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You've selected:
Called to Serve PIANO
Sheetmusic to print
203 sheet music found
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201
Piano Duets: The Sacred Collection
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1 Piano, 4 hands
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INTERMEDIATE
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Sacred music
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Various
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Piano Duets: The Sacred Collec
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SheetMusicPlus
Piano Duet - Intermediate - Digital Download Composed by Various. Arranged by Anne Britt. Christian, Sacred, Praise and Worship, Latter-Day Saints, General ...
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Piano Duet - Intermediate - Digital Download Composed by Various. Arranged by Anne Britt. Christian, Sacred, Praise and Worship, Latter-Day Saints, General Worship. 62 pages. Published by Anne Britt
This collection includes six hymn arrangements for piano duet (one piano, four hands). From the peaceful assurance of ?It Is Well with My Soul? to the rousing commitment of ?Called to Serve Medley,? each of these pieces is arranged beautifully to provide a memorable musical offering suitable for church services and other special occasions. Primo and secondo parts are fairly well balanced in difficulty and involvement, and for the most part are accessible to the intermediate pianist. ?Come, Thou Fount of Every Blessing? is classified as late intermediate because it offers some more advanced rhythmic challenges and creative meter changes. 59 pages.
1. How Great Thou Art
2. The Spirit of God
3. A Poor Wayfaring Man of Grief
4. Called to Serve Medley (includes ?Called to Serve,? ?I?ll Go Where You Want Me to Go,? and ?How Gentle God?s Commands?)
5. It Is Well with My Soul
6. Come, Thou Fount of Every Blessing
YouTube playlist of all six duets: https://www.youtube.com/watch?v=X3jGsH0nl7oandlist=PLNCfNIIU9pLRdDBLm1kz8esyHQGxZxj0U
$14.99
Called to Serve
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Flute and Piano
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BEGINNER
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Adam Geibel and Grace Gordon
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Rebecca Bogardus
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Called to Serve
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Lillwy Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.877920 Composed by Adam Geibel and Grace Gordon. Arranged by R...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.877920 Composed by Adam Geibel and Grace Gordon. Arranged by Rebecca Bogardus. Children,Christian,Sacred,Standards. Score and parts. 3 pages. Lillwy Publishing #4109529. Published by Lillwy Publishing (A0.877920). This arrangement is part of the Primary Band Companion for LDS artists. These flexible arrangements are designed for flute students who are in their first year of a band method and include: 1. Solo Flute: this part is the melody of a familiar primary song or hymn. 2. Optional Flute 2: this duet part is optional. The duet part is at roughly the same level as the solo, so two beginning flutists may easily play a duet in church. 3. Accompaniment Piano for Solo or Duet: This part may accompany either the first flute for a solo or both flutes playing a duet. It would also be appropriate while someone sings the melody. It is my hope that these arrangements will enable young flutists to begin sharing their musical talents in the first few months of study. More information about this series may be found at www.studiobogardus.com/arrangements.html.
$3.99
Called to Serve (Easy Piano)
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Easy Piano
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BEGINNER
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Sacred music
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Adam Geibel, Grace Gordon
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Rebecca Belliston
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Called to Serve
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Rebecca Belliston
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1158368 Composed by Adam Geibel, Grace Gordon. Arranged by Rebecca Belliston. Children,Christian,Praise &...
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Easy Piano - Level 1 - Digital Download SKU: A0.1158368 Composed by Adam Geibel, Grace Gordon. Arranged by Rebecca Belliston. Children,Christian,Praise & Worship,Religious,Sacred. Score. 2 pages. Rebecca Belliston #758648. Published by Rebecca Belliston (A0.1158368). Simplified version of missionary hymn.
$1.99
Called To Serve
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Piano solo
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INTERMEDIATE/ADVANCED
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Sacred music
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Benn Cole
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Called To Serve
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Benjamin Cole
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.887812 Arranged by Benn Cole. Sacred. Score. 13 pages. Benjamin Cole #4840351. Published by Benjamin Cole...
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Piano Solo - Level 4 - Digital Download SKU: A0.887812 Arranged by Benn Cole. Sacred. Score. 13 pages. Benjamin Cole #4840351. Published by Benjamin Cole (A0.887812).
$3.99
Youth Battalion Medley of Hymns (Piano Duet 1P/4H)
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1 Piano, 4 hands
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INTERMEDIATE/ADVANCED
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Sacred music
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Evan Stephens, Adam Geibel, Wi
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Rebecca Belliston
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Youth Battalion Medley of Hymn
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Rebecca Belliston
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1077052 Composed by Evan Stephens, Adam Geibel, William Clayson. Arranged by Rebecca Bell...
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1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1077052 Composed by Evan Stephens, Adam Geibel, William Clayson. Arranged by Rebecca Belliston. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 10 pages. Rebecca Belliston #681191. Published by Rebecca Belliston (A0.1077052). Medley of True to the Faith, Hope of Israel, and Called to Serve..
$5.99
Youth Battalion Medley of Hymns (Piano Solo)
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Piano solo
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INTERMEDIATE/ADVANCED
#
Sacred music
#
Evan Stephens, Joseph L
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Rebecca Belliston
#
Youth Battalion Medley of Hymn
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Rebecca Belliston
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1091193 By Evan Stephens, Joseph L. Townsend, and Grace Gordon. By Evan Stephens, Adam Geibel, William Cl...
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Piano Solo - Level 4 - Digital Download SKU: A0.1091193 By Evan Stephens, Joseph L. Townsend, and Grace Gordon. By Evan Stephens, Adam Geibel, William Clayson. Arranged by Rebecca Belliston. Children,Christian,Religious,Sacred,Spiritual. Score. 6 pages. Rebecca Belliston #695352. Published by Rebecca Belliston (A0.1091193). Medley of True to the Faith, Hope of Israel, and Called to Serve for Piano Solo.
$4.99
Peaceful Measures - Interchangeable, Repeatable Phrases for Background Piano Music
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Piano solo
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INTERMEDIATE/ADVANCED
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Sacred music
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Renee Hyche McKee
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Peaceful Measures - Interchang
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Renee H. McKee
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.885159 By Renee Hyche McKee. By Renee Hyche McKee. New Age,Praise & Worship,Sacred,Traditional,Wedding. S...
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Piano Solo - Level 4 - Digital Download SKU: A0.885159 By Renee Hyche McKee. By Renee Hyche McKee. New Age,Praise & Worship,Sacred,Traditional,Wedding. Score. 28 pages. Renee H. McKee #491468. Published by Renee H. McKee (A0.885159). Classically-trained pianists are often asked to “play some quiet background music†which is non-invasive, that will support the event without bringing attention to the music itself, and can be brought to a graceful close quickly. “What to play?†is not the only challenge, but also, “What do I do if I run out of music before the event is done?†or, How can I bring a piece to a close if I'm told to stop playing before the piece is over?†“HELP! I can't improvise! I offer you a set of beautiful phrases that are uniquely purposed to fill these needs - and more. Peaceful Measures is a set of twelve four-measure, repeatable, interchangeable phrases with very little melodic distraction. Start with any phrase that suits your need, such as background music for a pastoral prayer. Repeat one phrase indefinitely or flow directly to any other. Skip around. Each phrase leads to all others, and all lead to your choice of two clearly labeled Endings. Because this download includes the seven most commonly used major keys, Peaceful Measures can also be used as vamping material until the song you are accompanying is ready to sing. Or use a phrase to extend a song in order to continue its mood. Print only the pages of the key you need now, or the whole set for quick referrals later. Explore their flexibility for other purposes, such as the passing of Communion for example: find your favorite phrases to repeat, then flow into the Ending that will serve the best timing. Need quiet music filler for an unknown length of time? Choose a phrase and repeat, then go to an Ending of your choice. Everything is written out for easy navigation and on-the-spot reading. The recording I have included is a series of phrases, some repeated, in F Major and uses Ending I. Pianists will discover even more settings for these versatile phrases! Not only are they great for worship services of any faith, they serve as background music for speeches, funeral prelude music, dedications of any kind, wedding filler music, civil ceremonies, personal prayer, and calming meditation music for groups large or small. For some, the most enjoyable thing is to just play them randomly and enjoy the calm they bring for yourself. It is my heart’s desire that these lovelies will serve you, the pianist, the one who is so often called upon to serve others. Blessings, - Renee PS I've included a bonus page that has an extended version of one of the phrases. Enjoy!
$7.99
Pleasant Landscape-Schumann-Clarinet-Piano
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Clarinet and Piano
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INTERMEDIATE
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Robert Schumann
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Phil Beaman
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Pleasant Landscape-Schumann-Cl
#
Phil Beaman
#
SheetMusicPlus
Clarinet,Piano - Level 3 - Digital Download SKU: A0.844537 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards...
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.844537 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards. Score and part. 7 pages. Phil Beaman #3509433. Published by Phil Beaman (A0.844537). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Pleasant Landscape, which I have freely arranged for accompanied Instrumental Solo. I have slowed it down considerably from the original and marked it with passionate energy. The beauty and interest is created by the shaping and phrasing of this beautiful melodic line. It has a rubato feeling throughout with constant tempo changes like rall, molto rall, freely, accel, etc. In keeping with the characteristics of the Romantic period my arrangement is full of interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. The equally beautiful piano part provides great interplay of expressive harmony and countermelody. A beautiful piece to show your expressive musicianship and impress them in either concert or audition. Marked Intermediate due to the plethora of markings to observe, musicianship that is required for a mature performance, and a 2 octave range that will push the limits of some instruments.3:10 minutes, 5 page score, 2 page solo partTemporary recording of a piano reduction of total score.
$5.99
Pleasant Landscape-Schumann-Flute-Piano
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Flute and Piano
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INTERMEDIATE
#
Robert Schumann
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Phil Beaman
#
Pleasant Landscape-Schumann-Fl
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Phil Beaman
#
SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.844534 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards. S...
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Flute,Piano - Level 3 - Digital Download SKU: A0.844534 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards. Score and part. 7 pages. Phil Beaman #3509005. Published by Phil Beaman (A0.844534). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Pleasant Landscape, which I have freely arranged for accompanied Instrumental Solo. I have slowed it down considerably from the original and marked it with passionate energy. The beauty and interest is created by the shaping and phrasing of this beautiful melodic line. It has a rubato feeling throughout with constant tempo changes like rall, molto rall, freely, accel, etc. In keeping with the characteristics of the Romantic period my arrangement is full of interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. The equally beautiful piano part provides great interplay of expressive harmony and countermelody. A beautiful piece to show your expressive musicianship and impress them in either concert or audition. Marked Intermediate due to the plethora of markings to observe, musicianship that is required for a mature performance, and a 2 octave range that will push the limits of some instruments.3:10 minutes, 5 page score, 2 page solo partTemporary recording of a piano reduction of total score.
$5.99
Pleasant Landscape-Schumann-Trumpet-Piano
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Trumpet, Piano
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INTERMEDIATE
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Robert Schumann
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Phil Beaman
#
Pleasant Landscape-Schumann-Tr
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Phil Beaman
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SheetMusicPlus
Piano,Trumpet - Level 3 - Digital Download SKU: A0.844538 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards....
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.844538 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards. Score and part. 7 pages. Phil Beaman #3509443. Published by Phil Beaman (A0.844538). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Pleasant Landscape, which I have freely arranged for accompanied Instrumental Solo. I have slowed it down considerably from the original and marked it with passionate energy. The beauty and interest is created by the shaping and phrasing of this beautiful melodic line. It has a rubato feeling throughout with constant tempo changes like rall, molto rall, freely, accel, etc. In keeping with the characteristics of the Romantic period my arrangement is full of interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. The equally beautiful piano part provides great interplay of expressive harmony and countermelody. A beautiful piece to show your expressive musicianship and impress them in either concert or audition. Marked Intermediate due to the plethora of markings to observe, musicianship that is required for a mature performance, and a 2 octave range that will push the limits of some instruments.3:10 minutes, 5 page score, 2 page solo partTemporary recording of a piano reduction of total score.
$5.99
Pleasant Landscape-Schumann-Soprano Sax-Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
#
Robert Schumann
#
Phil Beaman
#
Pleasant Landscape-Schumann-So
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Phil Beaman
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.844539 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.844539 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards. Score and part. 7 pages. Phil Beaman #3509457. Published by Phil Beaman (A0.844539). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Pleasant Landscape, which I have freely arranged for accompanied Instrumental Solo. I have slowed it down considerably from the original and marked it with passionate energy. The beauty and interest is created by the shaping and phrasing of this beautiful melodic line. It has a rubato feeling throughout with constant tempo changes like rall, molto rall, freely, accel, etc. In keeping with the characteristics of the Romantic period my arrangement is full of interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. The equally beautiful piano part provides great interplay of expressive harmony and countermelody. A beautiful piece to show your expressive musicianship and impress them in either concert or audition. Marked Intermediate due to the plethora of markings to observe, musicianship that is required for a mature performance, and a 2 octave range that will push the limits of some instruments.3:10 minutes, 5 page score, 2 page solo partTemporary recording of a piano reduction of total score.
$5.99
Pleasant Landscape-Schumann-Oboe-Piano
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Oboe, Piano (duet)
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INTERMEDIATE
#
Robert Schumann
#
Phil Beaman
#
Pleasant Landscape-Schumann-Ob
#
Phil Beaman
#
SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.844536 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards. Sc...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.844536 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards. Score and part. 7 pages. Phil Beaman #3509359. Published by Phil Beaman (A0.844536). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Pleasant Landscape, which I have freely arranged for accompanied Instrumental Solo. I have slowed it down considerably from the original and marked it with passionate energy. The beauty and interest is created by the shaping and phrasing of this beautiful melodic line. It has a rubato feeling throughout with constant tempo changes like rall, molto rall, freely, accel, etc. In keeping with the characteristics of the Romantic period my arrangement is full of interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. The equally beautiful piano part provides great interplay of expressive harmony and countermelody. A beautiful piece to show your expressive musicianship and impress them in either concert or audition. Marked Intermediate due to the plethora of markings to observe, musicianship that is required for a mature performance, and a 2 octave range that will push the limits of some instruments.3:10 minutes, 5 page score, 2 page solo partTemporary recording of a piano reduction of total score.
$5.99
Pleasant Landscape-Schumann-Violin-Piano
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Violin and Piano
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INTERMEDIATE
#
Robert Schumann
#
Phil Beaman
#
Pleasant Landscape-Schumann-Vi
#
Phil Beaman
#
SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.844535 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards. ...
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Piano,Violin - Level 3 - Digital Download SKU: A0.844535 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards. 7 pages. Phil Beaman #3509011. Published by Phil Beaman (A0.844535). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Pleasant Landscape, which I have freely arranged for accompanied Instrumental Solo. I have slowed it down considerably from the original and marked it with passionate energy. The beauty and interest is created by the shaping and phrasing of this beautiful melodic line. It has a rubato feeling throughout with constant tempo changes like rall, molto rall, freely, accel, etc. In keeping with the characteristics of the Romantic period my arrangement is full of interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. The equally beautiful piano part provides great interplay of expressive harmony and countermelody. A beautiful piece to show your expressive musicianship and impress them in either concert or audition. Marked Intermediate due to the plethora of markings to observe, musicianship that is required for a mature performance, and a 2 octave range that will push the limits of some instruments.3:10 minutes, 5 page score, 2 page solo partTemporary recording of a piano reduction of total score.
$5.99
Called to Serve PIANO & ORGAN DUET
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Organ, Piano (duet)
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INTERMEDIATE/ADVANCED
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Sacred music
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Walter C
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Mike Carson
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Called to Serve PIANO & ORGAN
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Mike Carson
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SheetMusicPlus
Composed by Walter C. Tyler. Arranged by Mike Carson. Sacred. Score and parts. 8 pages. Mike Carson #6244979. Published by Mike Carson...
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Composed by Walter C. Tyler. Arranged by Mike Carson. Sacred. Score and parts. 8 pages. Mike Carson #6244979. Published by Mike Carson
$7.99
Grass Roots for Cello and Piano
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Cello, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sy Brandon
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Grass Roots for Cello and Pian
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Sy Brandon
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SheetMusicPlus
Cello,Piano - Level 4 - Digital Download SKU: A0.755018 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 36 pages. Sy Brandon #3243597....
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Cello,Piano - Level 4 - Digital Download SKU: A0.755018 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 36 pages. Sy Brandon #3243597. Published by Sy Brandon (A0.755018). Grass Roots was composed during 2009-2010 for tuba and piano and adapted for cello and piano by the composer in 2016. The inspiration for this composition was Ken Burn’s series on America’s National Parks. The composer was not only inspired by the beauty and grandeur of the parks, but also by the vision of a few people that turned into the reality, therefore the title of this composition. The first movement is called A Voice in the Wilderness and represents the voice of John Muir, who recognized the beauty of Yosemite and made an effort to preserve it for future generations. The lyrical sections reflect the beauty of the area and the chromaticism reflects the uncertainty of his efforts. Conflicts is the title of the second movement as it represents the opposing forces in the debate to create a national park system. Lively rhythm and counterpoint are used throughout the movement to express the opposing points of view and the heated arguments. The last movement, Manifestations is the realization of the dream of a national park system. The movement is lyrical and flowing and is designed to be both serene and awe-inspiring.
$14.99
Grass Roots for Tuba and Piano
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Tuba and Piano
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INTERMEDIATE/ADVANCED
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Sy Brandon
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Grass Roots for Tuba and Piano
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Sy Brandon
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SheetMusicPlus
Piano,Tuba - Level 4 - Digital Download SKU: A0.755019 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 34 pages. Sy Brandon #3243601. ...
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Piano,Tuba - Level 4 - Digital Download SKU: A0.755019 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 34 pages. Sy Brandon #3243601. Published by Sy Brandon (A0.755019). Grass Roots was composed during 2009-2010 for Steven Maxwell of Kansas State University. The inspiration for this composition was Ken Burn's series on America's National Parks. The composer was not only inspired by the beauty and grandeur of the parks, but also by the vision of a few people that turned into the reality, therefore the title of this composition. The first movement is called A Voice in the Wilderness and represents the voice of John Muir, who recognized the beauty of Yosemite and made an effort to preserve it for future generations. The lyrical sections reflect the beauty of the area and the chromaticism reflects the uncertainty of his efforts. Conflicts is the title of the second movement as it represents the opposing forces in the debate to create a national park system. Lively rhythm and counterpoint are used throughout the movement to express the opposing points of view and the heated arguments. The last movement, Manifestations is the realization of the dream of a national park system. The movement is lyrical and flowing and is designed to be both serene and awe-inspiring.
$14.99
Jazzytude. 6 jazz etude for piano
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Piano solo
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EASY
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Studies
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Jazz
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Igor Jussim
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Jazzytude. 6 jazz etude for pi
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Igor Jussim
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SheetMusicPlus
Piano Solo - Digital Download Composed by Igor Jussim. Jazz, Etudes and Exercises, Repertoire. 52 pages. Published by Igor Jussim ...
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Piano Solo - Digital Download Composed by Igor Jussim. Jazz, Etudes and Exercises, Repertoire. 52 pages. Published by Igor Jussim
The 6 virtuoso jazz pieces in this booklet, each dealwith a fundamentally important element of jazz piano playing. That is why thepieces are called Jazz - Etudes. However, they serve not only as teachingmaterial, but are composed primarily for concert practice.
Performing the booklet does not require you to have anyin-depth experience in jazz music. All pieces are to be played "aswritten" and without any special jazz playing techniques, (such as "swing- triplets" etc.).
$15.00
Called to Serve
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Choral 2-part
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BEGINNER
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Sacred music
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Mike Carson
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Mike Carson
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Called to Serve
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Mike Carson
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SheetMusicPlus
Choral Choir (TB) - Level 1 - Digital Download SKU: A0.1261181 By Mike Carson. By Walter G. Tyler. Arranged by Mike Carson. Christian,Praise & Worship,Re...
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Choral Choir (TB) - Level 1 - Digital Download SKU: A0.1261181 By Mike Carson. By Walter G. Tyler. Arranged by Mike Carson. Christian,Praise & Worship,Religious,Sacred. Octavo. 4 pages. Mike Carson #854251. Published by Mike Carson (A0.1261181). Energetic arrangement of CALLED TO SERVE, a vigorous marching song for men's and/or young men's chorus with piano accompaniment. Easy enough to learn in one rehearsal. PDF contains vocal parts on one sheet and the piano/vocal score on three pages. Duplicate as many copies of the vocal parts as needed at no additional cost. Performance time: 1:48.
$7.99
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven, Cees Nie
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Fantasia Sonata in D Major for
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Upstream Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #...
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Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00
Carson Cooman: Paradoxes: Sonata for Cello and Piano (1998)
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Cello, Piano
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ADVANCED
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Carson Cooman
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Carson Cooman: Paradoxes: Sona
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Musik Fabrik Music Publishing
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SheetMusicPlus
Cello,Piano - Level 5 - Digital Download SKU: A0.533690 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Standards. Score and part. 25 pages....
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Cello,Piano - Level 5 - Digital Download SKU: A0.533690 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Standards. Score and part. 25 pages. Musik Fabrik Music Publishing #3038631. Published by Musik Fabrik Music Publishing (A0.533690). Paradoxes: Sonata for Cello and Piano (1998) was written as a commission frommusicologist and cellist Larry KludgeThe conception and inspiration of this sonata had the idea of paradoxes behind it. Ouruniverse is certainly full of these paradoxes, and they range from the most practical in natureto the most highly philosophical in nature. Each of the movements in this work isparadoxical in a variety of musical ways. The movement titles present the foundation ideasfor each movement, stillness, brevity, and movement; however, those serve as only thebeginning for the paradoxes in the work. The first movement, Paradox of Stillness, openswith a statement of the main melodic theme for the work. The melody and pitches of thattheme are used in a variety of ways throughout. The second section serves as a contrast to theopening after which the opening section is recalled again for the close. The brief secondmovement, Paradox of Brevity, is a very fast moving movement for the cello and the piano.Driving rhythms and odd harmonic twists pervade the movement. The final movement,Paradox of Movement, opens with and sustains a moto perpetuo dance for almost the entiremovement with a break in the middle for a brief cadenza for the solo cello. A brief codabrings the movement to a close
$19.95
Everybody Deserves Somebody to Love
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Piano solo
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INTERMEDIATE/ADVANCED
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Film/TV
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Rock
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Dalva R
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A
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Everybody Deserves Somebody to
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Dalva Regina Ribeiro Barbosa
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1131811 Composed by Dalva R. R. Barbosa. Film/TV,Pop,Rock. Score. 6 pages. Dalva Regina Ribeiro Barbosa #...
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Piano Solo - Level 4 - Digital Download SKU: A0.1131811 Composed by Dalva R. R. Barbosa. Film/TV,Pop,Rock. Score. 6 pages. Dalva Regina Ribeiro Barbosa #732042. Published by Dalva Regina Ribeiro Barbosa (A0.1131811). Everybody Deserves Somebody to Love is a musical story in which two characters, who work together, are at a joyful party, with lots of dancing and drinking. Both are in love with each other but social, family, and professional issues prevent them from getting together. However, one of the characters absorbed by the joy of the party (too much to drink, maybe) decides to insist in the relationship. The other character is hesitant and afraid to face such challenge. At the end of the song they decide to take the chance. The piece is structured in a rondó form with the following parts that I called: Introduction (I); A; B; C; I; A; D; A; C; I; A. Imagine a rock and habanera cake with Scarlatti syrup. The layers are: A: An invitation. They say phrases like: “Come to me because I need you nowâ€. B: Expression of pure desire with phrases such as: Hey! I can Ìt control myself now. B could be called A’. C: In a syncopated rhythm is argumentation. One party is trying to convince the other about assuming their relationship singing like that: “Everybody deserves somebody to love. I can help you to carry on. Just give your life a second chanceâ€. D: Is a moment of reflection. One of the characters is at greater risk and says: I´m afraid, love hurts sometimes. It won´t be so easy to start a new life now.â€.
$3.00
Craters of the Moon for Oboe, Clarinet, Bassoon, and Piano
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Oboe, Piano (duet)
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ADVANCED
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Contemporary
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Sy Brandon
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Craters of the Moon for Oboe,
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Sy Brandon
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SheetMusicPlus
Small Ensemble Clarinet,Oboe,Piano - Level 5 - Digital Download SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pa...
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Small Ensemble Clarinet,Oboe,Piano - Level 5 - Digital Download SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pages. Sy Brandon #5770547. Published by Sy Brandon (A0.755293). This composition was composed for Trio De Bois (Oboe, Clarinet, Bassoon) and Piano. There are three movements that are inspired by Craters of the Moon National Monument and Preserve. It is especially appropriate during this 50th anniversary of the moon walk as the astronauts trained at this location. The first movement is called Violent Past. Much of this movement is built around the dissonant intervals of a half step and the tritone.These intervals are used both melodically and harmonically. The second movement is called Lunar Landscape and is more evocative rather than descriptive. It creates a feeling of vastness and openness.This movement is a tribute to the 50th anniversary of landing on the moon that is being celebrated at the same time that this movement was created. The Apollo 14 astronauts trained at Craters of the Moon in 1969 in order to learn more about volcanic geology. The movement is built around a walking passacaglia theme that is mainly in the left hand of the piano. After its initial statement, the passacaglia theme is accompanied by open 4ths and 5ths in the piano that later appear in the oboe and clarinet, and then in imitation between the piano and high winds. A more melodic variant of the passacaglia theme occurs in the bassoon over the original in the piano. All this material is developed before the opening material returns in the original key and tempo before eventually fading into the distance. Forces of Nature is the title of the third movement. There are five natural phenomena in the park that are represented musically, The Great Rift, Lava Flow, Vents, Cinder Cones, and Lava Tubes. Each of these have a motif that is descriptive and the motifs transform and combine as the movement progresses.
$14.99
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Soprano Saxophone and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP....
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
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