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Break Into Song - Double Bass
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You've selected:
Break Into Song - Double Bass
Sheetmusic to print
52 sheet music found
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1
26
51
I Want To Break Free
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Bass guitar
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EASY
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Rock
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Queen
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Antony Cull
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I Want To Break Free
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Antony Cull
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SheetMusicPlus
Bass Guitar - Level 2 - Digital Download SKU: A0.896163 By Queen. By John Deacon. Arranged by Antony Cull. Rock. Score. 5 pages. Antony Cull #3873197. Pu...
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Bass Guitar - Level 2 - Digital Download SKU: A0.896163 By Queen. By John Deacon. Arranged by Antony Cull. Rock. Score. 5 pages. Antony Cull #3873197. Published by Antony Cull (A0.896163). A full bass transcription of the Queen classic 'I Want To Break Free'. This is a beginner to intermediate level bass line from the master John Deacon. I have also included a TAB stave throughout with fingering based how Deacon performed the track live.The vast majority of the song is in second position with a focus on consistent fingerstyle playing. The accents outline the pulse the bass is playing against the drums. There is one super catchy dominant arpeggio fill to transition into the Chorus which moves up to the sixth position. In the last verse we see the introduction of some alternating octave patterns which is relatively easier for more experienced players whilst proving a great introduction to the style for beginners. Enjoy!
$4.99
Illusions for bassoon and classical guitar
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Guitar, Bassoon
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INTERMEDIATE/ADVANCED
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David Warin Solomons
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Illusions for bassoon and clas
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David Warin Solomons
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SheetMusicPlus
Bassoon,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1496089 Composed by David Warin Solomons. 20th Century,Contemporary. 11 pages. Davi...
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Bassoon,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1496089 Composed by David Warin Solomons. 20th Century,Contemporary. 11 pages. David Warin Solomons #1072620. Published by David Warin Solomons (A0.1496089). Arrangement for bassoon and guitar of my setting of the poem Illusionsby Bluma Finkelstein.The sound sample is an electronic preview (apart from the first few bars, which come from the song recording).The video here shows the performance of the original song.The pdf file contains score and partsOriginal words:La nuità l`heure où l`obscure tranche du tempscouvre le jourEt appelle le sommeilLa nuit je m`en vais sur les mornes chemins de ma vieA la recherche des illusionsJe voudrais t`emmener hors de la terret`emporter loin sur l`océan paisible du rêvebarque solitaire s`arrachant à la pesanteursouffle mystérieuxperçant la nappe immobile du cielje voudrais t`emmener hors des âgeste lancer dans le ciel fuyantincessant effort de dépassementje voudrais t`emmener hors de l`espacesentir ton corps nutrembler doucement contre mon corpsdeux rayons de soleildeux caresses éternelles volées à Dieuje voudrais t`emmener hors du tempset mesurer mon amour en années lumière(c) Bluma Finkelstein[my English translation:]At night,when the dark slice of timecovers the dayand calls for slumberAt night I go down the gloomy paths of my lifein search of illusionI would like to take you away from the earthcarry you far away on the peaceful ocean of dreamssolitary boat breaking free from heavinessmysterious breath of windpiercing the motionless cloth of the skyI would like to take you away from the agescast you into the fleeing heavensceaseless endeavour to outdo myselfI would like to take you away from spacefeel your naked bodytrembling gently against minetwo sun-beamstwo eternal caresses stolen from GodI would like to take you away from timeand measure my love in light-years(c) David Warin Solomons
$10.00
Four Character Pieces for Bassoon and Piano
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Bassoon
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INTERMEDIATE
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Kevin Morgan
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Four Character Pieces for Bass
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trombonemusic.co.uk
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SheetMusicPlus
Bassoon,Piano - Level 3 - Digital Download SKU: A0.1452347 Composed by Kevin Morgan. Classical,Latin,Multicultural,World. Score and part. 25 pages. Tromb...
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.1452347 Composed by Kevin Morgan. Classical,Latin,Multicultural,World. Score and part. 25 pages. Trombonemusic.co.uk #1031673. Published by trombonemusic.co.uk (A0.1452347). Bubbles is a relaxed and atmospheric ballad with a nostalgic feel.Cariad Cyntaf uses a traditional Welsh folk song as a starting point with an emotive central section.Notes from France embraces the early 20th Century Parisian café culture breaking out into a swing style.Tangoesque introduces a Latin flavour with plenty of interesting lines to play. These four pieces are based on music written for various media, community and ensemble projects I have been involved with. They are aimed at intermediate standard players (Grades 4 to 6).I hope you find that they are fun to play and pleasing to listen to.
$20.00
Break Into Song - Bass Clarinet (sub. Bassoon)
Bass Clarinet|Bassoon
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Randy Cox and Regi Stone
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J
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Contemporary
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Break Into Song - Bass Clarine
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary; Sacred. EPak. 2 pages. Duration 3:25. Published by Hal Leonard - Dig...
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By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary; Sacred. EPak. 2 pages. Duration 3:25. Published by Hal Leonard - Digital Sheet Music
$7.00
Good Morning Good Morning
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE/ADVANCED
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Rock
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The Beatles
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Ray Thompson
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Good Morning Good Morning
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1273200 By The Beatles. By John Lennon and Paul McCar...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1273200 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 9 pages. RayThompsonMusic #865366. Published by RayThompsonMusic (A0.1273200). Arranged standrard wind quartet: flute, oboe, clarinet and bassoonTransposed into Bb from original A to aid players.Melody given to oboe. guitar break to flute . Bassoon covers bass guitarInterest in all parts!!Great fun with mixed time sigs!! Good Morning Good Morning is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band.It was written by John Lennon and credited to Lennon–McCartney. Inspiration for the song came to Lennon from a television commercial for Kellogg's Corn Flakes.Another reference to contemporary television was the lyric It's time for tea and Meet the Wife, referring to the BBC sitcom. Lennon himself was critical of the track. It's a throwaway, a piece of garbage, I always thought, he once said. I always had the TV on very low in the background when I was writing, and it came over, and then I wrote the songThe song is played at 117 beats per minute, has an unusual rhythmic feel, and uses different time signatures. Beats are played in groups of 2, 3 and 4, and time signature changes frequently. Parts with 5/4 and 4/4 bars alternate, with 3/4 transitions.Most of the song uses simple time, where the beats are divided into two, but the middle eight sections use compound time, where the beats are divided into triplets.YouTube vid is my brass quartet arrangement.
$17.95
Break Into Song - Bassoon
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Bassoon (band part)
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Randy Cox and Regi Stone
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J
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Contemporary
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Break Into Song - Bassoon
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary; Sacred. EPak. 2 pages. Duration 3:25. Published by Hal Leonard - Dig...
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By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary; Sacred. EPak. 2 pages. Duration 3:25. Published by Hal Leonard - Digital Sheet Music
$7.00
Break Your Heart
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Taio Cruz Featuring Ludacris
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Hollywood Charts
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Break Your Heart
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Hollywood Charts
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SheetMusicPlus
Rhythm Section Voice - Level 3 - Digital Download SKU: A0.1398094 By Taio Cruz Featuring Ludacris. By Christopher Bridges, Fraser T. Smith, and Taio Cruz...
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Rhythm Section Voice - Level 3 - Digital Download SKU: A0.1398094 By Taio Cruz Featuring Ludacris. By Christopher Bridges, Fraser T. Smith, and Taio Cruz. Arranged by Hollywood Charts. Pop,R & B. 5 pages. Hollywood Charts #981369. Published by Hollywood Charts (A0.1398094). This vocal arrangement is scored for rhythm section and includes a single 'Master Rhythm' part with the important figures for synth, bass, and drums. This ensures your entire band will be on the same page, literally!Dive into the infectious groove of Taio Cruz's chart-topping hit Break Your Heart with this meticulously transcribed sheet music for rhythm section. Originally released in 2009, this electrifying track blends elements of dance-pop and R&B, making it an irresistible addition to any musician's repertoire.Whether you're rehearsing for a live performance or simply enjoying playing contemporary hits, this master rhythm chart of Break Your Heart is a must-have for your music collection. Download your copy today and experience the thrill of playing one of the most exhilarating pop songs of its time!
$24.99
Swing Abeba
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Bassoon
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ADVANCED
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Marilyn Herman
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Swing Abeba
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Marilyn Herman
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SheetMusicPlus
Bassoon Solo - Level 5 - Digital Download SKU: A0.1034899 Composed by Marilyn Herman. African,Contemporary,World. Individual part. 6 pages. Marilyn Herma...
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Bassoon Solo - Level 5 - Digital Download SKU: A0.1034899 Composed by Marilyn Herman. African,Contemporary,World. Individual part. 6 pages. Marilyn Herman #6857543. Published by Marilyn Herman (A0.1034899). Abeba, in the title Swing Abeba, means flower - part of the name of the Ethiopian capital city where modern Ethiopian music took root. Abeba is also a common refrain in their vocal music. True to its title, this work is influenced by Ethiopian popular music, which in turn was strongly influenced by swing rhythm in American big band jazz transmitted from an army radio station in neighbouring Eritrea in the 1950s. Ethiopian music – essentially song-based – consists of pentatonic melodies which tend to be deeply embedded in copious melismata, progressing in an improvisatory manner, similarly to jazz. Accordingly, Swing Abeba begins with an Ethiopian, pentatonically melismatic treatment of an un-Ethiopian theme. (Whispers of Gondar…. – were words used to characterize this opening section, Gondar being a highland region in the North of Ethiopia.) The music then breaks into a jazz-swing scherzo. The call-response nature of this scherzo recalls this feature of Ethiopian music. The second section begins with a slow, heavily melismatic ad lib passage marked molto espressivo e pensivo, which leads into a second swing scherzo, the opening themes reappearing in a different guise in the closing section. Swing Abeba makes connections across time and space - between modern Ethiopian and Western musics, infused with influences from a different part of Africa, received via America through the jazz of the swing era.
$7.99
Randy Cox: Break Into Song for choir and piano (SATB)
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Choral SATB
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INTERMEDIATE
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Sacred music
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Randy Cox
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Virtualsheetmusic
Instantly printable sheet music by Regi Stone for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / contemporary,concert,sacred
Instantly printable sheet music by Regi Stone for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / contemporary,concert,sacred
$4.88
A Hard Day's Night
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE
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Rock
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The Beatles
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Ray Thompson
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A Hard Day's Night
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.789102 By The Beatles. By John Lennon and Paul McCart...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.789102 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Rock,Wedding. 9 pages. RayThompsonMusic #396406. Published by RayThompsonMusic (A0.789102). Arranged standard wind quartet: fl, ob,cl and bsn. Melody shared amongst treble clef instruments Guitar solo given to clarinet.This is the title track A Hard Day's Night is the third studio album by the English rock band the Beatles, released on 10 July 1964 by Parlophone, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing that included selections from George Martin's film score.In contrast to the Beatles' first two albums, all 13 tracks on A Hard Day's Night were written by John Lennon and Paul McCartney, showcasing the development of their songwriting partnership. The album includes the song A Hard Day's Night, with its distinctive opening chord, and Can't Buy Me Love, both transatlantic number-one singles for the band. Several of the songs feature George Harrison playing a Rickenbacker 12-string electric guitar, a sound that was influential on the Byrds and other groups in the folk rock movement.The mp3 excerpt is the verse leading into the instrumental break.
$14.95
Mozart Fantasia in D Minor K. 397 for Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Stephanie Daige
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Mozart Fantasia in D Minor K.
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Stephanie Daige
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.796886 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classica...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.796886 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert. 33 pages. Stephanie Daige #3514337. Published by Stephanie Daige (A0.796886). This Fantasia in D Minor, K. 397, really shows off Mozart's dramatic side. My arrangement of this Fantasy, one of Mozart's most popular piano pieces, gives each instrument the opportunity to play a different character. Fantasia in D Minor opens with somber arpeggios in the bassoon, and then goes to a pleading melody that goes back and forth between the flute and the oboe. The tension builds up until the clarinet breaks out into a wild cadenza. The pleading melodies and wild cadenzas go back and forth a few more times building tension until the final segment, which resolves with a bright, cheerful song-like melody in the horn. Duration is approximately 6 minutes.I had a great time arranging this piece, and I hope you will enjoy playing it. It presents some unique challenges and expressive opportunities, and it is a real crowd-pleaser.
$17.99
What Child Is This in the style of Mendelssohn
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Piano solo
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INTERMEDIATE/ADVANCED
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Mendelssohn, Traditional Engli
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Heather Knezevich
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What Child Is This in the styl
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Songs of Praise
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1502628 Composed by Mendelssohn, Traditional English carol. Arranged by Heather Knezevich. Christian,Chri...
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Piano Solo - Level 4 - Digital Download SKU: A0.1502628 Composed by Mendelssohn, Traditional English carol. Arranged by Heather Knezevich. Christian,Christmas,Classical,Sacred. Score. 3 pages. Songs of Praise #1078340. Published by Songs of Praise (A0.1502628). The familar tune of What Child Is This has been woven into Mendelssohn's Venetian Boat Song, Op. 30, No. 6. The first verse keeps the rocking bass pattern in the left hand. In the second verse, the melody moves to the inner voice, then breaks into a joyful chorus with a high trill in measure 42. Finally, the chorus repeats in the inner voice and ends thoughtfully in the high treble.A suitable piece for an early advanced student. Fingering is included in the score.
$5.99
(you Drive Me) Crazy
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Concert band
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INTERMEDIATE/ADVANCED
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Britney Spears
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Jeffrey Bowen
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(you Drive Me) Crazy
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Music Arrangement Services Inc.
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1142027 By Britney Spears. By David Kreuger, Jorgen Elofsson, Martin Sandberg, and Per Magnusson. Arran...
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Concert Band - Level 4 - Digital Download SKU: A0.1142027 By Britney Spears. By David Kreuger, Jorgen Elofsson, Martin Sandberg, and Per Magnusson. Arranged by Jeffrey Bowen. Contest,Festival,Pop. Score and parts. 51 pages. Music Arrangement Services Inc. #742405. Published by Music Arrangement Services Inc. (A0.1142027). Performed by Britney Spears. This Concert Band Score accompanies the SATB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. This arrangement varies from the original and offers a dance break. This song is about being driven crazy by feelings for someone. The song refers to being into someone, having strong feelings of a crush or love, not being able to sleep, being up all night thinking of someone. This arrangement is designed for high school or college show choir, concert choir or community choir. SATB/Piano Score also available. Performance time is approximately 3:20.
$49.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (F major, extra-low key)
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Low voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328390 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,R...
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Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328390 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916380. Published by Nicole Elyse DiPaolo (A0.1328390). The first of its kind, and the first entry in the Accessible Accompaniments libraryâ??s collection of small-hand-optimized song literature publications, this is Richard Straussâ??s beloved â??Zueignung,â? from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. â??Smallâ? is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Booseyâ??s excellent small-hand edition of Frank Bridgeâ??s â??Love Went A-Ridingâ? (erroneously labeled â??simplifiedâ? on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Straussâ??s op. 10 collection is much more widespread on todayâ??s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Straussâ??s songs are often so orchestral in spiritâ??much more so than the Bridgeâ??that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Straussâ??s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henleâ??s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompanimentsâ?? distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you donâ??t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibilityâ??and that goes for singers, too!
$6.99
Christ Has Won The Victory (An Easter Medley)
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Choral 3-part
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Sacred music
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Jayson Seaver
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Christ Has Won The Victory
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Jayson Seaver
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SheetMusicPlus
Choral Choir (SAB) - Digital Download SKU: A0.860968 Arranged by Jayson Seaver. Christian,Easter,Sacred. Octavo. 10 pages. Jayson Seaver #3048213. Publis...
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Choral Choir (SAB) - Digital Download SKU: A0.860968 Arranged by Jayson Seaver. Christian,Easter,Sacred. Octavo. 10 pages. Jayson Seaver #3048213. Published by Jayson Seaver (A0.860968). This arrangement combines the hymns There is a Green Hill Far Away and He Is Risen. The combined message of these two hymns tells of the crucifixion and resurrection of the Savior. The last section of the song breaks into 5 part counter melody parts: Soprano 1 and 2, Alto 1 and 2 and Bass. The majority of the song is SAB. Purchase of this song includes permission to make 25 copies for use within the same choir.Visit http://jaysonseavermusic.com to download all of the audio files associated with this arrangement.https://youtu.be/3BGqM6djqIU
$12.99
Alouette - for adaptable quintet
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Concert band
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EASY
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Folk Song
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John McAllister
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Alouette - for adaptable quint
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John McAllister
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1061119 Composed by Folk Song. Arranged by John McAllister. Folk,Instructional,Multicultural,Pop,Tradit...
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Concert Band - Level 2 - Digital Download SKU: A0.1061119 Composed by Folk Song. Arranged by John McAllister. Folk,Instructional,Multicultural,Pop,Traditional,World. Score and parts. 47 pages. John McAllister #664636. Published by John McAllister (A0.1061119). This is a light and fun arrangement of the famous French-Canadian Folk Song Alouette. It falls in the easy category and should be able to be accomplished by players as young as first, maybe second year. It goes through a few iterations of the melody and passes it around many times from each instrument to the next. You can choose to swing all or part of it in order to sound more like the original. I didn't choose to notate that to make it more accessible to younger players. Suggested combinations: Brass Quintet Woodwind Quintet (mix-match of flute, oboe, clarinet including bass, alto saxophone, tenor sax, baritone sax) Woodwind Quintet (standard - flute, oboe, horn, clarinet, bassoon) Saxophone Quintet Mix-match between brass and woodwinds Full Band - as a flexible instrumentation ensemble This piece falls into my larger chamber music initiative that seeks to create accessible, ready to play arrangements and compositions to get young musicians PLAYING MUSIC with others. Because it is so adjustable, many different combinations can be used in order to facilitate music making. A great example, a middle school band director can teach the piece as a full ensemble piece, then break the group into smaller groups (i.e. flute, clarinet, alto sax, tenor sax, bass clarinet.. or whatever works with the band director's instrumentation!).
$5.00
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keit...
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Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
Blinding Lights
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Orchestra
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INTERMEDIATE
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The Weeknd
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Steve Pycroft
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Blinding Lights
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Steve Pycroft
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1497131 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Martin, and Oscar Holter...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1497131 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Martin, and Oscar Holter. Arranged by Steve Pycroft. 21st Century,Classical,Contemporary,Pop. 93 pages. Steve Pycroft #1073553. Published by Steve Pycroft (A0.1497131). From arranger Steve Pycroft, this is a super fun arrangement of the infectious, record breaking song 'Blinding Lights' by The Weeknd.Founder and Musical Director of Kaleidoscope Orchestra Steve Pycroft, has spent the last 20 years reimagining electronic and dance music songs for orchestra. His unique style brings emotion and feeling to the powerful melodies and catchy hooks that form the basis of pop songs such as this one. Steve takes the structures of the original songs and turns them into something fresh, while still staying true to the vibe of the original. Sure to bring a smile to faces of the performers as well as audiences, this arrangement brings a fresh perspective to a modern classic.This arrangement is for full orchestra. 2x flutes, 2x oboes, Alto Saxophone, 2x clarinets, 2x bassoons, 2x french horns, 2x trumpets, 2x tenor trombones, 1x bass trombone, 2x percussion (tambourine + cymbals), drum kit, bass guitar and a full string section - featuring a solo string quartet. There's also a chord sheet for other musicians (such as guitarists and keyboard players) to be able to perform.This purchase includes a Transposed Score & all instrumental parts as PDFs.
$169.99
The Weight
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Choral SATB
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ADVANCED
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The Band
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Eric Hagmann
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The Weight
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Eric Hagmann
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.796815 By The Band. By J.R. Robertson. Arranged by Eric Hagmann. A Cappella. Octavo. 14 p...
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.796815 By The Band. By J.R. Robertson. Arranged by Eric Hagmann. A Cappella. Octavo. 14 pages. Eric Hagmann #3911445. Published by Eric Hagmann (A0.796815). An SSATB + duet vocal jazz arrangement of The Weight (Take a Load Off, Annie) by The Band. This chart reimagines The Band's original song as an a cappella swing tune straight out of the 1940's. The bottom voice thumps along on neutral syllables of your choosing just as an upright bassist would in the big band. If you don't have any singers who can take on this part, an actual bass instrument could be substituted. The guitar accompaniment of the original song is now replaced by complex jazz harmonies and rhythms sung by your upper voices to compliment your soloists. The last 1/3rd of the song has a breakdown that layers and overlaps your voices one by one until they come together for a final build into the last chorus. This section also offers an opportunity for a small quartet to sing an optional harmony part. While this piece is challenging, it offers a unique spin on an old classic that will surely hold your audience's attention if performed well. .
$2.25
Always There
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Contemporary
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Leslie Osborne and Simon May
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Derek Hasted
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Always There
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797738 Composed by Leslie Osborne and Simon May. Arranged by Derek Hasted. Contemporary. Scor...
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797738 Composed by Leslie Osborne and Simon May. Arranged by Derek Hasted. Contemporary. Score and parts. 25 pages. Derek Hasted #4327089. Published by Derek Hasted (A0.797738). ALWAYS THERE (Howard's Way) - 4 GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes You might not know this piece - it was the theme to the UK Television Series Howard’s Way which was broadcast between 1985 and 1990. It was composed as an instrumental with an incessant beat and a disco-like break in the middle.The piece was re-worked as the much more laid-back song Always There by Marti Webb; the song rose high into the Top Twenty. It also opened her album of the same name. But the song version lost much of the drive of the original.As this quartet arrangement is for playing, not singing, it makes sense to put all the drive back in!If you visit YouTube you will find some recordings of the original theme and these should point you in the right direction to make this piece blossom into a big wall of sound...It's for an intermediate quartet or large ensemble. Guitar 4 is tuned 6=D and is the most straightforward line. There's a version of Guitar 4 in bass clef for contra or electric bass, and here normal tuning is used. Guitar 3 is all arpeggios, mainly in first position. Guitars 1 and 2 take the tune and countermelodies.It's a foot-tapping piece that audiences will love!I hope you enjoy playing this piece!
$4.99
Good Morning Good Morning
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Brass Quartet
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INTERMEDIATE/ADVANCED
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Rock
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The Beatles
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Ray Thompson
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Good Morning Good Morning
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RayThompsonMusic
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SheetMusicPlus
Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.807933 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray T...
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Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.807933 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 10 pages. RayThompsonMusic #414967. Published by RayThompsonMusic (A0.807933). Arranged standrard brass quartet: 2 tpts, tbn, tuba. Alt. horn in F for trombone. Transposed into Bb from original A to aid brass players.Melody and guitar break given to 1st trumpet. Trombone and 2nd take middle section. Tuba covers bass guitarGreat fun with mixed time sigs!! Good Morning Good Morning is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written by John Lennon and credited to Lennon–McCartney. Inspiration for the song came to Lennon from a television commercial for Kellogg's Corn Flakes.Another reference to contemporary television was the lyric It's time for tea and Meet the Wife, referring to the BBC sitcom. Lennon himself was critical of the track. It's a throwaway, a piece of garbage, I always thought, he once said. I always had the TV on very low in the background when I was writing, and it came over, and then I wrote the songThe song is played at 117 beats per minute, has an unusual rhythmic feel, and uses different time signatures. Beats are played in groups of 2, 3 and 4, and time signature changes frequently. Parts with 5/4 and 4/4 bars alternate, with 3/4 transitions.Most of the song uses simple time, where the beats are divided into two, but the middle eight sections use compound time, where the beats are divided into triplets.
$17.95
Good Morning Good Morning
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Rock
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The Beatles
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Ray Thompson
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Good Morning Good Morning
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RayThompsonMusic
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.867641 By Th...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.867641 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Rock. 8 pages. RayThompsonMusic #474085. Published by RayThompsonMusic (A0.867641). Arranged standrard sax quartet: SATB Transposed into Bb from original A to aid players. Melody and guitar break given to sop tenor and alto take middle section. Bari covers bass guitar.Great fun with mixed time sigs!!Good Morning Good Morning is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band.It was written by John Lennon and credited to Lennon–McCartney. Inspiration for the song came to Lennon from a television commercial for Kellogg's Corn Flakes. Another reference to contemporary television was the lyric It's time for tea and Meet the Wife, referring to the BBC sitcom. Lennon himself was critical of the track. It's a throwaway, a piece of garbage, I always thought, he once said. I always had the TV on very low in the background when I was writing, and it came over, and then I wrote the song The song is played at 117 beats per minute, has an unusual rhythmic feel, and uses different time signatures. Beats are played in groups of 2, 3 and 4, and time signature changes frequently. Parts with 5/4 and 4/4 bars alternate, with 3/4 transitions.Most of the song uses simple time, where the beats are divided into two, but the middle eight sections use compound time, where the beats are divided into triplets.YouTube Link https://youtu.be/xTpiETCrAqw is my brass quartet version.
$14.95
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Sco...
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Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and...
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Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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French Horn and Piano
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INTERMEDIATE/ADVANCED
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
#
SheetMusicPlus
French Horn,Piano - Level 4 - Digital Download SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz...
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French Horn,Piano - Level 4 - Digital Download SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899751. Published by Keith Terrett (A0.747029). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Horn players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
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