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African Song No. 4
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You've selected:
African Song No. 4
Sheetmusic to print
141 sheet music found
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126
African Song No. 4
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Piano solo
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Abdullah Ibrahim
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African Song No. 4
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Schott Music - Digital
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SheetMusicPlus
Piano - Digital Download SKU: S9.Q12093 Composed by Abdullah Ibrahim. This edition: songbook. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloada...
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Piano - Digital Download SKU: S9.Q12093 Composed by Abdullah Ibrahim. This edition: songbook. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 3 pages. Schott Music - Digital #Q12093. Published by Schott Music - Digital (S9.Q12093). Digital publication of the piece found in the following print music collection: African Songs - 15 piano pieces.
$2.99
African Song No. 12
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Piano solo
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Abdullah Ibrahim
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African Song No. 12
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Schott Music - Digital
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SheetMusicPlus
Piano - Digital Download SKU: S9.Q12101 Composed by Abdullah Ibrahim. This edition: songbook. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloada...
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Piano - Digital Download SKU: S9.Q12101 Composed by Abdullah Ibrahim. This edition: songbook. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 4 pages. Schott Music - Digital #Q12101. Published by Schott Music - Digital (S9.Q12101). Digital publication of the piece found in the following print music collection: African Songs - 15 piano pieces.
$2.99
African Song No. 11
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Piano solo
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Abdullah Ibrahim
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African Song No. 11
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Schott Music - Digital
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SheetMusicPlus
Piano - Digital Download SKU: S9.Q12100 Composed by Abdullah Ibrahim. This edition: songbook. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloada...
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Piano - Digital Download SKU: S9.Q12100 Composed by Abdullah Ibrahim. This edition: songbook. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 4 pages. Schott Music - Digital #Q12100. Published by Schott Music - Digital (S9.Q12100). Digital publication of the piece found in the following print music collection: African Songs - 15 piano pieces.
$2.99
African Song No. 6
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Piano solo
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Abdullah Ibrahim
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African Song No. 6
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Schott Music - Digital
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SheetMusicPlus
Piano - Digital Download SKU: S9.Q12095 Composed by Abdullah Ibrahim. This edition: songbook. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloada...
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Piano - Digital Download SKU: S9.Q12095 Composed by Abdullah Ibrahim. This edition: songbook. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 4 pages. Schott Music - Digital #Q12095. Published by Schott Music - Digital (S9.Q12095). Digital publication of the piece found in the following print music collection: African Songs - 15 piano pieces.
$2.99
Sonata Hymnica No. 6
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. Jam...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Coleridge-Taylor Danse Negre from the African Suite Op. 34, No. 4 transcribed for Concert Band by Mi
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Concert band
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Classical
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1896, Coleridge-Taylor was ear
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Samuel Coleridge-Taylor
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Michael Shaw
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Coleridge-Taylor Danse Negre f
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.733220 Composed by Samuel Coleridge-Taylor. Arranged by Michael Shaw. Romantic Period. Score and parts. 161 pages...
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Concert Band - Digital Download SKU: A0.733220 Composed by Samuel Coleridge-Taylor. Arranged by Michael Shaw. Romantic Period. Score and parts. 161 pages. Ayotte Custom Musical Engravings #6341569. Published by Ayotte Custom Musical Engravings (A0.733220). Samuel Coleridge-Taylor was born in Holborn, London on August 15, 1875 and died from pneumonia at the age of 37 in Croy- don, England on September 1, 1912. At an early age his grandfather began teaching him how to play the violin. His musical ability was obvious and at the age of 15, his extended family arranged for Taylor to study at the Royal College of Music. While at RCM he changed from violin to composition, working under professor Charles Villiers Stanford. His classmates included Ralph Vaughan Williams and Gustav Holst. He was later helped by Edward Elgar in 1898, who described Coleridge-Taylor as far and away the cleverest fellow going amongst the young men. By 1896, Coleridge-Taylor was earning a reputation as a composer and was also accepted as an excellent conductor. In 1898 at the age of 23 he composed the African Suite. Danse Nègre is the last of the four movements that make up the African Suite, Op. 35 (proceeded by Introduction, A Negro Love Song, and Valse). Coleridge-Taylor saw it as his mission in life to help establish the dignity of the black man. He was greatly influenced by black American poet P. L. Dunbar. He made three successful visits to the United States to great acclaim. In 1904, on his first USA tour he was received by President Theodore Roosevelt at the White House. Above all, though, Samuel Coleridge-Taylor was known as a man of great dignity and patience.
$79.99
Abdullah Ibrahim: African Song No. 4 - piano solo
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Piano solo
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EASY
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Jazz
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Abdullah Ibrahim
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Virtualsheetmusic
Instantly printable sheet music by Abdullah Ibrahim for piano solo of EASY/MEDIUM skill level. Contents: African Songs, 15 piano pieces / jazz,world,african...
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Instantly printable sheet music by Abdullah Ibrahim for piano solo of EASY/MEDIUM skill level. Contents: African Songs, 15 piano pieces / jazz,world,african
$4.99
Overture for Strings No. 4 - Score Only
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String Orchestra
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INTERMEDIATE/ADVANCED
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 4 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Soulful Quartet, No. 1
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Contemporary
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Gary Powell Nash
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Soulful Quartet, No
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Soulful Quartet, No. 1
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Gary Powell Nash
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SheetMusicPlus
Small Ensemble Cello,English Horn,Viola,Violin - Digital Download SKU: A0.881261 Composed by Gary Powell Nash. Contemporary. Score and parts. 141 pages. ...
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Small Ensemble Cello,English Horn,Viola,Violin - Digital Download SKU: A0.881261 Composed by Gary Powell Nash. Contemporary. Score and parts. 141 pages. Gary Powell Nash #5997423. Published by Gary Powell Nash (A0.881261). Gary Powell Nash has composed a total of four soulful works, which includes 2 trios and 2 quartets. Each of the soulful works are based on and inspired by an American popular musical genre, particularly either jazz, gospel, spirituals, rhythm and blues or some combination of those. Soulful Quartet, No. 1 is the first work composed after that premise. Furthermore, during the 2006-7 academic year, Nash took trips to Vietnam, Spain and Ghana and thus was inspired to compose music based on those experiences. Soulful Quartet, No. 1 was the first composition written under that premise. It consists of four movements. Movement #1, titled The River is based on the song River in Judea as it begins with a slow introduction in compound duple meter and features harmonic progressions derived from the supporting tune. This is juxtaposed with a song-like melody that is also reflective of the principal motive in River in Judea. The following section features faster music, also in compound duple meter with cross-rhythms, derived from West African folk music. Movement #2 is titled Reflections and is a slow movement in triple meter. Movement #3, In One Lifetime is a fast, multi-metered work, mostly alternating 4/4 and 3/4. Movement #4, Blue Mali begins with a slow introduction with a blues-like melody and transitions to faster music, also based on West African folk music.
$40.00
No More Auction Block for Me (Many Thousand Gone) - Low Voice
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David Neff
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David Neff
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No More Auction Block for Me
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David Neff
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SheetMusicPlus
Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.829043 Composed by David Neff. Arranged by David Neff. Folk,Spiritual. 4 pages. David Neff #603...
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Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.829043 Composed by David Neff. Arranged by David Neff. Folk,Spiritual. 4 pages. David Neff #6035801. Published by David Neff (A0.829043). No More Auction Block originated in Canada before the US Civil War among African-Americans who had escaped slavery and found safe haven there. It was later adopted by black troops in the Union Army. It is a song of determination and hope, although its positive message is tempered by the wistful line that closes each verse--many thousand gone. Those many thousand were not only the many who had escaped slavery, but also those who had been separated from family and loved ones by being sold on the auction block. This is a low-voice adaptation of an arrangement written for tenor Larry D. Hylton, who sang with Moses Hogan and with the Metropolitan Opera Chorus, and who has been in over 350 performances of Porgy and Bess. David Neff and Larry Hylton collaborated on recording this remotely during the 2020 pandemic in order to produce music for their church's celebration of Juneteenth, following the widespread protests over the murder of George Floyd. The song is appropriate for any occasion that celebrates African-American history and music, as well as the ideals of freedom and liberty.
$4.99
No More Auction Block for Me (Many Thousand Gone)
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Medium voice, Piano
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INTERMEDIATE
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David Neff, Traditional
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David Neff
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No More Auction Block for Me
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David Neff
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.829042 Composed by David Neff, Traditional. Arranged by David Neff. Folk,Spiritual. 4 pages....
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Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.829042 Composed by David Neff, Traditional. Arranged by David Neff. Folk,Spiritual. 4 pages. David Neff #5866099. Published by David Neff (A0.829042). No More Auction Block originated in Canada before the US Civil War among African-Americans who had escaped slavery and found safe haven there. It was later adopted by black troops in the Union Army. It is a song of determination and hope, although its positive message is tempered by the wistful line that closes each verse--many thousand gone. Those many thousand were not only the many who had escaped slavery, but also those who had been separated from family and loved ones by being sold on the auction block. This arrangement was written for Larry D. Hylton, a tenor who sang with Moses Hogan and with the Metropolitan Opera Chorus, and who has been in over 350 performances of Porgy and Bess. David Neff and Larry Hylton collaborated on recording this remotely during the 2020 pandemic in order to produce music for their church's celebration of Juneteenth, following the widespread protests over the murder of George Floyd. The song is appropriate for any occasion that celebrates African-American history and music, as well as the ideals of freedom and liberty.
$4.99
My Lord, What a Morning (with "Morning Mood" from 'Peer Gynt Suite No. 1')
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Piano solo
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INTERMEDIATE/ADVANCED
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Sacred music
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Sacred music
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Christopher Alexander
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Christopher Alexander
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My Lord, What a Morning
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Christopher Alexander
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.839859 By Christopher Alexander. By Traditional African-American Spiritual and Edvard Grieg. Arranged by ...
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Piano Solo - Level 4 - Digital Download SKU: A0.839859 By Christopher Alexander. By Traditional African-American Spiritual and Edvard Grieg. Arranged by Christopher Alexander. Sacred. Score. 12 pages. Christopher Alexander #6057173. Published by Christopher Alexander (A0.839859). With Edvard Grieg’s timeless melody and the enveloping nature of the traditional African-American song, this seemless pairing will awaken and revitalize your spirit.
$2.00
Down by the Riverside, Gospel Song for Alto Flute and Piano
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Sacred music
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Traditional
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David McKeown
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Down by the Riverside, Gospel
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David McKeown
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SheetMusicPlus
Alto Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.592716 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacre...
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Alto Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.592716 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and individual part. 4 pages. David McKeown #6411799. Published by David McKeown (A0.592716). Down by the Riverside is a beautiful gospel song arranged here for Solo Alto Flute and Piano.Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.
$2.49
Down by the Riverside, Gospel Song for Bass Clarinet and Piano
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Bass Clarinet, Piano
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EASY
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Sacred music
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Traditional
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David McKeown
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Down by the Riverside, Gospel
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David McKeown
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SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.592710 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacre...
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Small Ensemble Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.592710 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6411787. Published by David McKeown (A0.592710). Down by the Riverside is a beautiful gospel song arranged here for Solo Bass Clarinet and Piano.Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.
$2.49
Down by the Riverside, Gospel Song for Trumpet and Piano
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Trumpet, Piano
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EASY
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Sacred music
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Gospel/Spiritual
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Traditional
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David McKeown
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Down by the Riverside, Gospel
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David McKeown
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SheetMusicPlus
Piano,Trumpet - Level 2 - Digital Download SKU: A0.592731 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Sp...
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.592731 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6411831. Published by David McKeown (A0.592731). Down by the Riverside is a beautiful gospel song arranged here for Solo Trumpet and Piano.Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.
$2.49
Down by the Riverside, Gospel Song for Cor Anglais and Piano
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English horn, Piano
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EASY
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Sacred music
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Gospel/Spiritual
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Traditional
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David McKeown
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Down by the Riverside, Gospel
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - Digital Download SKU: A0.592714 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacr...
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English Horn,Piano - Level 2 - Digital Download SKU: A0.592714 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6411795. Published by David McKeown (A0.592714). Down by the Riverside is a beautiful gospel song arranged here for Solo Cor Anglais and Piano.Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.
$2.49
Down by the Riverside, Gospel Song for Bassoon and Piano
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Bassoon, Piano (duet)
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EASY
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Sacred music
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Gospel/Spiritual
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Traditional
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David McKeown
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Down by the Riverside, Gospel
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David McKeown
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SheetMusicPlus
Bassoon,Piano - Level 2 - Digital Download SKU: A0.592711 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Sp...
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Bassoon,Piano - Level 2 - Digital Download SKU: A0.592711 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6411789. Published by David McKeown (A0.592711). Down by the Riverside is a beautiful gospel song arranged here for Solo Bassoon and Piano.Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.
$2.49
Down by the Riverside, Gospel Song for Flute and Piano
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Flute and Piano
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EASY
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Sacred music
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Gospel/Spiritual
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Traditional
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David McKeown
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Down by the Riverside, Gospel
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David McKeown
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SheetMusicPlus
Flute,Piano - Level 2 - Digital Download SKU: A0.592717 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Sacred,Spiritual. Score and ...
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Flute,Piano - Level 2 - Digital Download SKU: A0.592717 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6411801. Published by David McKeown (A0.592717). Down by the Riverside is a beautiful gospel song arranged here for Solo Flute and Piano.Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.
$2.49
Down by the Riverside, Gospel Song for Descant Recorder and Piano
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Sacred music
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Traditional
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David McKeown
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Down by the Riverside, Gospel
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David McKeown
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SheetMusicPlus
Instrumental Duet,Piano Descant Recorder,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.592722 Composed by Traditional. Arranged by David M...
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Instrumental Duet,Piano Descant Recorder,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.592722 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and individual part. 4 pages. David McKeown #6411811. Published by David McKeown (A0.592722). Down by the Riverside is a beautiful gospel song arranged here for Solo Descant Recorder and Piano.Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.
$2.49
Down by the Riverside, Gospel Song for Tenor Horn and Piano
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Sacred music
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Traditional
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David McKeown
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Down by the Riverside, Gospel
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David McKeown
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SheetMusicPlus
E-Flat Tenor Horn,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.592719 Composed by Traditional. Arranged by David McKeown. Praise & Worshi...
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E-Flat Tenor Horn,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.592719 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and individual part. 4 pages. David McKeown #6411805. Published by David McKeown (A0.592719). Down by the Riverside is a beautiful gospel song arranged here for Solo Tenor Horn and Piano.Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.
$2.49
Down by the Riverside, Gospel Song for Trombone and Piano
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Trombone and Piano
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EASY
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Sacred music
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Gospel/Spiritual
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Traditional
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David McKeown
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Down by the Riverside, Gospel
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.592730 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,S...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.592730 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6411829. Published by David McKeown (A0.592730). Down by the Riverside is a beautiful gospel song arranged here for Solo Trombone and Piano.Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.
$2.49
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