, Double bass (duet)
2
Flute, Clarinet and Bassoon.
2
English Horn
2
Harmonica
2
Flute, Cello, Guitar
1
Oboe, Trombone (duet)
1
Piccolo
1
Oboe, Clarinet and Piano (Trio)
1
Saxophone and Organ
1
Oboe, Trumpet (duet)
1
English horn, Harp (duet)
1
Flute, Violin, Guitar
1
Bass Clarinet
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Flute, Tuba (duet)
1
Clarinet Quintet: Clarinet, String Quartet
1
Flute and Strings Trio
1
2 Oboes, 2 Horns and 2 Bassoons
1
Treble (Alto) Recorder, Basso continuo
1
Oboe ensemble
1
Clarinette, Viola and Piano (trio)
1
Clarinet, Harp (duet)
1
Bagpipe
1
Flute, Violin, Violoncello and Piano
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
310
Brass quartet : 2 trumpets, trombone, tuba
187
Trombone and Piano
178
Trumpet, Piano
137
Trumpet
137
French Horn and Piano
134
Trumpet ensemble
94
French horn
93
Trombone
88
Brass Quartet: 2 trumpets, horn, trombone
87
Tuba and Piano
77
Tuba
76
2 Trombones (duet)
76
2 Trumpets (duet)
73
Brass Quartet: 4 trombones
69
Trombone ensemble
66
Euphonium, Piano (duet)
65
Trumpet, Saxophone (duet)
61
English horn, Piano
49
Trumpet, Trombone (duet)
48
Trombone (band part)
39
Trumpet (band part)
35
Brass Quartet
30
2 French horns (duet)
27
Trumpet, Horn (duert)
17
Brass Quartet: 4 trumpets
13
2 Tubas (duet)
13
French horn (band part)
12
2 Euphoniums (duet)
11
Horn Ensemble
10
Brass Quartet: 4 horns
10
4 Tubas
7
Tuba (band part)
7
Brass Trio
7
3 Trombones (trio)
6
2 Euphoniums and 2 Tubas
6
Horn, Cello (duet)
5
Bass Trombone and Piano
4
Trumpet, Cello (duet)
4
3 Tubas (trio)
3
Trumpet, Tuba (duet)
3
Trombone, Tuba (duet)
3
Trumpet, Bassoon (duet)
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
3 French horns (trio)
3
Brass Quartet: 2 trumpets, 2 trombones
3
Trumpet, Cello, Piano
3
Tuba and Organ
3
French horn and Basson (duet)
2
3 Trumpets (trio)
2
Trombone, Organ
2
2 English horns and Pianoforte
2
English Horn
2
Trombone, Horn (duet)
2
French Horn and Harp
2
Trumpet, Euphonium (duet)
1
Trumpet, Trombone, Piano
1
Trombone, Violin (duet)
1
Trumpet, violin (duet)
1
2 Trumpets, Keyboard (piano or organ)
1
English horn, Harp (duet)
1
Tuba ensemble
1
Bass Trombone
1
Euphonium, Tuba (duet)
1
3 Euphoniums
1
Horn, Cello and Piano
1
Euphonium
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
585
Violin and Piano
287
Violin, Cello (duet)
222
Cello, Piano
208
Violin
206
Viola, Piano
201
Cello
169
String Trio: violin, viola, cello
148
2 Violins (duet)
117
Harp
100
Violin, Viola (duet)
89
Viola
88
2 Cellos (duet)
83
String Quintet: 2 violins, viola, cello, bass
75
2 Violas (duet)
74
String Trio: 2 violins, cello
72
Double bass, Piano (duet)
52
Double Bass
52
Viola (band part)
42
Violin (band part)
24
Viola, Cello (duet)
23
2 Harps (duet)
22
4 Cellos
21
Violin ensemble
20
Piano Trio: Violin, Viola, Piano
20
Viola ensemble
17
String Trio: 3 cellos
15
Doublebass (band part)
15
2 Double basses (duet)
13
String quartet: 4 violins
12
String Trio: 3 violins
11
Violin, Bassoon (duet)
10
String Quartet : 4 violas
8
Viola and Bassoon
8
String Quintet: 2 violins, 2 violas, cello
7
Cello, Guitar (duet)
7
String Trio: 3 violas
6
Harp, Voice
6
Cello, String Bass (duet)
6
Harp, Flute (duet)
5
Violin, Guitar (duet)
5
Harp, Violin (duet)
5
Cello (band part)
4
Violin, Clarinet, Piano (trio)
4
Harp, Trombone (duet)
4
Harp, Violin, Violoncello
2
Flute, Doublebass (duet)
2
String Trio: 2 violins, viola
2
Harp, Cello (duet)
2
2 Violins, Piano
2
Viola and Harp
2
Violin, Tuba (duet)
1
Harp and Piano
1
Cello Ensemble
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
437
String Orchestra
236
Orchestra
230
Jazz Ensemble
101
Brass ensemble
91
Chamber Orchestra
87
Handbells
51
Drum (band part)
16
Marching band
15
Percussion Ensemble
15
Jazz combo
13
Percussion (band part)
7
Drums
7
Marimba
5
Vibraphone
4
Brass Quintet: other combinaisons
3
Xylophone, Piano
3
School Ensemble
3
Orchestra, Violin
1
Bongos
1
Piano and Orchestra
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
6
You've selected:
A Man's a Man for A' That
Sheetmusic to print
21,758 sheet music found
<
1
26
51
....
9976
A Man's a Man for A' That (two treble instruments)
Large Ensemble Alto Recorder,Flute,Oboe,Soprano Recorder,Tenor Recorder,Violin - Level 1 -…
(+)
Large Ensemble Alto Recorder,Flute,Oboe,Soprano Recorder,Tenor Recorder,Violin - Level 1 - Digital Download SKU: A0.993644 Composed by Traditional. Arranged by Frank Nordberg. Celtic,Classical,Folk,World. Score and parts. 3 pages. Frank Nordberg #4283705. Published by Frank Nordberg (A0.993644). For two treble instruments (flute, oboe, violin, mandolin etc.)A duet arrangement of Robert Burns' ode to the freedom of man that has become the unofficial national anthem in Scotland and is also known elsewhere in the world.Alternative titles include:Is There For Honest PovertyFor a' That and a' Thatand in Germany:Trotz alledem und alledemLevel: technically easy, musically fairly easyKey: D (Two sharps - c and f)Tone range:Part 1: a'-aPart 2: e'-f#The mp3 file is a converted midi file. The music will sound even better when you play it on a real guitar. :-)https://nordbergpublishing.blogspot.com
$1.99
1.78 €
#
Traditional
#
A Man's a Man for A' That
#
Frank Nordberg
#
SheetMusicPlus
Plateau of Dances with a Scottish Flavour
Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Compos…
(+)
Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet. Score. 6 pages. Forton Music - Digital #FM628. Published by Forton Music - Digital (F2.FM628). ISBN 9790570485277.'Plateau of Dances with a Scottish Flavour' Plateau of Dances with a Scottish Flavour was composed in autumn 2016, Eastbourne, and is inspired by my childhood in Doune, Perthshire; as well as the Ceilidhs and Feis (cultural festival in the Highlands) my daughter, Clara, and I were immersed in when we lived in the picturesque village of Kingussie, Badenoch and Strathspey. The four dances are a celebration of my love and nostalgia for Scotland, and an expression of my family's Scottish memories. Each dance comes with a quote from my favourite poet, Robert Burns, whose insightful and sensitive observations are a poignant appreciation of everyday life. Why the reference to Scottish food? Because this piece is dedicated to my father, Papou, who appreciates a merry supper. The 1st Movement, 'To the Mighty Haggis', is a Strathspey with its characteristic Scotch snap -a short-long rhythm, as if saying the word 'haggis'; which is fitting as the Scottish bard's quote comes from his poem Address to a Haggis, traditionally said on Burns' Night. The 2nd Movement, 'The Humble Shortbread', is a Reel; as is usually the case in Scottish dances. It should be played with a slightly 'snappy', swung rhythm. 'What though on homely fare we dine, [...] A man is a man for all that' comes from my favourite Burns' poem: A Man's a Man for A' That. And who doesn't enjoy the humble shortbread? There is a more reflective, nostalgic mood to the 3rd Movement, 'Ode to the Homely (salty) Porridge'. The Air is a reminiscence of the quiet evenings Clara and I would spend in Kingussie, with our view of the beautifully haunting mountains. 'What will I get to my supper, [...] Ye'se get a panfu' o' plumpin parridge' comes from Burns' The Shepherd's Wife who tries to entice her husband back home with the promise of porridge (the Scottish way: with salt). Finally, the 4th Movement, 'Too Many Drams of Whisky', is a cheerful and lively Jig. It's the convivial merriness of being with friends and family, maybe at a Ceilidh, with a wink to Scotland's 'water of life'. 'We'll tak a cup o' kindness yet, For auld lang syne' comes from Burns' famous Auld Lang Syne: a fitting end to our musical and culinary tour of Scotland.
$7.95
7.12 €
#
Alexandra Lehmann
#
Plateau of Dances with a Scottish Flavour
#
Forton Music - Digital
#
SheetMusicPlus
A Man's a Man for A' That (flatpicking solo guitar - with and without tablature)
Guitar notes and tablatures
Guitar - Level 2 - Digital Download SKU: A0.993647 Composed by Traditional. Arrange…
(+)
Guitar - Level 2 - Digital Download SKU: A0.993647 Composed by Traditional. Arranged by Frank Nordberg. Celtic,Folk,World. Guitar Tab. 4 pages. Frank Nordberg #4283713. Published by Frank Nordberg (A0.993647). An easy solo guitar arrangement of Robert Burns' ode to the freedom of man that has become the unofficial national anthem in Scotland and is also known elsewhere in the world.This arrangement is specially made for flatpicking. It can be played classical/fingerpicking style too but there are two other arrangements available that are more suitable for that.Alternative titles include:Is There For Honest PovertyFor a' That and a' Thatand in Germany:Trotz alledem und alledemLevel: Fairly easy.The mp3 file is a converted midi file. The music will sound even better when you play it on a real guitar. :-)https://nordbergpublishing.blogspot.com
$1.99
1.78 €
#
Guitar notes and tablatures
#
Traditional
#
A Man's a Man for A' That
#
Frank Nordberg
#
SheetMusicPlus
A Man's a Man for A' That (easy guitar - with and without tablature)
Guitar notes and tablatures
Guitar - Digital Download SKU: A0.993645 Composed by Traditional. Arranged by Frank…
(+)
Guitar - Digital Download SKU: A0.993645 Composed by Traditional. Arranged by Frank Nordberg. Celtic,Classical,Folk,World. Guitar Tab. 4 pages. Frank Nordberg #4283707. Published by Frank Nordberg (A0.993645). An easy solo guitar arrangement of Robert Burns' ode to the freedom of man that has become the unofficial national anthem in Scotland and is also known elsewhere in the world.Two other solo guitar arrangements of the tune are also available, one slightly more difficult (with dropped D tuning) and one specially for flatpicking guitar.Alternative titles include:Is There For Honest PovertyFor a' That and a' Thatand in Germany:Trotz alledem und alledemLevel: technically easy, musically fairly easyThe tune goes up to the a on the first string.The mp3 file is a converted midi file. The music will sound even better when you play it on a real guitar. :-)https://nordbergpublishing.blogspot.com
$1.99
1.78 €
#
Guitar notes and tablatures
#
Traditional
#
A Man's a Man for A' That
#
Frank Nordberg
#
SheetMusicPlus
A Man's a Man for A' That (solo guitar - with and without tablature)
Guitar notes and tablatures
Guitar - Level 2 - Digital Download SKU: A0.993646 Composed by Traditional. Arrange…
(+)
Guitar - Level 2 - Digital Download SKU: A0.993646 Composed by Traditional. Arranged by Frank Nordberg. Celtic,Classical,Folk,World. Guitar Tab. 4 pages. Frank Nordberg #4283709. Published by Frank Nordberg (A0.993646). An easy solo guitar arrangement of Robert Burns' ode to the freedom of man that has become the unofficial national anthem in Scotland and is also known elsewhere in the world.Two other solo guitar arrangements of the tune are also available, one easier setting and one specially for flatpicking guitar.Alternative titles include:Is There For Honest PovertyFor a' That and a' Thatand in Germany:Trotz alledem und alledemLevel: technically easy, musically fairly easy. Requires dropped D tuning (6th string tuned down to D)The mp3 file is a converted midi file. The music will sound even better when you play it on a real guitar. :-)https://nordbergpublishing.blogspot.com
$1.99
1.78 €
#
Guitar notes and tablatures
#
Traditional
#
A Man's a Man for A' That
#
Frank Nordberg
#
SheetMusicPlus
A Man's A Man For A' That
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.820262 Composed by Tradition…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.820262 Composed by Traditional Scottish. Arranged by Alan A Craig. Celtic,Concert,Folk,Patriotic. Score. 12 pages. Earnside Music #6671133. Published by Earnside Music (A0.820262). Robert Burns’ iconic song has become a rallying cry for justice and equality through the centuries. In this arrangement the world-famous Scottish folk melody is set for medium voice with a stirring concert piano accompaniment that complements the various moods of the text and builds to a rousing climax in the final chorus. Ideal for performance by classical musicians or students for concerts, recitals or Scottish-themed events.
$2.25
2.02 €
#
Piano, Voice
#
Traditional Scottish
#
A Man's A Man For A' That
#
Earnside Music
#
SheetMusicPlus
A man's a man for a' that
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1477440 By Alex Tinlin. By Alex Tinlin. Arranged by Alex Tinlin. Chamber,Classical,Folk,Patriotic,Traditional. 6 pages. Alex Tinlin #1054844. Published by Alex Tinlin (A0.1477440). My arrangement for String Quartet of the traditional Scottish air 'A man's a man for a' that', with words by Robert Burns.
$4.99
4.47 €
#
String Quartet: 2 violins, viola, cello
#
Alex Tinlin
#
A man's a man for a' that
#
Alex Tinlin
#
SheetMusicPlus
A Man's a Man for A' That (Is There for Honest Poverty)
Choral SATB
Composed by Robert Burns. Arranged by Matthew Spinner. A Cappella, Celtic, Folk, Irish…
(+)
Composed by Robert Burns. Arranged by Matthew Spinner. A Cappella, Celtic, Folk, Irish, Multicultural, Patriotic, World. Octavo. 8 pages. Matthew Spinner #5983401. Published by Matthew Spinner
$1.99
1.78 €
#
Choral SATB
#
Robert Burns
#
A Man's a Man for A' That
#
Matthew Spinner
#
SheetMusicPlus
A Man's A Man For a' That
Small Ensemble Accordion,Acoustic Guitar,Fiddle,Medium Voice,Piccolo - Digital Download
(+)
Small Ensemble Accordion,Acoustic Guitar,Fiddle,Medium Voice,Piccolo - Digital Download SKU: A0.495579 Composed by Robbie Burns. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Score and parts. 4 pages. Published by Alan Wagstaff (A0.495579). This is a traditional Scottish folk song with lyrics by Robbie Burns. The arrangement is for a folk band: voice, whistle, accordion, and fiddle.
$2.00
1.79 €
#
Robbie Burns
#
A Man's A Man For a' That
#
Alan Wagstaff
#
SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
(+)
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
26.82 €
#
Paul Wehage
#
Paul Wehage: To You for baritone, tenor saxophone and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Tuba ensemble
Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Mil…
(+)
Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller’s signature tune. In 1991, Miller’s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.<br> <br> The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.<br> <br> In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master’s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.<br> <br> The recording was also issued as a V-Disc, No. 39A, in November 1943.<br> <br> The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".<br> <br> The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".<br> <br> "Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.<br> <br> A notable vocal version can be found on Frank Sinatra’s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.<br> <br> "Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.<br> <br> Jazz critic Gary Giddins wrote about the song’s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ’Moonlight Serenade’ for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).<br> <br> "Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.<br> <br> Wartime release:<br> <br> The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99
11.63 €
#
Tuba ensemble
#
Glenn Miller
#
Moonlight Serenade for Tuba Quintet
#
Music for all Occasions
#
SheetMusicPlus
Romance (Study in E) - Anon./Sor/Yepes (Vn, Va, Vc)
String Trio: violin, viola, cello
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.802…
(+)
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged by Shigeo Ida & Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6513457. Published by Peet du Toit (A0.802693). Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names.Its origins and authorship are currently in question. It is suspected of originally being a solo instrumental guitar work, from the 19th century. It has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Miguel Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. The Anónimo (anonymous) part of its name has been incorporated over the years due to this uncertainty. The question of authorship has probably been propagated by three main reasons: the lack of claim by its true author, the desire to avoid paying copyright fees, and the desire of publishing companies to claim the lucrative copyright of this world-famous piece.The style of the piece is that of the Parlour music of the late 19th century in Spain or South America, having a closed three-part form: the first in the minor key and the second being in the major key, with the third being a restatement of the first.Narciso Yepes (1927 - 1997) interpreted and is listed as the author of the piece in René Clément's 1952 film Jeux interdits (Forbidden Games). The popularity of the film gave the piece worldwide fame. Yepes currently has the copyright of this composition in Spain although recordings and manuscripts of this song predate 1952. Newer publications show Yepes as the arranger and the piece being of anonymous authorship, or authored by Fernando Sor.The official statement from Narciso Yepes and the Yepes heirs is that Narciso Yepes, being a young boy, originally composed the piece for his mother when he was about seven years old (c.1934) and soon thereafter performed it between acts at the Teatro Guerra, in Lorca, Spain. Some time later, he recounts, when he was thirteen years old he attended a performance in Valencia and heard his composition performed by another guitarist, who indicated the authorship as anonymous. Yepes contends that the melody had been plagiarized (with some changes to the arrangement) by someone who, he assumes, must have attended that first performance. However, Yepes was born 1927 and cannot be the author of the work, since it was already recorded in 1900 and published before 1925 (possibly 1913) by J.A. MEDINA e HIJO; and in 1919 in themethod of Pedro Mascaró y Reissig, etc. Vicente Gomez (1911-2001) published it and performed it in 1941 in the Hollywood movie Blood and Sand with Tyrone Powerand Rita Hayworth, also attributing authorship of the song to himself. Anyway, the piano arrangement of the brilliant Shigeo Ida caught my attention and I decided to rework it somewhat into this trio for strings. Enjoy!
$14.50
12.99 €
#
String Trio: violin, viola, cello
#
Anon
#
Romance
#
Peet du Toit
#
SheetMusicPlus
A Man's A Man For A' That
Accordion
Composed by Traditional. Arranged by Julia Gordon. World, Folk, European, Celtic. 1 pag…
(+)
Composed by Traditional. Arranged by Julia Gordon. World, Folk, European, Celtic. 1 pages. Published by Julia Gordon
$3.25
2.91 €
#
Accordion
#
Traditional
#
A Man's A Man For A' That
#
Julia Gordon
#
SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
(+)
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
29.51 €
#
2 Pianos, 4 hands
#
achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
#
Germaine Tailleferre
#
Germaine Tailleferre: Trois Études for two pianos
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
A Guide to Non-Jazz Improvisation: Mandolin Edition
Mandolin
Composed by Dick Weissman. Country. Acoustic Music. E- book and online audio. 128 pag…
(+)
Composed by Dick Weissman. Country. Acoustic Music. E- book and online audio. 128 pages. Mel Bay Publications - Digital Sheet Music #20829BCDEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610652421.<br> <br> The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds. The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in many musical styles, including;* Blues* Country* American folk * Latin-American* World music including South American, Eastern European and Asian * Odd meters (playing in a variety of time signatures)* New Age* Classical * Folk-RockIn short, the books are an encyclopedia of virtually every musical style, excluding jazz. Includes access to online audio.
$19.99
17.9 €
#
Mandolin
#
Dick Weissman
#
A Guide to Non-Jazz Improvisation: Mandolin Edition
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
The Fightin' 55th (for Brass Quintet & Percussion)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by…
(+)
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wing—“The Fightin’ 55thâ€â€”under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the “Air Force Song†most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the “Trio†section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of “Anchors Aweighâ€, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the “March Kingâ€, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of “sonata formâ€, and even the modern formal designation of “recapitulating march†alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, “The Fightin’ 55thâ€, is much more unified than most typical marches. The very nature of military marches (including America’s beloved “Stars and Stripes Foreverâ€) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes “The Fightin’ 55th†an appropriate and even artistic concert march.
$24.95
22.34 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Dr
#
The Fightin' 55th
#
https://gildedmusicpress.com/
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard …
(+)
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.34 €
#
Bass Clarinet, Piano
#
Edvard Grieg
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Clarinet & Piano
Clarinet
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549582 Composed by Edvar…
(+)
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549582 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509567. Published by jmsgu3 (A0.549582). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
22.34 €
#
Clarinet
#
Edvard Grieg
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549578 Composed by Edvard…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549578 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509393. Published by jmsgu3 (A0.549578). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore!Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.34 €
#
Alto Saxophone and Piano
#
Edvard Grieg
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549574 Composed by Edvard Grieg. Ar…
(+)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549574 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509355. Published by jmsgu3 (A0.549574). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.34 €
#
Oboe, Piano (duet)
#
Edvard Grieg
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Oboe & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549575 Composed by Edvar…
(+)
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549575 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509361. Published by jmsgu3 (A0.549575). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.34 €
#
Clarinet and Piano
#
Edvard Grieg
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552857 Compos…
(+)
Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552857 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511309. Published by jmsgu3 (A0.552857). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore!Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.34 €
#
Edvard Grieg
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
<
1
26
51
....
9976
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
