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They Can't Take That Away From Me
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1298780 By Frank Sinatra. By Georg…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1298780 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Bill Swick. 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Standards. Individual part. 4 pages. Bill Swick #888648. Published by Bill Swick (A0.1298780). This arrangement of They Can’t Take That Away from Me is written for solo guitar and may be performed on an electric guitar, steel string acoustic, or nylon string guitar. It is written in both standard notation with chord symbols as well as tablature.
$4.99
4.65 €
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Guitar
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Frank Sinatra
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They Can't Take That Away From Me
#
Bill Swick
#
SheetMusicPlus
Can't Help Falling In Love
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1264515 By Elvis Presley. By Georg…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1264515 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Iury Cardoso. Classical,Country,Folk,Pop,Rock. Individual part. 3 pages. Iury Cardoso #857338. Published by Iury Cardoso (A0.1264515). EASY GUITAR arrangement of the song Can't Help Falling In Love by Elvis Presley.(There is also a TABS VERSION on this website).-3 pages-This is a easy guitar fingerstyle for beginner intermediate students.The entire melody of this arrangement is played on the first string of the guitar and all chords use open strings. The simplified chords make it easy to learn and allows the students to have a fun experience.See on youtube:https://www.youtube.com/watch?v=HQDArGWTZcISee more guitar arrangements by Iury Cardoso on this website, thank you so much! Copyright © 1961; Renewed 1989 Gladys Music (ASCAP) This arrangement Copyright © 2014 Gladys Music (ASCAP) All Rights Reserved in the U.S. Administered by Imagem Sounds International Publishing Copyright Secured All Rights Reserved#easy fingerstyle guitar#can't help falling in love#elvis presley#fingerstyle#classical guitar#guitar#guitar sheet music#easy guitar sheet music#guitar tabs#easy classical guitar sheet music#easy guitar score#easy arrangement#guitar music#acoustic guitar.
$4.99
4.65 €
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Guitar
#
Elvis Presley
#
Can't Help Falling In Love
#
Iury Cardoso
#
SheetMusicPlus
Ain't Always The Cowboy
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1320099 By Jon Pardi. By Brandon Kinney…
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Guitar - Level 3 - Digital Download SKU: A0.1320099 By Jon Pardi. By Brandon Kinney and Josh Thompson. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 6 pages. ViolinVagabond Music #908657. Published by ViolinVagabond Music (A0.1320099). Just here doing my part to help my fellow musician by providing lead sheets and instrumental adaptations of those slightly obscure tunes by famous artists that your next wedding or cocktail hour client just CAN'T live without hearing. Bear in mind that I am, in fact, a professional arranger so I can promise you that if nothing else this arrangement comes with the following guarantees.This chart is 3 things:- ACCURATE (nobody got time for incorrect transcriptions)- UNIVERSAL (you'll get lead sheets with AND without guitar chords and lyrics, in order to best fit your ensemble's needs)- SIGHT READABLEOh, and most importantly, it's cheap. So for the low low price of 5 bucks, save yourself a couple hours of headache transcribing this tune yourself and proceed to your gig with confidence. Consider this my small act of paying it forward to the next poor sap who unexpectedly finds this tune on a set list.Vocal version (with guitar chords) and instrumental version (treble clef) included. And yes, I tabbed out the fiddle leads for you :).
$4.99
4.65 €
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Guitar
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Jon Pardi
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Ain't Always The Cowboy
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ViolinVagabond Music
#
SheetMusicPlus
The Red Hot Chili Peppers : Can't Stop (niveau difficile, guitare électrique)
Guitar
Téléchargez la tablature et la partition Guitare Can't Stop (niveau dif…
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Téléchargez la tablature et la partition Guitare Can't Stop (niveau difficile, guitare électrique) de Red Hot Chili Peppers. Tab pour Guitare mélodique avec band/orchestre -- Pop/rock
5.99 €
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Guitar
#
Tomplay
The Red Hot Chili Peppers : Can't Stop (niveau intermédiaire, guitare électrique)
Guitar
Téléchargez la tablature et la partition Guitare Can't Stop (niveau int…
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Téléchargez la tablature et la partition Guitare Can't Stop (niveau intermédiaire, guitare électrique) de Red Hot Chili Peppers. Tab pour Guitare mélodique avec band/orchestre -- Pop/rock
5.99 €
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Guitar
#
Tomplay
The Red Hot Chili Peppers : Can't Stop (niveau facile/intermédiaire, guitare électrique)
Guitar
Téléchargez la tablature et la partition Guitare Can't Stop (niveau fac…
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Téléchargez la tablature et la partition Guitare Can't Stop (niveau facile/intermédiaire, guitare électrique) de Red Hot Chili Peppers. Tab pour Guitare mélodique avec band/orchestre -- Pop/rock
5.99 €
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Guitar
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Tomplay
The Red Hot Chili Peppers : Can't Stop (niveau facile, guitare électrique)
Guitar
Téléchargez la tablature et la partition Guitare Can't Stop (niveau fac…
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Téléchargez la tablature et la partition Guitare Can't Stop (niveau facile, guitare électrique) de Red Hot Chili Peppers. Tab pour Guitare mélodique avec band/orchestre -- Pop/rock
5.99 €
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Guitar
#
Tomplay
Elton John : Le Roi lion - I Just Can't Wait to Be King (niveau difficile, guitare d'accompagnement)
Guitar
Téléchargez la tablature et la partition Guitare Le Roi lion - I Just Can�…
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Téléchargez la tablature et la partition Guitare Le Roi lion - I Just Can't Wait to Be King (niveau difficile, guitare d'accompagnement) de Elton John. Tab pour Guitare d'accompagnement -- Musique de film
5.99 €
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Guitar
#
Tomplay
Elton John : Le Roi lion - I Just Can't Wait to Be King (niveau intermédiaire/difficile, guitare d'accompagnement)
Guitar
Téléchargez la tablature et la partition Guitare Le Roi lion - I Just Can�…
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Téléchargez la tablature et la partition Guitare Le Roi lion - I Just Can't Wait to Be King (niveau intermédiaire/difficile, guitare d'accompagnement) de Elton John. Tab pour Guitare d'accompagnement -- Musique de film
5.99 €
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Guitar
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Tomplay
Elton John : Le Roi lion - I Just Can't Wait to Be King (niveau facile/intermédiaire, guitare d'accompagnement) - Version courte
Guitar
Téléchargez la tablature et la partition Guitare Le Roi lion - I Just Can�…
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Téléchargez la tablature et la partition Guitare Le Roi lion - I Just Can't Wait to Be King (niveau facile/intermédiaire, guitare d'accompagnement) - Version courte de Elton John. Tab pour Guitare d'accompagnement -- Musique de film
5.99 €
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Guitar
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Tomplay
Elton John : Le Roi lion - I Just Can't Wait to Be King (niveau très facile, guitare d'accompagnement) - Version courte
Guitar
Téléchargez la tablature et la partition Guitare Le Roi lion - I Just Can�…
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Téléchargez la tablature et la partition Guitare Le Roi lion - I Just Can't Wait to Be King (niveau très facile, guitare d'accompagnement) - Version courte de Elton John. Tab pour Guitare d'accompagnement -- Musique de film
5.99 €
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Guitar
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Tomplay
Elton John : Le Roi lion - I Just Can't Wait to Be King (niveau intermédiaire, guitare d'accompagnement)
Guitar
Téléchargez la tablature et la partition Guitare Le Roi lion - I Just Can�…
(+)
Téléchargez la tablature et la partition Guitare Le Roi lion - I Just Can't Wait to Be King (niveau intermédiaire, guitare d'accompagnement) de Elton John. Tab pour Guitare d'accompagnement -- Musique de film
5.99 €
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Guitar
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Tomplay
Elton John : Le Roi lion - I Just Can't Wait to Be King (niveau facile, guitare d'accompagnement) - Version courte
Guitar
Téléchargez la tablature et la partition Guitare Le Roi lion - I Just Can�…
(+)
Téléchargez la tablature et la partition Guitare Le Roi lion - I Just Can't Wait to Be King (niveau facile, guitare d'accompagnement) - Version courte de Elton John. Tab pour Guitare d'accompagnement -- Musique de film
5.99 €
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Guitar
#
Tomplay
Elton John : Le Roi lion - I Just Can't Wait to Be King (niveau débutant, guitare d'accompagnement) - Version courte
Guitar
Téléchargez la tablature et la partition Guitare Le Roi lion - I Just Can�…
(+)
Téléchargez la tablature et la partition Guitare Le Roi lion - I Just Can't Wait to Be King (niveau débutant, guitare d'accompagnement) - Version courte de Elton John. Tab pour Guitare d'accompagnement -- Musique de film
5.99 €
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Guitar
#
Tomplay
They'll never believe me (They didn't beleive me) for guitar solo
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.576979 Composed by Jerome Kern. Ar…
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Solo Guitar - Level 3 - Digital Download SKU: A0.576979 Composed by Jerome Kern. Arranged by David Warin Solomons. 20th Century,Broadway,Musical/Show. Individual part. 2 pages. David Warin Solomons #566451. Published by David Warin Solomons (A0.576979). Medium difficulty arrangement for solo classical guitar of this song by Jerome Kern. The sound sample is my own performance. Four of these arrangements are available: Smoke gets in your eyes Long ago and far away Can't help loving that man of mine They'll never believe me and also a bundle containing all four at reduced price.
$7.00
6.53 €
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Guitar
#
Jerome Kern
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They'll never believe me
#
David Warin Solomons
#
SheetMusicPlus
Fantasy on a Mozart Theme
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899126 Composed by Rod Whittle. Cl…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Creek Music (A0.899126). 4 pages; for solo classical guitar; based on a theme from the Mass in C Minor; published by Maggie Creek MusicWolfgang Amadeus Mozart 1756 -1791 Mozart, whom his sister recounted as picking out thirds on the family clavier at the age of three for the pleasure of it, has been described as achieving miracles of sound across every emotion. Indeed one runs out of superlatives trying to do justice to the quality and originality of his compositions and the abundance of output. Anyone learning about his relatively short life must also pay tribute to his resolve and courage. I've noticed during my time in bands that the music I like sparks creativity, and the lovely theme from the Kyrie of the Mass in C minor spawned a lot of ideas once I'd decided to write something for guitar using it. Mozart's harmonies seem both exclusive and perfect, and I can't imagine my musical life without them. I got to know the Mass when I looked after Nigel's place while he was away, as it was in his record collection. My good friend died (of bone cancer) not long after that, and the Fantasy is a homage to him.
$5.00
4.66 €
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Guitar
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Rod Whittle
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for solo classical guitar
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Fantasy on a Mozart Theme
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Maggie Creek Music
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.53 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Bach Cello Suite No 1 - solo guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1320915 Composed by Joh. Seb. Bach…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1320915 Composed by Joh. Seb. Bach. Arranged by Georg Mertens. Baroque,Chamber,Classical,Traditional,Wedding. Individual part. 13 pages. Georg Mertens #909357. Published by Georg Mertens (A0.1320915). Having grown up as a cellist, who played the Suite since I am 11 years of age, I sometimes imagined or even hummed suitable bass notes, which you can't reach on the cello. Also, I imagined certain harmonies, completed in imagination when playing the Suite for years. - With many arrangements by guitarists, who didn't play the Suite on cello, I can hear, they are not going the right way! - Bach himself arranged cello Suite No 5 for lute - as lute Suite No 3 - giving us an example of how he himself went about when adding accompaniment notes - and he certainly did!Good examples are Gavotte 2 and the Gigue from Cello Suite No 5 - or lute Suite No 3. Bach also arranged the violin Partita No 3 in E major for lute - as lute Suite No 4, another example of how he himself went about. - In the arrangement here, I tried also to transfer the slurs on the cello sometimes to the guitar - e.g. in the Gigue - when I found it brings better the intended articulation better out.I hope you thoroughly enjoy the arrangement!
$9.99
9.32 €
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Guitar
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Joh
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Bach Cello Suite No 1 - solo guitar
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Georg Mertens
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SheetMusicPlus
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
11.18 €
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Guitar
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Edwin Culver
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Edwin Culver: a bridge a-way, exits within
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Edwin Culver
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.53 €
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Guitar
#
Richard Strauss
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
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