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You've selected:
A Round of Dowland
Sheetmusic to print
15 sheet music found
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1
A Round of Dowland
Brass Ensemble Tuba - Level 3 - Digital Download SKU: A0.699522 Composed by John Do…
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Brass Ensemble Tuba - Level 3 - Digital Download SKU: A0.699522 Composed by John Dowland. Arranged by Kenneth D. Friedrich. Renaissance,World. Score and parts. 17 pages. KFS Publishing #3007311. Published by KFS Publishing (A0.699522). Three Dowland madrigals arranged for tuba quartet. List:Come AgainGo Crystal TearsNow, O Now I Needs Must Part
$15.00
14.03 €
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John Dowland
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A Round of Dowland
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KFS Publishing
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SheetMusicPlus
"An Englishman in New York" - Dowland Arrangements for Two Mandolins
Instrumental Duet,Mandolin - Level 3 - Digital Download SKU: A0.1281501 Composed by…
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Instrumental Duet,Mandolin - Level 3 - Digital Download SKU: A0.1281501 Composed by John Dowland. Arranged by Alon Sariel and Joseph Brent. Baroque,Chamber,Classical,Renaissance. 34 pages. Paladino Editions #872842. Published by Paladino Editions (A0.1281501). “An Englishman in New York†is an exciting and unique look into John Dowland’s Lute Music. It is the first adaptation of this music for a mandolin duo, and as such offers a say of the lute’s little sister on some of the most popular tunes in Elizabethan England. The arrangements of these Dowland lute pieces are printed in the same order as were performed on the recording (Orlando Records, OR 0007). Content: Come Away, Come Sweet Love Tartleton’s Jig, P. 81 Tartleton’s Resurrection, P. 59 The Shoemaker’s Wife. A Toy, P. 58 Melancholy Galliard, P. 25 Mrs. Winter’s Jump, P. 55 The Most High and Mighty Christianus the Fourth, King of Denmark, His Galliard, P. 40 Mrs. Whithe’s Thing, P. 50 Mrs. White’s Nothing, P. 56 A Coy Joy, P. 80 Can She Excuse My Wrongs Forlorn Hope, P. 2 The Most Sacred Queen Elizabeth, Her Galliard, P. 41 Lord Strang’s March, P. 65 Round Battle Galliard, P. 39 Lachrimæ Mrs. Vaux Galliard, P. 32 Mrs Vaux’s Jig, P. 57 My Lord Willoughby’s Welcome Home, P. 66 The Frog Galliard, P. 23 Fantasia in G Major, P. 73 What If A Day, P. 79
$19.95
18.66 €
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John Dowland
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"An Englishman in New York" - Dowland Arrangements for Two Mandolins
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Paladino Editions
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SheetMusicPlus
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
C Instruments
C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermis…
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C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian
Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.<br> <br> Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.<br> <br> I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.<br> <br> At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at<br> <br> https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS<br> <br> As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.
$11.46
10.72 €
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C Instruments
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Various
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Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
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Wold Meridian
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SheetMusicPlus
30 Medieval and Renaissance Dance Tunes (bass cleef+guitar chords)
C Instruments
C Instrument - Level 3 - Digital Download SKU: A0.1099420 Composed by Traditional. …
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C Instrument - Level 3 - Digital Download SKU: A0.1099420 Composed by Traditional. Arranged by Klas Krantz. Classical,Early Music,Medieval,Renaissance,Traditional. Lead Sheet / Fake Book. 12 pages. Amadeus Music #703312. Published by Amadeus Music (A0.1099420). Medival and renaissance dance music suitable for any bass cleef C-instrument (cello, bassoon, bass recorder...) Most tunes have guitar chords!C O N T E N T : 1. Edi beo thu, 2. Virelai (Amiens), 3. Autumn Song (Muset), 4 . In vernali, 5. In dulci jubilio, 6. Le forze, d’Hercole, 7. La cornetta, 8. Courant (Praetorius) 9. Gavott II (Praetorius) 10. Mistress Winter’s Jump (Dowland), 11. When the King Enjoys His Own Again, 12. Branle del la Torche (Praetorius), 13. Spagnoletta (Zanetti), 14. Trotto (anon, Italy), 15. Greensleeves to a Ground and variations, 16. La rosetta (Praetorius), 17. Bravade (van Eyck), 18. Black Adder, 19. Adeste fidelis, 20. Gather ye Rosebuds (Lawes), 21. The King of Denmark’s Galliarde (Dowland), 22. French Drinking Song, 23. Pass e medio (Susato), 24. All in a Garden Green, 25. Kemp's Jig, 26. I Saw Three Ships, 27. Pilgrim Song, 28. Tourdion, 29. Menuett (Hervelois), 30. Cotillion. +Cover Page.
$6.95
6.5 €
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C Instruments
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Traditional
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30 Medieval and Renaissance Dance Tunes
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Amadeus Music
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SheetMusicPlus
30 Medieval and Renaissance Dance Tunes (bass cleef+guitar chords)
C Instruments
C Instrument - Level 3 - Digital Download SKU: A0.1099980 Composed by Various. Arra…
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C Instrument - Level 3 - Digital Download SKU: A0.1099980 Composed by Various. Arranged by Klas Krantz. Classical,Early Music,Folk,Medieval,Renaissance. Lead Sheet / Fake Book. 12 pages. Amadeus Music #703850. Published by Amadeus Music (A0.1099980). Medival and renaissance dance music suitable for any bass cleef C-instrument, Bb keyes (cello, bassoon, bass recorder...) Most tunes have guitar chords!C O N T E N T : 1. Edi beo thu, 2. Virelai (Amiens), 3. Autumn Song (Muset), 4 . In vernali, 5. In dulci jubilio, 6. Le forze, d’Hercole, 7. La cornetta, 8. Courant (Praetorius) 9. Gavott II (Praetorius) 10. Mistress Winter’s Jump (Dowland), 11. When the King Enjoys His Own Again, 12. Branle del la Torche (Praetorius), 13. Spagnoletta (Zanetti), 14. Trotto (anon, Italy), 15. Greensleeves to a Ground and variations, 16. La rosetta (Praetorius), 17. Bravade (van Eyck), 18. Black Adder, 19. Adeste fidelis, 20. Gather ye Rosebuds (Lawes), 21. The King of Denmark’s Galliarde (Dowland), 22. French Drinking Song, 23. Pass e medio (Susato), 24. All in a Garden Green, 25. Kemp's Jig, 26. I Saw Three Ships, 27. Pilgrim Song, 28. Tourdion, 29. Menuett (Hervelois), 30. Cotillion. +Cover Page.
$6.95
6.5 €
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C Instruments
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Various
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30 Medieval and Renaissance Dance Tunes
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Amadeus Music
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SheetMusicPlus
The William Bay Collection - Flatpicking Guitar Solo Anthology #2
Guitar notes and tablatures
Guitar - Intermediate - Digital Download SKU: M0.WBM77MEB Folk. Ebook and online au…
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Guitar - Intermediate - Digital Download SKU: M0.WBM77MEB Folk. Ebook and online audio. 297 pages. Mel Bay Publications - Digital Sheet Music #WBM77MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM77MEB). ISBN 9781513477916. 8.75X11.75 inches.A comprehensive collection of 146 guitar solos in notation and tablature. The solos include beautiful airs and ballads from America and the British Isles, Celtic favorites, and early music pieces. Also included are many original guitar solos written by the author. Each solo is recorded, and the book includes access to online recordings.
Song List: Adoro Devote (th Century Plainsong) Allegro (Anon) Alman (Robert Johnson) An dro An Drochshaol (The Hard Times) An Italian Rant (John Playford) Andante (Anon) Aura Lee Ballade (Anon) Bear Dance (Anon) Beautiful Dreamer Believe Me If All Those Endearing Charms Black is the Color of My True Love's Hair Black Sunday Blessed Reunion Branle Double (Michael Praetorius) Cailin Deas Crúite na mBó (Pretty Girl Milking Her Cow) Call The Ewes Canarios (Gaspar Sanz) Carolan's Dream Carolan's Fancy Chanter's Tune Chestnut (John Playford) Childgrove (John Playford) Clancy's Wake Come With Me, My Giselle (Adam De La Halle) Coming Home Cooley's Reel Courting is a Pleasure Darling Nellie Gray Dont vient cela (Susato/Danserye ) Dowland's Ghost (W Bay) Down by the Sally Gardens Drowsie Maggie Endless Horizon Fair Flower Of Northumberland Fields Of Culloden Flint Hills Fortune My Foe (Anon) Gavotte (Michael Praetorius) Golden Fields Greensleeves (Anon) Greyfriars Bobby Grimstock (John Playford) Guardeme Las Vacas (Luis De Narvaez) Guilderoy Hard Times, Come Again No More Harvest Festival Hills Of Ireland I Dream of Jeanie With the Light Brown Hair I Went To Visit The Roses In The Pines Irish Prayer Jock O'Hazeldean John Anderson, My Jo Johnny Has Gone For a Soldier Just A-Wearyin' For You Just Before The Battle, Mother Kean O'Hara (First Air) Kemp's Jig (John Playford) La Folias (Gaspar Sanz) Lady Laiton's Almain (John Dowland) Land of Rest Londonderry Air Lorena Macdonald, Lord Of The Isles MacPherson's Farewell Mara's Theme Master Shardlake (W Bay) Meadowlark Meramec Echoes Mighty Lak' A Rose Moderato (Anon) My Irish Home My Lagan Love My Spirited Love Mystic Valley Ned Of The Hill New Day O Esca Viatorum (Louis Bourgeois) On The Cold Ground (John Playford) Once I Had A Sweetheart Ozark Memories Packington's Pound (Anon) Paper Of Pins Parson's Farewell (John Playford) Pastourelle (th Century French) Pigeon On The Fence Prairie Sunrise Prairie Sunset Pretty Peggy - O Quiet Summer Night Rainfall Remembrance Rose Of Sharon Saltarello (Vincenzo Galilei) Saturday Night Waltz Scarborough Fair Shady Grove She Moved Through The Fair Sheebeg and Sheemor Shenandoah Si pour t'aymer (Anon) Southwind Waltz Spagnoletta (Michael Praetorius) St Martin's (John Playford) Star of the County Down State Fair Storm Coming Summer Plans Sunflower Waltz The Bonny Light Horseman The Boys Of Ballisodare The Brave Lad The Church on the Prairie The Connachtman's Rambles The Flowers Of Sweet Erin The Green The Fragrance of Fall The Galway Shawl The Highlander The Highwayman's Reel The Lark In Clear Air The Lilting Banshee The Lonesome Dove The Long Road The Lost Child The Marsh of Rhuddlan The Mist Covered Mountain (Jig) The Mist Covered Mountains Of Home (Ballad) The Old Country The Old Homestead The Parting Glass The Rambling Pitchfork The Shearing's Not For You The Water Is Wide The Yearling TO a Wild Rose To Drive The Cold Winter Away (John Playford) Trail Of Tears Treasure Of My Heart Tutte Venite Armati (Anon) Village Meeting House Volte (W Bay) Wild Mountain Thyme Wilson's Wilde (Anon) Winfield Waltz
$29.99
28.06 €
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Guitar notes and tablatures
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The William Bay Collection - Flatpicking Guitar Solo Anthology #2
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Farnaby: Fantasia CXXIX for String Quartet - Score Only
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1298204 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1298204 Composed by Giles Farnaby. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 11 pages. Jmsgu3 #888177. Published by jmsgu3 (A0.1298204). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560, and he lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in the development of keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$24.95
23.34 €
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String Quartet: 2 violins, viola, cello
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Giles Farnaby
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Farnaby: Fantasia CXXIX for String Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Farnaby: Fantasia CXXIX for String Orchestra - Score Only
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1298242 Composed by Giles Far…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298242 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 17 pages. Jmsgu3 #888221. Published by jmsgu3 (A0.1298242). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560, and he lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in the development of keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$32.95
30.83 €
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String Orchestra
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Giles Farnaby
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Farnaby: Fantasia CXXIX for String Orchestra - Score Only
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jmsgu3
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SheetMusicPlus
Farnaby: Fantasia CXXIX for String Orchestra
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1298252 Composed by Giles Far…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298252 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 33 pages. Jmsgu3 #888225. Published by jmsgu3 (A0.1298252). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$39.95
37.37 €
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String Orchestra
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Giles Farnaby
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Farnaby: Fantasia CXXIX for String Orchestra
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jmsgu3
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SheetMusicPlus
Farnaby: Four Fitzwilliam Pieces for String Orchestra
String Orchestra
String Orchestra - Level 1 - Digital Download SKU: A0.1255701 Composed by Giles Far…
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String Orchestra - Level 1 - Digital Download SKU: A0.1255701 Composed by Giles Farnaby, 1563-1640. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Traditional. 15 pages. Jmsgu3 #849209. Published by jmsgu3 (A0.1255701). 1. Farnaby's Dreame2. His Rest - Galiard3. His Humour4. FinaleGiles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$38.95
36.44 €
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String Orchestra
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Giles Farnaby, 1563-1640
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Farnaby: Four Fitzwilliam Pieces for String Orchestra
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jmsgu3
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SheetMusicPlus
Because I Could Not Stop for Death
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1308012 By Richard …
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical,Opera,Romantic Period. 4 pages. Richard deCosta #897289. Published by Richard deCosta (A0.1308012). Words by Emily DickinsonMusic by Richard deCostaBecause I could not stop for Death –He kindly stopped for me –The Carriage held but just Ourselves –And Immortality.We slowly drove – He knew no hasteAnd I had put awayMy labor and my leisure too,For His Civility –We passed the School, where Children stroveAt Recess – in the Ring –We passed the Fields of Gazing Grain –We passed the Setting Sun –Or rather – He passed Us –The Dews drew quivering and Chill –For only Gossamer, my Gown –My Tippet – only Tulle –We paused before a House that seemedA Swelling of the Ground –The Roof was scarcely visible –The Cornice – in the Ground –Since then – 'tis Centuries – and yetFeels shorter than the DayI first surmised the Horses' HeadsWere toward Eternity –-=-In the reclusive chambers of Emily Dickinson's 19th-century Massachusetts home, the haunting poem, 'Because I Could Not Stop for Death,' was conceived. Living much of her life in isolation, Dickinson's thoughts often ventured into the shadowlands of existence. This poem, published posthumously in 1890, offers a chilling reflection of her contemplation. The Grim Reaper, a timeless symbol, is portrayed as a carriage driver, guiding the reader through a somber journey that mirrors the ephemeral nature of life. Passing scenes of childhood innocence, maturity's labor, and the twilight of existence, it culminates in the cold embrace of the grave. Her words, etched in a gothic darkness, resonate with the uncertainties and fears of her time, transcending to speak to the eternal human condition.
$7.99
7.47 €
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Choral SATB
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Richard deCosta
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Because I Could Not Stop for Death
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Richard deCosta
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SheetMusicPlus
RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arran…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. Socrates Arvanitakis #915591. Published by Socrates Arvanitakis (A0.1327548). FROM THE PREFACEThe fourth volume of Renaissance music for classical guitar contains twenty mostly well-known and a few more rare intermediate Renaissance pieces taken mainly from lute and vihuela sources. I have tried to keep the upper level of technical difficulty to the contemporary grade VI level of the A.B.R.S.M. which takes the student to the advanced level (grades VII-VIII).The pieces are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in increasing the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.THEMATIC INDEX OF THIS VOLUME  & NAVIGATION BY ACTIVE LINKSThe thematic index following the cover page of this volume contains active links to the decorated pages of the pieces.The titles of the pieces are also active links interconnecting decorated and tablature pages of the same piece.The header in pages containing  the title of a piece is an active link bringing back to the thematic index. The YOUTUBE logo icons in the thematic index are external links to particular performances of these pieces by various artists.Socrates ArvanitakisLondon 2023CONTENTSPavana 1 Luys MilanPavana 2 L. MilanPavana 3 L. MilanPavana 4 L. MilanPavana 5 L. MilanPavana 6 L. MilanGallarda - Alonso de MudarraGuardame las Vacas I - Luis de NarvaezGuárdame las vacas II - Luis de NarvaezDance Of The Washerwomen - Hans NeusidlerTedesca - AnonymousAlmain - Richard AllisonGreensleeves 1-traditional/AnonymousGreensleeves 2- Francis CuttingAlman in Am - Robert Johnson The Round Battle Galliard - John DowlandThe King of Danemark's Galliard - John DowlandThe Night Watch - Anthony HolborneThe Cobbler - AnonymousGo From My Window - Anonymous.
$15.00
14.03 €
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Guitar
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Various
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RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
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Socrates Arvanitakis
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SheetMusicPlus
Alman
String Quartet: 2 violins, viola, cello
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.966178 Composed by Robert Johnson and Robert Johnson. Arranged by Joe Rosochacki. Instructional,Renaissance. Score and parts. 4 pages. Joe Rosochacki #2010413. Published by Joe Rosochacki (A0.966178). This Alman was originally written for lute. The Alman was part of the dances of Renaissance Suites that later occurs in the Baroque Period. Robert Johnson was a master lutenist during the Renaissance England. The beautiful 16th Century counterpoint is ewvident in his writing. Robert Johnson was the son of John Johnson, who was lutenist to Elizabeth I. In 1594 Robert's father died, and in 1596 he joined the household of George Carey, 2nd Baron Hunsdon as an apprentice. Robert is assumed to have been around 13 at the time, as this was a typical age to begin an apprenticeship, but his date of birth is not known. Carey and his wife Elizabeth Spencer, were patrons of the lutenist and composer John Dowland, who dedicated various compositions to them. (wiki reference http://en.wikipedia.org/wiki/Robert_Johnson_%28English_composer%29) ThIs arrangemen is for intermediate orchestra and is geared for educational purposes of uncerstanding 16th Century counterpoint.
$4.99
4.67 €
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String Quartet: 2 violins, viola, cello
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Robert Johnson and Robert Johnson
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Alman
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Joe Rosochacki
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SheetMusicPlus
Historical Harp Volume 2
Harp
Harp - Intermediate - Digital Download Arranged by Nancy Hurrell. Early Music, Europe…
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Harp - Intermediate - Digital Download Arranged by Nancy Hurrell. Early Music, European, Recital. 82 pages. Published by Afghan Press Music for the Harp
Exquisite and historical arrangements of early music for harp. Easy to read with many historical notes and performance suggestions. Because of the notes on the composers, sources and history, this book could also be used for an interesting presentation of early music. Very fulfilling for harpists knowledgeable in historical music, and also makes for well rounded performances. Sometimes early music produces a change in the atmosphere creating a fine ambiance for many an occasion.<br> <br> England & Scotland:<br> The Canaries: Straloch Lute MS (c.1627-29), A Scots Tune: Jane Pickeringe Lute Book (c.1616-1650), Come Again, and <br> Walsingham: John Dowland (1563-1626), Why stays the bridegroom?: Ben Jonson’s Haddington Masque Alfonso Ferrabosco (1608) <br> <br> Ensemble for 3 harps: Browning Madame: Deuteromelia, Thomas Ravenscroft (1609) <br> <br> France: Tant que vivray: Claudin de Sermisy (1490-1562), Washerwoman’s Branle: Orchesography, Thoinot Arbeau (1589), Pease Branle: Orchesography, Thoinot Arbeau (1589), Hermit’s Branle: Orchesography, Thoinot Arbeau (1589), Branle d’Ecosse: Orchesography, Thoinot Arbeau (1589) <br> <br> Italy & the Low Countries: Pavane Ferrareze: Premier Livre de Danseries, Pierre Phalèse (1571),Galliarde Ferrareze: Premier Livre de Danseries, Pierre Phalèse (1571), Quando nascette Ninno: Neopolitan traditional, Pavane: Si par souffrir: Danserye, Tielman Susato (1551), Bergamasca: Bernardo Gianoncelli (1650) <br> <br> Germany & Spain: La Canarie: Anon., Terpsichore, Michael Praetorius (1612), Bransle de la Torche: Anon., Terpsichore, Michael Praetorius (1612), Canción del Emperador: Mille regretz (Josquin)-Luis de Narváez (1546), Zarambeques:Luz y Norte Musical, L.R. de Ribayaz (1677) <br> <br> Ensemble for 3 harps: Zarabandas: Luz y Norte Musical, L.R. de Ribayaz (1677)
$20.00
18.71 €
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Harp
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Historical Harp Volume 2
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SheetMusicPlus
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