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All is NOT Calm: Tuba
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All is NOT Calm: Tuba
Sheetmusic to print
18 sheet music found
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1
All is NOT Calm: Tuba
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Concert band
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All is NOT Calm: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band (Tuba) - Digital Download SKU: AX.00-PC-0019230_TB1 Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0019230_TB1. Pub...
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Concert Band (Tuba) - Digital Download SKU: AX.00-PC-0019230_TB1 Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0019230_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0019230_TB1). UPC: 038081586786.
$3.00
Unaccompanied Tuba Suite #3: Rhapsody in A
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Tuba
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ADVANCED
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Jason Allie
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Unaccompanied Tuba Suite #3: R
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Joaba LLC
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SheetMusicPlus
Tuba Solo - Level 5 - Digital Download SKU: A0.991806 Composed by Jason Allie. Romantic Period,World. Individual part. 14 pages. Joaba LLC #3129601. Publ...
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Tuba Solo - Level 5 - Digital Download SKU: A0.991806 Composed by Jason Allie. Romantic Period,World. Individual part. 14 pages. Joaba LLC #3129601. Published by Joaba LLC (A0.991806). Description Total Duration: 11 minutes. A vigorous, advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. In an enjoyable and delightful manner, tubists will build dexterity, endurance, expressiveness, effective volume and range (going up to D/C# above the staff). This work will charm, captivate, and rouse/impress audiences. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba in whole or in part. Please send feedback, praises and more to contact@joaba.com. Performance Notes from the Composer Édesen Édesen translates to sweetly in Hungarian, and is this movement’s purpose: to be a centering, calming moment before the following tumult.The first 10 bars serve as an introduction to warm up to the melody. The melody has three contrasting articulations that must be respected: staccato, legato, and normal. The melody easily leads to high and low range notes-excellent for beginner/intermediate tubists to expand and solidify their range. Give more air for the range’s extremities so pitches don’t become too thin or muddled. The second theme in the dominant (E major) should be played with luscious legato and bright staccato. LassanLassan translates to slowly in Hungarian usually conveying stateliness or seriousness. This argumentative movement breaks the former’s idyll and sets the case for the next movement’s defiance and victory.The first section is to be played serious and strong. Increase air support for the higher pitches. Make the descending scales resound and bounce off the lowest notes. The second theme starting at 81 should be played with great charm and ease. For the solo passages, show-off but slow the tempo into the fermatas: (m77-80, m102-103, and m132-133). Friska Friska translates to fresh in Hungarian and in this case, it’s a duality of turbulence and final elation.Start the piece fast, but not too boisterous-embellishments are added in the repeat demanding boisterousness. Epitomizing the turbulence, the con moto sections (at m161 & m260) emphasize a 1 beat per measure feel-accelerate the tempo as is comfortable. The digressionary, crab-like sections (at m176 & m275) should be played as light as possible to help build up to the elated sections. The first elated section (m188) should be played as if gleefully discovered but not yet won; the second elated section (m291), with a victorious finality that cannot be diminished or tarnished.
$12.99
Brass Quintet - Three Pastoral Sketches
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Contemporary
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Ly...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
I Sit Here on the Barren Hill
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Fiona Alice Hickie
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Fiona Alice Hickie
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I Sit Here on the Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Ali...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.
$13.99
Intermezzo from Cavalleria Rusticana by Mascagni for Tuba Quintet
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Pietro Mascagni
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Ander
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Intermezzo from Cavalleria Rus
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Woods Only, Arrangements
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SheetMusicPlus
Low Brass Quintet,Tuba - Level 2 - Digital Download SKU: A0.1302681 Composed by Pietro Mascagni. Arranged by Ander. 19th Century,Opera,Romantic Period,We...
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Low Brass Quintet,Tuba - Level 2 - Digital Download SKU: A0.1302681 Composed by Pietro Mascagni. Arranged by Ander. 19th Century,Opera,Romantic Period,Wedding. 7 pages. Woods Only, Arrangements #892306. Published by Woods Only, Arrangements (A0.1302681). In this arrangement, you will play the Intermezzo from the Opera Cavalleria Rusticana by Pietro Mascagni for Tuba Quintet, one of the most beautiful and exciting works of classical music. You will preserve all the fidelity and expressiveness of the original score, adapting it to a smaller ensemble. You will be enchanted by the beauty and delicacy of this piece, which represents a moment of calm and reflection in the opera. This arrangement is ideal for performance events or didactic material, as well as for weddings, concerts or public presentations. It is an accessible and rewarding piece, that will make you feel like a true artist. Do not miss this opportunity to acquire this exclusive and wonderful arrangement of the Intermezzo from the opera Cavalleria Rusticana by Pietro Mascagni for Quintet!
$9.99
Let Me Fish Off Cape St. Mary's
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Otto Kelland
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Marc Donatelle
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Let Me Fish Off Cape St. Mary'
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Marc Donatelle
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1425121 Composed by Otto Kelland. Arranged by Marc Donatelle. 20th Century,...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1425121 Composed by Otto Kelland. Arranged by Marc Donatelle. 20th Century,Folk,Historic,Traditional. 26 pages. Marc Donatelle #1005939. Published by Marc Donatelle (A0.1425121). This well known folk song from Newfoundland has been arranged to feature the brass quintet with a Bohdran or Drum.I tried to capture the feeling of Newfoundland after visiting several times, and having family there.It features all of the instruments, beginning with a mysterious, somber tuba solo accompanied by fog horn sounds played by horn and trombone along with muted trumpets imitating a calm sea.This builds to rhapsodic climax, ending mysteriosly with the tuba.The Bohdran/Drum part is a nice addition, but there are options if one is not available. Please see notes at the end of the score.The sound example is the transition from the Celtic part with Bohdran into the climax. (Measures 62-73).
$25.00
Intermezzo from Cavalleria Rusticana by Mascagni for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Pietro Mascagni
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Ander
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Intermezzo from Cavalleria Rus
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Woods Only, Arrangements
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SheetMusicPlus
Brass Quintet - Level 2 - Digital Download SKU: A0.1302675 Composed by Pietro Mascagni. Arranged by Ander. 19th Century,Opera,Romantic Period,Wedding. 7 ...
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Brass Quintet - Level 2 - Digital Download SKU: A0.1302675 Composed by Pietro Mascagni. Arranged by Ander. 19th Century,Opera,Romantic Period,Wedding. 7 pages. Woods Only, Arrangements #892301. Published by Woods Only, Arrangements (A0.1302675). In this arrangement, you will play the Intermezzo from the Opera Cavalleria Rusticana by Pietro Mascagni for Brass Quintet, one of the most beautiful and exciting works of classical music. You will preserve all the fidelity and expressiveness of the original score, adapting it to a smaller ensemble. You will be enchanted by the beauty and delicacy of this piece, which represents a moment of calm and reflection in the opera. This arrangement is ideal for performance events or didactic material, as well as for weddings, concerts or public presentations. It is an accessible and rewarding piece, that will make you feel like a true artist. Do not miss this opportunity to acquire this exclusive and wonderful arrangement of the Intermezzo from the opera Cavalleria Rusticana by Pietro Mascagni for Quintet!
$9.99
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra (Score)
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Orchestra
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INTERMEDIATE
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Classical
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g
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Michael Barrera
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SheetMusicPlus
Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 ...
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Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 pages. Published by Michael Barrera
ProgramNotes
Sergei Rachmaninoff’s Alla Marciain g Minor is arguably one of his most popular pieces that is still playedtoday. This prelude was included asnumber 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this preludein Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenthnote figures setting the mood for a minor march. Following this, the relative major Eb comesin full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of theopening march dissipates as a new lyrical melody takes the forefront,accompanied by sweeping arpeggios. Thissection is much melancholier than before. As this theme fades, the march returns slowly out of the mist that theprevious section created. It builds tothe return of the Eb major section that leads into a continuation of the marchtheme. This fades into a quick risingfigure to finish the prelude. Thisarrangement captures both the energy of the march and the beauty of the lyricalmiddle section.
Instrumentation
2 Flutes
2 Oboes
2 Clarinets (B flat)
2 Bassoons
4 Horns (F)
3 Trumpets (B flat)
2 Trombones
1 Bass Trombone
1 Tuba
Timpani
Snare Drum
Tambourine
Harp (substitute piano ifnecessary)
Violins I and II
Viola
Violincello
Double Bass
$24.99
Playground (for Brass Quintet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Dr
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Playground
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158396 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Children,Classical. 35 pa...
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158396 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Children,Classical. 35 pages. Https://gildedmusicpress.com/ #758677. Published by https://gildedmusicpress.com/ (A0.1158396). Duration: 4:00. The first of the rhapsodic composition’s three themes is the “running theme†with its jumpy heart-thumping accompaniment. Sandwiched in the middle of the running theme is the contrasting “hiding theme,†which is driven by a calmer but unsettling three-measure hemiola phrase structure. The third theme, the “escape theme,†transitions to a minor key and masterfully modifies a motif from “Escape†by Kevin McKee. Running, hiding, and escaping all take their turns throughout the piece with various senses of urgency, triumph, and terror. At times, the themes transform into opposite meanings. More detail is found in the score’s program notes.
$24.95
SONATINA for Drum and Bugle Corps
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Contemporary
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David Wang
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SONATINA for Drum and Bugle Co
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David Wang NecroDavid
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SheetMusicPlus
Large Ensemble Drum Set,Euphonium,Horn,Marimba,Multi-Percussion,Piano Accompaniment,Trumpet,Tuba,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.10...
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Large Ensemble Drum Set,Euphonium,Horn,Marimba,Multi-Percussion,Piano Accompaniment,Trumpet,Tuba,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.1030356 Composed by David Wang. Classical,Contemporary. Score and parts. 92 pages. David Wang NecroDavid #6247063. Published by David Wang NecroDavid (A0.1030356). Description The original composition SONATINA explores the transformation of one main idea into different genres through the usage of repetition and variation in order to create contrast. The beginning features a piano intro with front ensemble in accompaniment, followed by the first form of the main theme on solo trumpet which presents a classical idea. Furthermore, the secondary melody comes in a minor tonality, which then mixes with the modified main theme thus creates dissonance. There is then a transition section that features the drumline and the front ensemble in a consistent ostinato pattern to create a smooth key change, which leads into the bright triplet section that has a strong hint of swung feeling. It then transitions into a calm and relaxing ballad section, where it moves beyond the simple triad classical chord progression into sophisticated usage of 7th, 9th and 11th chords to create tension-release cycles. After a short euphonium solo, the climax comes with main theme hidden out-of-phase in the counter-melody line. The closer section comes after the ballad, which explores the feeling of a waltz while having call and answer structures of euphonium and flugelhorn solos. The solos still consists of the modified main theme melody. Finally, it builds up into a climax and finishes with a long hold.Note to Drum Major/ConductorSONATINA for Drum & Bugle Corps is designed to be played in a non-competitive drum and bugle corp. It is suitable for being played in both indoor and outdoor ensembles. Each solo does not have to be played by the same soloist, and every soloist will be equipped with wireless microphones to amplify the sound. The front ensemble will be equipped with microphones but set to be at a lower level than soloists. The drumline will be equipped with sound projector scoops under the drums.
$49.99
Summertime
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Dorothy Heyward, Du Bose Heywa
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Rita Arendz
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Summertime
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Rita Arendz
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1293465 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Rita Arendz. 20th Century,Contest,Festival,Jazz,Opera,Spiritual. Brass Band. 32 pages. Rita Arendz #883950. Published by Rita Arendz (A0.1293465). SUMMERTIME from PORGY & BESS (Brass Band)Now considered a jazz standard, Summertime is the well-loved aria from George Gershwin's only opera, Porgy & Bess. It premiered on Broadway on October 10, 1935. Its flexibility allowed Gershwin to use the aria four times within the opera; Clare's lullaby as the opening aria is simple and calm, while Bess's is stormy and full of tension later in the opera.That flexibility also has allowed for numerous covers in various styles - from cool to blues to spiritual, from jazz to big band to classical, rock, and even hip hop.While so many instrumental arrangements are for a soloist and accompaniment, this setting for British-style Brass Band not only mixes some of the styles but also allows many instruments to have their moment to shine with the melody and countermelodies.This is wonderful for concert or festival use.Duration ~4:00  32 Pages.
$49.99
Tempest's Approach
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Concert band
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INTERMEDIATE
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Contemporary
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Sawyer Isherwood
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Tempest's Approach
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Sawyer Isherwood
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1248560 Composed by Sawyer Isherwood. Contemporary. Score and Parts. 123 pages. Sawyer Isherwood #84304...
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Concert Band - Level 3 - Digital Download SKU: A0.1248560 Composed by Sawyer Isherwood. Contemporary. Score and Parts. 123 pages. Sawyer Isherwood #843049. Published by Sawyer Isherwood (A0.1248560). Tempest's Approach is a captivating wind ensemble composition that takes listeners on a dramatic journey through the atmospheric turmoil of a storm. The piece masterfully captures the essence of a tempest, skillfully utilizing a range of instruments and musical techniques to create a vivid sonic portrayal.The composition begins with a slow and tranquil section, symbolizing the calm before the storm. A poignant French horn solo emerges, drawing the audience into a serene soundscape. Meanwhile, other instruments subtly mimic the gentle patter of raindrops and the haunting whispers of the wind, creating an immersive atmosphere.As the tension builds, a duet between the euphonium and tuba ensues, serving as a transitional bridge into the impending storm. Dissonant brass chords punctuate the composition, mirroring the initial signs of lightning piercing through the darkness. The baritone saxophone then takes center stage, its haunting solo representing the gradual approach of the storm, with each note evoking a sense of anticipation.In a climactic turn, the percussion section bursts forth, meticulously replicating the tumultuous sounds of a raging storm. Thunderous rolls, crashing cymbals, and cascading snare drum patterns immerse the listeners in the chaotic energy of the tempest. The woodwinds join in with swirling sixteenth notes and trills, amplifying the sense of swirling winds and torrential rain.A shift to cut time signals a momentary respite, symbolizing the storm's brief slowdown. However, the tranquility is short-lived, as the composition quickly accelerates, portraying the intensification of the tempest. The ensemble conjures a maelstrom of sound, mimicking the violent peak of the storm with powerful rhythms and dynamic swells.Finally, as the storm gradually subsides, an alto saxophone takes up the melody once delivered by the French horn. Its somber solo, reminiscent of the opening, serves as a reflective moment, encapsulating the aftermath of the tumultuous weather. The composition draws to a close with a sense of calm resolution, leaving the audience in awe of the storm's raw power and beauty.Tempest's Approach is a captivating and dynamic wind ensemble composition that skillfully combines melodic storytelling, atmospheric effects, and powerful instrumentation to create a sonic narrative that brings the audience into the heart of a storm.
$58.00
A portrait of ridgeline [Concert Band] - Score Only
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Concert band
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ADVANCED
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Masakazu YAMAMOTO
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A portrait of ridgeline [Conce
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Motch Music
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1093013 By Masakazu YAMAMOTO. By Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival,Holiday....
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Concert Band - Level 5 - Digital Download SKU: A0.1093013 By Masakazu YAMAMOTO. By Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival,Holiday. 32 pages. Motch Music #697110. Published by Motch Music (A0.1093013). Original work by Masakazu Yamamoto.The majestic figure of the many layers of mountains shows the heights of art that cannot catch up with humans who are small beings, and we are immediately fascinated by the beautifully drawn ridgeline. This composition has been created with the aim of painting expression, that based on the imagination that the mountain itself or something that lives there protects the mountain and its surroundings. The theme is the Holy-ghost dancing lightly, the vital energy of the animals and plants that live there, and the majesty of the mountains, and they appear colorfully in various ways, such as the free intertwining of each phrase and powerful grooves that combines a wide variety of rhythms. The song shows tranquility and freedom at the beginning. In the first half of main part, the light and rhythmic theme and the calm majestic theme depict the contrast of each scene. In the second half, the tempo changes intermittently and gradually uplifts, and eventually it makes a climax through the return of the subject. It was created as a commissioned work to commemorate the 50th anniversary of the foundation of the Kofu Citizen Concert Band. It premiered by the band in March 2018. Duration : 7 minutes around [Instrumentation]Piccolo Flutes 1, 2 Oboe Bassoon Bb Clarinets 1, 2, 3 Bb Bass Clarinet Eb Alto Saxophones 1, 2 Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpets 1, 2, 3 F Horns 1, 2 Trombones 1, 2, 3 Euphonium Tuba String Bass Timpani Percussion 1（Glockenspiel, Tubular-Bells, Xylophone） 2（Vibraphone, Marimba, Bass Drum, Wind-Chime） 3（Suspended cymbal, Sleigh-Bells, Triangle, Tambourine, Wind-Chime） 4（Tam-tam, Triangle, Crash Cymbals, Wind-Chime） Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$50.00
A portrait of ridgeline [Concert Band]
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Concert band
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ADVANCED
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Masakazu YAMAMOTO
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A portrait of ridgeline [Conce
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Motch Music
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1093011 By Masakazu YAMAMOTO. By Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival,Holiday....
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Concert Band - Level 5 - Digital Download SKU: A0.1093011 By Masakazu YAMAMOTO. By Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival,Holiday. 127 pages. Motch Music #697108. Published by Motch Music (A0.1093011). Original work by Masakazu Yamamoto.The majestic figure of the many layers of mountains shows the heights of art that cannot catch up with humans who are small beings, and we are immediately fascinated by the beautifully drawn ridgeline. This composition has been created with the aim of painting expression, that based on the imagination that the mountain itself or something that lives there protects the mountain and its surroundings. The theme is the Holy-ghost dancing lightly, the vital energy of the animals and plants that live there, and the majesty of the mountains, and they appear colorfully in various ways, such as the free intertwining of each phrase and powerful grooves that combines a wide variety of rhythms. The song shows tranquility and freedom at the beginning. In the first half of main part, the light and rhythmic theme and the calm majestic theme depict the contrast of each scene. In the second half, the tempo changes intermittently and gradually uplifts, and eventually it makes a climax through the return of the subject. It was created as a commissioned work to commemorate the 50th anniversary of the foundation of the Kofu Citizen Concert Band. It premiered by the band in March 2018. Duration : 7 minutes around [Instrumentation]Piccolo Flutes 1, 2 Oboe Bassoon Bb Clarinets 1, 2, 3 Bb Bass Clarinet Eb Alto Saxophones 1, 2 Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpets 1, 2, 3 F Horns 1, 2 Trombones 1, 2, 3 Euphonium Tuba String Bass Timpani Percussion 1（Glockenspiel, Tubular-Bells, Xylophone） 2（Vibraphone, Marimba, Bass Drum, Wind-Chime） 3（Suspended cymbal, Sleigh-Bells, Triangle, Tambourine, Wind-Chime） 4（Tam-tam, Triangle, Crash Cymbals, Wind-Chime） Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct) ----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$150.00
Clair de Lune
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Concert band
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INTERMEDIATE
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Classical
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Claude Debussy
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Clayton Fannin
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Clair de Lune
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Clayton Fannin
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1323446 Composed by Claude Debussy. Arranged by Clayton Fannin. 20th Century. 76 pages. Clayton Fannin ...
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Concert Band - Level 3 - Digital Download SKU: A0.1323446 Composed by Claude Debussy. Arranged by Clayton Fannin. 20th Century. 76 pages. Clayton Fannin #911617. Published by Clayton Fannin (A0.1323446). The third movement of Suite Bergamasque composed by Debussy around 1890 and published in 1905, the piece was inpired by the 1869 poem of the same name by Paul Verlaine.Your soul is a chosen landscapeOn which masks and Bergamasques cast enchantment as they go,Playing the lute, and dancing, and all butSad beneath their fantasy-disguises.Singing all the while, in the minor mode,Of all-conquering love and life so kind to themThey do not seem to believe in their good fortune,And their song mingles with the moonlight, With the calm moonlight, sad and lovely,Which makes the birds dream in the trees,And the plumes of the fountains weep in ecstasy,The tall, slender plumes of the fountains among the marble sculptures.DeBussy's piece captures the tranquility and passionate Romantisism of the poem with one of his most famous works. The arrangement captures the rich vibrance and expression of the original piano piece while adding new hints of modernism and tone color.Level 3-41 Piccolo2 Flutes2 Oboes1 Cor Anglais2 Bassoons3 B-flat Clarinets1 B-flat Bass Clarinet2 Alto Saxophone in E-flat1 Tenor Saxophone in B-flat1 Baritone Saxophone in E-flat4 Horns in F2 Trumpets in B-flat2 Trombones1 Euphonium1 Tuba1 ContrabassPianoTimpaniGlockenspiel2 MarimbaVibraphoneAuxillary Percussion (Bass drum, suspended cymbal, and tam-tam).
$19.99
"The Hunky Punks" Original for Brass Sextet.
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Halloween
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Grant Horsley
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"The Hunky Punks" Original for
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Grant Horsley
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1433697 Composed by Grant Horsley. Classical,Comedy,Contest,Festival,Film/...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1433697 Composed by Grant Horsley. Classical,Comedy,Contest,Festival,Film/TV,Halloween. 33 pages. Grant Horsley #1013929. Published by Grant Horsley (A0.1433697). A Hunky punk is a grotesque carving on the side of a building, typically found on Mid/ Late medieval churches in the UK. They are plentiful in Somerset in the West Country of England Though similar in appearance to a gargoyle, a hunky punk is purely decorative and has no other functional purpose whatsoever!! Unlike the gargoyle, which serves to drain water off the roof through its mouth.The theory behind hunky punks and grotesques in general, was that churches were designed to reflect the balance between good and evil, reminding worshippers of the narrow path leading through life. As a result, for every saint or animal that was intended to signify purity and ‘goodness’, there was also an ugly creature to signify evil and ‘badness’. Scored for 2 Trumpets in B flat, Horn in F, 2 Trombones and Tuba. This piece is in concert C minor and begins with a medieval type of fanfare which occurs throughout. What follows is a haunting theme with lots of flattened 5ths and several discords to represent the uncomfortable nature of this statue. The staccato and accent direction in most of the piece gives the impression of walking on eggshells not knowing what lies around the corner! Then a brief legato section of the fanfare appears to provide a calmer atmosphere before eventually returning to the main theme and big ending. Set at Advanced intermediate level although an intermediate player maybe fine with it. However, the youtube link has the full score for you to assess suitability. It is around 4 mins 30 in length and would be a great addition to a repertoire.Price is for the full score and parts.
$15.00
Those Who Wait on the Lord
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Mark Hayes
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Those Who Wait on the Lord
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Fred Bock Music Company
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SheetMusicPlus
Tuba, Trumpet II, Trumpet I, Handbells, Trombone I, Trombone II (ipakb) SKU: HL.8738493 5 Octaves of Handbells. Composed by Mark Hayes. Brass Part...
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Tuba, Trumpet II, Trumpet I, Handbells, Trombone I, Trombone II (ipakb) SKU: HL.8738493 5 Octaves of Handbells. Composed by Mark Hayes. Brass Parts. Fred Bock Publications. Anthem, Sacred. Fred Bock Music Company #BG2274B. Published by Fred Bock Music Company (HL.8738493). UPC: 073999384932. 9x12 inches.The text of this majestic anthem is based on Isaiah 40 and Psalm 121. The text begins “The Lord is the everlasting God, the Creator of the ends of the earth, God does not faint or grow weary.” After this statement a slower, calmer section ensues with children's voices singing “Those who wait on the Lord shall renew their strength and soar.” The five octave of bells ring throughout. Brass ensemble consists of 2 trumpets, 2 trombones, and tuba.
$50.00
Carson Cooma - Miacomet Dreaming (2008) for orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooma - Miacomet Dreami
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.775968 Composed by Carson Cooman. Contemporary. Score and parts. 18 pages. Musik Fabrik Music Publish...
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Full Orchestra - Level 4 - Digital Download SKU: A0.775968 Composed by Carson Cooman. Contemporary. Score and parts. 18 pages. Musik Fabrik Music Publishing #2034761. Published by Musik Fabrik Music Publishing (A0.775968). Miacomet Dreaming (2008) for orchestra is dedicated to Loretta Yoder and Kyle Latshaw. The title refers to Miacomet, a region of Nantucket Island, Massachusetts. This work is one of a variety of pieces deeply connected to the landscape of Nantucket. The inspiration for the work was an oil painting, Path to Miacomet (2006), by Loretta Yoder; its fervency of color and landscape provided the poetic image that drives the work. The music itself was worked out during a the early hours of darkness on the actual beach of Miacomet. As the sun set, and darkness covered the landscape, only the passionate sound of the surf remained. The music is fervent and searching in tone. It begins with a roar before quieting down to introduce its basic musical material-a simple lament-like theme in a folkinflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time it is whispered. The movement winds down to a distant and reposed conclusion. Instrumentation 2 Flutes 2 Oboes 2 Clarinets in Bb Bass Clarinet 2 Bassoons 2 Horns in F 2 Trumpets in C 2 Trombones Tuba Timpani Percussion (1 player) Marimba, Tubular Chimes Violin I Violin II Viola Violoncello Contrabass Score in C Bass clarinet and contrabass sound one octave lower than written. PROGRAM NOTES Miacomet Dreaming (2008) for orchestra is dedicated to Loretta Yoder and Kyle Latshaw. The title refers to Miacomet, a region of Nantucket Island, Massachusetts. This work is one of a variety of pieces deeply connected to the landscape of Nantucket. The inspiration for the work was an oil painting, Path to Miacomet (2006), by Loretta Yoder; its fervency of color and landscape provided the poetic image that drives the work. The music itself was worked out during a the early hours of darkness on the actual beach of Miacomet. As the sun set, and darkness covered the landscape, only the passionate sound of the surf remained. The music is fervent and searching in tone. It begins with a roar before quieting down to introduce its basic musical material-a simple lament-like theme in a folkinflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time it is whispered. The movement winds down to a distant and reposed conclusion. (part on rental: infoATclassicalmusicnow.com).
$19.45
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