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You've selected:
Borrowed Time
Sheetmusic to print
332 sheet music found
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326
Old Time Gospel Songbook
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Wayne Erbsen
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font-size: 16px
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Old Time Gospel Songbook
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Vocal - Beginning-Intermediate - Digital Download SKU: M0.95033EB Composed by Wayne Erbsen. Gospel/Sacred. E-book. Mel Bay Publications - Digital Sheet M...
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Vocal - Beginning-Intermediate - Digital Download SKU: M0.95033EB Composed by Wayne Erbsen. Gospel/Sacred. E-book. Mel Bay Publications - Digital Sheet Music #95033EB. Published by Mel Bay Publications - Digital Sheet Music (M0.95033EB). ISBN 9781610650328. 8.75x11.75 inches.Southern gospel classics that will warm your heart, fill your soul, and even get your toes to tapping. Most of these religious songs come from American soil, but the imagery of the poetry, and some of the twists and turns of the melodies have been borrowed from unknown songwriters in ancient times and foreign lands. The book includes a historical survey of the roots of gospel music--shape-note hymns, religious folk songs, camp meeting spirituals, and sentimental religious songs. All songs are in melody form with lyrics and guitar chords.
$17.99
Timely Echoes
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Violin, Cello (duet)
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Robert Ashford
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Timely Echoes
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Robert Ashford
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Digital Download SKU: A0.1490163 Composed by Robert Ashford. 20th Century,Chamber,Classical. 2 pages. Robert Ashford #10...
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Cello,Instrumental Duet,Violin - Digital Download SKU: A0.1490163 Composed by Robert Ashford. 20th Century,Chamber,Classical. 2 pages. Robert Ashford #1067014. Published by Robert Ashford (A0.1490163). Also available in the set, Works in ProgressRobert Ashford's music is aired on radio stations throughout the USA. His compositions will please anyone who loves beautiful melody and harmony. His melodies are immediately appealing and grow on you the more you hear them. Ashford’s music has a calming and centering quality that promotes concentration and is good for children of all ages.Noted musicologist Don Campbell, champion of the Mozart Effect, described Ashford's music as both awakening and calming at the same time, ...clean, beautifully structured and inspiring.Ornette Coleman, said Robert Ashford’s music has a natural and spiritual beauty that everyone should hear.Luminous beauty were words used by Australian Composer Simon Wade to describe Robert Ashford’s music, Robert Ashford’s music is a true delight. in the words of Rachael Kohn, Producer of the The Spirit of Things on ABC Radio National, Australia.According to BMI's Concert Music Director, Ralph Jackson, Robert Ashford's music is receiving extraordinary radio air play. Ashford is truly one-of-a-kind.With extraordinary originality, Robert Ashford builds on centuries of melodic development from early madrigals through Schubert and beyond, adding fresh contemporary expression, to compose truly exquisite new melodies that will be borrowed, arranged, and orchestrated by others well into the future.Robert Ashford’s music is available on cdbaby.com
$4.99
She Borrowed My Only Husband (And Forgot To Bring Him Back)
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Piano, Voice
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May Irwin
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She Borrowed My Only Husband
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.7163 Composed by May Irwin. Portraits, Spouses, Adultery, Friendship, Deception, Neighbors. Lester S. Levy Col...
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Piano and voice - Digital Download SKU: LV.7163 Composed by May Irwin. Portraits, Spouses, Adultery, Friendship, Deception, Neighbors. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7163). She Borrowed My Only Husband (And Forgot To Bring Him Back). Words by Wm. J. McKenna. Music by May Irwin. Published 1907 by Rose & Snyder Co., 42 W. 28th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Spouses, Adultery, Friendship, Deception, Neighbors. First line reads I had a lovely lady friend who lives next door tto me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Time and Again
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Violin, Cello (duet)
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Robert Ashford
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Time and Again
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Robert Ashford
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Digital Download SKU: A0.1490158 Composed by Robert Ashford. 20th Century,Chamber,Classical. 11 pages. Robert Ashford #1...
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Cello,Instrumental Duet,Violin - Digital Download SKU: A0.1490158 Composed by Robert Ashford. 20th Century,Chamber,Classical. 11 pages. Robert Ashford #1067009. Published by Robert Ashford (A0.1490158). Also available in the set, Works in ProgressRobert Ashford's music is aired on radio stations throughout the USA. His compositions will please anyone who loves beautiful melody and harmony. His melodies are immediately appealing and grow on you the more you hear them. Ashford’s music has a calming and centering quality that promotes concentration and is good for children of all ages.Noted musicologist Don Campbell, champion of the Mozart Effect, described Ashford's music as both awakening and calming at the same time, ...clean, beautifully structured and inspiring.Ornette Coleman, said Robert Ashford’s music has a natural and spiritual beauty that everyone should hear.Luminous beauty were words used by Australian Composer Simon Wade to describe Robert Ashford’s music, Robert Ashford’s music is a true delight. in the words of Rachael Kohn, Producer of the The Spirit of Things on ABC Radio National, Australia.According to BMI's Concert Music Director, Ralph Jackson, Robert Ashford's music is receiving extraordinary radio air play. Ashford is truly one-of-a-kind.With extraordinary originality, Robert Ashford builds on centuries of melodic development from early madrigals through Schubert and beyond, adding fresh contemporary expression, to compose truly exquisite new melodies that will be borrowed, arranged, and orchestrated by others well into the future.Robert Ashford’s music is available on cdbaby.com
$4.99
The Sands of Time are Sinking (Bb Clarinet and Piano)
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Clarinet and Piano
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INTERMEDIATE
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Samuel Rutherford
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Clifton Davis ASCAP
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The Sands of Time are Sinking
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Clifton Allen Davis Music, ASCAP
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SheetMusicPlus
Clarinet,Piano - Level 3 - Digital Download SKU: A0.927293 Composed by Samuel Rutherford. Arranged by Clifton Davis ASCAP. 20th Century,Concert,Sacred,St...
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.927293 Composed by Samuel Rutherford. Arranged by Clifton Davis ASCAP. 20th Century,Concert,Sacred,Standards. Score and part. 9 pages. Clifton Allen Davis Music, ASCAP #5970661. Published by Clifton Allen Davis Music, ASCAP (A0.927293). A 4 minute setting for Bb Clarinet and piano, using the hymn tune by Samuel Rutherford associated with the text The Sands of Time by Anne Ross Cousins. This hymn is the first place I consciously remember hearing a minor 4 chord in a major key! Inspired by this borrowed chord, I have added many others and included some whole tone scales for good measure to capture the otherworldly connotations of this text. An enjoyable selection for study and for performance in a recital or religious occasion.An MP3 recording of the piano accompaniment is available for purchase: http://www.sheetmusicplus.com/title/21823215
$4.99
The Sands of Time Are Sinking (Violin solo and Piano)
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Violin and Piano
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INTERMEDIATE
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Sacred music
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Samuel Rutherford
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Clifton Davis, ASCAPP
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The Sands of Time Are Sinking
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Clifton Allen Davis Music, ASCAP
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1064510 Composed by Samuel Rutherford. Arranged by Clifton Davis, ASCAPP. Classical,Instructional,Prais...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1064510 Composed by Samuel Rutherford. Arranged by Clifton Davis, ASCAPP. Classical,Instructional,Praise & Worship,Sacred. 9 pages. Clifton Allen Davis Music, ASCAP #668814. Published by Clifton Allen Davis Music, ASCAP (A0.1064510). Composed by Samuel Rutherford. Arranged by Clifton Davis ASCAP. 20th Century, Concert, Sacred, Standards. Score and part. 9 pages. Clifton Allen Davis Music, ASCAP A 4 minute setting for violin and piano, using the hymn tune by Samuel Rutherford associated with the text The Sands of Time by Anne Ross Cousins. This hymn is the first place I consciously remember hearing a minor 4 chord in a major key! Inspired by this borrowed chord, I have added many others and included some whole tone scales for good measure to capture the otherworldly connotations of this text. An enjoyable selection for study and for performance in a recital or religious occasion.
$5.50
Rocket Man (i Think It's Gonna Be A Long Long Time)
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Piano solo
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INTERMEDIATE
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Contemporary
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Piano Tribute Players
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Jordan Clawson
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Rocket Man
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Jordan Clawson
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.894469 By Piano Tribute Players. By Bernie Taupin and Elton John. Arranged by Jordan Clawson. Contemporar...
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Piano Solo - Level 3 - Digital Download SKU: A0.894469 By Piano Tribute Players. By Bernie Taupin and Elton John. Arranged by Jordan Clawson. Contemporary. Score. 3 pages. Jordan Clawson #5707561. Published by Jordan Clawson (A0.894469). A fresh arrangement of a classic song! Included in this arrangement are brief passages and ornaments borrowed from Mozart and Bach pieces, so pianists who like rock, pop, and classical are sure to enjoy. Thank you for purchasing this arrangement of the song - please leave a review if you have a moment.Jordan Clawson is an ASCAP composer who writes film, instrumental and vocal music. For more information, please visit www.jordanclawson.com and https://www.facebook.com/jordan.clawson, or email jordanclawson@gmail.com.
$4.99
Borrowed Time
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Easy Piano
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Pop music
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John Lennon
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Borrowed Time
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Hal Leonard - Digital
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SheetMusicPlus
Easy piano - Interactive Download SKU: HX.298803 By John Lennon. This edition: Interactive Download. Pop. 4 pages. Published by Hal Leonard - Digital (HX...
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Easy piano - Interactive Download SKU: HX.298803 By John Lennon. This edition: Interactive Download. Pop. 4 pages. Published by Hal Leonard - Digital (HX.298803).
$3.99
Borrowed Time
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Organ
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Rock
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John Lennon & Yoko Ono
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Borrowed Time
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.881888 By John Lennon & Yoko Ono. This edition: scorch. E-Z Play Today. Pop,Rock....
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.881888 By John Lennon & Yoko Ono. This edition: scorch. E-Z Play Today. Pop,Rock. Score. 4 pages. Hal Leonard - Digital #45465. Published by Hal Leonard - Digital (HX.881888).
$2.99
Wynwood Walls
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Stephen Goss
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Wynwood Walls
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan...
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Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1526. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1526). Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.
$33.95
We Live on Borrowed Time by David Friedman - Piano/Vocal/Chords, Singer Pro
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Piano, Vocal and Guitar
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Pop music
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David Friedman
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We Live on Borrowed Time
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Musicnotes
David Friedman - We Live on Borrowed Time Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, sc...
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David Friedman - We Live on Borrowed Time Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 6 pages -- Pop~~Adult Contemporary
$5.79
Borrowed Time by A Fine Frenzy - Piano/Vocal/Guitar
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Piano, Vocal and Guitar
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Alternative/Rock
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A Fine Frenzy
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Borrowed Time
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Musicnotes
Performed by: A Fine Frenzy: Borrowed Time Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (t...
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Performed by: A Fine Frenzy: Borrowed Time Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar;Backup Vocals; 6 pages -- Adult Alternative~~Alternative Pop/Rock~~Singer-Songwriter
$5.50
Borrowed Time by John Lennon - Piano/Vocal/Guitar
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Piano, Vocal and Guitar
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Rock
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John Lennon
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Borrowed Time
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Musicnotes
Performed by: John Lennon: Borrowed Time Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (thi...
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Performed by: John Lennon: Borrowed Time Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 5 pages -- Pop Rock~~Singer-Songwriter~~Album Rock
$5.50
Borrowed Time by John Lennon - Easy Piano
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Easy Piano
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EASY
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John Lennon
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Borrowed Time
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Musicnotes
Performed by: John Lennon: Borrowed Time Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyric...
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Performed by: John Lennon: Borrowed Time Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Piano;Voice; 4 pages -- Reggae~~Pop Rock~~Singer-Songwriter~~Calypso~~Album Rock
$4.99
Borrowed Time by Richard Thompson - Leadsheet
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Melody line, (Lyrics) and Chords
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Richard Thompson
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Borrowed Time
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Musicnotes
Performed by: Richard Thompson: Borrowed Time Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file...
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Performed by: Richard Thompson: Borrowed Time Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Leadsheet;Lyrics/Melody/Guitar, instruments: C Instrument;Voice;Guitar; 2 pages -- British Folk~~Folk-Rock~~Psychedelic~~Singer-Songwriter
$2.95
Livin' on Borrowed Time by Puddle of Mudd - Authentic Guitar TAB, Guitar TAB Transcription/Authentic Guitar TAB;Guitar TAB Transcription
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Guitar notes and tablatures
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Puddle of Mudd
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Livin' on Borrowed Time
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Musicnotes
Performed by: Puddle of Mudd: Livin' on Borrowed Time Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital she...
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Performed by: Puddle of Mudd: Livin' on Borrowed Time Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Voice;Guitar 1;Guitar 2;Guitar 3;Backup Vocals; 9 pages -- Alternative Metal~~Pop Rock~~Post-Grunge
$5.50
You Are Goin' Down
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Christian contemporary
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Country
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Andrew Mc Donald
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You Are Goin' Down
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842185 Composed by Andrew Mc Donald. Christian,Gospel,Rock. Score. 6 pages. Andrew Mc Donald (Mack...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842185 Composed by Andrew Mc Donald. Christian,Gospel,Rock. Score. 6 pages. Andrew Mc Donald (Macka Records) #5302429. Published by Andrew Mc Donald (Macka Records) (A0.842185). You Are Goin' Down is a song about reminding the devil that he is on borrowed time. His destiny is the lake of fire and that is where he will be going. He will not be able torture mankind any more for it will all end for him. He is goin' down and will be run out of town and crushed into the ground.
$4.99
Nine Duets for Violin and Cello
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Violin, Cello (duet)
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Contemporary
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Robert Ashford
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Nine Duets for Violin and Cell
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Robert Ashford
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Digital Download SKU: A0.954408 Composed by Robert Ashford. Contemporary. Score and parts. 42 pages. R...
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Instrumental Duet Cello,Instrumental Duet,Violin - Digital Download SKU: A0.954408 Composed by Robert Ashford. Contemporary. Score and parts. 42 pages. Robert Ashford #3008827. Published by Robert Ashford (A0.954408). Duets for both studio and performance! Contents: Young and Old Together Far and Near Love SongShort and Suite for Violin and CelloOur Time is ComingThe Holy EscapeBefore I Have Finished My SongThe Clowns, The Mimes, and Marionettes Love is GentleMoving OnTimely Echoes GraceMother’s SongTime and Again Robert Ashford's music is aired on radio stations throughout the USA. His compositions will please anyone who lovesbeautiful melody and harmony. His melodies are immediately appealing and grow on you the more you hear them. Ashford’s music has a calming and centering quality that promotes concentration and is good for children of all ages. Noted musicologist Don Campbell, champion of the Mozart Effect, described Ashford's music as both awakening and calming at the same time, ...clean, beautifully structured and inspiring. Ornette Coleman, said Robert Ashford’s music has a natural and spiritual beauty that everyone should hear. Luminous beauty were words used by Australian Composer Simon Wade to describe Robert Ashford’s music, Robert Ashford’s music is a true delight. in the words of Rachael Kohn, Producer of the The Spirit of Things on ABC Radio National, Australia. According to BMI's Concert Music Director, Ralph Jackson, Robert Ashford's music is receiving extraordinary radio air play. Ashford is truly one-of-a-kind. With extraordinary originality, Robert Ashford builds on centuries of melodic development from early madrigals through Schubert and beyond, adding fresh contemporary expression, to compose truly exquisite new melodies that will be borrowed, arranged, and orchestrated by others well into the future. Robert Ashford’s music is available on cdbaby.com
$20.00
M'appari tutt' amor (“Mostly Martha”)
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Friedrich von Flotow
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F
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period....
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Machaut: La Messe de Nostre Dame for Organ
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Organ
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INTERMEDIATE/ADVANCED
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Musi...
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Religious. Individual part. 23 pages. Jmsgu3 #1049538. Published by jmsgu3 (A0.1471905). 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$39.95
Machaut: La Messe de Nostre Dame for Organ - Performance Edition
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Organ
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INTERMEDIATE/ADVANCED
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Musi...
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149). While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Cont...
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Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850533. Published by jmsgu3 (A0.1257202). INSTRUMENTATION: Cornet, French Horn & 2 Trombones 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Â Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. Â The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Â Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
Machaut: Le Messe de Nostre Dame for Brass Quartet
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Guillaume de Machaut, 1300-137
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James M
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Machaut: Le Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1257210 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie...
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Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1257210 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 83 pages. Jmsgu3 #850538. Published by jmsgu3 (A0.1257210). INSTRUMENTATION: Cornet, French Horn & 2 Trombones1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$74.95
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Guillaume de Machaut, 1300-137
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James M
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Machaut: Le Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Ear...
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Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
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