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Duo for Violin and Piano
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Duo for Violin and Piano
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4151
Grand Duo, opus 151 (2012) full score
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Grand Duo, opus 151
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Thomas Oboe Lee
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.869204 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. With A...
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Piano,Violin - Level 4 - Digital Download SKU: A0.869204 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. With Andante … 3. 2 pages. Thomas Oboe Lee #3901. Published by Thomas Oboe Lee (A0.869204). Program note: This is the third duo for violin and piano in my portfolio. The first one was written back when I was a student at the New England Conservatory of Music. It was my opus 3, The Sensuous Gargoyle (1975). My next one was a four-movement work entitled Tunesmith … An American Beauty Pageant (1993). It was commissioned by the Music Department at Lehigh University and premiered by two of its faculty members, Paul Chou and Paul Salerni. The violin has always been my favorite instrument. I have written twelve string quartets. For the violinist extraordinaire Irina Muresanu I wrote a big violin concerto in 2009, and a Partita for solo violin in 2011. I am slated to write another concerto, albeit a chamber one, for the Boston Classical Orchestra and violinist Sharon Roffman for a premiere in the fall of 2013. Last year I decided to write a third duo for violin and piano. I wanted to do something substantial and grandiose, hence the title Grand Duo, opus 151. Both Schubert and Lou Harrison have written works with the same title. So I thought, why not? The work is in five movements. 1. Misterioso … 2. Andante … 3. Allegro … Trio! 4. Largo … 5. Allegro … Enjoy! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/grand-duo-opus-151-2012Video link: https://youtu.be/xThob_BQkDE
$9.99
Rosenberg Sonata for Violin and Piano
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Violin and Piano
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Contemporary
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Peter MachajdÃk
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Pavel Burdych
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Rosenberg Sonata for Violin an
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Pavel Burdych
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SheetMusicPlus
Piano,Violin - Digital Download SKU: A0.1090293 Composed by Peter MachajdÃk. Arranged by Pavel Burdych. Contemporary. Full Performance. Duration 832. ...
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Piano,Violin - Digital Download SKU: A0.1090293 Composed by Peter MachajdÃk. Arranged by Pavel Burdych. Contemporary. Full Performance. Duration 832. Pavel Burdych #31423. Published by Pavel Burdych (A0.1090293). Slovak composer and sound artist Peter MachajdÃk (b. 1961) occupies a unique place in the world of contemporary music. He won international acclaim for his multimedia project Intimate Music at the Inventionen 1994 festival in Berlin. MachajdÃk has worked with numerous chamber ensembles and orchestras, choreographers, dancers and visual artists. He writes music for film and theatre. He is the holder of Slovakia´s most prestigious classical music award, the Ján Levoslav Bella Prize. His Rosenberg Sonata for Violin and Piano, of 2010, is a composition whose structure sets it in a class of its own, and which plays around with the minimalist style, whilst at the same time attesting to the breadth of the composer's musical and philosophical understanding. The Czechoslovak Chamber Duo premiered Rosenberg Sonata at the Forfest in KroměřÞ, Czech Republic. For further information go to Peter MachajdÃk´s web site - www.machajdik.de. Performers: The Czechoslovak Chamber Duo was formed in 2004 by Czech violinist Pavel Burdych and Slovak pianist Zuzana BereÅ¡ová. Both artists have been regular guests at music festivals in the Czech Republic, Slovakia and Germany, as well as making frequent concert appearances in capitals around the globe, including Rome, Paris, Lisbon, Seoul, Bucharest, Sofia, Athens, Prague, and Bratislava. Thanks to their Czechoslovakian roots, they often receive invitations from Czech and Slovak expatriate communities in various countries. Every year, they mount projects centred around anniversaries of major composers. The Czechoslovak Chamber Duo has earnt the accolades of audiences and critics alike for its high professional standards, flawless coordination, and musicality. For more detailed information go to the Duo´s website www.chamberduo.eu. Pavel Burdych studied violin firstly at the Conservatory in Pardubice, and thereafter with Bohumil Smejkal at the JanáÄek Academy of Music and Performing Arts in Brno. Zuzana BereÅ¡ová studied piano at the Conservatory in KoÅ¡ice, at the Academy of Performing Arts in Bratislava, and then with Jiřà Skovajsa and Jaroslav Smýkal at the JanáÄek Academy of Music and Performing Arts in Brno.
$2.99
Kaldalóns: Ave Maria for Violin and Piano
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Violin and Piano
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INTERMEDIATE
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Sigvaldi Kaldalóns and Flav
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Flavio Regis Cunha
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Kaldalóns: Ave Maria for Viol
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Flavio Regis Cunha
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1244274 By Sigvaldi Kaldalóns and Flavio Regis Cunha. By Sigvaldi Kaldalóns. Arranged by Flavio R...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1244274 By Sigvaldi Kaldalóns and Flavio Regis Cunha. By Sigvaldi Kaldalóns. Arranged by Flavio Regis Cunha. Classical,Contest,Easter,Festival,Sacred,Wedding. 7 pages. Flavio Regis Cunha #839256. Published by Flavio Regis Cunha (A0.1244274). Kaldalóns: Ave Maria for Violin and Piano.This is a beautiful melody by the composer Sigvaldi Kaldalóns. This is a catchy, melancholy and very sentimental melody. Sigvaldi Kaldalóns (Stefánsson) (13 January 1881 - 28 July 1946) was an Icelandic composer and doctor. Unlike the avant-garde composers of his day, he wrote in a traditional romantic style and composed many of Iceland's most famous and widely performed songs, many of which are now wrongly assumed to be folk songs. His particular skill was in capturing the spirit of poems in his melodies, making him Iceland's foremost lyric composer.The arrangement written here for violin and piano was based on VÃkingur Ólafsson's beautiful interpretation. Now, you can play it in a variety of settings, from weddings to religious services to recitals. This wonderful piece by Kaldalóns is a must-have in your duo repertoire, and you will be enchanted by the beauty of the music and the intense emotions it can evoke. I hope you enjoy the arrangement, designed exclusively for violin solo and piano accompaniment. The Piano is based exactly on VÃkingur Ólafsson's interpretation.Advanced Intermediate.Format: Concert, 9 x 12 inches7 pages.
$5.99
Delibes: Duo des Fleurs for Violin Duo & Piano
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2 Violins (duet)
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INTERMEDIATE
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Leo Delibes
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James M
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Delibes: Duo des Fleurs for Vi
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jmsgu3
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SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.552401 Composed by Leo Delibes (1836-1891). Arranged by James M. Guthrie. Instructional,Romantic ...
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.552401 Composed by Leo Delibes (1836-1891). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards,Wedding. 7 pages. Jmsgu3 #6342505. Published by jmsgu3 (A0.552401). Duo of flowers from Lakme, Act I. A popular wedding selection.Leo Delibes (1836-1891) was a French composer of the Romantic period best known for his ballets and operas. He was a child prodigy and began composing music at the age of seven. He studied at the Paris Conservatoire, where he developed a mastery of the symphonic form and wrote several pieces for the orchestra. His works for the stage are among the most popular and beloved of the Romantic era, including the ballets Coppélia and Sylvia, and the opera Lakmé.Delibes was a pioneer in the use of orchestral color and instrumental effects to enhance the dramatic narrative of his works. His works are often praised for their lyricism, graceful melodies, and colorful orchestrations. His music is considered to be a bridge between the grandiose and romantic works of the French composers before him, such as Gounod and Berlioz, and the more intimate and melodic style of composers like Debussy and Ravel.Delibes’ influence can be heard in the works of later composers such as Stravinsky and Prokofiev, and his music continues to be performed and enjoyed today. His contributions to music history are significant, and his works remain beloved masterpieces of the Romantic era.Léo Delibes' opera Lakmé is an opera in three acts. It was first performed in 1883 at the Théâtre Lyrique in Paris. The libretto was written by Edmond Gondinet and Philippe Gille. The story is set in British-occupied India and tells the story of a young Indian girl, Lakmé, who is in love with a British officer, Gerald. The story follows the couple's romantic journey, as well as the obstacles they face from Lakmé's father and the British military. The opera is best known for its beautiful score, which includes the famous aria The Flower Duet as well as the duet Lakmé! The Bell Song. The opera has been performed in opera houses all over the world and is considered one of Delibes' most popular works.The Duo des Fleurs, composed by French composer Léo Delibes, is a ballet pas de deux from the ballet Lakme, Act I. It is a beloved masterpiece of the Romantic period and is often performed as a standalone piece in many ballet performances. The piece is typically danced by two female ballet dancers and is known for its playful and lighthearted nature. The music consists of a melody that alternates between the two dancers and is often accompanied by a lighthearted waltz. The music has a strong sense of unity and connection between the two dancers, which is enhanced by the use of the same melody. The piece also features a beautiful soaring coda that gives it a sense of grandeur and beauty. The Duo des Fleurs is an exquisite piece of music and an enduring classic of the ballet repertoire.
$26.95
Un flambeau, Jeannette, Isabelle, for two violins and piano
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Violin and Piano
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EASY
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Christopher A
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Un flambeau, Jeannette, Isabel
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Christopher A. Sforza
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.909641 Arranged by Christopher A. Sforza. Christmas,Contempor...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.909641 Arranged by Christopher A. Sforza. Christmas,Contemporary,Standards. Score and parts. 13 pages. Christopher A. Sforza #6655707. Published by Christopher A. Sforza (A0.909641). Un flambeau, Jeannette, Isabelle (Bring a Torch, Jeannette, Isabelle), is a beautiful Christmas carol dating back to 17th century France. This arrangement for two violins and piano can be played simply as two repetitions of the melody (a lighter and easier version) or with the expanded fantasia-like development that greatly expands upon the original tune (slightly more advanced). It can also be performed in a number of ways; solo with piano, duo with piano, or unaccompanied violin duet. Included is the piano score and individual violin parts.
$2.25
Scarlatti-Son Tutta Duolo,for Violin and Piano
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Violin and Piano
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INTERMEDIATE
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Classical
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Alessandro Scarlatti
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MSM
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Scarlatti-Son Tutta Duolo,for
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Open Cloud
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.662891 Composed by Alessandro Scarlatti. Arranged by MSM. Classical,Romantic Period. 9 pages. Open Clou...
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Piano,Violin - Level 3 - Digital Download SKU: A0.662891 Composed by Alessandro Scarlatti. Arranged by MSM. Classical,Romantic Period. 9 pages. Open Cloud #4295975. Published by Open Cloud (A0.662891). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Scarlatti (Alessandro Scarlatti), 1660-1725, arrange by MSM Press, for Violin and Piano, published by More Sheet Music Press.
$3.99
Chopin - Waltz in E minor op. posth. arr. for Piano and Violin, B.56 KK IVa/15
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Frederic Chopin
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Nicole Elyse DiPaolo
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Chopin - Waltz in E minor op.
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.799603 Composed by Frederic Chopin. Arranged by Nicole Elyse DiPaolo. Romantic Period. 7 pages. Nicole ...
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Piano,Violin - Level 4 - Digital Download SKU: A0.799603 Composed by Frederic Chopin. Arranged by Nicole Elyse DiPaolo. Romantic Period. 7 pages. Nicole Elyse DiPaolo #3123257. Published by Nicole Elyse DiPaolo (A0.799603). This is my own arrangement of one of my favorite Chopin waltzes for the piano. As the Duo del Mare, violinist Amy Schlicher and I performed this arrangement aboard the ms Zaandam cruise liner, where it proved very popular. Because Amy and I did not have extra time or venues in which to rehearse, I intentionally made this arrangement very accessible (so that we could play it well without rehearsal or an intermediate-level duo could master it with some practice). This waltz would make a great encore or showpiece on your next program.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 and 2017 National Society of Arts and Letters Vocal Competitions (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$5.95
Violin Sonata No. 1 ('Circling')
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2 Violins (duet)
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ADVANCED
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Robert A
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Violin Sonata No. 1
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Robert A. Howard
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SheetMusicPlus
Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.1503126 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Contest,F...
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Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.1503126 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. 45 pages. Robert A. Howard #1078708. Published by Robert A. Howard (A0.1503126). This piece is an extended, three movement Violin Sonata for violin and piano. The work explores the subtitle concept of 'circling'. This is pursued through a wide variety of musical elements. These include: circling melodies, repetitive chains of (modulating) chord sequences, motoric cross-rhythms and syncopation, heterophonic canonic textures, and large-scale concentric structures. The fast, first movement is in a loose symmetrical sonata form in D (modal) minor. The resolute and scalic first subject, based on the opening core motif, is followed by a transition to a more lyrical and repetitive, cantabile second theme. The ensuing development section passes through various keys, with a new, modal third theme at its centre, featuring parallel motion, syncopation, and an ostinato in the accompaniment. The varied recapitulation presents the opening two themes in reverse order (thus giving overall structural symmetry to the movement). The heart of the work as a whole is the slow romanza-like second movement, centred on G. In ternary form, the outer sections present a highly memorable lyrical theme in a series of modulating and canonic textural variations. The contrasting middle section is much more unsettled in its three varied statements of a new theme accompanied by uncertain minor sevenths chords. The rondo-like finale in D is the most minimalist in style and rhythm. A circling, motivic and scalic main theme appears between highly contrasting episodes. The first of these is a folk-like rustic theme, while the second is a sentimental melody, played over an arpeggio and descending bass line accompaniment. Heard 3 times, in 3 different keys and registers, this idea leads to an recap of the main rondo theme, signalling the end of the work. Overall, the piece is genuinely melodic and is accessible to the listener. The work is suitable for performance by higher grade or professional violinists and pianists. Please note that the document provided is the full score only (also serves as the piano part), with reference audio.Duration: 22 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk.
$14.99
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duet)
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EASY
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Classical
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easte...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Rachmaninoff - Etude-Tableau in G minor op. 33 no. 7 arr. for Piano and Violin
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Violin and Piano
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ADVANCED
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Sergei Rachmaninoff
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Nicole Elyse DiPaolo
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Rachmaninoff - Etude-Tableau i
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.799602 Composed by Sergei Rachmaninoff. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period....
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Piano,Violin - Level 5 - Digital Download SKU: A0.799602 Composed by Sergei Rachmaninoff. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #3125333. Published by Nicole Elyse DiPaolo (A0.799602). This is my own arrangement of one of my favorite Rachmaninoff pieces, his Etude-Tableau in G minor from the op. 33 set (labeled no. 5 or no. 7 in the set, depending on whom you ask), written in 1911. Suitable for early advanced players, this arrangement is a great addition to your next recital program. The violin part contains numerous parallel sixths, making this a fruitful study in double-stopped 6ths for the high-school or college-age violinist. In addition, the piano accompaniment might also work well on the harp.Both the score and the violin part are included with your purchase. About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 and 2017 National Society of Arts and Letters Vocal Competitions (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$6.95
Turkish March by Beethoven for Violin and Viola
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Violin, Viola (duet)
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EASY
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Classical
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Classical
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.1189318 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Ope...
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Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.1189318 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 6 pages. Woods Only, Arrangements #788950. Published by Woods Only, Arrangements (A0.1189318). This arrangement adapted for violin and viola duet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$3.99
Turkish March by Beethoven for Violin and Cello
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Violin, Cello (duet)
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EASY
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Classical
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Classical
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1189323 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Ope...
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Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1189323 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 6 pages. Woods Only, Arrangements #788955. Published by Woods Only, Arrangements (A0.1189323). This arrangement adapted for violin and violoncello duet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$3.99
Quando, Quando, Quando (tell Me When)
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Piano, Guitar (duet)
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INTERMEDIATE/ADVANCED
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Contemporary
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Tony Renis
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Fishel Pustilnik
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Pop Piano Paradise
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Quando, Quando, Quando
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F & N Enterprise
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SheetMusicPlus
Guitar,Piano - Level 4 - Digital Download SKU: A0.636129 Composed by Tony Renis. Arranged by Fishel Pustilnik. Contemporary. Score and part. 11 pages. F ...
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Guitar,Piano - Level 4 - Digital Download SKU: A0.636129 Composed by Tony Renis. Arranged by Fishel Pustilnik. Contemporary. Score and part. 11 pages. F & N Enterprise #6248593. Published by F & N Enterprise (A0.636129). An excellent arrangement of the famous Song Quando, Quando, Quando for Guitar and Piano-Jazz/Pop Version (with Improvisation). The video for Violin and Piano: https://youtu.be/Yjs-Y-y6DqwThe composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Bohemian Folk Song, for three violins and piano
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Violin and Piano
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BEGINNER
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Christopher A
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Bohemian Folk Song, for three
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Christopher A. Sforza
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU: A0.909588 Arranged by Christopher A. Sforza. Contemporary,Folk,S...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU: A0.909588 Arranged by Christopher A. Sforza. Contemporary,Folk,Standards. Score and parts. 4 pages. Christopher A. Sforza #4894489. Published by Christopher A. Sforza (A0.909588). Dobrú noc, má milá known by many simply as Bohemian Folk Song is a hauntingly beautiful lullaby which translates to Goodnight my Dear. This arrangement for three violins is perfect to teach and reinforce low second fingers and can be performed in a multitude of ways; solo with piano, duo with piano, trio with piano, unaccompanied duet, and unaccompanied trio. Included is the piano and violin scores.
$2.25
Theme from Slavonic March, for two violins and piano
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Violin and Piano
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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Christopher A
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Theme from Slavonic March, for
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Christopher A. Sforza
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.909598 Composed by Peter Ilyich Tchaikovsky. Arranged by Chri...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.909598 Composed by Peter Ilyich Tchaikovsky. Arranged by Christopher A. Sforza. Folk,Romantic Period,Standards. Score and parts. 4 pages. Christopher A. Sforza #4898137. Published by Christopher A. Sforza (A0.909598). The Slavonic March, Op. 31 or Marche slave is an orchestral tone poem poem by Pyotr Ilyich Tchaikovsky. The famous somber melody from the work is based a Serbian folk song. This arrangement for two violins and piano is a great piece to reinforce augmented-second finger patterns. The arrangement can be performed in a number of ways; solo with piano, duo with piano, or unaccompanied duet. Included is both the piano and violin duet scores.
$2.25
Oh Chanukah, for two violins and piano
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2 Violins, Piano
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INTERMEDIATE
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Klezmer
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Christopher A
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Oh Chanukah, for two violins a
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Christopher A. Sforza
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SheetMusicPlus
Piano Accompaniment, Violin, String Duet - Intermediate - Digital Download Arranged by Christopher A. Sforza. Jewish, Repertoire, Folk, Klezmer, Hanukk...
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Piano Accompaniment, Violin, String Duet - Intermediate - Digital Download Arranged by Christopher A. Sforza. Jewish, Repertoire, Folk, Klezmer, Hanukkah. Score, Solo Part. 7 pages. Published by Christopher A. Sforza
Oh Chanukah, or Oy Chanukah is a classic Hanukkah song of Yiddish origins. This arrangement includes versions in both g and e minor. The first includes fingerings for shifting from 1st through 3rd position. The second utilizes low and high second fingers in first position. The arrangement can be performed in a number of ways; solo with piano, duo with piano, or unaccompanied duet. Included are the piano and violin duet scores.
$2.25
Ach! du lieber Augustin, for two violins and piano
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Violin and Piano
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EASY
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Christopher A
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Ach! du lieber Augustin, for t
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Christopher A. Sforza
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.909600 Arranged by Christopher A. Sforza. Contemporary,Folk,S...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.909600 Arranged by Christopher A. Sforza. Contemporary,Folk,Standards. Score and parts. 6 pages. Christopher A. Sforza #4898465. Published by Christopher A. Sforza (A0.909600). A popular children's song also known in a variant form as Did You Ever See a Lassie? This arrangement for two violins and piano can be preformed in a number of ways; solo with piano, duo with piano, or unaccompanied duet. Included is both the piano and violin duet scores.
$2.25
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
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Oboe, Piano (duet)
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ADVANCED
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Robert Schumann
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Zellev
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3 Romances, Op. 94 for Oboe an
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Zellev Music
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SheetMusicPlus
Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period...
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Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$20.00
Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
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Oboe, Piano (duet)
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516553. Published by jmsgu3 (A0.549637). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation, or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto, and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge), and the final five sonatas for piano. Â
$24.95
The Swan, (Le Cygne), by Saint-Saens, Duet for Violin and Clarinet
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Clarinet, Violin (duet)
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INTERMEDIATE/ADVANCED
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Classical
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Camille Saint-Saens
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David McKeown
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The Swan,
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.587379 Composed by Camille Saint-Saens. Arranged by David McKeow...
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Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.587379 Composed by Camille Saint-Saens. Arranged by David McKeown. Instructional,Romantic Period,Standards. Score and parts. 4 pages. David McKeown #3222147. Published by David McKeown (A0.587379). Le Cygne, or The Swan, is the penultimate movement of Camille Saint-Saens’ 1886 suite, Carnival of the Animals. Most often played as a solo piece for cello with piano, the original version was scored for solo instrument and two pianos. It was the only movement for the Carnival that the composer allowed to be heard in public during his lifetime. This version is arranged as a duet for one Violin and one Clarinet. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in its constant semiquaver arpeggios. The overall performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to help with expressive playing. The legato in both parts demand precise fingers. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Tu del ciel ministro eletto, Aria by G F Handel, for Two Violins and Piano
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2 Violins (duet)
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INTERMEDIATE
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G F Handel
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David McKeown
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Tu del ciel ministro eletto, A
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David McKeown
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SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.587993 Composed by G F Handel. Arranged by David McKeown. Baroque,Opera,Sacred,Standards. 8 pages...
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.587993 Composed by G F Handel. Arranged by David McKeown. Baroque,Opera,Sacred,Standards. 8 pages. David McKeown #5205741. Published by David McKeown (A0.587993). Tu del ciel ministro eletto is a beautiful and serene aria from Handel’s Oratorio Il trionfo del Tempo. The oratorio premiered in Rome in 1707, but Handel twice revised it later in his career. In this aria Beauty turns her back on pleasure and dedicates her heart to the Elected Minister of Heaven. The soprano voice and solo violin are in constant dialogue throughout.This version of Tu del ciel ministro eletto is arranged as a Duet for two Violins and Piano. The piano part is straightforward, but the violin parts will set challenges for control and tuning. Performance time is around five minutes. The pdf file contains both the piano score and both instrumental parts. You can listen to a full-length performance of the Clarinet version of Tu del ciel minstrel eletto via the YouTube link above. Musicians at an intermediate level and above will find Tu del ciel ministro eletto ideal for formal and informal performances.Teachers will enjoy using this arrangement to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Bass and Piano String Sampler
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Double bass, Piano (duet)
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EASY
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Contemporary
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Robin Kay Deverich
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Bass and Piano String Sampler
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Global Music School String Publications
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.902215 Arranged by Robin Kay Deverich. Contemporary. Score and part. 255 pages. Global...
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Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.902215 Arranged by Robin Kay Deverich. Contemporary. Score and part. 255 pages. Global Music School String Publications #5355089. Published by Global Music School String Publications (A0.902215). This combined version of the of the Piano Accompaniment and String Bass Online String Sampler Bass Sheet Music is a fun and easy way to actively learn, study and play beautiful bass music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available online on StringBassOnline* as a self-guided class specifically designed to accompany this music: https://www.stringbassonline.com The study guide explains the history and musical form of the selected pieces, and includes bass technique tips for each piece of music. Let the music begin! *No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄgarÄja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$5.99
Red Wing, for two violins and piano
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Violin and Piano
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BEGINNER
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Kerry Mills
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Christopher A
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Red Wing, for two violins and
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Christopher A. Sforza
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU: A0.909605 Composed by Kerry Mills. Arranged by Christopher A. Sf...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU: A0.909605 Composed by Kerry Mills. Arranged by Christopher A. Sforza. 20th Century,Country,Folk,Standards,Traditional. Score and parts. 4 pages. Christopher A. Sforza #5299497. Published by Christopher A. Sforza (A0.909605). Red Wing is a 1907 song composed by Kerry Mills. Mills based part of the melody on Robert Schumann's Happy Farmer. Today it is popular with string bands, folk musicians, and bluegrass jams. This simple arrangement is for two violins and piano and can be performed in a number of ways; solo with piano, duo with piano, or unaccompanied violin duet.
$2.25
Minuet Collection, for two violins and piano
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Violin and Piano
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EASY
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Anna Bon, Elisabeth-Claude Jac
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Christopher A
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Minuet Collection, for two vio
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Christopher A. Sforza
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.909639 Composed by Anna Bon, Elisabeth-Claude Jacquet de La G...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.909639 Composed by Anna Bon, Elisabeth-Claude Jacquet de La Guerre, Elisabetta de Gambarini, Jane Savage, and Maddalena Laura Sirmen. Arranged by Christopher A. Sforza. Baroque,Classical,Standards. Score and parts. 32 pages. Christopher A. Sforza #6642757. Published by Christopher A. Sforza (A0.909639). This arrangement of music for two violins and piano consists of 12 minuets written by 5 different women composers of the 17th and 18th Centuries. Progressively ordered, these lovely minuets are a welcome addition to the young through mature violinist's repertoire. This collection features the music of Elisabeth Jacquet de La Guerre, Elisabetta de Gambarini, Anna Bon di Venezia, Maddalena Laura Sirmen, and Jane Savage. Each minuet can be played in a number of ways: solo (violin I) with piano, duo (violin I and II) with piano, or unaccompanied violin duet. Included are the piano and duet scores.
$5.95
A fondo [violin + piano]
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Violin and Piano
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ADVANCED
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Juan MarÃa Solare
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A fondo [violin + piano]
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Juan Maria Solare
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SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.596513 Composed by Juan MarÃa Solare. 20th Century,Contemporary,World. 11 pages. Juan Maria Solare #...
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Piano,Violin - Level 5 - Digital Download SKU: A0.596513 Composed by Juan MarÃa Solare. 20th Century,Contemporary,World. 11 pages. Juan Maria Solare #3381199. Published by Juan Maria Solare (A0.596513). A fondo is a milonga for violin and piano. It was composed in Lilienthal, Köln and in trains between Köln and Bremen, from 17th to 25th August 2002. Its duration is 4'30 and is dedicated to Fredo Burmester. The piece was premiered by Florian Wilscher (violin) and Gustavo Balanesco (piano) in Vienna (local Porgy&Bess) on 24th & 25th October 2003, in the frame of the show Beyond Piazzolla: los ojos de la noche. The first concert was recorded by the Austrian Broadcasting Service (O.R.F.)https://www.youtube.com/watch?v=q4e3Al-0CSsA fondo, performed on 17th December 2014 by the Duo Tangente: Gert Gondosch (violin) and Juan MarÃa Solare (piano), at the Glocke (Bremen). http://www.juanmariasolare.com/Duo_Tangente.html
$3.00
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