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Be Thou A Bright Flame
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You've selected:
Be Thou A Bright Flame
Sheetmusic to print
4 sheet music found
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Be Thou A Bright Flame
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Choral SATB
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BEGINNER
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Sacred music
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Chris Hutchings
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Be Thou A Bright Flame
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Chris Hutchings
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.1359300 Composed by Chris Hutchings. 21st Century,Christian,Praise & Worship,Religious,Sa...
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Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.1359300 Composed by Chris Hutchings. 21st Century,Christian,Praise & Worship,Religious,Sacred. 2 pages. Chris Hutchings #943759. Published by Chris Hutchings (A0.1359300). A setting of a prayer attributed to St Columba:Be thou a bright flame before me,Be thou a shining star above me,Be thou a smooth path below me,Be thou a kindly shepherd behind me,Today, tonight and evermore. Amen.The opening has the four parts in slow-moving homophonic chords, with at least two parts staying the same between each pair of chords, so it's very easy to stay in tune and find your note. Today, tonight and evermore is set as a 4-part canon, simple to pick up and not going too high or low, which develops back to a final Amen where the slow chordal shifts return. Entirely diatonic with no accidentals, but sounds fresh and more difficult than it actually is!This piece is SATB, no divisi, and should be suitable for most sacred occasions. It can be sung a cappella, or with light piano/organ doubling.Ranges:soprano Db4 to F5alto Ab3 to Db5tenor Db3 to Db4bass Gb2 to Db4.
$1.99
Be A Bright Flame Before Me
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Choral SATB
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EASY
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Sacred music
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Gospel/Spiritual
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Stephen DeCesare
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Be A Bright Flame Before Me
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Exultet Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.618584 Composed by Stephen DeCesare. Christian,Gospel,Sacred,Spiritual. Octavo. 12 pages. Exult...
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.618584 Composed by Stephen DeCesare. Christian,Gospel,Sacred,Spiritual. Octavo. 12 pages. Exultet Music #19675. Published by Exultet Music (A0.618584). Based on the words by St. Columba: Be thou a bright flame before me, Be thou a guiding star above me, Be thou a smooth path below me, Be thou a kindly shepherd behind me, Today - tonight - and for ever. Scored for Solo, 2 part choir and Piano. The two vocal lines are countermelody with each other and is very accessible for any level of choir singing. The Piano accompaniment does not overpower the voices - only enhances them.
$3.99
Concerto for Guitar and Orchestra
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Orchestra
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ADVANCED
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Contemporary
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Robert E
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Concerto for Guitar and Orches
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #352687...
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Full Orchestra - Level 5 - Digital Download SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by R. E. Proctor (A0.809837). Concerto for Guitar and Orchestra – Description and performance notes. The concerto provides a challenge for the performer and is delightful to the listener. It is written in the standard three movement concerto format: fast – slow – fast. A variety of musical colors, rhythms, and techniques are used. The first movement begins with an Adagio section which is marked Poco Rubato, followed by Allegro for the balance of the movement. The second movement is darker, and perhaps, a little sullen. The third movement is bright and harkens back to the guitar’s Spanish roots. The movement is happy and light, it has an abrupt and unexpected ending. Throughout the concerto the guitarist will use a wide range of techniques. The full sound spectrum of the guitar is utilized. The guitarist is asked to perform several rapid arpeggios (noted as Finger Roll) wherein the performer utilizes the thumb and fingers to rapidly play the notes in a chord. In other places, chords are to be played with three fingers playing up and the thumb to play down, using the nail (Flamenco style) – up and down referring to pitch. In the first movement, the thumb is used to tap the sound board. The guitar part is partially edited with suggested fingerings for clarity of intent. The balance is left for to the performer’s interpretation. In the second movement there is a completed tremolo section which requires the player to include the little or c finger. The inclusion of the c finger keeps the melodic line following without interruption. The second movement also has the melody played in artificial harmonics with the thumb playing simple a bass line. The third movement is the shortest. It has a challenging arpeggio pattern that uses the fingers strumming up and the thumb strumming down with rapid chord changes. The movements are in 4/4, 6/8, and 3/4 time respectively. Duration is approx. 13:18.
$19.95
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