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Blues Boys Tune
Sheetmusic to print
11 sheet music found
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1
Blues Boys Tune
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Double Bass
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INTERMEDIATE
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Riley B
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Gabriel Lima
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Blues Boys Tune
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Gabriel Lima
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SheetMusicPlus
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1441603 Composed by Riley B. King. Arranged by Gabriel Lima. Blues,Rock. Individual par...
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1441603 Composed by Riley B. King. Arranged by Gabriel Lima. Blues,Rock. Individual part. 2 pages. Gabriel Lima #1021586. Published by Gabriel Lima (A0.1441603). Arrangment for Bass Guitar.
$4.99
Blues Boys Tune
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Guitar
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INTERMEDIATE
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Riley B
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Gabriel Lima
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Blues Boys Tune
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Gabriel Lima
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1441602 Composed by Riley B. King. Arranged by Gabriel Lima. Blues,Rock. Individual part. 3 pages. Gabri...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1441602 Composed by Riley B. King. Arranged by Gabriel Lima. Blues,Rock. Individual part. 3 pages. Gabriel Lima #1021585. Published by Gabriel Lima (A0.1441602). Arrangment of the Lead Guitar.
$4.99
C Jam Blues for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Keith Terrett
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arra...
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99
C Jam Blues for String Orchestra
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String Orchestra
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INTERMEDIATE
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Jazz
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Duke Ellington
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Keith Terrett
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C Jam Blues for String Orchest
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1271389 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Instructiona...
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String Orchestra - Level 3 - Digital Download SKU: A0.1271389 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Instructional,Jazz,Standards. 14 pages. Keith Terrett #863787. Published by Keith Terrett (A0.1271389). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for String Orchestra.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.
$12.99
C Jam Blues for Trombone / Low Brass Quintet
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Trombone ensemble
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INTERMEDIATE
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Jazz
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Duke Ellington
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Keith Terrett
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C Jam Blues for Trombone / Low
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Keith Terrett
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SheetMusicPlus
Trombone Ensemble Bass Trombone - Level 3 - Digital Download SKU: A0.1271373 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terret...
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Trombone Ensemble Bass Trombone - Level 3 - Digital Download SKU: A0.1271373 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Traditional. 14 pages. Keith Terrett #863773. Published by Keith Terrett (A0.1271373). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Trombone/Low Brass Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.
$11.99
C Jam Blues for Clarinet Quintet
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Clarinet Quintet: 5 clarinets
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INTERMEDIATE
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Jazz
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Duke Ellington/Barney Bigard
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Keith Terrett
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Bb Clarinet 4 are optional
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C Jam Blues for Clarinet Quint
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Keith Terrett
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SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke El...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Historic,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #863759. Published by Keith Terrett (A0.1271363). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Clarinet Quintet.The Eb & Bb Clarinet 4 are optional.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.
$11.99
C Jam Blues for Saxophone Quintet
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Saxophone Quintet: 5 Saxophones
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INTERMEDIATE
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Jazz
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Duke Ellington
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Keith Terrett
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C Jam Blues for Saxophone Quin
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Keith Terrett
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1271383 By Duke Ellington. By ...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1271383 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 21st Century,Jazz,Standards. 14 pages. Keith Terrett #863780. Published by Keith Terrett (A0.1271383). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Saxophone Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.
$12.99
C Jam Blues for Recorder Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Jazz
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Duke Ellington
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Keith Terrett
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C Jam Blues for Recorder Quint
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1271384 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Ter...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1271384 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Jazz,Standards,Traditional. 14 pages. Keith Terrett #863782. Published by Keith Terrett (A0.1271384). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Recorder Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.
$14.99
Hey! Baby!
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Jazz Ensemble
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INTERMEDIATE
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Bruce Channel
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Bandroom
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Hey! Baby!
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Bandroom.com Publications
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.859770 By Bruce Channel. By Bruce Channel and Margaret Cobb. Arranged by Bandroom.com Pu...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.859770 By Bruce Channel. By Bruce Channel and Margaret Cobb. Arranged by Bandroom.com Publications. Contemporary,Pop,Rock. Score and Parts. 16 pages. Bandroom.com Publications #3906637. Published by Bandroom.com Publications (A0.859770). __________________________HEY! BABY! - arranged for pep band, basketball band, jazz combo, small jazz ensemble__________________________Add some energy to your pre/post-game tunes, or even for half-time. The band gets to shout on this one! Easy keys with multiple courtesy accidentals and well-marked rehearsal numbers reduce the amount of time needed in rehearsal and improve performance.Parts are formatted to fit in a flip-folder, but print on letter-sized paper if you prefer to use 3-ring binders.__________________________The highly-flexible BcP-Flex scoring* imitates the classic rock band sound by using only 4 instruments/voices - lead, rhythm, bass, and drums:Lead: Flute, Clarinets, Alto Sax, TrumpetsRhythm: Trombone, Horn, TC Baritone, Tenor Sax,Bass: Electric Bass, Tuba, Bari SaxDrums: This arrangement includes a written drum set part, but it is often easier to get the drummer topick-up the tune by listening to the chart.__________________________To see these other high-energy titles in this series, click www.sheetmusicplus.com/search?Ntt=bcp-flex Barbara Ann (Beach Boys)Blitzkrieg Bop (Ramones)Blues Brothers Riff (I Can’t Turn You Loose - Otis Redding)Come & Get It (Selena Gomez)Grazing in the Grass (Hugh Masekela)Hey! Baby! (Bruce Channel)I Got You (I Feel Good) (James Brown)I Heard It Through The Grapevine (Marvin Gaye)Last Night (The Mar-Keys)Low Rider (War)Me! (Taylor Swift)My Sharona (The Knack)Oye Como Va (Santana)Peter Gunn (Mancini)Seven Nation Army (The White Stripes)Tequila (The Champs)That’s the Way I Like It (KC &The Sunshine Band)What Makes You Beautiful (One Direction)Wooly Bully (Sam the Sham and the Pharaohs)YMCA (Village People). . . . and a great, simple pep band setting of:The Star-Spangled Banner (USA National Anthem). __________________________.
$18.00
Last Night
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Jazz Ensemble
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EASY
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Charles Axton, Chips Moman, Fl
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Bandroom
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Last Night
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Bandroom.com Publications
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.859769 Composed by Charles Axton, Chips Moman, Floyd Newman, and Gilbert Caple. Arranged...
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Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.859769 Composed by Charles Axton, Chips Moman, Floyd Newman, and Gilbert Caple. Arranged by Bandroom.com Publications. Contemporary,Pop,Rock. Score and Parts. 14 pages. Bandroom.com Publications #3905807. Published by Bandroom.com Publications (A0.859769). __________________________LAST NIGHT - arranged for pep band, basketball band, jazz combo, small jazz ensemble__________________________Great for pre/post-game, 60-second timeouts, or a quick half-time number, LAST NIGHT climbed to #3 on the Billboard Chart in 1961. An easy blend of R&B and rock, this tune is insanely easy (hence the low price), using only 3 different notes! You can make it even more fun by adding easy choreography for the winds - start with bells down, slowly rise during the crescendo, then alternate bells left, then right for each repeated measure.This 54-second arrangement has an easy key and the well-marked rehearsal numbers reduce the amount of time needed in rehearsal.Parts are formatted to fit in a flip-folder, but print on letter-sized paper if you prefer to use 3-ring binders._______________________The highly-flexible BcP-Flex scoring imitates the classic rock band sound by using only 4 instruments/voices - lead, rhythm, bass, and drums:Lead: Flute, Clarinets, Alto Sax, Trumpets (note: for this piece, everyone except bass line has a unison lead/rhythm part)Rhythm: Trombone, Horn, TC Baritone, Tenor Sax (note: for this piece, everyone except bass line has a unison lead/rhythm part)Bass: Electric Bass, Tuba, Bari SaxDrums: This arrangement includes a written drum set part, but it is often easier to get the drummer to pick-up the tune by listening to the chart._______________________To see these other high-energy titles in this series, click www.sheetmusicplus.com/search?Ntt=bcp-flex Barbara Ann (Beach Boys)Blitzkrieg Bop (Ramones)Blues Brothers Riff (I Can’t Turn You Loose - Otis Redding)Come & Get It (Selena Gomez)Grazing in the Grass (Hugh Masekela)Hey! Baby! (Bruce Channel)I Got You (I Feel Good) (James Brown)I Heard It Through The Grapevine (Marvin Gaye)Last Night (The Mar-Keys)Low Rider (War)Me! (Taylor Swift)My Sharona (The Knack)Oye Como Va (Santana)Peter Gunn (Mancini)Seven Nation Army (The White Stripes)Tequila (The Champs)That’s the Way I Like It (KC &The Sunshine Band)What Makes You Beautiful (One Direction)Wooly Bully (Sam the Sham and the Pharaohs)YMCA (Village People). . . . and a great, simple pep band setting of:The Star-Spangled Banner (USA National Anthem). __________________________.
$14.00
Cleanin' Up The Town
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Choral TTBB
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ADVANCED
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Brian O'Neal, Kevin O'neal, an
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Dom Finetti
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Cleanin' Up The Town
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Dom Finetti
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SheetMusicPlus
Voice (TTBB) - Level 5 - Digital Download SKU: A0.1144965 Composed by Brian O'Neal, Kevin O'neal, and The Bus Boys. Arranged by Dom Finetti. A Cappella,B...
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Voice (TTBB) - Level 5 - Digital Download SKU: A0.1144965 Composed by Brian O'Neal, Kevin O'neal, and The Bus Boys. Arranged by Dom Finetti. A Cappella,Barbershop,Blues,Film/TV,Rock. Barbershop Quartet. 8 pages. Dom Finetti #745281. Published by Dom Finetti (A0.1144965). Barbershop arrangement of a cult classic rock n' roll tune made famous by the Hollywood blockbuster, The Ghostbusters. Believe it or not, the film's soundtrack won a Grammy!
$12.99
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