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Dan Reiter Music
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21 sheet music found
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1
Pequeño Estudio Barroco No. 10 "Antiguo Bunde o Fandango Cienaguero" (Small Baroque Studio No. 10)
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Piano solo
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ADVANCED
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Juan Carlos Cortés Aguirre
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Juan Carlos Cortés Aguirre
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Pequeño Estudio Barroco No. 1
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1109668 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés A...
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Piano Solo - Level 5 - Digital Download SKU: A0.1109668 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Folk,Instructional,Latin. Score. 3 pages. Juan Carlos Cortés Aguirre #712023. Published by Juan Carlos Cortés Aguirre (A0.1109668). Composición original en Sol menor por: JUAN CARLOS CORTÉS A. Composición (Antiguo Bunde o Fandango Cienaguero) de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del Barroco o Renacimiento, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in G minor by: JUAN CARLOS CORTES A. Composition (Old Bunde or Fandango Cienaguero) of a free character that does not intend to fit into the orthodox and pure style of the Baroque or Renaissance, but rather to use these musical elements as simple playful exercises to the delight of those who compose and the concern of those who listen to them. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...
$7.99
Petition & Rain Dance
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Chris Milmerstadt
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Petition & Rain Dance
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Imagine Music - Digital
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SheetMusicPlus
Bassoon duo & percussion - Digital Download SKU: IZ.CMS151 Composed by Chris Milmerstadt. Score and Parts. 26 pages. Imagine Music - Digital #CMS151. Pub...
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Bassoon duo & percussion - Digital Download SKU: IZ.CMS151 Composed by Chris Milmerstadt. Score and Parts. 26 pages. Imagine Music - Digital #CMS151. Published by Imagine Music - Digital (IZ.CMS151). 9 x 12 in inches.The composition Petition and Rain Dance is a two-part composition played without a break. The first half,'Petition', starts with a plaintive melody that repeats in the other bassoon at various overlapping points creating anirregular cannon. Eventually a second melody emerges; the first melody now takes on a supportive role. A newmood created by these merged melodies is underscored by percussion. The simultaneous juxtaposition of these twomelodies, as well as the patterns emphasized by the percussion, foreshadows the main theme for the secondcomposition: 'Rain Dance'.'Rain Dance' is introduced with an irregular rhythmic motif, stated in unison by the bassoons, over a steadyrepeating pattern by the percussion. The percussion evolves and complements (and contrasts) the rhythmic partcreated by the two independent voices of the bassoon duo. A second theme, optimistic in temperament, is thenintroduced and is a rhythmic elaboration of the first theme. This second theme is an exact reiteration of the mergedmelodies from 'Petition' (however in this faster incarnation it is hardly recognizable). This is repeated in variousguises and the mood eventually becomes somewhat less certain.These two pieces represent two ideas; the plea for a reprieve from a dire situation - a drought and a petition to the'powers that be' for intercession, and the subsequent effort to bring about the desired change by taking matters intoone's own hands - a ritualistic dance to bring forth the needed deluge.
$16.00
Kaddish ( Prayer )
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Cello
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Contemporary
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Daniel S
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Kaddish
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Dan Reiter
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SheetMusicPlus
Composed by Daniel S. Reiter. 20th Century, Jewish, Sacred. Sheet Music Single. 4 pages. Dan Reiter #1. Published by Dan Reiter (S0.25952). - Sheet Music Sing...
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Composed by Daniel S. Reiter. 20th Century, Jewish, Sacred. Sheet Music Single. 4 pages. Dan Reiter #1. Published by Dan Reiter (S0.25952). - Sheet Music Single - 20th Century,Jewish,Sacred - Dan Reiter
$19.99
Ottinger Reiter Marsch (Clarinet and Bassoon Duet)
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Clarinet, Bassoon (duet)
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INTERMEDIATE
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J Strauss II
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Catriona Melville-Mason
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Ottinger Reiter Marsch
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C Melville-Mason
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SheetMusicPlus
Instrumental Duet Bassoon,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.956612 Composed by J Strauss II. Arranged by Catriona Melville-...
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Instrumental Duet Bassoon,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.956612 Composed by J Strauss II. Arranged by Catriona Melville-Mason. Concert,Romantic Period,Standards. Score and parts. 7 pages. C Melville-Mason #6477751. Published by C Melville-Mason (A0.956612). In his lifetime, Austrian composer Johann Strauss II (1825 – 1899) was dubbed ‘The Waltz King’, reflecting his prolific output of this type of dance music. He also composed polkas, quadrilles, marches, operettas and a ballet. During the 1848 upheavals in the Austrian Empire, Johann II opted to side with the revolutionaries. This allegiance had an adverse effect on his career, as well as deepening the rift between him and his father, so in due course Johann wrote several marches with titles that might encourage the establishment to forget his past pro-revolutionary sympathies. The Ottinger Reiter-Marsch was first published in 1850. Strauss claimed that the work had been commissioned for a regiment who specifically requested the dedication to General Franz von Ottinger. At the time, Ottinger was not very popular, largely because of his punitive attitude towards former revolutionaries.This arrangement for mixed woodwind duo of B-flat clarinet and bassoon is suitable for players of ABRSM Grade 4 - 5 standard and above.
$4.50
Ottinger Reiter-Marsch (Flute & Clarinet Duet)
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Flute, Clarinet (duet)
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INTERMEDIATE
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J Strauss II
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Catriona Melville-Mason
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Ottinger Reiter-Marsch
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C Melville-Mason
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SheetMusicPlus
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.956621 Composed by J Strauss II. Arranged by Catriona Melville-Ma...
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Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.956621 Composed by J Strauss II. Arranged by Catriona Melville-Mason. Concert,Romantic Period,Standards. Score and parts. 7 pages. C Melville-Mason #6481195. Published by C Melville-Mason (A0.956621). An intermediate-level arrangement of a Strauss march, for mixed woodwind duet of flute and clarinet in B-flat.In his lifetime, Austrian composer Johann Strauss II (1825 – 1899) was dubbed ‘The Waltz King’, reflecting his prolific output of this type of dance music. He also composed polkas, quadrilles, marches, operettas and a ballet. During the 1848 upheavals in the Austrian Empire, Johann II opted to side with the revolutionaries. This allegiance had an adverse effect on his career, as well as deepening the rift between him and his father, so in due course Johann wrote several marches with titles that might encourage the establishment to forget his past pro-revolutionary sympathies. The Ottinger Reiter-Marsch was first published in 1850. Strauss claimed that the work had been commissioned for a regiment who specifically requested the dedication to General Franz von Ottinger. At the time, Ottinger was not very popular, largely because of his punitive attitude towards former revolutionaries.
$4.50
Ottinger Reiter-Marsch - Oboe (Flute) and Bassoon Duet
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J Strauss II
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Catriona Melville-Mason
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Ottinger Reiter-Marsch - Oboe
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C Melville-Mason
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SheetMusicPlus
Instrumental Duet Bassoon,Flute,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.956627 Composed by J Strauss II. Arranged by Catriona Melvill...
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Instrumental Duet Bassoon,Flute,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.956627 Composed by J Strauss II. Arranged by Catriona Melville-Mason. Concert,Romantic Period,Standards. Score and parts. 7 pages. C Melville-Mason #6487635. Published by C Melville-Mason (A0.956627). This arrangement of a Strauss march is intended for double reed duo of oboe and bassoon, but the upper part is also playable by flute.In his lifetime, Austrian composer Johann Strauss II (1825 – 1899) was dubbed ‘The Waltz King’, reflecting his prolific output of this type of dance music. He also composed polkas, quadrilles, marches, operettas and a ballet. During the 1848 upheavals in the Austrian Empire, Johann II opted to side with the revolutionaries. This allegiance had an adverse effect on his career, as well as deepening the rift between him and his father, so in due course Johann wrote several marches with titles that might encourage the establishment to forget his past pro-revolutionary sympathies. The Ottinger Reiter-Marsch was first published in 1850. Strauss claimed that the work had been commissioned for a regiment who specifically requested the dedication to General Franz von Ottinger. At the time, Ottinger was not very popular, largely because of his punitive attitude towards former revolutionaries.
$4.50
Aubade, an early morning raga
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Harp, Cello (duet)
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INTERMEDIATE
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Classical
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Dan Reiter Music
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Dan Reiter
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Aubade, an early morning raga
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Dan Reiter Music
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SheetMusicPlus
Cello,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1457317 By Dan Reiter Music. By Dan Reiter. Arranged by Dan Reiter. Classical. 24 pages...
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Cello,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1457317 By Dan Reiter Music. By Dan Reiter. Arranged by Dan Reiter. Classical. 24 pages. Dan Reiter Music #1036361. Published by Dan Reiter Music (A0.1457317). Music for cello and lever harp or pedal harp.
$15.00
Arpeggiata Meditation
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Harp, Cello (duet)
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INTERMEDIATE
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Contemporary
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Classical
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Dan Reiter Music
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Dan Reiter
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Arpeggiata Meditation
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Dan Reiter Music
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SheetMusicPlus
Cello,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1457330 By Dan Reiter Music. By Kapsberger / Reiter. Arranged by Dan Reiter. Classical,...
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Cello,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1457330 By Dan Reiter Music. By Kapsberger / Reiter. Arranged by Dan Reiter. Classical,Contemporary. 5 pages. Dan Reiter Music #1036377. Published by Dan Reiter Music (A0.1457330). Music for cello and harp.
$10.00
Debussy Three Pieces for flute, harp and cello trio. concerts, wedding, relaxation music, sacred.
Flute,Cello,Harp
Advanced level
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Classical
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Wedding/Ballad
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Claude Debussy
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Daniel S
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Debussy Three Pieces for flute
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Dan Reiter
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SheetMusicPlus
Composed by Claude Debussy (1862-1918). Arranged by Daniel S. Reiter. For Flute,Cello,Harp. 20th Century,Sacred,Wedding. Advanced. Set of Parts. Published by Da...
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Composed by Claude Debussy (1862-1918). Arranged by Daniel S. Reiter. For Flute,Cello,Harp. 20th Century,Sacred,Wedding. Advanced. Set of Parts. Published by Dan Reiter
$29.75
Suite for Solo Cello, Music of Turlough O'Carolan. concerts, weddings,
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Cello
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INTERMEDIATE/ADVANCED
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Classical
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Wedding/Ballad
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Turlough O'carolan
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Daniel S
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Suite for Solo Cello, Music of
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Dan Reiter
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SheetMusicPlus
Composed by Turlough O'carolan. Arranged by Daniel S. Reiter. For Cello. Baroque Period. Advanced Intermediate. Solo Part. 8 pages. Published by Dan Reiter...
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Composed by Turlough O'carolan. Arranged by Daniel S. Reiter. For Cello. Baroque Period. Advanced Intermediate. Solo Part. 8 pages. Published by Dan Reiter
$19.95
Prelude to the Afternoon of a Faun for flute, harp and cello trio. concert repertoire; relaxation music.
Flute,Cello,Harp
Advanced level
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Classical
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Claude Debussy
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Daniel S
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Prelude to the Afternoon of a
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Dan Reiter
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SheetMusicPlus
Composed by Claude Debussy (1862-1918). Arranged by Daniel S. Reiter. For Flute,Cello,Harp. 20th Century. Advanced. Set of Parts. Published by Dan Reiter ...
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Composed by Claude Debussy (1862-1918). Arranged by Daniel S. Reiter. For Flute,Cello,Harp. 20th Century. Advanced. Set of Parts. Published by Dan Reiter
$25.75
Debussy, Three Pieces for solo cello
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Cello
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Dan Reiter
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Debussy, Three Pieces for solo
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Dan Reiter Music
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SheetMusicPlus
Cello Solo - Level 4 - Digital Download SKU: A0.876654 Composed by Claude Debussy. Arranged by Dan Reiter. 20th Century. Individual part. 6 pages. Dan Re...
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Cello Solo - Level 4 - Digital Download SKU: A0.876654 Composed by Claude Debussy. Arranged by Dan Reiter. 20th Century. Individual part. 6 pages. Dan Reiter Music #5209231. Published by Dan Reiter Music (A0.876654). Concert pieces for intermediate to advanced players.
$14.99
"Joy" for Mixed Wind Octet, Piano and Marimba.
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Dan Cutchen and Dan Cutchen
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"Joy" for Mixed Wind Octet, Pi
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Dan Cutchen Music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Horn,Marimba,Piano Accompaniment,Soprano Saxophone,Trombone - Level 3 - Digital Download SKU:...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Horn,Marimba,Piano Accompaniment,Soprano Saxophone,Trombone - Level 3 - Digital Download SKU: A0.844263 Composed by Dan Cutchen and Dan Cutchen. 20th Century,Contemporary,World. Score and parts. 54 pages. Dan Cutchen Music #2920627. Published by Dan Cutchen Music (A0.844263). For 4 to 8 of the following instruments: Flute, Soprano Sax, Bb Clarinet, Alto Sax, French Horn, Trombone, Bassoon, Baritone Saxophone PLUS, Marimba and Piano.https://www.youtube.com/watch?v=Sio4HdW28x4&feature=youtu.beSuggested arrangements of instrumentation (all parts are included in purchase, plus score):1. All 10 parts. 2. Flute, Bb Clarinet, Bassoon, Horn, Marimba, Piano. 3. Soprano Sax, Alto Sax, Bari Sax, Trombone, Marimba, PianoTime: Approximately 6:42The title came from the piece being dedicated to the composer’s wife. This composition reminded the composer of her delightful and kind character and her amazing and creative aptitude for organizing and resolving complicated issues. PianoThe composition process began with the opening piano motif. The harmonic and rhythmic foundation for this work is provided by the piano part. The piano serves a steady percussion with a repeating two-measure pattern of 8th notes. It also provides the harmonic foundation with an evolving arrangement of harmonies, which gradually change as the treble clef and bass clef harmonic progressions continually shift over time. The Wind Instruments This piece is comprised of three sections. Section A and C are similar in structure and harmony. In these two sections, the right hand of the piano part repeats a six-measure pattern composed of three triads: F, Edim and Dm. The left hand outlines a repeating eight-measure pattern of four triads: F, Dm, Cm and Bb. As these patterns repeat, the extra two measures in the bass clef cause the patterns to shift out of phase. This brings about a new set of harmonies for each repetition until the patterns begin again on the F major triad. The wind instruments are employed as a rhythmic and melodic counterpoint to the piano. Individually, and as a unit, they reinforce the harmony and rhythmic figures of the piano through echoing and syncopation. Section B utilizes the harmonic progressions of the other two sections but more notes to the triads to extend the harmony (examples: 9th, 11th and 13th chords.) There is also a clear contrast between the rhythms and harmony of the piano versus the wind instruments. The rhythmic and harmonic flow of this section decelerates until there is a complete stop. Section C begins abruptly with the wind instruments taking over the piano’s opening motif. This last section utilizes the same harmonic and rhythmic patterns as section A but the wind instruments become more active in their melodic and rhythmic counterpoint. The last part of this section is eventually dominated by the saxophone and low brass with a strong reiteration of the opening motif.
$20.00
Hail! Hail! To the College. A Song
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Piano, Voice
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A Lady of Philadelphia
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R
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Hail! Hail! To the College. A
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.16365 Composed by R. Breiter. Universities & colleges--exteriors. Lester S. Levy Collection. 4 pages. Publishe...
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Piano and voice - Digital Download SKU: LV.16365 Composed by R. Breiter. Universities & colleges--exteriors. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16365). Hail! Hail! To the College. A Song. Written By A Lady of Philadelphia. The Music Composed by R. Breiter. Published 1845 by A. Fiot, 196 Chesnut St. in Philadelphia. Composition of strophic [with instrumental interlude] with piano and voice instrumentation. Subject headings for this piece include Universities & colleges--exteriors. First line reads Hail! Hail! to the college, where learning's bright sway.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Kyrie
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Choral SSAATTBB
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Robert Lucas de Pearsall
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Tobias Brommann
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Kyrie
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SSAATTBB) a cappella - Digital Download SKU: S9.Q24045 After the motet Lay a garland. Composed by Robert Lucas de Pearsall. Arranged ...
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Mixed choir (SSAATTBB) a cappella - Digital Download SKU: S9.Q24045 After the motet Lay a garland. Composed by Robert Lucas de Pearsall. Arranged by Tobias Brommann. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q24045. Published by Schott Music - Digital (S9.Q24045). Latin.Der 1795 geborene Robert Lucas de Pearsall gilt als einer der Wegbereiter des Cäcilianismus, einer kirchenmusikalischen Restaurationsbewegung mit Rückbesinnung auf den aus Renaissance und Barock überlieferten A-cappella-Stil. Auch bei seiner weltlichen Motette Lay a garland für achtstimmigen Chor a cappella (SSAATTBB) lässt sich der Hang des Komponisten zum Kathedralklang nicht leugnen. Umso dankenswerter ist es, dass sich Tobias Bromann, seines Zeichens Kantor am Berliner Dom, dieses exquisiten Chorsatzes angenommen und ihn in seiner Umformung zu einem Kyrie nun auch kirchenmusikalischen Zwecken zugänglich gemacht hat. Dabei fügt sich der Kyrie-Text wie selbstverständlich in die flächige Polyphonie und die schwebenden Harmonien dieser geradezu meditativen Vokalkomposition ein. Ein wunderbares Stück Chorliteratur, das ganz auf renaissancehafte Klanglichkeit ausgerichtet ist.
$4.99
March Slav (Concert Band Transcription) - Tsarist Edition
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Concert band
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Classical
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Peter Ilyich Tchaikovsky
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Marc Oliver
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March Slav
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.733069 Composed by Peter Ilyich Tchaikovsky. Arranged by Marc Oliver. Romantic Period. Score and parts. 179 pages...
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Concert Band - Digital Download SKU: A0.733069 Composed by Peter Ilyich Tchaikovsky. Arranged by Marc Oliver. Romantic Period. Score and parts. 179 pages. Ayotte Custom Musical Engravings #2968245. Published by Ayotte Custom Musical Engravings (A0.733069). Tchaikovsky referred to the piece as his Serbo-Russian March while writing it. It was premiered in Moscow on November 17 1876, conducted by Nikolai Rubinstein. The march is highly programmatic in its form and organization. The first section describes the oppression of the Serbs by the Turkish. It uses two Serbian folk songs, Sunce jarko, ne sijaš jednako (Bright sun, you do not shine equally), by Isidor Ćirić and Rado ide Srbin u vojnike (Gladly does the Serb become a soldier), by Josip Runjanin - giving way to the second section in the relative major key, which describes the Russians rallying to help the Serbs. This is based on a simple melody with the character of a rustic dance which is passed around the orchestra until finally it gives way to a solemn statement of the Russian national anthem God Save the Tsar. The third section of the piece is a repeat of Tchaikovsky's furious orchestral climax, reiterating the Serbian cry for help. The final section describes the Russian volunteers marching to assist the Serbs. It uses a Russian tune, this time in the tonic major key and includes another blazing rendition of God Save the Tsar prophesying the triumph of the Slavonic people over tyranny. The overture finishes with a virtuoso coda for the full orchestra. The piece shares a few refrains with the 1812 Overture, with which it is frequently paired in performance. This is the Tsarist (i.e., non-Soviet) Version.
$100.00
GRACE GREATER THAN OUR SIN with Overhead PDF Text
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Piano solo
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INTERMEDIATE/ADVANCED
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Daniel B
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Wanda Cooley
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GRACE GREATER THAN OUR SIN wit
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Wanda J. COOLEY
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.946955 Composed by Daniel B. Towner & Julia H. Johnston, Fanny Crosby & William H. Doane. Arranged by Wan...
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Piano Solo - Level 4 - Digital Download SKU: A0.946955 Composed by Daniel B. Towner & Julia H. Johnston, Fanny Crosby & William H. Doane. Arranged by Wanda Cooley. 20th Century,Easter,Sacred. Score. 14 pages. Wanda J. COOLEY #6259173. Published by Wanda J. COOLEY (A0.946955). This arrangement begins in a flowing style which builds to a cascade of five-finger embellishments at its climax. Motifs unify and propel as the accelerating motion leads to the reiteration of the paramount message: God's Grace...(is)...Greater than all our Sin! The hymn Jesus Keep Me Near the Cross appears briefly to support this reflection. Length: 3:45 min. PDF Overhead PowerPoint Text sequences to the piano score.GRACE CREATER THAN OUR SIN is also available at SMP inside IN THE CROSS, a pianist's complete kit for presenting the Gospel thru 10 hymn arrangements sequenced with Overhead PowerPoint Texts. Also included are bulletin and program templates and organizational aids, narratives, and promotional graphics so that the pianist's only responsibility is playing the music! Grace Greater than Our Sin - Daniel B. Towner & Julia H. Johnston, Jesus Keep Me Near the Cross - Fanny Crosby & William H. Doane.
$3.99
Bramshill Concert Rondo
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Orchestra
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INTERMEDIATE
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Contemporary
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Stephen Lines
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Bramshill Concert Rondo
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Stephen Lines
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.957733 Composed by Stephen Lines. Contemporary. Score and parts. 99 pages. Stephen Lines #26285. Publ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.957733 Composed by Stephen Lines. Contemporary. Score and parts. 99 pages. Stephen Lines #26285. Published by Stephen Lines (A0.957733). Bramshill was written to commemorate the 50th anniversary of the police staff college and was premiered by the British Police Symphony Orchestra in 2008. In 2011 it undertook some quite serious revision. Bramshill House was until recently the home of the Police Staff College. In 1953 the Home Office purchased Bramshill from Lord Brocket. There is evidence that the site has been inhabited since the time of Domesday and the Norman Conquest. The present building was constructed principally by Edward Zouche, 11th Baron Zouche of Harringworth, between c. 1605-1625. The music is written in large ternary form as a concert rondo. There are features within which depict and draw together various facets of the early history of Bramshill House as a Jacobean structure with that of its current role as the police staff college. After a declamatory eighteen bar opening in the key of C minor the piece leads towards the principal theme - it is introduced by the horn, quietly accompanied by chords from the clarinets dipping in and out of the chalumeau register - a haunting, ethereal theme that depicts the mystery of the ancient building and its numerous reported wraiths. The theme develops and is pronounced giacoso in the strings with light accompaniment in the higher woodwinds. A restatement of the main theme is followed by a section, fugato; this depicts a police officer on the beat in the early hours of a cold, wet, winter’s night. This theme transmutes into a quasi-stately dance such as may have been performed in Bramshill’s great withdrawing room or the long gallery in the 1600’s. A series of 6/3 chords then develop into what sounds akin to a police siren; the section culminates in a wash of sound with police theme, stately dance and siren sounding simultaneously. In the final section, the principal theme is reiterated in various guises and sub-themes are further explored.
$22.50
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