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35 sheet music found
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1
26
Dvorak Humoresque - arr. for Instrumental Soloist (in Bb) and Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Antonin Dvorak
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Chappell Kingsland
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Dvorak Humoresque - arr. for I
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Chappell Kingsland
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321436 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Cham...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321436 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Chamber,Classical,Romantic Period. 27 pages. Chappell Kingsland #909895. Published by Chappell Kingsland (A0.1321436). This delightful arrangement gives Dvorak’s melody to the soloist, suitable for Intermediate or Advanced players of any age.  The chamber orchestra adds color and spice, with special touches ranging from the delicate triangle hits to the surprising flourishes in the final section.This arrangement is for Instrumental Soloist in Bb (clarinet, soprano sax, tenor sax, trumpet, etc.) and Chamber Orchestra (10 players). You can also find Chappell Kingsland’s arrangements with other solo instruments for sale on this website.Originally arranged for Twylah Stewart and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
Dvorak Humoresque - arr. for Flute Soloist and Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Antonin Dvorak
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Chappell Kingsland
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Dvorak Humoresque - arr. for F
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Chappell Kingsland
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321454 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Cham...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321454 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Chamber,Classical,Romantic Period. 27 pages. Chappell Kingsland #909913. Published by Chappell Kingsland (A0.1321454). This delightful arrangement gives Dvorak’s melody to the soloist, suitable for Intermediate or Advanced players of any age.  The chamber orchestra adds color and spice, with special touches ranging from the delicate triangle hits to the surprising flourishes in the final section.This arrangement is for Flute Soloist and Chamber Orchestra (10 players). You can also find Chappell Kingsland’s arrangements with other solo instruments for sale on this website.Originally arranged for Twylah Stewart and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
Dvorak Humoresque - arr. for Cello Soloist and Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Antonin Dvorak
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Chappell Kingsland
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Dvorak Humoresque - arr. for C
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Chappell Kingsland
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321453 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Cham...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321453 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Chamber,Classical,Romantic Period. 27 pages. Chappell Kingsland #909912. Published by Chappell Kingsland (A0.1321453). This delightful arrangement gives Dvorak’s melody to the soloist, suitable for Intermediate or Advanced players of any age.  The chamber orchestra adds color and spice, with special touches ranging from the delicate triangle hits to the surprising flourishes in the final section.This arrangement is for Cello Soloist and Chamber Orchestra (10 players). You can also find Chappell Kingsland’s arrangements with other solo instruments for sale on this website.Originally arranged for Twylah Stewart and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
Dvorak Humoresque - arr. for Oboe Soloist and Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Antonin Dvorak
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Chappell Kingsland
#
Dvorak Humoresque - arr. for O
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Chappell Kingsland
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321455 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Cham...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321455 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Chamber,Classical,Romantic Period. 27 pages. Chappell Kingsland #909914. Published by Chappell Kingsland (A0.1321455). This delightful arrangement gives Dvorak’s melody to the soloist, suitable for Intermediate or Advanced players of any age.  The chamber orchestra adds color and spice, with special touches ranging from the delicate triangle hits to the surprising flourishes in the final section.This arrangement is for Oboe Soloist and Chamber Orchestra (10 players). You can also find Chappell Kingsland’s arrangements with other solo instruments for sale on this website.Originally arranged for Twylah Stewart and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
Dvorak Humoresque - arr. for Viola Soloist and Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
#
Antonin Dvorak
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Chappell Kingsland
#
Dvorak Humoresque - arr. for V
#
Chappell Kingsland
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321457 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Cham...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321457 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Chamber,Classical,Romantic Period. 27 pages. Chappell Kingsland #909916. Published by Chappell Kingsland (A0.1321457). This delightful arrangement gives Dvorak’s melody to the soloist, suitable for Intermediate or Advanced players of any age.  The chamber orchestra adds color and spice, with special touches ranging from the delicate triangle hits to the surprising flourishes in the final section.This arrangement is for Viola Soloist and Chamber Orchestra (10 players). You can also find Chappell Kingsland’s arrangements with other solo instruments for sale on this website.Originally arranged for Twylah Stewart and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
Dvorak Humoresque - arr. for Violin Soloist and Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
#
Classical
#
Antonin Dvorak
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Chappell Kingsland
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Dvorak Humoresque - arr. for V
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Chappell Kingsland
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321458 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Cham...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321458 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Chamber,Classical,Romantic Period. 27 pages. Chappell Kingsland #909917. Published by Chappell Kingsland (A0.1321458). This delightful arrangement gives Dvorak’s melody to the soloist, suitable for Intermediate or Advanced players of any age.  The chamber orchestra adds color and spice, with special touches ranging from the delicate triangle hits to the surprising flourishes in the final section.This arrangement is for Violin Soloist and Chamber Orchestra (10 players). You can also find Chappell Kingsland’s arrangements with other solo instruments for sale on this website.Originally arranged for Twylah Stewart and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
Homage to O'Keeffe for Orchestra
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Orchestra
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ADVANCED
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Sy Brandon
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Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon...
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Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestra
#
Classical
#
Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestra
#
Classical
#
Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
La Passerella Di Addio
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Orchestra
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INTERMEDIATE/ADVANCED
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Nino Rota
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Flavio Regis Cunha
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La Passerella Di Addio
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1302948 Composed by Nino Rota. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1302948 Composed by Nino Rota. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,Instructional. Score and Parts. 166 pages. Flavio Regis Cunha #892557. Published by Flavio Regis Cunha (A0.1302948). 🎶 Unleash Your Orchestra's Potential with 'Otto e Mezzo for Orchestra'! 🎶Calling all maestros, musicians, and music aficionados! Elevate your performances to extraordinary heights with 'La Passerella Di Addio for Orchestra,' a magnum opus meticulously composed by the legendary Italian film composer, Nino Rota, and brilliantly arranged by the maestro Flavio Regis Cunha.✨ Why 'La Passerella Di Addio for Orchestra' Stands Apart: ✨🌟 Cinematic Grandeur: Immerse your audience in the captivating melodies that defined the golden era of Italian cinema. Nino Rota's timeless composition, brought to life by Flavio Regis Cunha, resonates with emotive richness, painting vivid musical landscapes that stir the soul.🌟 Unmatched Versatility: Break free from the constraints of standard ensemble formats! 'La Passerella Di Addio for Orchestra' is a musical chameleon, seamlessly adapting to the unique dynamics of school orchestras, and professional ensembles. Its adaptive brilliance ensures a performance that is nothing short of spectacular, tailored to your specific setting.🌟 Masterful Arrangement: Dive into the nuances of expertly crafted sheet music. Flavio Regis Cunha's arrangement strikes the perfect balance between complexity and accessibility, catering to musicians of all levels. Whether you're a seasoned virtuoso or a budding talent, this composition challenges and inspires, fostering musical growth.🌟 Spellbinding Storytelling: Every note in 'Otto e Mezzo for Orchestra' narrates a story, evoking emotions that linger long after the performance concludes. From the delicate whispers to the powerful crescendos, experience the enchanting journey that this composition offers, leaving your audience enthralled and yearning for more.🎻 Unlock Limitless Musical Horizons - Get Your Copy Now! 🎻Don't miss this chance to infuse your orchestra with the magic of 'La Passerella Di Addio for Orchestra.' Whether you're orchestrating a divine church recital, a spirited school concert, or a professional orchestral masterpiece, this sheet music is your passport to musical brilliance.🎵 Transform Ordinary Moments into Extraordinary Memories! 🎵Order your copy today and embark on a musical odyssey that transcends boundaries. Let the melodies of Nino Rota and the expertise of Flavio Regis Cunha redefine your orchestra's legacy. Elevate your performances, mesmerize your audience, and create memories that resonate for a lifetime.🔥 **Seize the Baton and Make Your Orchestra's Mark! Order Now! 🔥Level: Advanced intermediate Format: Concert, 9 x 12 inchesSize: 166 pagesContent: Full Score and Parts)PLUS!!! Engraved with Urtext Kapellmeister Music Font.
$89.99
Recondita armonia - Tosca
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Vittorio Tamburrano
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Vittorio Tamburrano
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Recondita armonia - Tosca
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Vittorio Tamburrano
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1490915 By Vittorio Tamburrano. By Giacomo Pucci...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1490915 By Vittorio Tamburrano. By Giacomo Puccini. Arranged by Vittorio Tamburrano. 20th Century,Classical,Opera. 12 pages. Vittorio Tamburrano #1067700. Published by Vittorio Tamburrano (A0.1490915). IntroduzioneLa trascrizione per quintetto di fiati di Recondita armonia, una delle arie più iconiche dell'opera Tosca di Giacomo Puccini, è concepita per mantenere l'intensità emotiva e la bellezza melodica dell'originale, adattandola a una formazione cameristica che possa esprimere al meglio le sfumature timbriche e dinamiche del brano.Struttura e AdattamentoLa trascrizione è stata realizzata per flauto, oboe, clarinetto, fagotto e corno. Ogni strumento svolge un ruolo specifico nel ricreare la ricchezza orchestrale dell'originale, pur rimanendo fedele alla scrittura vocale e orchestrale di Puccini.- Flauto: Il flauto è stato scelto per riprodurre le linee melodiche più alte e leggere, spesso simili a quelle del violino nella versione orchestrale. La sua brillantezza e agilità permettono di mantenere la chiarezza e la dolcezza della melodia principale.- Oboe: L'oboe, con il suo timbro caldo e penetrante, ricrea l'espressività e l'intensità della voce di Cavaradossi, catturando le sfumature emotive della melodia principale. La sua capacità di sostenere note lunghe e di modulare il vibrato è essenziale per trasmettere il lirismo dell'aria.- Clarinetto: Il clarinetto fornisce un supporto armonico ricco e flessibile, spesso accompagnando la melodia con contrappunti sottili e intermezzi melodici. La sua estensione e dinamica lo rendono perfetto per passare dalle tonalità più gravi a quelle più acute, aggiungendo profondità alla trascrizione.- Fagotto: Il fagotto sostiene la struttura armonica con il suo timbro profondo e caldo, riproducendo le linee del basso continuo. Inoltre, è impiegato per sottolineare i momenti più drammatici e le modulazioni, aggiungendo gravità e intensità al quintetto.- Corno: Il corno, con la sua capacità di esprimere potenza e delicatezza, è utilizzato per ricreare i momenti di tensione e rilascio presenti nell'originale orchestrale. Il suo ruolo è fondamentale per evocare l'atmosfera maestosa e romantica dell'aria.Considerazioni Timbriche e DinamicheL'adattamento per quintetto di fiati tiene conto delle caratteristiche timbriche degli strumenti, creando un equilibrio sonoro che permette di mantenere l'espressività e la ricchezza dinamica dell'aria originale. Le dinamiche sono attentamente calibrate per ricreare i crescendo e diminuendo che caratterizzano l'intensità dell'aria, mentre l'articolazione è stata adattata per sfruttare al meglio le capacità espressive di ciascun strumento.Sfide e SoluzioniUna delle principali sfide nel trascrivere Recondita armonia per quintetto di fiati è stata quella di preservare l'ampiezza orchestrale e la potenza espressiva della melodia vocale. Per raggiungere questo obiettivo, ho utilizzato una scrittura contrappuntistica che permette ai vari strumenti di dialogare tra loro, ricreando l'interazione tra voce solista e orchestra presente nell'originale.ConclusioneQuesta trascrizione per quintetto di fiati di Recondita armonia riesce a mantenere la forza drammatica e l'intensità emotiva dell'originale, offrendo una nuova prospettiva su un capolavoro dell'opera lirica. Il risultato è un arrangiamento che rispetta la grandezza della musica di Puccini, permettendo a un ensemble da camera di esplorare e esprimere le sfumature di uno dei momenti più emozionanti di Tosca.
$10.00
Bundle Of Joy
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Film/TV
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Michael Giacchino
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Demetrio Bonvecchio
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Bundle Of Joy
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Demetrio Bonvecchio
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1500130 Composed by Michael Giacchino. Arranged by Demetrio Bonvecchio. Film/TV,Pop. 33 pages. Dem...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1500130 Composed by Michael Giacchino. Arranged by Demetrio Bonvecchio. Film/TV,Pop. 33 pages. Demetrio Bonvecchio (Db Music) #1076198. Published by Demetrio Bonvecchio (Db Music) (A0.1500130). Bundle of Joy, here arranged for Chamber Orchestra, creates with it's relaxed harmonies and simple phrases a world of it's own. Very delicate and emotional.I hope you will enjoy playing this piece as much as I loved arranging it.Demetrio BonvecchioOther Chamber Orchestra scores available: A Dream Is A Wish Your Heart Makes (from Cinderella) (with Vocal Soloist) When I Am Older (from Frozen 2) (with Vocal Soloist) Mary Poppins “A Symphonic Fantasy” Let It Go (from Frozen) (with Vocal Soloist) Go The Distance (from Hercules) (with Vocal Soloist) Beauty and the Beast (Duet) (with 2 Vocal Soloists)
$100.00
In the Memory Of
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Edward David Zeliff
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In the Memory Of
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Edward David Zeliff
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.888267 Composed by Edward David Zeliff. Contemporary,Holiday. Score and parts. 72 pages. Edward Da...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.888267 Composed by Edward David Zeliff. Contemporary,Holiday. Score and parts. 72 pages. Edward David Zeliff #4767647. Published by Edward David Zeliff (A0.888267). This piece is for Solo Cello and Chamber Orchestra. It is designed to be a remembrance––anyone's remembrance––of the life shared with someone who is gone. It is very delicate in nature, with moments of joy and exuberance. A chamber-like quality characterizes the orchestration. It is strikingly melodic, richly harmonic, probingly dissonant, and poignantly peaceful. It was premiered at the Royal College of Music in London.
$35.00
Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts
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Orchestra
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ADVANCED
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Contemporary
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Jazz
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James Nathaniel Holland
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Flute Concerto The Hummingbird
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730455 Composed by James Nathaniel Holland. Contemporary,Jazz. 217 pages. James Nathaniel Holland #35...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730455 Composed by James Nathaniel Holland. Contemporary,Jazz. 217 pages. James Nathaniel Holland #3545937. Published by James Nathaniel Holland (A0.730455). Full Orchestral Score and Individual PartsA New Concerto for Flute and Orchestra The Hummingbird from contemporary American composer James Nathaniel Holland in three movements. A fun and light-hearted piece. Why the hummingbird? Those cute, little, delicate creatures that just want to go about their business admiring the flowers. After living in Costa Rica for some time it couldn’t be farther from the truth, they are aggressive birds that pick a fight with anything that comes into their territory. But let’s talk about this concerto. It first began with the composer’s desire to write a concerto for flute. Influenced by the 3/8 rhythm of the piano sonatas of Alessandro Scarlatti. Hence, the first movement was born with its sort of here, there, and here again quality which reminded me of the many hummingbirds that I’ve seen in Costa Rica. The first movement also contains a quality of jazz to it and is a nice addition to the flute concerto repertoire. The second movement is slow and straight forward. It is relax time that only a flute can evoke. The third is a sort of Mozart styled third Rondo movement. But as you will listen there are some elements that have nothing to do with Mozart. The harmonies are modern as well as some of the rhythmic aspects.Â
$45.95
Collapse
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Jason Savory
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Collapse
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Jason Savory
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.966720 Composed by Jason Savory. Contemporary. Score and parts. 47 pages. Jason Savory #5362535. Publ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.966720 Composed by Jason Savory. Contemporary. Score and parts. 47 pages. Jason Savory #5362535. Published by Jason Savory (A0.966720). A tense, delicate tone painting depicting the formation of a proto-star. Dust gathers together and the piece ends with the orchestra in unison. At 4 minutes long this would fill a gap in a program nicely, and is very different to many contemporary orchestral works in its nature.
$29.00
A Christmas Greeting Op. 52
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Orchestra
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INTERMEDIATE
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Christmas
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Edward Elgar
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Kara Williams
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Fl1&2
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A Christmas Greeting Op. 52
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Kara Williams
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1098583 Composed by Edward Elgar (1857-1934). Arranged by Kara Williams. Christmas,Classical,Contest,...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1098583 Composed by Edward Elgar (1857-1934). Arranged by Kara Williams. Christmas,Classical,Contest,Festival,Holiday,Religious. Score and Parts. 59 pages. Kara Williams #702446. Published by Kara Williams (A0.1098583). Whilst not as well-known as some of his other work, this delicate little Christmas song is distinctly Elgar. Composed for the Choir of Hereford Cathedral it evokes love, friendship and the English countryside at Christmas. Originally scored for two soprano voices, accompanied by two violins and piano, this delightful work has been thoughtfully re-scored for orchestra (including percussion) by Kara Williams, and is aimed at intermediate level ensembles. The passionately pastoral introduction section leads into a joyful 6/8 section featuring the two trumpets and a cheeky quote from Handel’s ‘Messiah’. This work is a lovely addition to any program, and not just for Christmas time! Scoring: Picc; Fl1&2; Ob1&2; Cl1&2; Bsn1&2 (Bsn2 sub Bcl); FHn1&2; Tbn (sub FHn3); Tba; Timp, Perc1&2; Vln I; Vln2; Vla; VC; CB.
$25.00
Strong Enough
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Orchestra
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INTERMEDIATE
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Sheryl Crow
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Andrew Lipke
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Strong Enough
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Andrew Lipke
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1405361 By Sheryl Crow. By Bill Bottrell, Brian MacLeod, David Baerwald, David Ricketts, Kevin Gilber...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1405361 By Sheryl Crow. By Bill Bottrell, Brian MacLeod, David Baerwald, David Ricketts, Kevin Gilbert, and Sheryl Crow. Arranged by Andrew Lipke. Classical,Pop,Singer/Songwriter. 84 pages. Andrew Lipke #988415. Published by Andrew Lipke (A0.1405361). An orchestration of Strong Enough with a delicate, classical, introduction and orchestral instrumental features throughout.
$50.00
Golden Hour
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Orchestra
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INTERMEDIATE
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Pop music
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Jvke
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Diogo Martins and Sara Lopes
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Golden Hour
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Diogo Martins
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1281289 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Diogo Martins and Sara Lopes. Pop. Sc...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1281289 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Diogo Martins and Sara Lopes. Pop. Score and Parts. 19 pages. Diogo Martins #867334. Published by Diogo Martins (A0.1281289). Golden Hour is a captivating musical masterpiece composed by Jvke (Jake Lawson) and arranged for tenor saxophone solo and concert band. This enchanting composition takes its inspiration from the magical moments that occur during the twilight of a sunlit day. As the sun begins to set, casting its warm, golden glow across the landscape, a sense of tranquility and introspection permeates the air. The piece opens with a gentle and lyrical marimba and vibraphone duo playing the iconic melody of the piano that Jvke played.The concert band, in turn, weaves a tapestry of harmonies and textures that complement the soloist's performance. The lush instrumentation adds depth and color to the overall experience, accentuating the serene ambiance of the Golden Hour. Soft woodwind harmonies, shimmering brass chords, and delicate percussion accompaniment provide a seamless backdrop for the saxophone solo, creating a harmonious balance between the soloist and the ensemble.As the piece progresses, the music gradually builds in intensity, representing the gradual transition from twilight to dusk. The interplay between the soloist and the ensemble intensifies, symbolizing the beauty and complexities of life's fleeting moments.In the climax, the saxophone's soaring melodies soar over the powerful ensemble, culminating in a breathtaking and emotionally charged finale. The music captures the essence of the fleeting beauty of a golden hour, leaving the audience captivated and moved by its evocative storytelling.
$55.00
To Kill A Mockingbird - Main Title
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Orchestra
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INTERMEDIATE/ADVANCED
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Film/TV
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Elmer Bernstein
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Chris Siddall
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To Kill A Mockingbird - Main T
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1162358 Composed by Elmer Bernstein. Arranged by Chris Siddall. Film/TV. Score and parts. 52 pages. C...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1162358 Composed by Elmer Bernstein. Arranged by Chris Siddall. Film/TV. Score and parts. 52 pages. Chris Siddall Music Publishing #762720. Published by Chris Siddall Music Publishing (A0.1162358). Accompanying the film adaptation of Harper Lee’s seminal novel, Elmer Bernstein’s delicate and sensitive score from To Kill a Mockingbird was Oscar-nominated, losing out to Maurice Jarre’s Lawrence of Arabia.In 2003, the American Film Institute named Atticus Finch, the story’s main character, the greatest movie hero of the 20th century and in 2007 ranked the film 25th on their list of the greatest movies of all time.Heard right from the outset of the score, the beautiful piano solo was played by a man who has become known as one of the greatest film score composers of all time; John Williams.Created from the original manuscript, this release offers a rare opportunity to perform film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$49.99
LACRYMOSA Female Choir
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Orchestra
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EASY
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Sacred music
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Gunter Scholler
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Gunter Scholler
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LACRYMOSA Female Choir
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Scholler
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1016080 Composed by Gunter Scholler. Arranged by Gunter Scholler. Classical,Latin,Multicultural,Prais...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1016080 Composed by Gunter Scholler. Arranged by Gunter Scholler. Classical,Latin,Multicultural,Praise & Worship,Sacred,World. Score and Parts. 9 pages. Scholler #5791321. Published by Scholler (A0.1016080). Immerse yourself in the exquisite beauty of a female Lacrymosa, a score that exudes peacefulness, tranquility, and transparency. This mesmerizing composition resonates with delicate melodies and ethereal harmonies, painting a portrait of serenity and calm. The female voices intertwine in a gentle dance, creating a captivating and deeply moving musical experience. Perfect for choirs and vocal ensembles seeking a piece that evokes emotion and showcases the grace of female voices, this score offers a unique opportunity to explore the depths of heartfelt expression. Embrace the enchanting atmosphere and unleash the power of this Lacrymosa, as it transports both performers and listeners to a world of profound emotion and serene beauty.Schollermusic
$12.90
Six Songs From "A Shropshire Lad"
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Concert band
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INTERMEDIATE
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Classical
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George Butterworth
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Michael Pilley
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Six Songs From "A Shropshire L
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Michael Pilley Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.746215 Composed by George Butterworth. Arranged by Michael Pilley. Classical. Score and parts. 122 page...
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Concert Band - Level 3 - Digital Download SKU: A0.746215 Composed by George Butterworth. Arranged by Michael Pilley. Classical. Score and parts. 122 pages. Michael Pilley Music #4331147. Published by Michael Pilley Music (A0.746215). The very lovely setting of A.E. Housman‘s poems by George Butterworth, reorchestrated for Chamber Wind Ensemble, was commissioned by the Maidstone Wind Symphony for their recent Concert of Remembrance entitled A Time For Peace.Composed in 1911 for baritone voice and piano, this collection of short pieces utilises poems from A.E. Housman’s A Shropshire Lad published in 1896. The words have been woven into a delicate and moving composition, with the emotions contained in the text expertly drawn out through use of dynamics and phrasing.The delicate nature of the original pieces has been kept, with the voices of the wind orchestra giving a new timbral twist to the music. The reality of growing up in wartime is prevalent in the theme of the music and is captured well by Butterworth’s original. There has been a few orchestral settings of these songs, but this arrangement is to be the first for wind band.Premiered by Martin Hindmarsh and a selection of the Maidstone Wind Symphony players, the performance was delicate and true to the original essence of the piano accompaniment. You can listen to a recording of their performance (whilst admittedly a poor quality) on the score video below. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$100.00
Badinerie
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Easy Piano
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EASY
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Classical
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Johann Sebastian Bach
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Cyprien Katsaris
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Badinerie
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Schott Music - Digital
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SheetMusicPlus
Piano - difficult - Digital Download Arrangement 'en forme de burlesque' of the last movement of the Suite for orchestra in B minor, BWV 10...
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Piano - difficult - Digital Download Arrangement 'en forme de burlesque' of the last movement of the Suite for orchestra in B minor, BWV 1067. Composed by Johann Sebastian Bach (1685-1750). Arranged by Cyprien Katsaris. This edition: Sheet music. The Virtuoso Piano Transcription Series. Downloadable. Duration 1 minute 30 seconds. Schott Music - Digital #Q7034. Published by Schott Music - Digital
In this series, Schott presents demanding piano transcriptions of well-known works. The series comprises 14 editions, all volumes of which have been .compiled with great care and .given a special cover.
Volume 14 contains a delicate piano paraphrase by the famous pianist Cyprien Katsaris of Johann Sebastian Bach's 'Badinerie', a smash hit in music history. Every eight bars of Bach are followed by the virtuoso 'commentary' of the Paris-based Katsaris.
Ambitious pianists are certainly going to enjoy the virtuoso challenge of this effective arrangement.
$10.99
Call Me Irresponsible
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Jazz
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Dinah Washington
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Peet du Toit
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Call Me Irresponsible
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Peet du Toit
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1495281 By Dinah Washington. By James Van Heusen and Sammy C...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1495281 By Dinah Washington. By James Van Heusen and Sammy Cahn. Arranged by Peet du Toit. Jazz. 9 pages. Peet du Toit #1071801. Published by Peet du Toit (A0.1495281). Call Me Irresponsible is a 1962 song composed by Jimmy Van Heusen with lyrics written by Sammy Cahn which won the Academy Award for Best Original Song in 1963.According to the Mel Tormé book The Other Side of the Rainbow with Judy Garland on the Dawn Patrol, Van Heusen originally wrote the song for Garland to sing at a CBS dinner. At that time, Garland had just signed to do The Judy Garland Show on CBS, and the intent of the song was to parody her well-known problems. Garland later sang the song on the seventh episode of the show.However, in 1988, Sammy Cahn said during an interview with freelance writer Harlan Conti, in San Francisco, that the song was originally written for Fred Astaire to sing in the film Papa's Delicate Condition in which Astaire was to star. Cahn personally auditioned the song for Astaire's approval, which was given. However, Astaire's contractual obligations prevented him from making the film and the role went to Jackie Gleason, who introduced the song. It won the Academy Award for Best Original Song at the 36th Academy Awards held in 1964.Cahn is said to have had a particular satisfaction in the number of five-syllable words in the lyrics of Call Me Irresponsible.Being born in 1963, you can call me irresponsible for orchestrating this lovely jazz standard. Nevertheless, live has begun! Enjoy with me.
$13.00
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