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Almost Gothic
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Almost Gothic
Sheetmusic to print
5 sheet music found
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1
Hommages III. Sonata No. 1 'Gothic'
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Piano solo
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ADVANCED
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Classical
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David Fraser
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Hommages III. Sonata No. 1 'Go
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1384065 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 39 pages. D...
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Piano Solo - Level 5 - Digital Download SKU: A0.1384065 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 39 pages. David Fraser #968426. Published by David Fraser (A0.1384065). David Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The inspiration for the second movement comes from the German fairy tale Hansel and Gretel by the Brothers Grimm. The music begins with Hansel and Gretel walking into the witchâ??s house made of gingerbread, cake, and candy. The children have a sense of unease and fright once they enter the house, which is demonstrated in the music by the eeriness and darkness of the harmonies. The term oscuro is found at the beginning of the music â?? this is the Italian word for dark. The repeat, which begins at measure 25, is marked sempre sotto voce which translates to always under the voice, meaning always in a hushed tonal quality and dynamic volume. This section represents the children trying to tip-toe out of the house without the witch taking notice. The repeat is almost identical to the beginning section, with the exception of measures 39 and 40 which have ties in the right hand; the similar measures 15 and 16 in the first section do not have these ties. The right-hand trills in measures 53 through 55 symbolize the children attempting to quietly turn a key to unlock the door, which would lead them to freedom.This is the full version of the Sonata, containing all three movements, and is the third piece from 'Hommages: Suite pour le Piano'. 39 pages. ISMN 979-0-800277-00-9.
$9.99
Hommages III. Sonata No. 1 'Gothic', 2nd Movement
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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David Fraser
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Hommages III. Sonata No. 1 'Go
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David Fraser
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1384069 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 5 pages. Da...
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Piano Solo - Level 4 - Digital Download SKU: A0.1384069 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 5 pages. David Fraser #968430. Published by David Fraser (A0.1384069). The inspiration for Hommages III. Sonata No. 1 â??Gothicâ??, Movement 2 comes from the German fairy tale Hansel and Gretel by the Brothers Grimm. The music begins with Hansel and Gretel walking into the witchâ??s house made of gingerbread, cake, and candy. The children have a sense of unease and fright once they enter the house, which is demonstrated in the music by the eeriness and darkness of the harmonies. The term oscuro is found at the beginning of the music â?? this is the Italian word for dark. The repeat, which begins at measure 25, is marked sempre sotto voce which translates to always under the voice, meaning always in a hushed tonal quality and dynamic volume. This section represents the children trying to tip-toe out of the house without the witch taking notice. The repeat is almost identical to the beginning section, with the exception of measures 39 and 40 which have ties in the right hand; the similar measures 15 and 16 in the first section do not have these ties. The right-hand trills in measures 53 through 55 symbolize the children attempting to quietly turn a key to unlock the door, which would lead them to freedom.This is the second movement only of the Sonata which is the third piece from 'Hommages: Suite pour le Piano'. 5 pages. ISMN 979-0-800277-00-9.
$5.99
Almost Gothic
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Bass guitar
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INTERMEDIATE
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Rock
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Steely Dan
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Accubass
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Almost Gothic
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Accubass
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SheetMusicPlus
Bass Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.838608 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by Accubass. Pop,Roc...
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Bass Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.838608 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by Accubass. Pop,Rock. Individual part. 7 pages. Accubass #6400187. Published by Accubass (A0.838608). Complete bass line.
$4.99
Almost Gothic (5 String Bass Guitar TAB)
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Bass guitar
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INTERMEDIATE
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Rock
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Steely Dan
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Almost Gothic
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Accubass
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SheetMusicPlus
Bass Guitar - Intermediate - Digital Download By Steely Dan. Tablature. 7 pages. Published by Accubass ...
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Bass Guitar - Intermediate - Digital Download By Steely Dan. Tablature. 7 pages. Published by Accubass
Complete bassline.
$4.99
Landscape with Deserted House
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Benjamin Schweitzer
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Landscape with Deserted House
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Schott Music - Digital
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SheetMusicPlus
Bassflute, bass clarinet, harp, piano and percussion - difficult - Digital Download SKU: S9.Q20018 For bassflute, bass clarinet, harp, piano and percu...
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Bassflute, bass clarinet, harp, piano and percussion - difficult - Digital Download SKU: S9.Q20018 For bassflute, bass clarinet, harp, piano and percussion. Composed by Benjamin Schweitzer. This edition: score and parts. Downloadable, score and parts. Duration 15 minutes. Schott Music - Digital #Q20018. Published by Schott Music - Digital (S9.Q20018). 'Landscape With Deserted House' is a piece of a dark and very individual character, almost a 'gothic piece'. The topos of the deserted house comes from the literature of Victorian England, but also points toward the present time, especially toward Northern Europe where, after half a century of migration from the countryside, countless houses and estates are unoccupied and left to decay. It is especially the percussion part of 'Landscape With Deserted House', mainly played on simple everyday objects, that refers to this aspect of the title while the other instruments create a sound space full of peculiar poetry in finely tuned mixtures. A piece which will delight every professional musician with experience in modern playing techniques.
$55.99
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