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1
Saint-Saëns: The Swan for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Cami…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.34 €
#
Clarinet and Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
David Bowie: Life On Mars for Clarinet & Piano
Clarinet and Piano
Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged…
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Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Published by jmsgu3
Duration: 3:23, Score: 7 pages, 61 measures, solo part: 2 pages, piano part: 3 pages. Meter: common time, Tempo: quarter note = 124. Excellent choice for recitals, church or combo performance.<br> <br> "When released as a single in 1973, it reached no. 3 in the UK and stayed on the chart for thirteen weeks. The song re-entered the UK charts at no. 55 over 30 years later, largely because of its use in the original British television series Life on Mars.[6] In June 2015, Neil McCormick of The Daily Telegraph ranked it as no. 1 in his "100 Greatest Songs of All Time" list,[7] describing it thus:<br> <br> Gloriously strange sci-fi anthem. A stirring, yearning melody combines with vivid, poetic imagery to accomplish a trick very particular to the art of the song: to be at once completely impenetrable and yet resonant with personal meaning. You want to raise your voice and sing along, yet Bowie’s abstract cut-up lyrics force you to invest the song with something of yourself just to make sense of the experience, and then carries you away to a place resonant with intense, individual emotion. The magic and mystery of music and lyrics. It is something to behold.[7]<br> <br> In a 2012 poll, "Life on Mars?" was voted Bowie's best song. Digital Spy, who conducted the poll, stated it has "perhaps become David's signature song – filled with surreal cut-up lyrics inspired by William Burroughs, it married vivid imagery with a tender, heartbreaking melody".[8]<br> <br> The song has appeared in several television series. The BBC television drama Life on Mars used both the name and the song itself as its basis. The song was used extensively throughout the programme and its spin-off, Ashes to Ashes. The song was used also in the American version of Life on Mars. In the episode "The Waters of Mars", of the British television show Doctor Who, takes place in the first human base on Mars, named "Bowie Base One".<br> <br> Jessica Lange sang a rendition with a deep German accent on the fourth-season premiere of the FX television program American Horror Story: Freak Show.[10] Playing a character whose surname is Mars, Lange wears an ice-blue trouser suit and heavy matching eye shadow in her performance, echoing the Bowie video.[10] Both the song and the performance are anachronistic, given that the season takes place in 1952, nearly 20 years before Bowie released the song. She performs the song again in the episode "Pink Cupcakes", and an instrumental version is played at the end of the season finale, "Curtain Call", where Mars is getting ready to sing.<br> <br> The song has also appeared in several film soundtracks. The original soundtrack of Lars von Trier's 1996 movie Breaking the Waves features "Life on Mars?" during the epilogue, although the song was replaced by Elton John's "Your Song" on the international DVD release for copyright reasons.[11] "Life on Mars?" is included on the soundtrack to the 2004 film The Life Aquatic with Steve Zissou, starring Bill Murray as Steve Zissou.[12] The song is played as Murray walks stoned to the bow of his boat in solitude as a party continues below deck. "Life on Mars?" is included in the 2005 film Loverboy, first being played on the radio during a conversation between the 10-year-old Emily and Mrs. Harker, and later being sung a cappella by 10-year-old Emily.[12] "Life on Mars?" is included on the soundtrack to the 2006 film Factory Girl.[12] "Life on Mars?" is used in the 2012 British film Hunky Dory, sung by the character Davey (Aneurin Barnard).<br> <br> Green Day singer Billie Joe Armstrong has said that he would like either "Life on Mars?" or "Take This Job and Shove It" by Johnny Paycheck played at his funeral.[13]"-Wikipedia
$49.95
45.99 €
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Clarinet and Piano
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David Bowie
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David Bowie: Life On Mars for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Sunshine. Original Jazz Waltz for Clarinet and Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1459924 Composed by Gran…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1459924 Composed by Grant Horsley. Instructional,Jazz,Standards,Wedding. Score and part. 20 pages. Grant Horsley #1038880. Published by Grant Horsley (A0.1459924). Sunshine is a happy bright jazz waltz for Clarinet and Piano. The Piano Accompaniment Track is also available here on Sheet Music Plus as well as duet versions, and versions for other instruments. It is in concert F major and in ternary form. Its a great introduction to the jazz waltz style featuring swung quavers/eighth notes and there is a conversational type written out improvisation section in the middle- between the players.The Clarinet part has a range of 2 octaves and the whole score is on the youtube link for you to assess suitability. It is 3 minutes 30 in length. Upper end intermediate level.It would work well in a number of situations- concerts, weddings, productions, recitals, graduations etc.
$5.50
5.06 €
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Clarinet and Piano
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Grant Horsley
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Sunshine. Original Jazz Waltz for Clarinet and Piano
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Grant Horsley
#
SheetMusicPlus
Handel: Largo from Xerxes for Bass Clarinet & Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.34 €
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Bass Clarinet, Piano
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George Frideric Handel
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Handel: Largo from Xerxes for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Just As I Am, Gospel Hymn for Clarinet and Piano
Clarinet and Piano
Clarinet,Piano - Level 2 - Digital Download SKU: A0.592913 Composed by Charlotte El…
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Clarinet,Piano - Level 2 - Digital Download SKU: A0.592913 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413411. Published by David McKeown (A0.592913). Just as I Am is a beautiful hymn arranged here for Solo Clarinet and Piano.Just as I Am was written by Charlotte Elliott in 1835. Billy Graham was moved to conversion by the hymn in 1936 and helped the song reach a wider audience by often using it in his crusades.
$2.49
2.29 €
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Clarinet and Piano
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Charlotte Elliott
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Just As I Am, Gospel Hymn for Clarinet and Piano
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David McKeown
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SheetMusicPlus
Just As I Am, Gospel Hymn for Alto Clarinet and Piano
Clarinet and Piano
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.592912 Composed by Charl…
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.592912 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413409. Published by David McKeown (A0.592912). Just as I Am is a beautiful hymn arranged here for Solo Alto Clarinet and Piano.Just as I Am was written by Charlotte Elliott in 1835. Billy Graham was moved to conversion by the hymn in 1936 and helped the song reach a wider audience by often using it in his crusades.
$2.49
2.29 €
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Clarinet and Piano
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Charlotte Elliott
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Just As I Am, Gospel Hymn for Alto Clarinet and Piano
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David McKeown
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SheetMusicPlus
Conversations (for Bb Clarinet Duet & Piano) Piano Accompaniment Track
Piano solo
Piano - Digital Download SKU: A0.1070070 Composed by Clifton Davis ASCAP. Blues,Con…
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Piano - Digital Download SKU: A0.1070070 Composed by Clifton Davis ASCAP. Blues,Concert,Jazz,Standards,Wedding. Accompaniment. Duration 314. Clifton Allen Davis Music, ASCAP #5953817. Published by Clifton Allen Davis Music, ASCAP (A0.1070070). This is the piano accompaniment track for solo instrumental versions of this song composed by Clifton Davis ASCAP.Original Score: https://www.sheetmusicplus.com/title/21800998
$3.99
3.67 €
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Piano solo
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Clifton Davis ASCAP
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Conversations
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Clifton Allen Davis Music, ASCAP
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SheetMusicPlus
Ali Ben Sou Alle: Caprice : Souvenir de la Nouvelle-Zélande for alto saxophone and piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533345 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533345 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 10 pages. Musik Fabrik Music Publishing #2348193. Published by Musik Fabrik Music Publishing (A0.533345). Ali Ben Sou Alle was born Jean-Baptiste SOUALLE in 1824 in Arras, France. He first studied the clarinet, winning a first prize in Clarinet in the class of Klosé at the Paris Conservatory. He then entered the Paris Opera orchestra, but left France in 1848 because of the revolution, fleeing to London. In 1850, he met Louis JUILLIEN, another early saxophonist, who encouraged Soualle to take up the saxophone. Soualle made several modifications to the instrument, including changes to the octave mechanism and the other keys for trills and alternative fingerings, many of which are used in modern saxophones.He named his hybrid creation the turcophone and began composing works for the instrument, which included fantasies on operatic themes, character pieces and a series of descriptive works which document several concert tours in Europe, Australia and the Orient which Soualle undertook. Upon his return to France around 1861, after his conversion to Islam, he changed his name to Ali Ben Sou Alle. Under that name, he performe recitals for the Prince of Wales and for the Emperor Napoleon III and his family in 1865. After this date, no trace of his career has currently been uncovered and it is though that he probably died around 1867. This work is .in two large sections, the first in the form of a lyrical aria, the second a lively schezando.
$10.35
9.53 €
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Alto Saxophone and Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice : Souvenir de la Nouvelle-Zélande for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Violin, Clarinet, Piano (trio)
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed …
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
13.8 €
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Violin, Clarinet, Piano (trio)
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Adam Lenhart
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Two Scenes from The Rubáiyát of Omar Khayyám
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Adam Lenhart
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SheetMusicPlus
David Warin Solomons: Nocturne for Bb clarinet and piano
Clarinet
Clarinet,Piano - Digital Download SKU: A0.533945 Composed by David Warin Solomons. …
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Clarinet,Piano - Digital Download SKU: A0.533945 Composed by David Warin Solomons. Concert,Contemporary,Standards. Score and part. 13 pages. Musik Fabrik Music Publishing #3088403. Published by Musik Fabrik Music Publishing (A0.533945). A lyric, yet tonally ambiguous piece based on the composer's song The Imagined Conversation.
$10.35
9.53 €
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Clarinet
#
David Warin Solomons
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David Warin Solomons: Nocturne for Bb clarinet and piano
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Handel: Largo from Xerxes for Alto Clarinet & Piano
Clarinet
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549379 Composed by Georg…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549379 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492251. Published by jmsgu3 (A0.549379). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.34 €
#
Clarinet
#
George Frideric Handel
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Handel: Largo from Xerxes for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Mozart Andante from Piano Concerto No 21 for Clarinet Choir
Clarinet Ensemble
Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.796852 Composed by …
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Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.796852 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert,Wedding. 53 pages. Stephanie Daige #3218753. Published by Stephanie Daige (A0.796852). One of Mozart’s most beautiful melodies, the second movement of his iconic Piano Concerto No. 21, K.467, re-imagined for clarinet choir. The melody moves around between the different clarinets as if they are having a conversation. The instrumentation is flexible, with the foundation parts written for 3 Bb clarinets, alto clarinet,and bass clarinet. The alto clarinet is doubled in the optional 4th clarinet part in case you do not have an alto clarinet available. There are optional contra-alto and contrabass clarinet parts to add depth, but the ensemble works fine without them. This is a challenging and enjoyable arrangement,suitable for advanced students or professionals. The beauty and romance of this piece would make it great as wedding music. It would also be suitable fora chamber music concert, or in a school or church. I hope you will enjoy playing this piece as much as I have enjoyed arranging it!
$14.99
13.8 €
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Clarinet Ensemble
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Wolfgang Amadeus Mozart
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Mozart Andante from Piano Concerto No 21 for Clarinet Choir
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Stephanie Daige
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SheetMusicPlus
Conversations (for Bb Clarinet, Eb Alto Sax & Piano) Piano Accompaniment Track
Piano solo
Piano - Digital Download SKU: A0.1070071 Composed by Clifton Davis ASCAP. Blues,Con…
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Piano - Digital Download SKU: A0.1070071 Composed by Clifton Davis ASCAP. Blues,Concert,Jazz,Standards,Wedding. Accompaniment. Duration 314. Clifton Allen Davis Music, ASCAP #5953823. Published by Clifton Allen Davis Music, ASCAP (A0.1070071). This is the piano accompaniment track for solo instrumental versions of this song composed by Clifton Davis ASCAP.Original Score: https://www.sheetmusicplus.com/title/21803245
$3.99
3.67 €
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Piano solo
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Clifton Davis ASCAP
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Conversations
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Clifton Allen Davis Music, ASCAP
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SheetMusicPlus
Saint-Saëns: The Swan for Bass Clarinet & Piano
Bass Clarinet
Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Compos…
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Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.34 €
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Bass Clarinet
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Camille Saint-Saens
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Saint-Saëns: The Swan for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
If I Ain't Got You - PIANO SOLO
Clarinet Quartet: 4 clarinets
Clarinet, Full Score, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3 and Bb Bass Clarin…
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Clarinet, Full Score, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3 and Bb Bass Clarinet (same file) - Early Intermediate - Digital Download Composed by Thiago Osorio. Repertoire, Classroom, World, South American, Recital. Score, Set of Parts. 23 pages. Published by Thiago Osorio Music
In 2019, during my stay at Chapada dos Veadeiros in Goiás, Brazil, I went in search of the flavor of the local coffee. Xinguara was recommended to me, which inspired me to compose ten songs, this being the first composition in this series. In this version for Clarinet Quartet, the rhythmic and harmonic elements of these two genres, the baião and the maxixe, are mixed and result in an interesting conversation between the instruments, alternating their accompaniment and solo functions. A fun, uncomplicated piece that gives the listener the energy of a café in the Brazilian cerrado. Try it !!!
$9.99
9.2 €
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Clarinet Quartet: 4 clarinets
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Thiago Osorio
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If I Ain't Got You - PIANO SOLO
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Thiago Osorio Music
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SheetMusicPlus
Just As I Am, Gospel Hymn for Bass Clarinet and Piano
Small Ensemble Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.592910 Comp…
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Small Ensemble Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.592910 Composed by Charlotte Elliott. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413405. Published by David McKeown (A0.592910). Just as I Am is a beautiful hymn arranged here for Solo Bass Clarinet and Piano.Just as I Am was written by Charlotte Elliott in 1835. Billy Graham was moved to conversion by the hymn in 1936 and helped the song reach a wider audience by often using it in his crusades.
$2.49
2.29 €
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Charlotte Elliott
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Just As I Am, Gospel Hymn for Bass Clarinet and Piano
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David McKeown
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SheetMusicPlus
Monologues
Clarinet and Piano
Clarinet,Piano - Level 5 - Digital Download SKU: A0.796660 Composed by Gary D. Bels…
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Clarinet,Piano - Level 5 - Digital Download SKU: A0.796660 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score and part. 21 pages. DR GARY D BELSHAW #3361819. Published by DR GARY D BELSHAW (A0.796660). The title of a Paul Simon song from the 60's inspired this three-movement work for solo clarinet and piano. The music of Monologues represents three kinds of social conversations.I. Desultory - A desultory monologue is marked by a disconnected jumping or passing from one thing to another, especially things not connected with the main subject. A twelve-tone row seems to lend itself naturally to this kind of disconnected expression.II. Epigrammatic - The term might be applied to monologues in which the speaker uses few words to make important observations or statements. The clarinet’s motives seem to be interrupted by figures in the piano which are the result of the completion of the twelve-tone rows begun by the clarinet.III. Philippic - It is nearly impossible to be a part of social conversation that does not lead at some point to verbal harangues against individuals, entities, or ideologies in politics. Demosthenes titled each of his orations against King Philip of Macedon a Philippic, as did Cicero his speeches against Mark Antony, and thus began a time-honored tradition. The music of this movement includes frequent changes of both regular and irregular meters and repetitions of musical motives and figures. Rondo form enhances the representation of a speaker driving home one principal subject.
$5.99
5.52 €
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Clarinet and Piano
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Gary D
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Monologues
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DR GARY D BELSHAW
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SheetMusicPlus
A Funeral in New Orleans SCORE AND INSTRUMENT PARTS
Level 3 - Digital Download SKU: A0.1104965 Composed by Traditional. Arranged by MIC…
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Level 3 - Digital Download SKU: A0.1104965 Composed by Traditional. Arranged by MICHAEL MYRICK. Blues,Historic,Jazz,Multicultural,Spiritual,World. 28 pages. MICHAEL MYRICK #708207. Published by MICHAEL MYRICK (A0.1104965). Combining “Swing Low, Sweet Chariot†and “When the Saints Go Marching Inâ€, this jazz anthem celebrating the music of New Orleans, is sure to be a favorite! The piece opens with a somber bluesy Soprano solo of “Swing Low, Sweet Chariot†which progresses into a call and response conversation between the soloist and the choir. At the half way point, the tone of the piece changes to a joyous jazz celebration as the choir takes the lead singing “When the Saints Go Marching In.†To close, the soloist and choir combine singing these partner songs together with a rousing conclusion. This purchase includes full score and each part including: Bb Clarinet, Bb Trumpet, Trombone (or Bass Trombone), Drum Set and Tuba. SATB and Piano sold separately.
$34.95
32.18 €
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Traditional
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A Funeral in New Orleans SCORE AND INSTRUMENT PARTS
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MICHAEL MYRICK
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SheetMusicPlus
Sarabande and Satire
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 5 - Digital Downloa…
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.957834 Composed by Krystal J. Grant. Contemporary. Score and parts. 21 pages. Krystal Folkestad #3619613. Published by Krystal Folkestad (A0.957834). We are scurrying about, yet the problems of the world are bigger than those of our day- to-day lives. When we pause to listen to the suffering of another person--in conversation, on the news, in a book, through a documentary--our emotional response may be as important to cultivate as our actions. In this piece, sarabande is a form of lament through its slow tempo and melodic fall into the second beat of a three-beat meter. In contrast, satire twists the same melody into a playful march. Shedding tears and taking steps are two of several ways to react to others’ suffering. 5.5 minutes
$10.00
9.21 €
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Krystal J
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Sarabande and Satire
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Krystal Folkestad
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SheetMusicPlus
Miniature for Winds, Chimes, Piano and String Trio "Oh How We Wish To Be Happy"
Cello,Chimes,Clarinet,English Horn,Piano,Viola,Violin - Level 4 - Digital Download SKU:…
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Cello,Chimes,Clarinet,English Horn,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1417258 Composed by Patrick Prejean. Chamber,Classical,Contemporary. 62 pages. Patrick Prejean #998818. Published by Patrick Prejean (A0.1417258). I was in conversation with a friend of mine when the above title was said with some sarcasm. It prompted me to write this piece that I had the idea to do so for about a week. It is in four large sections and can be interpreted as a persons' thought process throughout the day.
$80.00
73.66 €
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Patrick Prejean
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Miniature for Winds, Chimes, Piano and String Trio "Oh How We Wish To Be Happy"
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Patrick Prejean
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SheetMusicPlus
Lost Childhood
Cl/a./ Bbcl. Pft/hp - Advanced - Digital Download SKU: F2.FM357 Composed by Roma Ca…
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Cl/a./ Bbcl. Pft/hp - Advanced - Digital Download SKU: F2.FM357 Composed by Roma Cafolla. A or Bb Clarinet and Piano or Harp. Score and Parts. 25 pages. Forton Music - Digital #FM357. Published by Forton Music - Digital (F2.FM357). ISBN 9790570482566.A or Bb Clarinet and Piano/Harp - Lost Childhood was inspired by thoughts and images of the composer's childhood after a deep conversation with her mother. At that time the composer was very ill and her mother outlined her thoughts about life and some of the regrets (we all have in a lifetime). This struck a resonant chord within the composer and this work is the product of the anguish caused by the conversation. Composed for clarinet and piano (also playable with harp) this heart-rending, beautiful work explores the different stresses and strains and moods of childhood and adolescence and is essentially autobiographical. It reflects the heartbreak of separation from her family when she was sent to boarding school which indeed seemed like incarceration in a lost childhood.
$9.95
9.16 €
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Roma Cafolla
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Lost Childhood
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Forton Music - Digital
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SheetMusicPlus
A Funeral in New Orleans SATB
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1104960 Composed by Tradit…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1104960 Composed by Traditional. Arranged by Michael Myrick. Blues,Christian,Historic,Jazz,Spiritual. Octavo. 16 pages. MICHAEL MYRICK #708202. Published by MICHAEL MYRICK (A0.1104960). Combining “Swing Low, Sweet Chariot†and “When the Saints Go Marching Inâ€, this jazz anthem celebrating the music of New Orleans, is sure to be a favorite! The piece opens with a somber bluesy Soprano solo of “Swing Low, Sweet Chariot†which progresses into a call and response conversation between the soloist and the choir. At the half way point, the tone of the piece changes to a joyous jazz celebration as the choir takes the lead singing “When the Saints Go Marching In.†To close, the soloist and choir combine singing these partner songs together with a rousing conclusion. The arrangement requires piano accompaniment and a small jazz ensemble of Clarinet, Trumpet, Trombone, Tuba and Drums.
$2.45
2.26 €
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Choral SATB
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Traditional
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A Funeral in New Orleans SATB
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MICHAEL MYRICK
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SheetMusicPlus
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