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You've selected:
Arms Open Wide
Sheetmusic to print
77 sheet music found
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1
26
51
76
With Arms Wide Open
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Piano solo
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INTERMEDIATE
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Creed
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Piano Go Life
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With Arms Wide Open
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Piano Go Life
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1411061 By Creed. By Mark Tremonti and Scott Stapp. Arranged by Piano Go Life. 20th Century,Pop,Rock. Sco...
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Piano Solo - Level 3 - Digital Download SKU: A0.1411061 By Creed. By Mark Tremonti and Scott Stapp. Arranged by Piano Go Life. 20th Century,Pop,Rock. Score. 5 pages. Piano Go Life #993407. Published by Piano Go Life (A0.1411061). Creed - With Arms Wide Open Piano Cover Arranged by Piano Go Life.
$9.99
A Babe of Bethlehem Born, sacred Christmas music for SATB choir
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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A Babe of Bethlehem Born, sacr
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1163094 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Christmas,Prai...
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1163094 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Christmas,Praise & Worship,Religious,Sacred. Octavo. 10 pages. Kevin G. Pace #763448. Published by Kevin G. Pace (A0.1163094). A beautiful, dramatic Christmas composition for SATB choir.  Music by Kevin G. Pace.  Text by Mark R. Fotheringham.Text:How did a babe of Bethlehem born so grow to be King of Kings?How could one small infant inspire the whole world, and turn life from desert to springs?Angels rejoiced in the heavens at His Holy birth.Sing peace now throughout all of the earth. Cries of new life were heard in the night as life is brought forth in pain.He one day would suffer the pains of all men and cry out to save them again.Angels rejoiced in the heavens at His Holy birth.Sing peace now throughout all of the earth. Humbly the child, though royal His line, was laid down on manger stone,As one day on stone He again would be lain, to rise and ascend to His throne.Angels rejoiced in the heavens at His Holy birth.Sing peace now throughout all of the earth. Swaddled and cradled in mother's arms, the babe was received in love.One day He'll return with His arms open wide, receiving the righteous above.Angels rejoiced in the heavens at His Holy birth.We'll praise Him throughout all of the earth.
$1.99
A Babe of Bethlehem Born, a Christmas hymn
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
#
A Babe of Bethlehem Born, a Ch
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1154885 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Christmas,Praise & Wo...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1154885 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Christmas,Praise & Worship,Religious,Sacred. Octavo. 3 pages. Kevin G. Pace #755161. Published by Kevin G. Pace (A0.1154885). A magnificent Christmas hymn with music composed by Kevin G. Pace and text by Mark R. Fotheringham. Text: How did a babe of Bethlehem born so grow to be King of Kings? How could one small infant inspire the whole world, and turn life from desert to springs? Angels rejoiced in the heavens at His Holy birth. Sing peace now throughout all of the earth. Â Cries of new life were heard in the night as life is brought forth in pain. He one day would suffer the pains of all men and cry out to save them again. Angels rejoiced in the heavens at His Holy birth. Sing peace now throughout all of the earth. Â Humbly the child, though royal His line, was laid down on manger stone, As one day on stone He again would be lain, to rise and ascend to His throne. Angels rejoiced in the heavens at His Holy birth. Sing peace now throughout all of the earth. Â Swaddled and cradled in mother's arms, the babe was received in love. One day He'll return with His arms open wide, receiving the righteous above. Angels rejoiced in the heavens at His Holy birth. We'll praise Him throughout all of the earth.
$1.99
Arms Open Wide by David Phelps - Piano/Vocal/Guitar, Singer Pro
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Piano, Vocal and Guitar
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Christian contemporary
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David Phelps
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Arms Open Wide
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Musicnotes
Performed by: David Phelps: Arms Open Wide Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (t...
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Performed by: David Phelps: Arms Open Wide Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Singer Pro;Piano/Vocal/Guitar, instruments: Voice;Guitar;Piano; 8 pages -- CCM~~Christian
$5.50
Arms Open Wide by Hillsong United - Leadsheet
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Melody line, (Lyrics) and Chords
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Hillsong United
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Arms Open Wide
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Musicnotes
Performed by: Hillsong United: Arms Open Wide Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file...
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Performed by: Hillsong United: Arms Open Wide Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Lyrics/Melody/Chords;Leadsheet, instruments: Voice;C Instrument; 4 pages -- CCM~~Christian~~Religious~~Alternative CCM~~Praise & Worship
$5.25
With Arms Wide Open
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Piano solo
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INTERMEDIATE
#
Rock
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Creed
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Melquisedeque Carvalho Silva
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With Arms Wide Open
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Melquisedeque C.Silva
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1468228 By Creed. By Mark Tremonti and Scott Stapp. Arranged by Melquisedeque Carvalho Silva. Rock. Score...
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Piano Solo - Level 3 - Digital Download SKU: A0.1468228 By Creed. By Mark Tremonti and Scott Stapp. Arranged by Melquisedeque Carvalho Silva. Rock. Score. 4 pages. Melquisedeque C.Silva #1046540. Published by Melquisedeque C.Silva (A0.1468228).
$4.99
With Arms Wide Open
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Drums
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INTERMEDIATE
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Pop music
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Creed
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COPYDRUM
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With Arms Wide Open
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COPYDRUM
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SheetMusicPlus
Drum Set,Drums - Level 3 - Digital Download SKU: A0.1155387 By Creed. By Mark Tremonti and Scott Stapp. Arranged by COPYDRUM. Pop. Score. 2 pages. COPYDR...
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Drum Set,Drums - Level 3 - Digital Download SKU: A0.1155387 By Creed. By Mark Tremonti and Scott Stapp. Arranged by COPYDRUM. Pop. Score. 2 pages. COPYDRUM #755678. Published by COPYDRUM (A0.1155387).
$5.00
With Arms Wide Open
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Big Note Piano
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BEGINNER
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Creed
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With Arms Wide Open
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Hal Leonard - Digital
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SheetMusicPlus
Digital Download SKU: HX.459283 By Creed. Country,Pop,Rock. E-Z Play Today. 6 pages. Published by Hal Leonard - Digital (HX.459283).
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Digital Download SKU: HX.459283 By Creed. Country,Pop,Rock. E-Z Play Today. 6 pages. Published by Hal Leonard - Digital (HX.459283). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
With Arms Wide Open
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Easy Piano
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Rock
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Creed
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With Arms Wide Open
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.430443 By Creed. This edition: Interactive Download. Pop,Rock. Easy Piano. 5 pages. Published by Hal Leonard - Digital (HX.4...
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Interactive Download SKU: HX.430443 By Creed. This edition: Interactive Download. Pop,Rock. Easy Piano. 5 pages. Published by Hal Leonard - Digital (HX.430443).
$3.99
With Arms Wide Open (Creed) for String Quartet - Score and Parts
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String Quartet: 2 violins, viola, cello
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EASY
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Rock
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Creed
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Marcelo Onetta Fermiano
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With Arms Wide Open
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SheetMusicPlus
By Creed. Arranged by Marcelo Onetta Fermiano. Score, Set of Parts. 19 pages. Published by Marcelo Onetta Fermiano...
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By Creed. Arranged by Marcelo Onetta Fermiano. Score, Set of Parts. 19 pages. Published by Marcelo Onetta Fermiano
$13.99
With Arms Wide Open
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Guitar notes and tablatures
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INTERMEDIATE
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Rock
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Creed
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With Arms Wide Open
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Cleber Domingues
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SheetMusicPlus
Guitar Tab, Bass Guitar - Intermediate - Digital Download By Creed. Sheet Music Single. 14 pages. Published by Cleber Domingues ...
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Guitar Tab, Bass Guitar - Intermediate - Digital Download By Creed. Sheet Music Single. 14 pages. Published by Cleber Domingues
$4.99
With Arms Wide Open
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Guitar notes and tablatures
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Rock
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Mark Tremonti and Scott Stapp
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With Arms Wide Open
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Mark Tremonti and Scott Stapp. For Guitar TAB. Pop/Rock. 5 pages. Published by Alfred Music - Digital Sheet Music ...
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By Mark Tremonti and Scott Stapp. For Guitar TAB. Pop/Rock. 5 pages. Published by Alfred Music - Digital Sheet Music
$2.99
Ye Are As a Fruitflu Field, sacred music for SATB Choir
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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Ye Are As a Fruitflu Field, sa
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1342817 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worsh...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1342817 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 6 pages. Kevin G. Pace #928325. Published by Kevin G. Pace (A0.1342817). Bold, inspiring choral music for SATB choir. Â Music by Kevin G. Pace. Â Text by Mark R. Fotheringham.Text:Ears are listening to hear.Eyes are open wide to see.Souls are thirsting for the truth,Minds are ready to receive.Hearts like these will ever yield;Ye are as a fruitful field.Hands that ever reach to serve,Feet that run to do the right,Arms that lift to ease a load,Knees that bend to seek the light,Finding ways to ease all pain,Ye are as a desert rain.Spirits with compassion filled,Tongues to speak of all His ways,Backs to bear all burdens up,Voices raised in grateful praise,Ever seeking for His Word,Ye are as our Savior Lord.
$1.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
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Clarinet Ensemble
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INTERMEDIATE
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,St...
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Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet)
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Basson ensemble
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INTERMEDIATE
#
Classical
#
Sacred music
#
Antonin Dvorak
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Regis Bookshar
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Largo
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533893. Published by Regis Bookshar (A0.813822). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Bassoon Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Bassoon Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
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Flute Quintet : 5 flutes
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INTERMEDIATE
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Pe...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contempo...
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String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
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Violin ensemble
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INTERMEDIATE
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Fo...
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String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (French Horn Quintet)
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Stan...
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533921. Published by Regis Bookshar (A0.813830). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (French Horn Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a French Horn Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instr.
$15.00
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