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You've selected:
Charles-Camille Saint-Saëns
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The Swan (Carnival of the Animals) - Charles-Camille Saint-Saëns; for Flute and Piano
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Flute and Piano
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ADVANCED
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Charles-Camille Saint-Saëns
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Len Rhodes
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The Swan
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Len Rhodes Music
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.739889 Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. 20th Century,Contemporary,Hol...
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Flute,Piano - Level 5 - Digital Download SKU: A0.739889 Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. 20th Century,Contemporary,Holiday,Love,Romantic Period,Wedding. Score and part. 5 pages. Len Rhodes Music #3049107. Published by Len Rhodes Music (A0.739889). Transcription for flute and piano of this immensely popular movement from Charles-Camille Saint-Saëns 'Carnival of the Animals'. The piano accompaniment is quite advanced. Download includes separate part, and score.
$5.99
Saint-Saens: The Swan for Soprano Sax & Piano
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Soprano Saxophone and Piano
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EASY
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Cello & Piano
#
Cello, Piano
#
INTERMEDIATE
#
Classical
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Cel
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,His...
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Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for French Horn & Piano
#
French Horn and Piano
#
INTERMEDIATE
#
Classical
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Fre
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contes...
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French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Bass Clarinet & Piano
#
Bass Clarinet
#
INTERMEDIATE
#
Classical
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Bas
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,...
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Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Clarinet & Piano
#
Clarinet and Piano
#
INTERMEDIATE
#
Classical
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Cla
#
jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Co...
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Flute & Piano
#
Flute and Piano
#
INTERMEDIATE
#
Classical
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Flu
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Cont...
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Alt
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Con...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Sop
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Oboe & Piano
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Oboe, Piano (duet)
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Obo
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jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festi...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: Oratorio de Noël (Christmas Oratorio) 5 soli, SSAA choir, harp, organ and strings. Vo
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Choral 3-part
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INTERMEDIATE/ADVANCED
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Classical
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Camille Saint-Saens
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Roar Kvam
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Saint-Saëns: Oratorio de Noë
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KVAMusic Edition
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SheetMusicPlus
Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.768518 Composed by Camille Saint-Saens. Arranged by Roar Kvam. Christmas,Romantic Period. Octavo....
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Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.768518 Composed by Camille Saint-Saens. Arranged by Roar Kvam. Christmas,Romantic Period. Octavo. 80 pages. KVAMusic Edition #6078597. Published by KVAMusic Edition (A0.768518). Charles-Camille Saint-Saëns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist. He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-Saëns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers. This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. He wrote the Oratorio de Noël (Christmas Oratorio) at the end of the 1850s and completed it in 1860. The first performanse was at the church La Madeleine in Paris December 1869. The work is dedicated to A Madame la Vicomtesse de Grandval. The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). Texts in the Oratorio de Noël is drawn from the Old and New Testaments: (1. Instrumental). 2. Luke 2,8-14. 3. Psalm 39,1. 4. John 11.27. 5. Psalm 117, 26-28. 6. Psalm 2,1 and Gloria Patri. 7. Psalm 109,3 and Graduale. 8. Isaiah 49,13. 9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1. 10. Psalm 95,8-9, 11,13.
$10.00
Saint-Saëns: Oratorio de Noël (Christmas Oratorio) 5 soli, SSAA choir, harp, organ and strings
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Choral 3-part
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INTERMEDIATE/ADVANCED
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Classical
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Camille Saint-Saens
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Roar Kvam
#
Saint-Saëns: Oratorio de Noë
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KVAMusic Edition
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SheetMusicPlus
Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.768516 Composed by Camille Saint-Saens. Arranged by Roar Kvam. Christian,Christmas,Romantic Perio...
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Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.768516 Composed by Camille Saint-Saens. Arranged by Roar Kvam. Christian,Christmas,Romantic Period. Octavo. 144 pages. KVAMusic Edition #6078593. Published by KVAMusic Edition (A0.768516). Charles-Camille Saint-Saëns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist. He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-Saëns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers. This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. He wrote the Oratorio de Noël (Christmas Oratorio) at the end of the 1850s and completed it in 1860. The first performanse was at the church La Madeleine in Paris December 1869. The work is dedicated to A Madame la Vicomtesse de Grandval. The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). Texts in the Oratorio de Noël is drawn from the Old and New Testaments: (1. Instrumental). 2. Luke 2,8-14. 3. Psalm 39,1. 4. John 11.27. 5. Psalm 117, 26-28. 6. Psalm 2,1 and Gloria Patri. 7. Psalm 109,3 and Graduale. 8. Isaiah 49,13. 9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1. 10. Psalm 95,8-9, 11,13.
$52.00
The Elephant for Contrabass and String (from The Carnival of the Animals)
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Charles-Camille Saint-Saëns
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Joshua Jun S
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The Elephant for Contrabass an
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Joshua S. Kim
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SheetMusicPlus
String Ensemble,String Trio Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.836043 Composed by Charles-Camille Saint-Saëns. Arranged by ...
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String Ensemble,String Trio Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.836043 Composed by Charles-Camille Saint-Saëns. Arranged by Joshua Jun S. Kim. Children,Concert,Romantic Period,World. Score and parts. 8 pages. Joshua S. Kim #3364621. Published by Joshua S. Kim (A0.836043). Fun and pun music for Contrabass, 2 Violin and Viola. This arrangement has been made from the original composition for 2 pianos and a contra bass. Contains score and set of parts. Intermediate or upper intermediate level. The Elephant from The Carnival of the Animals(1886) by Charles-CamilleSaint-Saëns
$7.95
Le Cygne (The Swan) - For Piano Solo - With Finger - Saint-Saëns
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Easy Piano
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EASY
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Classical
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Charles Camille Saint-Saëns
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poon
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Le Cygne
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poon
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SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.1249227 Composed by Charles Camille Saint-Saëns. Arranged by poon. Classical. Score. 3 pages. Poon #84...
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Easy Piano - Level 2 - Digital Download SKU: A0.1249227 Composed by Charles Camille Saint-Saëns. Arranged by poon. Classical. Score. 3 pages. Poon #843693. Published by poon (A0.1249227). Le Cygne (The Swan) - For Piano Solo - With Finger - Saint-Saëns.
$1.99
Saint-Saëns The Swan in G Major
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Piano solo
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INTERMEDIATE
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Classical
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Charles Camille Saint-Saëns
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Public Domain
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Saint-Saëns The Swan in G Maj
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John Travos
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1168980 Composed by Charles Camille Saint-Saëns. Arranged by Public Domain. Romantic Period. Score. 3 ...
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Piano Solo - Level 3 - Digital Download SKU: A0.1168980 Composed by Charles Camille Saint-Saëns. Arranged by Public Domain. Romantic Period. Score. 3 pages. John Travos #769326. Published by John Travos (A0.1168980). Saint-Saëns The Swan in G Major including finger numbers.
$4.85
Saint-Saëns: Oratorio de Noël, 5 soli, SSAA choir, harp, organ and strings - Score Only
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Choral SSAA
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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Roar Kvam
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Saint-Saëns: Oratorio de Noë
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KVAMusic Edition
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1401939 Composed by Camille Saint-Saens. Arranged by Roar Kvam. 19th Century,Christmas,Latin,Praise and Worship,Romant...
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Level 3 - Digital Download SKU: A0.1401939 Composed by Camille Saint-Saens. Arranged by Roar Kvam. 19th Century,Christmas,Latin,Praise and Worship,Romantic Period. 64 pages. KVAMusic Edition #985137. Published by KVAMusic Edition (A0.1401939). Charles-Camille Saint-SaeÌ?ns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist.He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the ocial church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-SaeÌ?ns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers.This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. He wrote the Oratorio de NoeÌ?l (Christmas Oratorio) at the end of the 1850s and completed it in 1860.The first performanse was at the church La Madeleine in Paris December 1869.The work is dedicated to A Madame la Vicomtesse de Grandval.The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). Texts in the Oratorio de NoeÌ?l is drawn from the Old and New Testaments: (1. Instrumental).2. Luke 2,8-14. 3. Psalm 39,1. 4. John 11.27. 5. Psalm 117, 26-28. 6. Psalm 2,1 and Gloria Patri. 7. Psalm 109,3 and Graduale. 8. Isaiah 49,13. 9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1. 10. Psalm 95,8-9, 11,13.
$20.00
The Swan (Carnival of the Animals) - Charles-Camille Saint-Saëns for Viola and Piano
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Viola, Piano
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Classical
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Charles-Camille Saint-Saëns
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Len Rhodes
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The Swan
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Len Rhodes Music Inc
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SheetMusicPlus
Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. Romantic Period, Easter, Mother's Day, Wedding, Funeral. Score, Sheet Music Single, Solo Par...
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Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. Romantic Period, Easter, Mother's Day, Wedding, Funeral. Score, Sheet Music Single, Solo Part. 5 pages. Published by Len Rhodes Music Inc (S0.212163). - Score,Sheet Music Single,Solo Part - Romantic Period,Easter,Mother's Day,Wedding,Funeral - Len Rhodes Music Inc
$5.99
The Swan (Carnival of the Animals) - Charles-Camille Saint-Saëns, for Bb Clarinet and Piano
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Clarinet and Piano
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Classical
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Charles-Camille Saint-Saëns
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Len Rhodes
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The Swan
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Len Rhodes Music Inc
#
SheetMusicPlus
Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. Romantic Period, Impressionistic, Anniversary, Wedding, Funeral. Individual Part, Score, She...
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Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. Romantic Period, Impressionistic, Anniversary, Wedding, Funeral. Individual Part, Score, Sheet Music Single, Solo Part. 5 pages. Published by Len Rhodes Music Inc (S0.211595). - Individual Part,Score,Sheet Music Single,Solo Part - Romantic Period,Impressionistic,Anniversary,Wedding,Funeral - Len Rhodes Music Inc
$5.99
The Swan (Carnival of the Animals) - Charles-Camille Saint-Saëns, for Oboe and Piano
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Oboe, Piano (duet)
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Classical
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Charles-Camille Saint-Saëns
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Len Rhodes
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The Swan
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Len Rhodes Music Inc
#
SheetMusicPlus
Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. Romantic Period, Impressionistic, Wedding, Funeral, Recital. Individual Part, Score, Sheet M...
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Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. Romantic Period, Impressionistic, Wedding, Funeral, Recital. Individual Part, Score, Sheet Music Single, Solo Part. 5 pages. Published by Len Rhodes Music Inc (S0.211647). - Individual Part,Score,Sheet Music Single,Solo Part - Romantic Period,Impressionistic,Wedding,Funeral,Recital - Len Rhodes Music Inc
$5.99
The Swan (Carnival of the Animals) - Charles-Camille Saint-Saëns for Violin and Piano
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Violin and Piano
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Classical
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Charles-Camille Saint-Saëns
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Len Rhodes
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The Swan
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Len Rhodes Music Inc
#
SheetMusicPlus
Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. Romantic Period, Easter, Mother's Day, Wedding, Funeral. Score, Sheet Music Single, Solo Part....
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Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. Romantic Period, Easter, Mother's Day, Wedding, Funeral. Score, Sheet Music Single, Solo Part. 5 pages. Published by Len Rhodes Music Inc (S0.212159). - Score,Sheet Music Single,Solo Part - Romantic Period,Easter,Mother's Day,Wedding,Funeral - Len Rhodes Music Inc
$5.99
The Swan (Carnival of the Animals) - Charles-Camille Saint-Saëns for Horn in F, and Piano
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French Horn and Piano
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Classical
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Charles-Camille Saint-Saëns
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Len Rhodes
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The Swan
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Len Rhodes Music Inc
#
SheetMusicPlus
Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. Romantic Period, Easter, Mother's Day, Wedding, Funeral. Score, Sheet Music Single, Solo Part....
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Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. Romantic Period, Easter, Mother's Day, Wedding, Funeral. Score, Sheet Music Single, Solo Part. 5 pages. Published by Len Rhodes Music Inc (S0.212157). - Score,Sheet Music Single,Solo Part - Romantic Period,Easter,Mother's Day,Wedding,Funeral - Len Rhodes Music Inc
$5.99
The Swan (Carnival of the Animals) - Charles-Camille Saint-Saëns, for Alto Saxophone and Piano
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Alto Saxophone and Piano
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Classical
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Charles-Camille Saint-Saëns
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Len Rhodes
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The Swan
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Len Rhodes Music Inc
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SheetMusicPlus
Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. Romantic Period, Easter, Valentine's Day, Wedding, Funeral. Score, Sheet Music Single, Solo Pa...
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Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. Romantic Period, Easter, Valentine's Day, Wedding, Funeral. Score, Sheet Music Single, Solo Part. 5 pages. Published by Len Rhodes Music Inc (S0.212155). - Score,Sheet Music Single,Solo Part - Romantic Period,Easter,Valentine's Day,Wedding,Funeral - Len Rhodes Music Inc
$5.99
The Swan (Carnival of the Animals) - Charles-Camille Saint-Saëns for Cello and Piano
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Cello, Piano
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Classical
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Charles-Camille Saint-Saëns
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Len Rhodes
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The Swan
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Len Rhodes Music Inc
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SheetMusicPlus
Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. Romantic Period, Easter, Mother's Day, Wedding, Funeral. Piano Reduction, Sheet Music Single...
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Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. Romantic Period, Easter, Mother's Day, Wedding, Funeral. Piano Reduction, Sheet Music Single, Solo Part. 5 pages. Published by Len Rhodes Music Inc (S0.212161). - Piano Reduction,Sheet Music Single,Solo Part - Romantic Period,Easter,Mother's Day,Wedding,Funeral - Len Rhodes Music Inc
$6.95
Saint-Saens: The Swan for Viola and Piano
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Viola, Piano
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Conte...
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
Saint-Saens: The Swan for Violin and Piano
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Violin and Piano
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Cont...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #847642. Published by jmsgu3 (A0.1254029). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
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