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9976
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.66 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Rondo Alla Turca (GUITAR TAB) Sonata A-major No. 11, KV 331 [Wolfgang Amadeus Mozart] FULL SONG!
Guitar notes and tablatures
Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1258168 Composed by Wol…
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Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1258168 Composed by Wolfgang Amadeus Mozart. Arranged by Darek. Classical,March. Tablature. 4 pages. Darek #851414. Published by Darek (A0.1258168). Rondo Alla Turca (GUITAR TAB) Sonata A-major No. 11, KV 331 [Wolfgang Amadeus Mozart] FULL SONG!Simplified arrangement for guitarists of Rondo Alla Turca (Turkish March / Turkish Rondo) from Sonata A-major No. 11, KV 331 by Wolfgang Amadeus Mozart. FULL SONG! Guitar arrangement. Easy arrangement for beginners. Included: Sheet Music, Tabulature, Chords and Youtubue tutorial. Unleash the power of your guitar with our meticulously crafted sheet music edition of Mozart's Rondo Alla Turca (Turkish March / Turkish Rondo) from Sonata A-major No. 11, KV 331. Specifically arranged for guitar players at an easy/intermediate level, this tablature edition allows you to embark on a musical journey through the enchanting sounds of Mozart's composition. Explore the rich musical heritage of the Classical era as you dive into the captivating melodies and rhythmic complexities of Rondo Alla Turca. Our guitar sheet music combines standard notation with detailed tablature to provide a seamless learning experience, catering to both traditional sheet music readers and those who prefer visual fretboard guidance. Immerse yourself in the world of chords as our sheet music includes chord diagrams, allowing you to add a harmonious depth to your performance. With our carefully arranged chords, you'll be able to capture the essence of Mozart's composition while expanding your guitar-playing skills. To further enhance your learning experience, we offer an invaluable YouTube tutorial that accompanies our sheet music. Watch and learn from a skilled guitarist as they guide you through the intricacies of Rondo Alla Turca, providing helpful tips and techniques that will take your performance to the next level. Unlock the potential of your guitar playing as you explore the remarkable beauty of Mozart's masterpiece. Our sheet music package is thoughtfully curated to ensure accessibility for easy/intermediate level guitarists, allowing you to develop your skills while staying engaged with the composition. Whether you're a budding guitarist, a music enthusiast, or a lover of classical music, our sheet music edition of Rondo Alla Turca is a must-have addition to your repertoire. Embrace the timeless beauty, the intricate melodies, and the rhythmic allure that make this composition a true gem of the Classical era. Position yourself for success in your musical journey by acquiring our high-quality guitar sheet music. Embrace the challenge of mastering Rondo Alla Turca at an easy/intermediate level, while indulging in the artistic brilliance of Mozart. With our comprehensive package, including sheet music, tablature, chords, and a valuable YouTube tutorial, you'll have all the tools you need to elevate your guitar playing and immerse yourself in the world of classical music. Don't miss the opportunity to captivate audiences with your guitar rendition of Rondo Alla Turca. Explore the fusion of classical and guitar music, and experience the sheer joy of playing one of Mozart's most beloved compositions. Begin your musical journey today and let the magic of Mozart resonate through your fingertips.
$4.00
3.67 €
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Guitar notes and tablatures
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Wolfgang Amadeus Mozart
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Rondo Alla Turca
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Darek
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SheetMusicPlus
Jesus Shall Reign Where'er the Sun
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arr…
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
4.58 €
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Piano solo
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John Hatton
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Jesus Shall Reign Where'er the Sun
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Paul Thurmond
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SheetMusicPlus
Ali Ben Sou Alle : Divertissement sur Une Ballade Irlandaise
Soprano Saxophone and Piano
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download
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Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533210 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Folk,Holiday,Romantic Period. Score and parts. 17 pages. Musik Fabrik Music Publishing #1986205. Published by Musik Fabrik Music Publishing (A0.533210). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (c was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time). He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Divertissement sur Une Ballade Irlandaise begins with a lyric introduction in bel canto style. The Irish Ballade is named in the score as « My Lodging is on the Cold Ground », but is sometimes known as « Believe Me If All Those Endearing Young Charms » and is followed by a brilliant variation. After an ornamented modal passage in 6/8, the allemande theme is presented first in a moderate tempo, and then in a more rapid variant which uses « cross string » figerations similar to those used by fiddlers.
$11.95
10.97 €
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Soprano Saxophone and Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle : Divertissement sur Une Ballade Irlandaise
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Musik Fabrik Music Publishing
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.8894…
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
10.09 €
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Johann Sebastian Bach
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edited by Wilhelm Rust. 
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Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
9.13 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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edited by Wilhelm Rust. 
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Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Ballade of Youthfulness
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.874460 Composed by Gavin Koh. 20th …
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Piano Solo - Level 4 - Digital Download SKU: A0.874460 Composed by Gavin Koh. 20th Century,Concert,New Age,Standards. Score. 11 pages. Gavin Koh #4623977. Published by Gavin Koh (A0.874460). Here's a series of Ballades that I shall be composing over the month of April and May 2019 - the tenth one has been given the moniker of Youthfulness. This is a very challenging piece to play. I hope you enjoy it.Follow the composer at https://www.facebook.com/gavinkoh1970
$4.49
4.12 €
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Piano solo
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Gavin Koh
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Ballade of Youthfulness
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Gavin Koh
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SheetMusicPlus
Metallic Khatru
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1257507 By KyleMac! Music. By Kyl…
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Concert Band - Level 5 - Digital Download SKU: A0.1257507 By KyleMac! Music. By Kyle L. McKinzey. Contemporary,Contest,Festival,Rock. Score and Parts. 224 pages. KyleMac Music #850799. Published by KyleMac Music (A0.1257507). METALLIC KHATRU is my tribute to my love of ‘70-’s Prog Rock. Other than the Beatles, it was the first type of music that inspired me to figure out what they were playing. My favorites were Yes, ELP, and Kansas among others. The piece is marked AGGRESSIVE but intentionally does not have a tempo marking. I wrote it at 180 bpm but can be effective slightly below that but I would not attempt it much faster. This piece will greatly challenge ALL of your players. I'm sure that they, and your audience, will have an exhilarating experience performing this piece.Finally, someone is going to ask “What does ‘Metallic Khatru’ mean?†Nothing. I just liked the name.NOTE - This version requires that the score be printed with Legal size paper. The parts are printed in Letter size. In my experience, this was the most common for US groups to be able to print. - There is another version that has the score in Tabloid & Concert size if that fits your needs better. You can contact me directly if you need that size. It is listed on my website.I hope you and your performers enjoy METALLIC KHATRU. I mainly write for young bands, but this was an extremely fun piece to work on. I would appreciate any comments to kylemacmusic#@gmail.com
$79.00
72.54 €
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Concert band
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KyleMac! Music
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Metallic Khatru
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KyleMac Music
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SheetMusicPlus
In The Hall Of The Mountain King (VERY EASY PIANO) from Peer Gynt [Edvard Grieg]
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1257924 Composed by Edvard Grieg. A…
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Easy Piano - Level 1 - Digital Download SKU: A0.1257924 Composed by Edvard Grieg. Arranged by Darek. Classical,Romantic Period. Score. 1 pages. Darek #851159. Published by Darek (A0.1257924). In The Hall Of The Mountain King (VERY EASY PIANO) from Peer Gynt [Edvard Grieg]Simplified arrangement for beginner pianists of In The Hall Of The Mountain King from Peer Gynt by Edvard Grieg. Simplified arrangement of music song for pianists / Very easy version for beginners/ Very easy arrangement / Letter notes. Included: Letter notes, Fingering, easy chords and video youtube tutorial.Immerse yourself in the thrilling world of classical music with our piano sheet music for In The Hall Of The Mountain King from Peer Gynt by Edvard Grieg. Designed specifically for beginner pianists, this sheet music offers a very easy level of difficulty, allowing you to learn and play this iconic piece with confidence and joy.Our comprehensive package includes letter notes, fingering suggestions, easy chords, and a video YouTube tutorial, making it the perfect resource for aspiring pianists who are just starting their musical journey. With the letter notes and fingering guidance, you'll quickly become familiar with the keys and hand positions, enabling you to play this exhilarating composition with ease.In The Hall Of The Mountain King is a dramatic and powerful piece from the Romantic era, composed by the renowned Norwegian composer Edvard Grieg. Its haunting melody and energetic rhythm captivate listeners and transport them to the mythical world of Peer Gynt.With our sheet music, you'll be able to evoke the intense atmosphere of the piece, building up the tension and creating a truly immersive musical experience. The included easy chords allow you to add depth and harmony to your performance, enhancing the overall sound of the piece.We understand the importance of visual learning in music education, which is why we provide a video YouTube tutorial alongside our sheet music. This tutorial offers step-by-step guidance, demonstrating the proper techniques and nuances required to bring this masterpiece to life on the piano.By offering sheet music at a very easy level, we aim to make classical music accessible to beginners and provide a solid foundation for their musical development. The simplified arrangement of In The Hall Of The Mountain King ensures that even those with limited piano skills can experience the excitement and beauty of playing this renowned composition.Whether you're a young student, an adult beginner, or a music enthusiast, our sheet music for In The Hall Of The Mountain King is an invaluable tool for expanding your repertoire and mastering the piano. Start your musical adventure today and impress your friends and family with this thrilling piece from the Romantic era.Position yourself for success in your piano journey by choosing sheet music that matches your skill level. Our very easy level sheet music for In The Hall Of The Mountain King provides a seamless introduction to the world of classical music and enables you to develop fundamental piano techniques at your own pace.Unlock the magic of Grieg's composition and embark on a musical adventure like no other. Purchase our piano sheet music for In The Hall Of The Mountain King and let the captivating melodies transport you to the depths of the mountain kingdom. Begin your musical journey today and experience the joy of playing this iconic piece.
$2.00
1.84 €
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Easy Piano
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offering sheet music at a very easy level, we aim to make classical music accessible to beginners and provide a solid foundation for their musical development
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Edvard Grieg
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In The Hall Of The Mountain King
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Darek
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SheetMusicPlus
In The Hall Of The Mountain King (GUITAR TAB) from Peer Gynt [Edvard Grieg]
Guitar notes and tablatures
Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1257928 Composed by Edv…
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Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1257928 Composed by Edvard Grieg. Arranged by Darek. Classical,Romantic Period. Tablature. 2 pages. Darek #851164. Published by Darek (A0.1257928). In The Hall Of The Mountain King (GUITAR TAB) from Peer Gynt [Edvard Grieg]Simplified arrangement for guitarists of In The Hall Of The Mountain King from Peer Gynt by Edvard Grieg. Guitar arrangement for guitarists. Easy arrangement for beginners. Included: Sheet Music, Tabulature, Chords and Youtubue tutorial. Unlock the enchanting melodies of Edvard Grieg's In The Hall Of The Mountain King from Peer Gynt with our beginner-intermediate level guitar tablature. This iconic piece, originally composed for the piano, has been carefully arranged for beginner guitarists, allowing you to embark on a musical adventure with confidence.Perfectly suited for those new to the guitar, our tablature provides a simplified yet authentic rendition of In The Hall Of The Mountain King. With clear sheet music, tablature, and chords, you'll have all the tools necessary to bring this captivating piece to life on your guitar.As you learn this composition, you'll be transported to the Romantic era, a time when musical expression and storytelling were paramount. Grieg's composition captures the suspense and excitement of the narrative, making it a thrilling addition to your repertoire.To support your learning journey, we've included a comprehensive YouTube tutorial that guides you through every step of mastering In The Hall Of The Mountain King on the guitar. Led by an experienced guitarist, this tutorial breaks down the piece into manageable sections, providing invaluable insights and tips.Our beginner-intermediate level tablature ensures that you can tackle this classic composition at your own pace. As you progress, you'll develop essential skills such as finger dexterity, chord transitions, and rhythm, setting a solid foundation for your guitar playing journey.We understand the importance of providing high-quality resources to beginner guitarists. Our tablature features accurate transcriptions, ensuring an authentic representation of Grieg's masterpiece. With clear notation and easy-to-read chord diagrams, you'll be able to follow along seamlessly.Adding In The Hall Of The Mountain King to your repertoire not only enhances your guitar skills but also allows you to explore the rich musical heritage of the Romantic era. Grieg's composition is a testament to the era's passion and evocative storytelling, transporting listeners to a world of imagination and wonder.Position yourself for success as a beginner guitarist by investing in our beginner-intermediate level tablature for In The Hall Of The Mountain King. This popular piece is an excellent choice for those seeking to develop their playing skills while enjoying the satisfaction of performing a recognizable and exciting composition.With our comprehensive tablature package, including sheet music, tablature, chords, and a YouTube tutorial, you have everything you need to master In The Hall Of The Mountain King on the guitar. Start your musical journey today and experience the joy of playing this timeless masterpiece.
$3.00
2.75 €
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Guitar notes and tablatures
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Edvard Grieg
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In The Hall Of The Mountain King
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Darek
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SheetMusicPlus
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
27.55 €
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Choral SATB
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Stuart Brown
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An Omani Dance Suite - COMPLETE BUNDLE
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Stuart Brown Music
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SheetMusicPlus
Winds of May (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-2E Composed by J…
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Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-2E Composed by Juliana Hall. 7 pages. E. C. Schirmer Music Company - Digital #8769-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-2E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$4.00
3.67 €
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Juliana Hall
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Winds of May
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Of That So Sweet Imprisonment (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-3E Composed by J…
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Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-3E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-3E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
2.75 €
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Juliana Hall
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Of That So Sweet Imprisonment
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Rondo Alla Turca (EASY PIANO) Sonata A-major No. 11, KV 331 [Wolfgang Amadeus Mozart]
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1258164 Composed by Wolfgang Amadeu…
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Easy Piano - Level 2 - Digital Download SKU: A0.1258164 Composed by Wolfgang Amadeus Mozart. Arranged by Darek. Classical,March. Score. 1 pages. Darek #851410. Published by Darek (A0.1258164). Rondo Alla Turca (EASY PIANO) Sonata A-major No. 11, KV 331 [Wolfgang Amadeus Mozart]Simplified arrangement for pianists of Rondo Alla Turca (Turkish March / Turkish Rondo) from Sonata A-major No. 11, KV 331 by Wolfgang Amadeus Mozart. Easy version / Easy arrangement for pianists. Included: Fingering, Dynamics and video youtube tutorial. Â Unlock the magic of Mozart's Rondo Alla Turca (Turkish March / Turkish Rondo) from Sonata A-major No. 11, KV 331 with our delightful sheet music designed specifically for beginner pianists. Immerse yourself in the captivating melodies and invigorating rhythms of this timeless composition from the Classical era. Our meticulously crafted sheet music is tailored to provide a seamless learning experience for pianists at an easy level. It includes detailed fingering instructions, enabling you to achieve proper hand placement and effortless execution of each passage. With the help of our carefully annotated sheet music, you'll be able to navigate the piece with confidence and finesse. Immerse yourself in the world of dynamics and expressivity with our comprehensive notation of dynamics. Explore the nuances of soft and loud passages, allowing you to infuse your performance with emotion and musicality. Our sheet music empowers you to understand the composer's intentions and bring the composition to life. To further support your learning journey, we provide an invaluable YouTube tutorial alongside our sheet music. This video tutorial offers step-by-step guidance, allowing you to observe a seasoned pianist as they break down the intricacies of the piece. Learn valuable techniques, interpretive choices, and gain insights that will elevate your performance. Embrace the opportunity to learn and master one of Mozart's most cherished compositions, carefully arranged for beginner pianists. Our sheet music package offers a well-positioned entry point into the world of classical piano, allowing you to develop your skills and appreciation for this historical era. Don't miss out on the chance to enhance your musical repertoire with the elegance and charm of Mozart's Rondo Alla Turca. Dive into the enchanting melodies and rhythmic allure of this iconic piece, all while benefiting from our user-friendly sheet music that caters specifically to beginner pianists. Start your musical journey today and experience the joy of playing this timeless masterpiece.
$2.00
1.84 €
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Easy Piano
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Wolfgang Amadeus Mozart
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Rondo Alla Turca
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Darek
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SheetMusicPlus
Your Favorite Thanksgiving and Harvest Hymns for Strings
String Quartet: 2 violins, viola, cello
String Quartet, String Orchestra - Early Intermediate - Digital Download Composed b…
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String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, General Worship, Thanksgiving. Score, Set of Parts. 85 pages. Published by Colin Kirkpatrick Publications
Thisnew collection of Thanksgiving and Harvest hymns contains all your favorites,or at least, most of them. It’s probably all you’ll ever need for thanksgivingand harvest festivals and the arrangements can be used for virtually anycombination of stringed instruments. This is an essential title for any stringlibrary or for any string ensembles that are called upon to provide music forschools, Thanksgiving events or churches. <br> <br> Thearrangements can be used with string quartet, string quintet or string ensembleor performed as solo pieces. There’s also an optional but useful simplifiedkeyboard part intended for less experienced keyboard players. The piano parttoo means that you can use the arrangements as solos, duets or trios. Thesearrangements are intended either as stand-alone pieces that could be used asinterludes in a service, or they could be used to accompany solo, choral orcongregational singing. To make the music accessible to less experienced stringplayers, the range of the notes has been kept fairly low so that many of thearrangements can be played in first position. However, to produce a brighterand richer sound, a few of the more experienced violinists could play an octavehigher. You could also use the arrangements as flute or oboe solo pieces, with thewind instrument playing the 1st violin part. Each hymn has a four-staff scoreand parts are provided for Violin 1, Violin 2, Viola, Cello and optional Doublebass. The scores and all the parts are contained in a single PDF file. Becausestring-friendly keys are used, these arrangements are NOT compatible with thosein the wind collection of the same name.<br> <br> Thefollowing 25 hymns are included: AllCreatures of our God and King (Lasst uns Erfreuen); As the Sun doth Daily Rise(Innocents); All Things Bright and Beautiful (Bright and Beautiful); Bringingin the Sheaves (Sowing in the Morning); Come Ye Thankful People Come (StGeorge’s Windsor); Fair Waved the Golden Corn (Holyrood); Fill your Hearts withJoy and Gladness (Ode to Joy); For the Beauty of the Earth (Dix); For theFruits of His Creation (Ar Hyd y Nos); Glorious Things of Thee are Spoken(Austrian Hymn); Immortal, Invisible (St Denio); Let all Things now Living (AshGrove); Let us with a Gladsome Mind (Monkland); Now Thank we all Our God (Nundanket); Praise and Thanksgiving (Bunessan); Praise God for the Harvest(Stowey); Praise my Soul the King of Heaven (Lauda anima); Praise to the Lordthe Almighty (Lob den herren); Rejoice the Lord is King (Darwall’s 148th);Sing to the Lord of Harvest (Wie lieblich ist der maien); This is my Father’s World(Terra Beata); To thee, O Lord, our Hearts we Raise (Golden Sheaves); We GatherTogether (Kremser); We Plough the Fields and Scatter (Wir pflügen) and PraiseGod from whom all Blessings Flow (Old Hundredth)
$24.99
22.95 €
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String Quartet: 2 violins, viola, cello
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Various
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Your Favorite Thanksgiving and Harvest Hymns for Strings
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Colin Kirkpatrick Publications
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SheetMusicPlus
Someone You Loved
Trumpet
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.505838 By Lewis Capaldi. B…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.505838 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117500. Published by M das Melodias (A0.505838). Sheet music of the song Someone You Loved for trumpet in Bb. Singer Lewis Capaldi. Sheet music on the easy-to-play level. #trumpet #Bbtrumpet #someoneyouloved #lewiscapaldi I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
4.58 €
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Trumpet
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Lewis Capaldi
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Someone You Loved
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M das Melodias
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.5 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
alt.Callahans Reel
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Cel…
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Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!) Fast and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also a fun piano solo. (Duration 8+ minutes) Reel Jiggery-pokery The song started as a jig but drank too much and reeled into 12/8 time. Properly speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel! Needless to say, this is not for the purists...but it's huge fun for the rest of us! Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands! But you can play it slower and enjoy! On electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano, harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original live and YouTube performances were on a Medeli MC 710, from 2005. This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A loud viola patch was used as the second voice on the upper part of the keyboard, as the dominant fiddle sound carrying the melody. A synth string patch was used as second voice on the lower half, giving the drones.) Add Your Own Salt and Pepper to the Score! The song is scored for clarity, not as a detailed demand for every possible nuance. It's fast, so although simple to look at when not playing, you'll need to be reading the music at speed. Unless, of course, you're blessed with a brilliant memory! So the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes. BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your keyboard sustaining string patches to bring those drones out! Listen to the live recordings, they'll help. You, as player, have lots of freedom! It's up to you how many additional frills, or emphasis, or drone suspensions you throw in. Why alt.callahans?In the far distant past of 2005, there was an Internet newsgroup of that name, in honor and emulation of Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer Spider Robinson. [Wikipedia] A place for tall tales and true, comradeship, puns both good and bad. We had fun there, and this song came out of it. The Internet world, sadly, has changed since.
$7.50
6.89 €
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Piano solo
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Tim Fatchen
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alt.Callahans Reel
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Flying Tadpole Productions
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SheetMusicPlus
I Heard the Voice of Jesus Say (Lent) vocal trio, violin and piano
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801775 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801775 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacred. Score. 7 pages. Connie Boss #6718235. Published by Connie Boss (A0.801775). This wonderful song is for a vocal trio with lyrics for Lent. It is for SSA with Alto carrying the melody and soprano having an echo part while the second soprano carries the high harmony. It also includes an optional violin accent instrument that can be played or not and has piano accompaniment. You can sing all the parts for each verse, or like the mp3, I added parts each verse. Lyrics Below. questions or requests email cdboss@cvalley.netI Heard the Voice of Jesus Say (Lent)I heard the voice of Jesus say,For you I gave my lifeIt was a choice, I had to make.My final sacrifice.I came to all of you as a manTo teach you how to liveI came to wash away your sinsThe price I had to give I heard the voice of Jesus sayBehold I freely giveThe living water thirsty oneStoop down and drink and liveI came to all of you and I healedThose of you who were in needI cured you ills and saved your soulsIt was my heavenly deed I heard the voice of Jesus say,I am this dark world’s lightLook unto me, thy morn shall riseAnd all my days be brightI came to all of you on that dayWhen darkness hid the sunAnd in the darkest hour that dayMy earthly days were done.
$5.50
5.05 €
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Horatius Bonar, John B
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I Heard the Voice of Jesus Say
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Connie Boss
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SheetMusicPlus
I Heard the Voice of Jesus Say (Lent) vocal trio, cello and piano
Piano, Voice
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801776 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801776 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacred. Score. 7 pages. Connie Boss #6718237. Published by Connie Boss (A0.801776). This wonderful song is for a vocal trio with lyrics for Lent. It is for SSA with Alto carrying the melody and soprano having an echo part while the second soprano carries the high harmony. It also includes an optional cello accent instrument that can be played or not and has piano accompaniment. You can sing all the parts for each verse, or like the mp3, I added parts each verse. Lyrics Below. questions or requests email cdboss@cvalley.netI Heard the Voice of Jesus Say (Lent)I heard the voice of Jesus say,For you I gave my lifeIt was a choice, I had to make.My final sacrifice.I came to all of you as a manTo teach you how to liveI came to wash away your sinsThe price I had to give I heard the voice of Jesus sayBehold I freely giveThe living water thirsty oneStoop down and drink and liveI came to all of you and I healedThose of you who were in needI cured you ills and saved your soulsIt was my heavenly deed I heard the voice of Jesus say,I am this dark world’s lightLook unto me, thy morn shall riseAnd all my days be brightI came to all of you on that dayWhen darkness hid the sunAnd in the darkest hour that dayMy earthly days were done.
$5.50
5.05 €
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Piano, Voice
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Horatius Bonar, John B
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Lyrics Below
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I Heard the Voice of Jesus Say
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Connie Boss
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SheetMusicPlus
Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star."
Small Ensemble Flute,Keyboard,Voice - Level 5 - Digital Download SKU: A0.1005681 Co…
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Small Ensemble Flute,Keyboard,Voice - Level 5 - Digital Download SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creating Music Joy #6197023. Published by Creating Music Joy (A0.1005681). My original song, Poe's Christmas Eve Carousel Ride, is a microtonal melody for Celesta and/or Flute/Voice, based on Edgar Allan Poe's Evening Star.I imagined Edgar Allan Poe sitting on one of the carousel horses as it was going around and around. While this was happening, he was looking up at the night sky and thought about how much he liked the evening star better than the moon's light. (The celesta is known for its recognized sound in Tchaikovsky's, The Nutcracker Suite, The Dance of the Sugar Plum Fairy.). I figured out how to put it in a quartal tone key in Finale, thanks to Google. I used quartal tones in the left hand, so it's a blend of a tonal melodic line in an atonal landscape. Edgar Allan Poe had a horrific life. His father abandoned his family when he was young. His mother died when he was a child. After he was adopted, although not legally, he had a falling out with his foster father, who alienated him and didn't let him know that his foster mother was dying. But, he did inform him after she died. Edgar married his cousin, Virginia Clem, who was 13 and he was 26. She died 11 years into their marriage due to tuberculosis. Thus, some writers say that all of his writings have a beautiful woman who died in his stories. He lost all of the women who loved him in his life. When you see his portrait, he has sad eyes, as someone who has suffered much. But, his writing has lived well beyond his lifetime of misery and heartache. My song symbolizes, not only Poe's poem, but his life, as very difficult, yet beautiful. With me poetry has not been a purpose, but a passion. Edgar Allan Poe. Warning: Before purchasing this music, make sure that you know how to use quartal tones in your keyboard.
$7.95
7.3 €
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Grace Joy Reid
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Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star."
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Creating Music Joy
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SheetMusicPlus
Rondo Alla Turca (MEDIUM PIANO) Sonata A-major No. 11, KV 331 [Wolfgang Amadeus Mozart]
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1258165 Composed by Wolfgang Amadeu…
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Piano Solo - Level 3 - Digital Download SKU: A0.1258165 Composed by Wolfgang Amadeus Mozart. Arranged by Darek. Classical,March. Score. 1 pages. Darek #851411. Published by Darek (A0.1258165). Rondo Alla Turca (MEDIUM PIANO) Sonata A-major No. 11, KV 331 [Wolfgang Amadeus Mozart]Intermediate arrangement for pianists of Rondo Alla Turca (Turkish March / Turkish Rondo) from Sonata A-major No. 11, KV 331 by Wolfgang Amadeus Mozart. Intermediate version / Intermadiate arrangement for pianists. Included: Fingering, Dynamics and video youtube tutorial. Â Immerse yourself in the captivating world of classical piano with our meticulously crafted sheet music for Mozart's Rondo Alla Turca (Turkish March / Turkish Rondo) from Sonata A-major No. 11, KV 331. Tailored for intermediate pianists, this sheet music edition presents a thrilling challenge that will elevate your skills and expand your repertoire. Experience the brilliance of Mozart as you navigate through this iconic composition from the Classical era. Our carefully annotated sheet music includes precise fingering instructions, providing you with expert guidance on hand placement and technique. With our comprehensive notation of dynamics, you'll be able to bring out the subtle nuances and expressive qualities that define this captivating piece. To enhance your learning experience, we offer an invaluable YouTube tutorial accompanying our sheet music. Delivered by a seasoned pianist, this video tutorial offers in-depth insights and techniques that will help you refine your interpretation and master the challenges presented by Rondo Alla Turca. Embrace the opportunity to explore the depths of Mozart's genius and immerse yourself in the rhythmic allure of this renowned composition. Our sheet music package is meticulously curated to cater specifically to intermediate pianists, striking the perfect balance between challenge and accessibility. Expand your musical horizons as you conquer the technical demands and interpretive choices within Rondo Alla Turca. Delve into the intricacies of Mozart's composition, honing your skills and experiencing the profound beauty of his music firsthand. Position yourself as an accomplished pianist by embracing the challenge of mastering Rondo Alla Turca at an intermediate level. With our exceptional sheet music, you'll embark on a fulfilling journey of growth and refinement, unlocking new dimensions of musical expression. Discover the joy of performing one of Mozart's most beloved compositions, carefully arranged for intermediate pianists. Our sheet music provides the ideal platform for you to showcase your skill and artistry, paying homage to the genius of Mozart and the timeless beauty of classical music. Don't miss the chance to elevate your piano playing to new heights. Embrace the complexity, the beauty, and the artistry of Mozart's Rondo Alla Turca with our expertly crafted sheet music package, complete with fingering, dynamics, and an enlightening YouTube tutorial. Start your musical journey today and unlock the hidden treasures of this extraordinary composition.
$2.00
1.84 €
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Piano solo
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Wolfgang Amadeus Mozart
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Rondo Alla Turca
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Darek
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SheetMusicPlus
I Heard the Voice of Jesus Say (Lent) Women's trio A Cappella
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801781 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801781 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. A Cappella,Celtic,Easter,Irish,Sacred. Score. 2 pages. Connie Boss #6719735. Published by Connie Boss (A0.801781). This wonderful song is for a vocal trio with lyrics for Lent. It is an A Cappella piece for SSA with Alto carrying the melody and soprano having an echo part while the second soprano carries the high harmony. Lyrics Below. questions or requests email cdboss@cvalley.netI Heard the Voice of Jesus Say (Lent)I heard the voice of Jesus say,For you I gave my lifeIt was a choice, I had to make.My final sacrifice.I came to all of you as a manTo teach you how to liveI came to wash away your sinsThe price I had to give I heard the voice of Jesus sayBehold I freely giveThe living water thirsty oneStoop down and drink and liveI came to all of you and I healedThose of you who were in needI cured you ills and saved your soulsIt was my heavenly deed I heard the voice of Jesus say,I am this dark world’s lightLook unto me, thy morn shall riseAnd all my days be brightI came to all of you on that dayWhen darkness hid the sunAnd in the darkest hour that dayMy earthly days were done.
$5.50
5.05 €
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Horatius Bonar, John B
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Lyrics Below
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I Heard the Voice of Jesus Say
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Connie Boss
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SheetMusicPlus
I Heard the Voice of Jesus Say (Lent) vocal trio, flute and piano
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801774 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801774 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacred. Score. 7 pages. Connie Boss #6718233. Published by Connie Boss (A0.801774). This wonderful song is for a vocal trio with lyrics for Lent. It is for SSA with Alto carrying the melody and soprano having an echo part while the second soprano carries the high harmony. It also includes an optional flute accent instrument that can be played or not and has piano accompaniment. Lyrics Below. questions or requests email cdboss@cvalley.netI Heard the Voice of Jesus Say (Lent)I heard the voice of Jesus say,For you I gave my lifeIt was a choice, I had to make.My final sacrifice.I came to all of you as a manTo teach you how to liveI came to wash away your sinsThe price I had to give I heard the voice of Jesus sayBehold I freely giveThe living water thirsty oneStoop down and drink and liveI came to all of you and I healedThose of you who were in needI cured you ills and saved your soulsIt was my heavenly deed I heard the voice of Jesus say,I am this dark world’s lightLook unto me, thy morn shall riseAnd all my days be brightI came to all of you on that dayWhen darkness hid the sunAnd in the darkest hour that dayMy earthly days were done.
$5.50
5.05 €
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Horatius Bonar, John B
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I Heard the Voice of Jesus Say
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Connie Boss
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SheetMusicPlus
Baseball Theme - Take Me Out to the Ballgame (for Jazz/Stage Band)
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.872915 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.872915 Composed by VonTilzer. Arranged by P.A. Drahozal. Blues,Folk,Holiday,Jazz,Patriotic. Score and parts. 50 pages. MusicPAD Music Publications #6294903. Published by MusicPAD Music Publications (A0.872915). This is the traditional baseball theme (Take Me Out to the Ballgame) set in an energetic jazz band swing chart. After a brief intro to lay it down, the melody starts in a lazy swing tempo with a lilting alto solo (a-la street player in front of the park) and soon builds to a full ensemble shout then a lively up-tempo accentuated by energetic interjections. There is an open solo section before the head is repeated with a typical Tin-Pan-Alley ending. Logical rehearsal marks and generous technique items make rehearsal a snap! Ossia notes (lead trumpet) are included for developing / younger artists. This is a super-duper exciting and moderately challenging chart which really showcases your band and the jazz band at its very finest. The included MIDI playback file here is taken from the original layout in an effort to show the most accurate portrayal of this arrangement.
$1.99
1.83 €
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Jazz Ensemble
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VonTilzer
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Baseball Theme - Take Me Out to the Ballgame
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MusicPAD Music Publications
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SheetMusicPlus
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