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Come to the Waters
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The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Come to the Waters (Viola or Violin & Piano)
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1474643 Composed by Paul S. Jones.…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1474643 Composed by Paul S. Jones. Arranged by Paul S. Jones. 21st Century,Chamber,Sacred,Traditional. Score and part. 10 pages. Paul S. Jones #1052221. Published by Paul S. Jones (A0.1474643). This is an arrangement for either violin or viola and piano of the Vocal (song) setting of the hymn by James Montgomery Boice and Paul S. Jones. The song setting comes from the vocal solo collection by the same name (available through J. W. Pepper). Both violin and viola parts are included with the score, and the text is left in the string parts so that players can see the words they are playing. Original solo setting (same piano part) can be heard on YouTube as listed below as performed by Branch Fields, bass and Paul S. Jones, piano on the album Be Thou My Vision (2021).
$7.50
6.91 €
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Viola, Piano
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Paul S
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Come to the Waters
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Paul S. Jones
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SheetMusicPlus
Come to the Waters (SB)
Choral 2-part
Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.1111187 Composed by G. F…
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Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.1111187 Composed by G. F. Handel. Arranged by Curtis Hanson. Baroque,Sacred. Octavo. 5 pages. Curtis Hanson #713465. Published by Curtis Hanson (A0.1111187). In this post-pandemic era, demand for octavos for smaller choirs is on the rise. This fairly well-known work by Handel is here arranged for SB voices. Optional notation for higher or lower voices provides additional harmonic texture. This would be a welcome addition to the library with minimal voices. It would also work as a duet.
$2.00
1.84 €
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Choral 2-part
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G
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Come to the Waters
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Curtis Hanson
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SheetMusicPlus
The Voice of the Shepherd - an original hymn for SATB voices
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701460 Composed by Kevin G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701460 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125381. Published by Kevin G. Pace (A0.701460). An original hymn based on Alma chapter 5 from the Book of Mormon. See text by Kathryn Hales below.YouTube video: https://youtu.be/mDD-eZJ8PcIDo you hear the voice of the Shepherd Calling Come unto me, Partake of the fruit of the Tree of Life And drink living waters freely. Come unto me and bring forth works Of righteousness built on faith; Remember the deliverance of your fathers And the words the prophets saith. Strip yourselves of all pride and envy; Persecute not your brother; Be ready to help the needy and poor, Showing love to one another. Receive my image in your countenance; Sing the song of redeeming love; Humble yourselves and trust in my voice, That comes from the heavens above. Wash your garments in the blood of the Lamb; Steadfastly believe on my name; Have clean hands and a pure heart, Standing firm without guilt or shame. Come to the fold of the Good Shepherd, Repent, overcome every sin; I’m calling with a voice so gentle, Come to my fold and enter in.
$1.99
1.83 €
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Choral SATB
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Kevin G
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The Voice of the Shepherd - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
Come to the Waters (String orchestra)
String Orchestra
String Orchestra - Digital Download SKU: A0.871070 Composed by Paul Jones. Christia…
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String Orchestra - Digital Download SKU: A0.871070 Composed by Paul Jones. Christian,Concert,Contemporary,Sacred. Score and parts. 15 pages. Paul S. Jones #3558737. Published by Paul S. Jones (A0.871070). A lovely string orchestra setting of the Boice-Jones hymn from Hymns for a Modern Reformation. Easily playable by a high school or college string section, this 4-minute setting is perfect for church, for a chapel service, or as a short piece to fill-out an orchestral program. .
$30.00
27.65 €
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String Orchestra
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Paul Jones
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Come to the Waters
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Paul S. Jones
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SheetMusicPlus
Around the Bend (for Cello & Piano)
Cello, Piano
Cello,Piano - Level 5 - Digital Download SKU: A0.1280306 Composed by Brian Strohmet…
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Cello,Piano - Level 5 - Digital Download SKU: A0.1280306 Composed by Brian Strohmetz. Chamber,Classical,Contemporary. Score and part. 46 pages. Brian Strohmetz #871769. Published by Brian Strohmetz (A0.1280306). Around the Bend is a journey of tranquility, adventure, and discovery down a section of the Monocacy Creek in Bethlehem, PA. The first section of the music that appears throughout the piece is a simple melody that is reminiscent of a simple art song. It represents the river flowing along peacefully on a beautiful day. Occasionally, we come across an area where the water hits a small obstacle that causes the water to change its path and speed. We hear this as violent 16th note interruptions in the music. The river then returns to its natural flow and pace. Further along we encounter a small waterfall area with rapids and obstacles. The music cascades and has a rhythmic drive representing the rapids and the swift moving waters. After we have traversed the rapids, we return to the calm waters of the river as it continuously flows peacefully. The next portion of our journey is inspired by a specific and unique section of the Monocacy, where we find the hidden ivy. Trees surround the creek. When looking into them, at a certain angle, you will find a tree covered in ivy hidden amongst the other trees. When we reach this point in our journey, the music starts off mysteriously as though looking through the trees. When we find the hidden ivy, we are greeted by a majestic melody that reflects this hidden beauty. The piano plays a rising arpeggio repeatedly, reflecting the ivy’s goal to grow higher and closer to the sky. Once we pass the ivy, we return to the peacefully flowing river. We approach a bend in the river that we cannot see beyond. There is a bit of trepidation, but as we start to go around the bend, everything ends peacefully, and we know everything will be fine. The river will keep moving and we will survive. For Cello & Piano.
$14.99
13.81 €
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Cello, Piano
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Brian Strohmetz
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Piano.
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Around the Bend
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Brian Strohmetz
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SheetMusicPlus
There’ll Be Some Changes Made
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.808689 Composed by W. Benton Ov…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional. Score and parts. 30 pages. Sweetwater Brass Press #4331333. Published by Sweetwater Brass Press (A0.808689). William Benton Overstreet did it all-played piano, wrote songs, led bands. Probably the accomplishment for which he’s most remembered today is his composing of There’ll Be Some Changes Made, published in 1921. Billy Higgins, popular stage comedian, wrote the lyrics, and Ethel Waters, then just 24, recorded the song on the Black Swan label. The disc quickly achieved hit status, and the song has remained popular across multiple musical platform styles ever since. This arrangement is a happy, fun piece and includes some of the great (and familiar) Vaudeville-style ornaments and phrases. It’s a real toe-tapper. For the most part this arrangement is up-tempo, about 140 bpm. It does slow to 92 at the first iteration of the verse and again for the final ¬6 measures of the piece. Time signature is 4/4 except for measure 89, which is 6/4. The key is B-flat throughout, and the melody weaves among all instruments. Trumpet 1 plays B5 (B-flat trumpet’s high C) briefly at measures 4 and 35 and for two measures at the very end of the piece. Tuba plays G3 briefly several times in measures 90-93. Other than that, there are no exceptionally out-of-normal-range notes. Trumpets 1 and 2 may wish to double-tongue at measure 64. This arrangement was completed in 2019, and performance time runs about 3 minutes, 30 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$13.95
12.86 €
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Brass ensemble
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W
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There’ll Be Some Changes Made
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Sweetwater Brass Press
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SheetMusicPlus
Welcome To The Machine
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.583361 By Pink Floyd. By Rog…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.583361 By Pink Floyd. By Roger Waters. Arranged by Jeff Tincher. Rock. Score. 21 pages. Jeff Tincher #3689017. Published by Jeff Tincher (A0.583361). This is one of the epic songs from Pink Floyd's Wish You Were Here CD. In the original key, this song is quite interesting considering the simplicity of the song. Performance notes: This arrangement as all the measures of the original. The beginning of the song has a lot of rhythmic bass with a lot of machine sound effects. You could have your performers use their imagination to make sounds from their instruments to mimic the machine sounds. If you want to make the song shorter, I would suggest starting at measure 6, right after the 5th ending. Duration = 5:47. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
5.52 €
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Piano, Voice
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Pink Floyd
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Welcome To The Machine
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Jeff Tincher
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SheetMusicPlus
Welcome To The Machine
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.583365 By Pink Floyd. By R…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.583365 By Pink Floyd. By Roger Waters. Arranged by Jeff Tincher. Rock. Octavo. 27 pages. Jeff Tincher #3689113. Published by Jeff Tincher (A0.583365). This is one of the epic songs from Pink Floyd's Wish You Were Here CD. In the original key, this song is quite interesting considering the simplicity of the song. Performance notes: This arrangement as all the measures of the original. The beginning of the song has a lot of rhythmic bass with a lot of machine sound effects. You could have your performers use their imagination to make sounds from their instruments to mimic the machine sounds. If you want to make the song shorter, I would suggest starting at measure 6, right after the 5th ending. Duration = 5:47. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$1.99
1.83 €
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Choral SATB
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Pink Floyd
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Welcome To The Machine
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Jeff Tincher
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SheetMusicPlus
Welcome To The Machine
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.583363 By Pink Floyd. By Roger Waters. Arranged by Jeff Tincher. Rock. 31 pages. Jeff Tincher #3689089. Published by Jeff Tincher (A0.583363). This is one of the epic songs from Pink Floyd's Wish You Were Here CD. In the original key, this song is quite interesting considering the simplicity of the song. Performance notes: This arrangement as all the measures of the original. The beginning of the song has a lot of rhythmic bass with a lot of machine sound effects. You could have your performers use their imagination to make sounds from their instruments to mimic the machine sounds. If you want to make the song shorter, I would suggest starting at measure 6, right after the 5th ending. Duration = 5:47. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
11.97 €
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Saxophone Quartet: 4 saxophones
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Pink Floyd
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Welcome To The Machine
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Jeff Tincher
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SheetMusicPlus
Welcome To The Machine
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.583364 By Pink Floyd. By Roger Waters. Arranged by Jeff Tincher. Rock. 31 pages. Jeff Tincher #3689105. Published by Jeff Tincher (A0.583364). This is one of the epic songs from Pink Floyd's Wish You Were Here CD. In the original key, this song is quite interesting considering the simplicity of the song. Performance notes: This arrangement as all the measures of the original. The beginning of the song has a lot of rhythmic bass with a lot of machine sound effects. You could have your performers use their imagination to make sounds from their instruments to mimic the machine sounds. If you want to make the song shorter, I would suggest starting at measure 6, right after the 5th ending. Duration = 5:47. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
11.97 €
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Flute, Oboe, Clarinet, Bassoon
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Pink Floyd
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Welcome To The Machine
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Jeff Tincher
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SheetMusicPlus
Crossing the Waters
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.741207 Composed by Anne Britt. Chil…
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Piano Solo - Level 2 - Digital Download SKU: A0.741207 Composed by Anne Britt. Children,Sacred. Score. 5 pages. Anne Britt #4312453. Published by Anne Britt (A0.741207). This lovely piano solo is based on a children's song with lyrics by Sheila Kindred. 5 pages. Performance time: approximately 3:35.The Red Sea was parted and Moses went through,And, faithful, the children of Israel went, too.The Lord gave them guidance across trackless sand,A light they could follow to the promised land.Upon the great waters sailed Lehi's lone ship.His family was frightened by storms on the trip.They steered by a compass controlled by God's hand,And reached a land saved for obedient man.The wide Mississippi was frozen that day.The Nauvoo Saints crossed it in wagons, they say.Thus started their journey where few men had trod,Across the high mountains to worship their God.Chorus: By baptism's water I enter the roadThat takes me through life, past dangers untold.But God is my Compass, my Light, and my Friend.He'll welcome me home at my journey's end.Free download of the piano/vocal versions available here: https://annebrittmusic.com/product/crossing-the-waters-solo-unison/Visit the publisher's website for contact info and some free sheet music downloads: https://annebrittmusic.com/
$3.99
3.68 €
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Piano solo
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baptism's water I enter the road
That takes me through life, past dangers untold
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Anne Britt
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Crossing the Waters
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Anne Britt
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SheetMusicPlus
O! Come With Me Where the Waters Flow
Piano and voice (solo, soprano and alto duet; SAB chorus) - Digital Download SKU: LV.32…
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Piano and voice (solo, soprano and alto duet; SAB chorus) - Digital Download SKU: LV.3289 Composed by N.F. Browne. Arranged by Miss E. McCord. Bodies of water, Mountains, Palm trees, Nature. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3289). O! Come With Me Where the Waters Flow. Words and Melody by N.F. Browne. Arranged for the Piano by Miss E. McCord. Published 1856 by Geo. A. Oates & Bro., Broad St. in Augusta, GA. Composition of strophic with chorus with piano and voice (solo, soprano and alto duet; sab chorus) instrumentation. Subject headings for this piece include Bodies of water, Mountains, Palm trees, Nature. First line reads Then come with me, where the waters flow.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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N
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O! Come With Me Where the Waters Flow
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
And the Surface Breaks for solo cello
Cello (band part)
Cello Solo - Level 4 - Digital Download SKU: A0.1113882 Composed by Nicholas Yandel…
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Cello Solo - Level 4 - Digital Download SKU: A0.1113882 Composed by Nicholas Yandell. 20th Century,Chamber,Classical,Contemporary,Romantic Period. Individual part. 5 pages. Nicholas Yandell Music #715783. Published by Nicholas Yandell Music (A0.1113882). Written in 2013. Commissioned by cellist Micah Claffey and premiered by him in 2014. Studio recorded (also by Micah Claffey) in 2015. Has also been performed by Marilyn de Oliveira (Assistant Principal Cello of the Oregon Symphony) and Diane Chaplin. Duration: Around 8 minutes; one movement. Level: Great for a student recital piece; popular with college students. A rich, expressive, melodic piece written idiomatically for the cello's voice; easy for a performer to personalize. Appropriate for intermediate students, but certainly challenging enough to be of interest to professionals as well. Program Notes: This work is the third of three solo cello pieces written for Micah Claffey on pastoral/nature themes. The title refers to the surface of a body of water as one’s head breaks through after a long and strenuous swim beneath it. The core of this work is about defining the character of peace through the odyssey of a single cello’s musical voice. The peace theme starts as just a seed in the beginning; incomplete; represented by the first four notes (a pitch class: 0,4,6,7 or inverted as 0,1,3,7). The cello then plunges into tempestuous waters, but the seed is never lost throughout all the metamorphoses it goes through and all the commotion that surrounds it and this middle section becomes a time of catharsis and refinement. Finally, in the latter third of the work, the theme of peace breaks the surface in its complete form, starting out timidly, but soon climaxing to a powerful and penetrating statement and ending with a sense of relief, clarity, and renewal that exist not in spite of the tumultuous journey, but because of it. Performing Rights Organization: ASCAP Website: www.nicholasyandell.com.
$5.99
5.52 €
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Cello (band part)
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Nicholas Yandell
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one movement
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And the Surface Breaks for solo cello
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Nicholas Yandell Music
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SheetMusicPlus
To the Waters and the Wild
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.945471 Composed by Vicki Falkland. …
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Piano Solo - Level 3 - Digital Download SKU: A0.945471 Composed by Vicki Falkland. Concert,Standards. Score. 5 pages. Victoria Louise #6027491. Published by Victoria Louise (A0.945471). The title of this piece comes from a W.B. Yeats poem The Stolen Child (1989): https://poets.org/poem/stolen-child.
$3.99
3.68 €
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Piano solo
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Vicki Falkland
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To the Waters and the Wild
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Victoria Louise
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SheetMusicPlus
Near to Your Heart Medley
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294833 By Cheryl Prazak. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294833 By Cheryl Prazak. By Lyric by Cheryl Prazak and Traditional Irish Melody. Arranged by Jon Burr. Christian,Country,Praise & Worship. Score. 6 pages. Cheryl Prazak #885159. Published by Cheryl Prazak (A0.1294833). “Cast your bread upon the waters†- Ecclesiastes 11:1Lyricist Cheryl Prazak blends eclectic and nostalgic lyric themes with lively renditions of traditional tunes in her new release “Hearts Aflame.â€Working with arranger/producer Jon Burr of arrangerforhire.com, and the wonderful vocalist Sammie Jane, these tracks were created for your enjoyment in the celebration of Christ.The album title and song Hearts Aflame were inspired by the 2023 Asbury Revival at Asbury University in Wilmore, Kentucky.Near to Your Heart MedleyThe world was black as black as sin would always be.From the pit of hell I’m a refugee. I grasped the loving hand You reached down to me.I opened my heart’s door, You set me free. Only You could feel this aching of my heart.And only You could melt this heart of stone.Only You could mend again a life torn ‘part. Salvation comes, salvation comes, from You alone.Near to your heart, that’s where I always want to be,Take me in, draw me closer, Lord, to Thee. I want to be where joy and peace are calling me,I want to be where Jesus lives in me.It’s only You who restores my soul’s liberty.It’s only You who sets the captive free. You guide my steps so I can live victoriously. It’s only You, it’s only You, who rescues me.It’s You and only You who is my Savior.And only You who changed my destiny.It’s only You whose mercy will not waver.It’s only You who sets my spirit free.It’s only You who restores my soul’s liberty.It’s only You who sets the captive free. You guide my steps so I can live victoriously. It’s only You, it’s only You, who rescues me.
$4.99
4.6 €
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Piano, Voice
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Cheryl Prazak
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Near to Your Heart Medley
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Cheryl Prazak
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SheetMusicPlus
Welcome To The Machine
String Quartet: 2 violins, viola, cello
By Pink Floyd. By Roger Waters. Arranged by Jeff Tincher. Rock. Score and parts. 31 …
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By Pink Floyd. By Roger Waters. Arranged by Jeff Tincher. Rock. Score and parts. 31 pages. Jeff Tincher #3689087. Published by Jeff Tincher
$12.99
11.97 €
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String Quartet: 2 violins, viola, cello
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Pink Floyd
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Welcome To The Machine
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Jeff Tincher
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SheetMusicPlus
Sea Welcome - Alone (soprano)
Instrumental Solo,Soprano voice - Level 3 - Digital Download SKU: A0.1348683 By Phi…
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Instrumental Solo,Soprano voice - Level 3 - Digital Download SKU: A0.1348683 By Philomel. By Dominic McGonigal. 21st Century,Classical,Contemporary. Individual part. 1 pages. C8 Music #933465. Published by C8 Music (A0.1348683). Sea Welcome celebrates the power of friendship to overcome personal depression. It was written for Snamhai Saste and the inspirational June Curtin who swims every morning at Spanish Point in the West of Ireland with up to 800 fellow 'happy swimmers'. It opens with a lone voice swimming alone, dancing in the deep peace of the waters, then joined by unknown friends who laugh and love in the waves. It is both beautiful and poignant, hearing the power of the human spirit to heal. Scored for Soprano Solo. 1'. More at www.dominicmcgonigal.com.
$1.99
1.83 €
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Philomel
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Sea Welcome - Alone
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C8 Music
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SheetMusicPlus
Sea Welcome (SSSS, Tin Whistle)
Descant Recorder,Soprano voice,Tin Whistle - Level 3 - Digital Download SKU: A0.1348686…
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Descant Recorder,Soprano voice,Tin Whistle - Level 3 - Digital Download SKU: A0.1348686 By Philomel. By Dominic McGonigal. 21st Century,Classical,Contemporary. 17 pages. C8 Music #933468. Published by C8 Music (A0.1348686). Sea Welcome celebrates the power of friendship to overcome personal depression. It was written for Snamhai Saste and the inspirational June Curtin who swims every morning at Spanish Point in the West of Ireland with up to 800 fellow 'happy swimmers'. It opens with a lone voice swimming alone, dancing in the deep peace of the waters, then joined by unknown friends who laugh and love in the waves. It is both beautiful and poignant, hearing the power of the human spirit to heal. Scored for Four Sopranos, Tin Whistle or Soprano Recorder. 7'. More at www.dominicmcgonigal.com.
$2.99
2.76 €
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Philomel
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Sea Welcome
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C8 Music
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SheetMusicPlus
Sea Welcome - Love Laugh (4 Sopranos, Tin Whistle)
Descant Recorder,Soprano voice,Tin Whistle - Level 3 - Digital Download SKU: A0.1348685…
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Descant Recorder,Soprano voice,Tin Whistle - Level 3 - Digital Download SKU: A0.1348685 By Philomel. By Dominic McGonigal. 21st Century,Classical,Contemporary. 22 pages. C8 Music #933467. Published by C8 Music (A0.1348685). Sea Welcome celebrates the power of friendship to overcome personal depression. It was written for Snamhai Saste and the inspirational June Curtin who swims every morning at Spanish Point in the West of Ireland with up to 800 fellow 'happy swimmers'. It opens with a lone voice swimming alone, dancing in the deep peace of the waters, then joined by unknown friends who laugh and love in the waves. It is both beautiful and poignant, hearing the power of the human spirit to heal. Scored for Four Sopranos, Tin Whistle or Soprano Recorder. 4'. More at www.dominicmcgonigal.com.
$1.99
1.83 €
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Philomel
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Sea Welcome - Love Laugh
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C8 Music
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SheetMusicPlus
The Dying Words of Little Katy, or, Will He Come
Piano, Voice
Piano and voice - Digital Download SKU: LV.12690 Composed by Horace Waters. Arrange…
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Piano and voice - Digital Download SKU: LV.12690 Composed by Horace Waters. Arranged by Thomas Baker. Horace Greeley, Peddlers, Peasants, Men, Lamps, Economic & social conditions. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12690). The Dying Words of Little Katy, or, Will He Come. In the Story of Hot Corn, A New Song, Written by Solon Robinson . . .published in the New York Tribune, Aug. 1853; Music by Horace Waters. Arranged by Thomas Baker. Published 1853 by Horace Waters, 333 Broadway in New York. Composition of strophic with SATB chorus with piano and voice instrumentation. Subject headings for this piece include Horace Greeley, Peddlers, Peasants, Men, Lamps, Economic & social conditions. First line reads Here's hot corn, nice hot corn, a voice was crying.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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Horace Waters
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Music by Horace Waters
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The Dying Words of Little Katy, or, Will He Come
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Dances of the three daughters of Night and Darkness
Violin and Piano
Instrumental Solo,Piano,Violin - Digital Download SKU: A0.938341 Composed by Dr Ant…
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Instrumental Solo,Piano,Violin - Digital Download SKU: A0.938341 Composed by Dr Anthony Costandius. 20th Century,African,Contemporary,World. Score and individual part. 36 pages. Anthony Costandius Music #35773. Published by Anthony Costandius Music (A0.938341). A piece for solo violin and piano. Old Night and his wife Darkness live in a cave deep in the Ghost Mountains of the Kalahari Desert. They had three daughters and lived their quiet life deep in the stone cave while the whole world was covered in cold and darkness. The three daughters were called Mountains, Plains and Waters. These daughters loved to dance and their parents enjoyed watching them. Often people from far away would come and visit them, just to watch the girls dance. There are five parts: The Cave of Old Night and darkness Dance of Mountains and her tortoise shell necklace Dance of Plains and her seed-filled calabashes Dance of Waters and her dried Springbok ears, filled with tiny bone fragments Encore.
$10.00
9.22 €
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Violin and Piano
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Dr Anthony Costandius
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Dances of the three daughters of Night and Darkness
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Anthony Costandius Music
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SheetMusicPlus
Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
Banjo
Banjo - Beginning; Intermediate; Advanced - Digital Download SKU: M0.31054MEB Folk.…
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Banjo - Beginning; Intermediate; Advanced - Digital Download SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Music #31054MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31054MEB). ISBN 9781513477107. 8.75X11.75 inches.The island of Cape Breton & its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland & Ireland. Prince Edward Island’s traditional fiddlers developed lively, idiosyncratic styles every bit as musically compelling as anything you’ll hear on archival recordings of iconic American old-time fiddlers from the Appalachians. This book features 136 tunes from these two distinct but related fiddling traditions, collected by the author directly from master fiddlers, and arranged note-for-note for clawhammer banjo with as much flavor and nuance as possible. These settings of reels, hornpipes, jigs, marches, strathspeys, airs, and other fiddle tunes are all eminently playable and fully benefit from the author’s half-century of experience playing banjo, arranging for banjo, writing banjo instruction books, and researching fiddle-music traditions. Here’s what you’ll find in this volume. 136 fiddle tunes arranged for clawhammer banjo in clear tablatureOver 40 musical examples & exercisesInstruction on basic and advanced techniquesFingering diagrams & detailed fingering suggestionsA systematic approach to playing up-the-neckA thorough treatment of playing triplets, grace notes, and other characteristic ornaments in clawhammerGuides on how to approach playing various kinds of fiddle tunesA framework for understanding the modes encountered in fiddle musicHistorical notes on the tunes and musical traditionsBiographical information on source fiddlers169 audio illustrations available online Note: Most audio illustrations for the tunes in this book are drawn directly from the author’s CDs, Devil in the Kitchen, Frails & Frolics, Island Boy, and Northern Banjo.
Song List: Andy Renwick's Ferret Angus Campbell Archie Menzies The Banks Hornpipe Bear River Jig Bee's Wing Hornpipe, The Belfast hornpipe, The Belfast Jig Big John McNeil Bonaparte Crossing The Alps Bonniest Lass in a' the World, The Bonny Lass of Fisherrow, The Bonny Lea Rig, The Brae Reel, The Braes of Auchtertyre, The Brenda Stubbert's Reel Caber Feidh Cape Breton Wedding Reel, The Captain Campbell Carleton County Breakdown Carnie's Canter Chaisson Reel, The Cheticamp Reel, The Chorus Jig Come Under My Plaidie Compliments To Buddy Macmaster Cutting Ferns Darlin' Don't You Meddle Me Delphine's Reel Democratic Rage, The Devil In The Kitchen Dillon Brown Dinkie's Reel Don't Be Teasing Dr Keith, Aberdeen Dragger's Reel, The Drunken piper, The Dublin Porter Duke of Gordon's Birthday, The Durang's Hornpipe East Neuk of Bear River, The Emil Gaudet's Reel Farmer's Daughter, The Farmer's Reel, The Fay's Hornpipe Fermoy Lasses Fig For A Kiss Fisher's Hornpipe (F Setting) Fred Wilson's Hornpipe Glencoe March Green Meadow Reel Haggis, The Hector's Fancy Hector's New Dance Hall High Level Hornpipe, The Homeward Bound Honeymoon, The Inverness Jig Irishman's Heart To The Ladies Iron Man, The Island Boy Jack Webster's Reel Jackson's Jig Jenny Dang The Weaver JEROME'S FAREWELL TO GIBRALTAR Jerry Holland's Jig Joe Kearney's Reel Joe MacInnis' March Kenmure's On & Awa', Willie Killiecrankie Koehler's Hornpipe Lad O'beirne's Reel Lasses of Glenaladale, The Levantine's Barrel Light & Airy Little Donald In The Pigpen Little Jack's Reel Londonderry Hornpipe Lord Gordon Lord MacDonald's Reel Macdonald's March Reel Mackinnon's Rant Marchioness of Tullibardine, The Marie ? Pierre Marquis of Huntly, The Meeting of Waters, The Miller o' Drone, The Miller's Reel Miramichi Fire, The Miss Barker's Hornpipe Miss Georgina Campbell Miss Gordon Miss Lyall Strathspey Miss Maxwell Mr. Murray Munlochy Bridge Munster Lass, The North Side of the Grampians, The Northside Tune Orange & Blue, The Ottawa Valley Reel Paddy On The Turnpike Pigeon On The Gatepost Plains of Boyle, The Poppy Leaf, ThePride of the Ball Prince Edward Island Wedding Reel Princess Reel River Bend Jig Robert Cormack, Aberdeen Robert Stubbert Rock Valley Jig Rose in the Garden, The Rose of Tennessee, The Rothiemurchus Rant, The Royal Circus Jig Shandon Bells Shores of Lough Gowna, The Silver & Gold Sleepy Maggie Souris Breakwater Southern Melody St Anne's Reel -Original Version St Anne's Reel -Prince County Version St Kilda Wedding Stack Of Barley Stella's Trip To Kamloops Stool of Repentance, The Teviot Bridge Trip To Windsor West Point Jig When I Go Out the Door Where the North River Flows Whiskey Jig Wilfred's Fiddle You Married My Daughter, & Yet
$24.99
23.03 €
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Banjo
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Intermediate
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Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Until The Real Thing Comes Along
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1288894 By Andy Kirk & His 1…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1288894 By Andy Kirk & His 12 Clouds Of Joy. By Alberta Nichols, L.E. Freeman, Mann Holiner, Sammy Cahn, and Saul Chaplin. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #879734. Published by DAVID LEE GINGRAS (A0.1288894). In 1931, Alberta Nichols wrote the music and Mann Holiner wrote the words for a song titled Till the Real Thing Comes Along which was featured in a Broadway revue titled Rhapsody in Black. The review, produced by Lew Leslie, was similar to the famous Blackbirds reviews of the late 1920s and 1930s, and featured Ethel Waters, who introduced Till the Real Thing Comes Along. This version features a root-based chord blocking that John and I have used in a number of our arrangements and was developed from the 1936 sheet music. We also added some pretty cool left-hand fills to keep things moving along smoothly. We hope you like what we've done with this grand old tune!
$4.99
4.6 €
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Piano, Voice
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Andy Kirk & His 12 Clouds Of Joy
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Until The Real Thing Comes Along
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DAVID LEE GINGRAS
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SheetMusicPlus
A Psalm of Suffering and of Hope (By the Waters of Babylon)
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.989242 Composed by Mary An…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.989242 Composed by Mary Ann Joyce. Christian,Concert,Jewish,Sacred,World. Octavo. 9 pages. Mary Ann Joyce-Walter #6244605. Published by Mary Ann Joyce-Walter (A0.989242). Mary Ann Joyce-Walters writes: The first two sections of In Anguish and Hope are based on verses from two terrifying Psalms; the third section is a setting of a passage from Micah. I chose to use these texts after listening to a friend of mine speak about the death of her son.I became keenly aware of her personal and genuine feelings of rage against God, which were so similar to David’s Why do You hide Your face and forget our persecution and our oppression? Christ’s My God, My God, why have you forsaken me? and Elie Wiesel’s Never shall I forget those flames which consumed my faith forever. I realized that a far more difficult question (and perhaps more deeply personal) than that of asking God to forgive us is Can we forgive God?After asking that intimate and bold question, the words of Micah recall that peace, based on justice, will come one day: you shall be at peace and unafraid.…nations shall not lift up sword against nation….you shall bear fruit in justice and peace.
$4.50
4.15 €
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Choral SATB
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Mary Ann Joyce
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A Psalm of Suffering and of Hope
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Mary Ann Joyce-Walter
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SheetMusicPlus
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