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Be Mistaken
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You've selected:
Be Mistaken
Sheetmusic to print
109 sheet music found
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101
September 17 - Mistaken Identity
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Piano solo
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EASY
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Contemporary
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The Awakened Soul
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September 17 - Mistaken Identi
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The Awakened Soul
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1302005 By The Awakened Soul. By Aporosa Malo. 21st Century,Contemporary,Film/TV,New Age,Video Game. Scor...
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Piano Solo - Level 2 - Digital Download SKU: A0.1302005 By The Awakened Soul. By Aporosa Malo. 21st Century,Contemporary,Film/TV,New Age,Video Game. Score. 1 pages. The Awakened Soul #891603. Published by The Awakened Soul (A0.1302005). This piece was composed of daily word prompts over the course of the month. These pieces originated as piano improvisations but then were programmed into Sibelius to be composed and arranged.This piece is designed to capture the prompt/feeling of the title mentioned as it is designed for casual enjoyment or to be improvised upon.Website: https://awakenedsoulproductions.comFollow Awakened Soul Productions (Business) on…Linktre: https://linktr.ee/awakenedsoulproductionsInstagram: https://www.instagram.com/awakenedsoulproductionsFollow The Awakened Soul (Artist/Composer) on…Spotify: https://open.spotify.com/artist/77ZEJmucpeTGRNzN9K2o3OInstagram: https://www.instagram.com/7he4wak3nd5ou1/.
$10.00
Whimsy - 2 cats Alto and guitar
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Vocal duet
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INTERMEDIATE/ADVANCED
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Contemporary
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David Warin Solomons
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Whimsy - 2 cats Alto and guita
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David Warin Solomons
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SheetMusicPlus
Voice Duet Voice - Level 4 - Digital Download SKU: A0.576508 Composed by David Warin Solomons. 20th Century,Contemporary. 2 pages. David Warin Solomons #...
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Voice Duet Voice - Level 4 - Digital Download SKU: A0.576508 Composed by David Warin Solomons. 20th Century,Contemporary. 2 pages. David Warin Solomons #27315. Published by David Warin Solomons (A0.576508). A whimsical composition on 2 cats (one adventuring out into the wild where pickles can be mistaken for rats and one who stays at home at purrs on the mat). Three versions are available: Alto and guitar, clarinet and guitar and men's voices The sound sample is a live performance by the composer. A video of all three versions of this whimsy can be found on youtube at https://www.youtube.com/watch?v=cDR5uklRAlY.
$5.00
Whimsy - 2 cats Clarinet and guitar
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Clarinet, Guitar (duet)
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INTERMEDIATE/ADVANCED
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Contemporary
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David Warin Solomons
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Whimsy - 2 cats Clarinet and g
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.576509 Composed by David Warin Solomons. 20th Century,Contempora...
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Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.576509 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 2 pages. David Warin Solomons #27317. Published by David Warin Solomons (A0.576509). A whimsical composition on 2 cats (one adventuring out into the wild where pickles can be mistaken for rats and one who stays at home at purrs on the mat). Three versions are available: Alto and guitar, clarinet and guitar and men's voices The sound sample is an electronic preview A video of all three versions of this whimsy can be found on youtube at https://www.youtube.com/watch?v=cDR5uklRAlY.
$5.00
Whimsy - 2 cats Men's voices
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Choral SATB
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INTERMEDIATE/ADVANCED
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Contemporary
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David Warin Solomons
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Whimsy - 2 cats Men's voices
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.576510 Composed by David Warin Solomons. 20th Century,Contemporary. Octavo. 6 pages. David Wari...
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.576510 Composed by David Warin Solomons. 20th Century,Contemporary. Octavo. 6 pages. David Warin Solomons #27319. Published by David Warin Solomons (A0.576510). A whimsical composition on 2 cats (one adventuring out into the wild where pickles can be mistaken for rats and one who stays at home at purrs on the mat). Three versions are available: Alto and guitar, clarinet and guitar and men's voices The sound sample is a live performance by the composer (multitracking) a video of all three versions of this whimsy can be found on youtube at https://www.youtube.com/watch?v=cDR5uklRAlY.
$3.99
She's Never Wrong
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Piano, Vocal and Guitar
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INTERMEDIATE
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Zane Kuchera
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Zane Kuchera
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She's Never Wrong
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Zane Kuchera Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1119671 By Zane Kuchera. By Music by Zane Kuchera and Words by Paul Tapp. Arranged by Zane ...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1119671 By Zane Kuchera. By Music by Zane Kuchera and Words by Paul Tapp. Arranged by Zane Kuchera. Broadway,Film/TV,Folk,Jazz,Musical/Show,Pop. Score. 6 pages. Zane Kuchera Music #721037. Published by Zane Kuchera Music (A0.1119671). 9/18/22 Zane Kuchera Music released “She’s Never Wrong†(Pop/AC/Folk) “She's so righteous, she's so strong, sometimes she might be mistaken, but she's never wrongâ€. Words: Paul Tapp , music & performance: Zane Kuchera (zanekuchera.com) https://album.link/j9zsb7kqm6d66.
$4.99
Day By Day in Every Way
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Contemporary
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Day in Every Way I'm Getting B
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Jean Schwartz, William Jerome
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Bill Wilson
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Day By Day in Every Way
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 2 - Digital Download SKU: A0.775258 Composed by Jean Schwartz, William Jerome. Arranged by Bill Wilson. 20th Century. 16 pages. Ale...
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Brass Quintet - Level 2 - Digital Download SKU: A0.775258 Composed by Jean Schwartz, William Jerome. Arranged by Bill Wilson. 20th Century. 16 pages. Alexander Wilson #4604229. Published by Alexander Wilson (A0.775258). Day By Day in Every Way I'm Getting Better Day By Day, by lyricist William Jerome and master Tin Pan Alley composer Jean Schwartz, is a slightly wistful song. In fact it might be mistaken, by a listener only looking at the title and listening to the instrumental music, as a song about recovery from a failed romance. However, the song is not at all about romance - instead it is about a psychological technique for self-healing promoted by a French psychologist, Émile Coué, that gained popularity in the early 1900's. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:13. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
European Folk Songs
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Recorder Quartet
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INTERMEDIATE
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Hans-Martin Linde
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European Folk Songs
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Schott Music - Digital
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SheetMusicPlus
SATB recorders - intermediate - Digital Download SKU: S9.Q49201 Arranged by Hans-Martin Linde. This edition: performance score. Easy recorder quartets. D...
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SATB recorders - intermediate - Digital Download SKU: S9.Q49201 Arranged by Hans-Martin Linde. This edition: performance score. Easy recorder quartets. Downloadable, Performance score. Op. 6. Schott Music - Digital #Q49201. Published by Schott Music - Digital (S9.Q49201). This edition contains compositionally free arrangements of folksongs; quasi 'folksong fantasias en miniature' they are not to be mistaken for simple folksong arrangements. Only moder-ately difficult they should appeal to a wide circle of recorder lovers. Contents: Folksongs from England, Ireland, Russia, Hungary, Bulgaria, Greece, France, Spain, Portugal, Germany, Switzerland and Italy.
$15.99
Jesus Is The Way (Anthem) - Piano Accompaniment
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Choral SATB
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INTERMEDIATE
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Sacred music
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Christopher R
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Jesus Is The Way
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Christopher Brown
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747199 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 9 pag...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747199 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 9 pages. Christopher Brown #4628111. Published by Christopher Brown (A0.747199). About the song: In John 14, Jesus says, I am the way, the truth and the life. No one comes to the Father except through me. We are severely mistaken if we think that any other road leads to peace with God. No amount of good deeds could pay for the debt we owe. But we are also mistaken if we think that we are too far gone from Christ's reach. This song is a message for both the self-righteous and the hopeless. There is a Way that leads to life forevermore with our Heavenly Father, and His Name is Jesus Christ. All who enter through the gate of Christ by faith will be saved. He came that you might have life, and have it to the full. Rejoice! If you can believe, believe!Can be performed with piano accompaniment only, OR with additional band members, OR with full orchestra*.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.*Full orchestration and parts also available on Sheet Music Plus.Included in your Purchase:Piano AccompanimentLyrics:Verse 1There’s a way that seems right to the human eye,A path that we think is best.We pretend to go on believing,That a good life can pass the test.But the best that we have to offer,Is no more than a filthy rag.When we stand before God, the Father,There is only one Name that will save.Chorus 1Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way.Verse 2We were shackled in chains of sin and shame,Walking blinded by selfish gain.Every turn led to disappointment,Wanting more with each passing day.Prechorus 2But the blood of a precious Saviour,Can remove every guilty stain.He will carry your ev’ry burden,There is hope in Him today!Chorus 2Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way.BridgeStraight and narrow is the road that leads to life forevermore,There’s only One Who paid the price,The perfect, spotless sacrifice,Only Jesus Christ!Chorus 3Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way,Jesus is The Way!
$5.99
Jesus Is The Way (Anthem) - Orchestration
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Orchestra
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Christopher R
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Jesus Is The Way
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Christopher Brown
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 7...
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Full Orchestra - Level 3 - Digital Download SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 77 pages. Christopher Brown #4628085. Published by Christopher Brown (A0.747198). About the song: In John 14, Jesus says, I am the way, the truth and the life. No one comes to the Father except through me. We are severely mistaken if we think that any other road leads to peace with God. No amount of good deeds could pay for the debt we owe. But we are also mistaken if we think that we are too far gone from Christ's reach. This song is a message for both the self-righteous and the hopeless. There is a Way that leads to life forevermore with our Heavenly Father, and His Name is Jesus Christ. All who enter through the gate of Christ by faith will be saved. He came that you might have life, and have it to the full. Rejoice! If you can believe, believe!Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1There’s a way that seems right to the human eye,A path that we think is best.We pretend to go on believing,That a good life can pass the test.But the best that we have to offer,Is no more than a filthy rag.When we stand before God, the Father,There is only one Name that will save.Chorus 1Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way.Verse 2We were shackled in chains of sin and shame,Walking blinded by selfish gain.Every turn led to disappointment,Wanting more with each passing day.Prechorus 2But the blood of a precious Saviour,Can remove every guilty stain.He will carry your ev’ry burden,There is hope in Him today!Chorus 2Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way.BridgeStraight and narrow is the road that leads to life forevermore,There’s only One Who paid the price,The perfect, spotless sacrifice,Only Jesus Christ!Chorus 3Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way,Jesus is The Way!
$49.99
Montuna Peoria
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Jazz Ensemble
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Jazz
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Latin/World Music
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John Philips
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Montuna Peoria
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947271 Composed by John Philips. Jazz,Latin. Score and parts. 34 pages. John Philips Music Service...
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Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947271 Composed by John Philips. Jazz,Latin. Score and parts. 34 pages. John Philips Music Service #3867643. Published by John Philips Music Service (A0.947271). First adjust tempo...175 minimum. This is a montuno which is often mistaken as a samba or merengue. The bass line must be as written. The harmonic structure for the solos is indicated and is limited so the soloists must think in lines, not just a lot of notes. You must use claves full time---no claves--no Latin Music. Intonation and a relaxed feel are needed to make this swing. If there are no solos, skip letter E/EE and go to F for the 2 bar chase solos, into the cascade, rhythm section solo, quiet interlude to sign. etc.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
Brass Quartet - Titans
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Brass ensemble
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ADVANCED
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Mike Lyons
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Brass Quartet - Titans
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00
Two Quartets for 2 violins, viola, and violoncello obbligato - Op. 12
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Justus Johann Friedrich Dotzau
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Michele Galvagno
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Two Quartets for 2 violins, vi
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1197314 Composed by Justus Johann Friedrich Dotzauer. Arranged by M...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1197314 Composed by Justus Johann Friedrich Dotzauer. Arranged by Michele Galvagno. 19th Century,Chamber,Classical,Instructional,Romantic Period. 164 pages. Artistic Score Engraving di Galvagno Michele #796478. Published by Artistic Score Engraving di Galvagno Michele (A0.1197314). Dotzauer’s first attempt at a major form of chamber music comes in 1810, with his Op. 12. This is a couple of quartets for two violins, viola, and violoncello obbligato. One may think these are ordinary string quartets, where the first violin has all the fun and the other three players share the remaining bits, but one would be gravely mistaken. The clue for this is the dedication by Dotzauer to his teacher, Bernhard Romberg. Then we have the word “obbligato†marking the prominence of the cello part over the others. They are entertaining pieces, about 25-minutes-long each, in four movements, and similar to Haydn in style. These are the first two of Dotzauer’s generous production of string quartets (more than twenty!). The first is in E-flat major, while the second is in G minor, a curious choice for sure. This edition comes in digital and print, both including the same material, a score and a set of four parts.
$49.00
Holst: This Have I Done For My True Love (4 Carols for Acapella Choir) Op.34 No.1) - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Classical
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Contemporary
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Gustav Holst
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Ray Thompson
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Holst: This Have I Done For My
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1334962 Composed by Gustav Holst. Arranged by Ra...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1334962 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Christmas. 17 pages. RayThompsonMusic #920843. Published by RayThompsonMusic (A0.1334962). This Have I Done for My True Love, or Tomorrow Shall Be My Dancing Day, Op. 34, no. 1 [H128],is a motet or part song composed in 1916 by Gustav Holst.The words are taken from an ancient carol, and the music is so strongly influenced by English folk music that it has sometimes been mistaken for a traditional folk song itself. It has often been described as a small masterpiece.Arranged wind quintet.
$14.95
Be Mistaken
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Lyrics and Chords
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Jazz
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Axel Stammberger
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chords
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Be Mistaken
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Lied der Zeit Musikverlag
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SheetMusicPlus
By Axel Stammberger. For piano & chords. Key of F-Minor. Jazz. Text Language: German. 7 pages. Published by Lied der Zeit Musikverlag ...
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By Axel Stammberger. For piano & chords. Key of F-Minor. Jazz. Text Language: German. 7 pages. Published by Lied der Zeit Musikverlag
$3.99
Prelude (in A Minor) 1931 (Bonus piece “Memory Lane” inspired by the Prelude)
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Piano solo
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INTERMEDIATE
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Maurice Ravel
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Thomas Ling
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Prelude
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Thomas Swee Chin
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1417808 Composed by Maurice Ravel. Arranged by Thomas Ling. 20th Century,Instructional. Score. 5 pages. T...
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Piano Solo - Level 3 - Digital Download SKU: A0.1417808 Composed by Maurice Ravel. Arranged by Thomas Ling. 20th Century,Instructional. Score. 5 pages. Thomas Swee Chin #999349. Published by Thomas Swee Chin (A0.1417808). The rearrangement of notes will prove to be easier to play musically though it may not be easier to read. The original arrangement of the notes are provided for comparison. Â This piece was written for the sight reading test at the piano competition at the Paris Conservatory in 1913. The harmony is definitely of the 20th Century with flexible rhythm and a unmistakenly with a Ravel sound albeit a simple piece comparatively.It will serve as a good introductory lesson to Ravel's style.Bonus piece is by yours truly.
$5.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
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Clarinet Ensemble
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INTERMEDIATE
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,St...
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Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet)
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Basson ensemble
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INTERMEDIATE
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533893. Published by Regis Bookshar (A0.813822). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Bassoon Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Bassoon Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
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Flute Quintet : 5 flutes
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INTERMEDIATE
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Pe...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contempo...
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String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
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