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Concerto for Bass Trombone with Piano Accompaniment
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Concerto for Bass Trombone with Piano Accompaniment
Sheetmusic to print
12 sheet music found
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Concerto for Bass Trombone with Piano accompaniment
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Trombone and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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Wade Goodwin
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Concerto for Bass Trombone wit
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.920761 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Wade Goodwin. Romantic Period. Sc...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.920761 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Wade Goodwin. Romantic Period. Score and part. 26 pages. Gordon Cherry #526642. Published by Gordon Cherry (A0.920761). Cherry Classics is proud to present a great new arrangement by Dr. Wade Goodwin. The Concerto for Bass Trombone with Piano accompaniment. Based on the original classic for Tenor Trombone, Dr. Goodwin has transposed the work down a fourth to make his arrangement work out perfectly for the range of the Bass Trombone. He has extended the cadenza in the final movement, adding some of his own ideas as an optional test for those who dare to go low. This work of about 10 minutes in length is appropriate for performers from advanced intermediate to advanced depending on the cadenza option chosen and would be perfect for recitals, juries, and competitions.
$25.00
Concerto for Bass Trombone with Piano Accompaniment
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Bass Trombone and Piano
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ADVANCED
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Classical
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Elizabeth Raum
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Concerto for Bass Trombone wit
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Gordon Cherry
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SheetMusicPlus
Composed by Elizabeth Raum (1945-). 20th Century, Classical, Contemporary, Romantic Period. Score and individual part. 31 pages. Gordon Cherry #472864...
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Composed by Elizabeth Raum (1945-). 20th Century, Classical, Contemporary, Romantic Period. Score and individual part. 31 pages. Gordon Cherry #4728647. Published by Gordon Cherry
$32.50
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone and Piano
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ADVANCED
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. ...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Concerto No. 1 in D-Minor, Op. 11a
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Bass Clarinet, Piano
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ADVANCED
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Classical
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Ian Deterling
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Concerto No. 1 in D-Minor, Op.
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Ian Deterling
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SheetMusicPlus
Bass Clarinet,Piano - Level 5 - Digital Download SKU: A0.1197446 Composed by Ian Deterling. Classical. Score and part. 35 pages. Ian Deterling #796618. P...
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Bass Clarinet,Piano - Level 5 - Digital Download SKU: A0.1197446 Composed by Ian Deterling. Classical. Score and part. 35 pages. Ian Deterling #796618. Published by Ian Deterling (A0.1197446). Concerto No. 1 in D-Minor is a dark and magical journey through mystical lands that ends in a fiery dance. Originally for bass trombone, this concerto has been adapted for solo bass clarinet with piano accompaniment.
$25.00
Fantasy Sonata, Op. 40 for Trombone and Piano
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Schroen
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Keith Davies Jones
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Fantasy Sonata, Op. 40 for Tro
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Cherry Classics Music
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SheetMusicPlus
Piano Accompaniment, Trombone - Advanced Intermediate - Digital Download Composed by Benjamin Schroen. Arranged by Keith Davies Jones. 20th Century, Ro...
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Piano Accompaniment, Trombone - Advanced Intermediate - Digital Download Composed by Benjamin Schroen. Arranged by Keith Davies Jones. 20th Century, Romantic Period. Score, Solo Part. 21 pages. Published by Cherry Classics Music
Fantasy Sonata, Op. 40 for Trombone and Piano by Benjamin Schroen is a work composed in 1900 which was forgotten and now rediscovered by musicologist and conductor, Dr. Keith Davies Jones.
Fantasy Sonata is written in the same virtuoso style as compositions of that period by Joseph Serafin Alschausky, and though quite challenging, it is fully idiomatic for the trombone. There is a passing ‘reference’ to the Concerto by Rimsky-Korsakov, and it is just possible that Schroen might have been familiar with that work as a trombonist himself. There are also some stylistic similarities to the Fantasia for trombone and organ Op.58 composed in the mid-19th century by Friedrich August Belcke (1795 – 1874).
The 6.5-minute work featuring several short cadenzas, contrasting dramatic and expressive sections is in Romantic style, in bass and tenor clef and appropriate for intermediate to advanced performers.
$15.00
Concerto No. 1 in D-Minor, Op. 11a
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Tuba and Piano
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ADVANCED
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Classical
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Ian Deterling
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Concerto No. 1 in D-Minor, Op.
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Ian Deterling
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SheetMusicPlus
Piano,Tuba - Level 5 - Digital Download SKU: A0.1197866 Composed by Ian Deterling. Classical. Score and part. 35 pages. Ian Deterling #797039. Published ...
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Piano,Tuba - Level 5 - Digital Download SKU: A0.1197866 Composed by Ian Deterling. Classical. Score and part. 35 pages. Ian Deterling #797039. Published by Ian Deterling (A0.1197866). Concerto No. 1 in D-Minor is a dark and magical journey through mystical lands that ends in a fiery dance. Originally for bass trombone, this concerto has been adapted for solo tuba with piano accompaniment.
$25.00
Concerto No. 1 in D-Minor, Op. 11a
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Baritone Saxophone, Piano
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ADVANCED
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Classical
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Ian Deterling
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Concerto No. 1 in D-Minor, Op.
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Ian Deterling
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SheetMusicPlus
Baritone Saxophone,Piano - Level 5 - Digital Download SKU: A0.1197440 Composed by Ian Deterling. Classical. Score and part. 35 pages. Ian Deterling #7966...
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Baritone Saxophone,Piano - Level 5 - Digital Download SKU: A0.1197440 Composed by Ian Deterling. Classical. Score and part. 35 pages. Ian Deterling #796611. Published by Ian Deterling (A0.1197440). Concerto No. 1 in D-Minor is a dark and magical journey through mystical lands that ends in a fiery dance! Originally for bass trombone, this concerto has been adapted for solo baritone saxophone with piano accompaniment.
$25.00
Concerto for Trombone and Piano
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Trombone and Piano
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ADVANCED
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Mark Narins
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages....
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Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50
Serenade, Op. 37 for Tuba or Bass Trombone & Piano
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Trombone and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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Sauer, Ralph
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Serenade, Op. 37 for Tuba or B
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.792241 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Sauer, Ralph. 20th Century,Classi...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792241 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 12 pages. Gordon Cherry #4764309. Published by Gordon Cherry (A0.792241). The Serenade, Op. 37 was conceived for Cello with Piano accompaniment, but later in life the composer scored the work for the solo instrument with orchestra. The Trombone world knows Rimsky-Korsakov for his Concerto with Band. The Serenade has a very similar mood to the slow movement of the Concerto. It's beautiful lilting rhythm combined with a wonderful melody makes this work very worthwhile. Mr. Sauer does a beautiful job eding the 4 1/2 minute work for advanced performers.
$20.00
Brahms Cello solo from Piano Concerto #2 (Andante)
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Cello, Piano
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INTERMEDIATE
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Classical
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Johannes Brahms
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Paul Taylor
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Brahms Cello solo from Piano C
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Paul Taylor
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SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.803365 Composed by Johannes Brahms. Arranged by Paul Taylor. Romantic Period. Score and part. 5 pages. P...
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Cello,Piano - Level 3 - Digital Download SKU: A0.803365 Composed by Johannes Brahms. Arranged by Paul Taylor. Romantic Period. Score and part. 5 pages. Paul Taylor #6499587. Published by Paul Taylor (A0.803365). This is a standard audition excerpt for cellists but with a piano accompaniment so that they might get an idea of the orchestral part that is realized here on the piano. The solo part is presented in the tenor clef as Brahms originally wrote it. As such, this excerpt would also sound fine with instruments within the same range--bassoon or trombone for instance.
$1.99
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