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You've selected:
Echo
Sheetmusic to print
3,338 sheet music found
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3326
Echoes in the Myst ( Misty Highland Shores )
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Eve Mctelenn
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Eve McTelenn
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Echoes in the Myst
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Eve Rodolfi-McTelenn
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SheetMusicPlus
Acoustic Guitar,Flute,Violin - Level 4 - Digital Download SKU: A0.1487247 By Eve Mctelenn ( Ai Studio). By Eve McTelenn. Arranged by Eve McTelenn. Celtic...
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Acoustic Guitar,Flute,Violin - Level 4 - Digital Download SKU: A0.1487247 By Eve Mctelenn ( Ai Studio). By Eve McTelenn. Arranged by Eve McTelenn. Celtic,Folk,Irish,Medieval. Full Performance. Duration 156. Eve Rodolfi-McTelenn #1064221. Published by Eve Rodolfi-McTelenn (A0.1487247). Echoes in the Myst[Verse]She roams the wild cliffsWith tones ancient and swift[Chorus]Echoes in the mist, ohThey echo in the mist, oh[Verse 2]Her silhouette by moonlightWith dreams of endless twilight[Chorus]Echoes in the mist, ohThey echo in the mist, oh.
$1.99
Echoes - A4
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Trumpet
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ADVANCED
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Contemporary
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David Woodcock
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Echoes - A4
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David Woodcock
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SheetMusicPlus
Trumpet Solo - Level 5 - Digital Download SKU: A0.1017109 Composed by David Woodcock. Contemporary. Individual part. 7 pages. David Woodcock #6039239. Pu...
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1017109 Composed by David Woodcock. Contemporary. Individual part. 7 pages. David Woodcock #6039239. Published by David Woodcock (A0.1017109). The title 'Echoes' can mean several things in this piece: it could refer to the musical ideas themselves, which often echo themselves; it could also mean the interaction between cornet and piano, which is often canonic; the music also evokes past eras, echoes of the past, with references to plainsong, 20th Century American music, and impressionism. At the end, the main musical idea dies away as in an echo.This work was a finalist for the 2018 SOUNZ Brass Composition Prize.This version is formatted for A4 paper size - see alternative title for a version for Letter paper size.The recording features Mason Elliot, Cornet, and the composer accompanying.
$8.99
Echoes - US Letter
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Trumpet
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Contemporary
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David Woodcock
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Echoes - US Letter
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David Woodcock
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SheetMusicPlus
Trumpet Solo - Digital Download SKU: A0.1017111 Composed by David Woodcock. Contemporary. Individual part. 8 pages. David Woodcock #6054121. Published by...
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Trumpet Solo - Digital Download SKU: A0.1017111 Composed by David Woodcock. Contemporary. Individual part. 8 pages. David Woodcock #6054121. Published by David Woodcock (A0.1017111). The title 'Echoes' can mean several things in this piece: it could refer to the musical ideas themselves, which often echo themselves; it could also mean the interaction between cornet and piano, which is often canonic; the music also evokes past eras, echoes of the past, with references to plainsong, 20th Century American music, and impressionism. At the end, the main musical idea dies away as in an echo.This work was a finalist for the 2018 SOUNZ Brass Composition Prize.This version is formatted for Letter paper size - see alternative title for a version for A4 paper size.The recording features Mason Elliot, Cornet, and the composer accompanying.
$8.99
Echos of the Hallelujah Chorus in the style of di Lasso's "Echo Song"
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G
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James K
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Echos of the Hallelujah Chorus
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James K. Taylor
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SheetMusicPlus
Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.872483 Composed by G. F. Handel. Arranged by James K. Taylor. Baroque,Christian,Christmas,Sacred...
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Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.872483 Composed by G. F. Handel. Arranged by James K. Taylor. Baroque,Christian,Christmas,Sacred,Standards. Score and parts. 17 pages. James K. Taylor #3407395. Published by James K. Taylor (A0.872483). I found that the Handel's Hallelujah Chorus made for an excellent echo song. I've never heard this and it is hard to imagine that it has never been performed in this manner. I have arranged it for horn quartet, although, two groups could paly it with one quartet playing all dynamics from mf through fff, and the other group (maybe off stage) playing everything from mp down to ppp/ At least give it a listen for a whole new way to perform the great composition.
$20.00
Echo from Bells and Grass
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Juliana Hall
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Echo from Bells and Grass
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and oboe - Medium - Digital Download SKU: MQ.8584-1E Composed by Juliana Hall. Secular, 21st century. 3 pages. E. C. Schirmer Music Company...
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Soprano voice and oboe - Medium - Digital Download SKU: MQ.8584-1E Composed by Juliana Hall. Secular, 21st century. 3 pages. E. C. Schirmer Music Company - Digital #8584-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8584-1E). English.Bells and Grass portrays five intimate scenes, in which small things come into focus and the world recedes: a nightingale’s song echoing from a nearby wall, the bright sun and the waves of the ocean, the moon lighting up a stream with its silvery halo, the flames burning over coals in a fireplace as twilight descends, and the varied and musical sounds of rainfall. The pairing of voice with oboe provides this little cycle with a uniquely colorful charm and immediacy. Duration: 11:00Includes an additional copy for Oboe player.Contents:Echo Gone Why? Coals Rain.
$1.99
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon in Echo a 12
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jmsgu3
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Cha...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
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Giovanni Gabrieli
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James M
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Gabrieli: Canzona in Echo Ch.
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jmsgu3
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Cha...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
"Echoes" for alto flute and vibraphone
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Panagiotis Theodossiou
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"Echoes" for alto flute and vi
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Panagiotis Theodossiou
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SheetMusicPlus
Instrumental Duet Alto Flute,Instrumental Duet,Vibraphone - Level 5 - Digital Download SKU: A0.886687 Composed by Panagiotis Theodossiou. Concert,Contemp...
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Instrumental Duet Alto Flute,Instrumental Duet,Vibraphone - Level 5 - Digital Download SKU: A0.886687 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 27 pages. Panagiotis Theodossiou #3419139. Published by Panagiotis Theodossiou (A0.886687). Echoes for alto flute and vibraphone (2018) op.74.Work specially written iwona Glinka και Leszek Lorent to both whom is dedicated.Τα μÎÏη:I. ...from inner self (Misterioso)II. ...from a dialogue (Giocoso)III. ...from beyond (Quiet)IV. ...from an illusion (Dancing)V. ...from herself (Tempo di Waltz) to MyrtoThe mysterious echo of inner self after a dialogue stimulation with another person. The intervention of the divine. A moment illusion. The unveiling of the other's soul echo. Dance.The last part is dedicated to composer's wife, Myrto Lazaridou - Theodossiou.
$10.00
Song of the Echo
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Piano solo
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BEGINNER
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Elizabeth W
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Song of the Echo
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The FJH Music Company - Digital
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SheetMusicPlus
Piano - Elementary - Digital Download SKU: F0.W9231 Composed by Elizabeth W. Greenleaf. Sheet Music. Written For You. Solo Sheet. 3 pages. The FJH Music ...
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Piano - Elementary - Digital Download SKU: F0.W9231 Composed by Elizabeth W. Greenleaf. Sheet Music. Written For You. Solo Sheet. 3 pages. The FJH Music Company - Digital #W9231. Published by The FJH Music Company - Digital (F0.W9231). UPC: 674398216628.Teach your students damper pedal technique without them even knowing. Song of the Echo rings with a melody that echoes (literally!) through rising octaves. Lyrics reflect the echo's motion and the sound as it fills the room. As instructive as it is fun. About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$2.50
Echoes for Double Euphonium Choir
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Contemporary
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Sy Brandon
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Echoes for Double Euphonium Ch
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Sy Brandon
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SheetMusicPlus
Euphonium - Level 4 - Digital Download SKU: A0.755057 Composed by Sy Brandon. 20th Century,Contemporary. 46 pages. Sy Brandon #3358673. Published by Sy B...
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Euphonium - Level 4 - Digital Download SKU: A0.755057 Composed by Sy Brandon. 20th Century,Contemporary. 46 pages. Sy Brandon #3358673. Published by Sy Brandon (A0.755057). (8 part Double Euphonium Choir) - This work was composed for and premiered at the 2005 International Euphonium Institute. The work is in one movement with four sections. The first and last sections are Allegro and explore antiphonal choir echoes and pyramids. The second section is Adagio and continues the antiphonal echoes between choirs and adds a fading echo in several measures. The third section explores echoes in a scherzo style.
$14.99
Echoes for Double Trombone Choir
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Trombone ensemble
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ADVANCED
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Sy Brandon
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Echoes for Double Trombone Cho
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Sy Brandon
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SheetMusicPlus
Trombone Ensemble - Level 5 - Digital Download SKU: A0.1314986 Composed by Sy Brandon. 20th Century,21st Century,Chamber,Contemporary. 61 pages. Sy Brand...
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Trombone Ensemble - Level 5 - Digital Download SKU: A0.1314986 Composed by Sy Brandon. 20th Century,21st Century,Chamber,Contemporary. 61 pages. Sy Brandon #903737. Published by Sy Brandon (A0.1314986). (8 part Double Trombone Choir) - This work was composed for and premiered at the 2005 International Euphonium Institute and adapted for trombones in 2023. The work is in one movement with four sections. The first and last sections are Allegro and explore antiphonal choir echoes and pyramids. The second section is Adagio and continues the antiphonal echoes between choirs and adds a fading echo in several measures. The third section explores echoes in a scherzo style.
$15.00
Echoserenade for Trombone Trio
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3 Trombones (trio)
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ADVANCED
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Classical
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August Kuhnel
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Jorg Richter
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Echoserenade for Trombone Trio
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Gordon Cherry
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SheetMusicPlus
Bass Trombone - Level 5 - Digital Download SKU: A0.1414571 Composed by August Kuhnel. Arranged by Jorg Richter. Baroque,Renaissance. 17 pages. Gordon Che...
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Bass Trombone - Level 5 - Digital Download SKU: A0.1414571 Composed by August Kuhnel. Arranged by Jorg Richter. Baroque,Renaissance. 17 pages. Gordon Cherry #996350. Published by Gordon Cherry (A0.1414571). Echoserenade by August Kühnel is a 6-movement suite arranged by Jörg Richter for Trombone Trio. The movements of this lovely Renaissance work are titled: Intrata, Aria, Praludium, Echo, Sarabande and Giga.The ten minute work (with repeats) is appropriate for advanced performers and includes an optional part in alto clef for the first part.
$22.50
Hallo! Welch schönes Echo!
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Choral SATB
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EASY
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Orlande De Lassus
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Hallo! Welch schönes Echo!
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB/SATB) - easy - Digital Download SKU: S9.Q1028 Echochor. Composed by Orlande De Lassus. This edition: choral score. Schott Choral...
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Mixed choir (SATB/SATB) - easy - Digital Download SKU: S9.Q1028 Echochor. Composed by Orlande De Lassus. This edition: choral score. Schott Choral Leaflets. Downloadable, Choral score. Schott Music - Digital #Q1028. Published by Schott Music - Digital (S9.Q1028). Italian • German.
$2.99
Flute and clarinet echo
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Flute, Clarinet (duet)
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INTERMEDIATE
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N/A
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N/A
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Flute and clarinet echo
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Allan Leslie McDougall
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SheetMusicPlus
B-Flat Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1397326 By N/A. By Allan Leslie McDougall. Arranged by N/A. 19th Century,Cha...
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B-Flat Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1397326 By N/A. By Allan Leslie McDougall. Arranged by N/A. 19th Century,Chamber,Classical,Contest,Festival. 3 pages. Allan Leslie McDougall #980643. Published by Allan Leslie McDougall (A0.1397326). A tuneful flute and clarinet duet in which the clarinet echoes the flute.
$3.00
Echoes II
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Choral SATB
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INTERMEDIATE
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Contemporary
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Juan Carlos Guerra González
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Echoes II
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.933341 Composed by Juan Carlos Guerra González. 20th Century,Concert,Contemporary. Octavo. 8 ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.933341 Composed by Juan Carlos Guerra González. 20th Century,Concert,Contemporary. Octavo. 8 pages. Juan Carlos Guerra Gonzalez #6612559. Published by Juan Carlos Guerra Gonzalez (A0.933341). Echoes II is a part of a set of five choral pieces I wrote in 2002 as part of my composition training with Dr. Joseph Karl Doetsch. The central idea of the piece was to use effects mainly used in audio production settings to be represented with vocal music. As you might find in the score, the work has no text, this is because I wrote it to be centered in the sound. Conductor might choose a vowel of preference to perform each section. The idea of the echo effect is created by repeating the note using different dynamics. The melody will be presented throughout the piece moving into different voices. You will notice sections in which the effect is toggled between on and off. Just like a real audio production machine.Unfortunately, the other 4 parts of the series were lost and this is the only one I found.
$1.99
La ciudad de los ecos / The city of echoes
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Guitar
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INTERMEDIATE
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Gustavo Porras
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La ciudad de los ecos / The ci
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Gustavo Porras Chinchilla
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.985190 Composed by Gustavo Porras. 20th Century,Contemporary,New Age,Standards. Individual part. 6 pages...
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Solo Guitar - Level 3 - Digital Download SKU: A0.985190 Composed by Gustavo Porras. 20th Century,Contemporary,New Age,Standards. Individual part. 6 pages. Gustavo Porras Chinchilla #5041995. Published by Gustavo Porras Chinchilla (A0.985190). A deep song that recreates the effects of echo sound anywhere.Youtube Channel: Gustavo Porras GuitarristaFacebook: Gustavo Porras guitarrista y compositorInstagram: gustavoporrasguitar
$9.99
Sweelinck: Echo Fantasia No. 3 for String Orchestra - Score Only
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String Orchestra
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INTERMEDIATE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 3
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1297060 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Fe...
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String Orchestra - Level 3 - Digital Download SKU: A0.1297060 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 10 pages. Jmsgu3 #887184. Published by jmsgu3 (A0.1297060). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
Sweelinck: Echo Fantasia No. 2 for String Orchesrta - Score Only
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String Orchestra
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INTERMEDIATE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 2
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1296238 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Fe...
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String Orchestra - Level 3 - Digital Download SKU: A0.1296238 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 11 pages. Jmsgu3 #886483. Published by jmsgu3 (A0.1296238). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
Sweelinck: Echo Fantasia No. 1 for String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 1
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1295730 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Fe...
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String Orchestra - Level 4 - Digital Download SKU: A0.1295730 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 38 pages. Jmsgu3 #886030. Published by jmsgu3 (A0.1295730). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Echo Fantasia No. 2 for String Orchestra
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String Orchestra
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INTERMEDIATE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 2
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1296514 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Fe...
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String Orchestra - Level 3 - Digital Download SKU: A0.1296514 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 21 pages. Jmsgu3 #886692. Published by jmsgu3 (A0.1296514). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Echo Fantasia No. 3 for String Orchestra
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String Orchestra
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INTERMEDIATE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 3
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1297089 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Fe...
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String Orchestra - Level 3 - Digital Download SKU: A0.1297089 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 20 pages. Jmsgu3 #887186. Published by jmsgu3 (A0.1297089). Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Six Echo Fantasias Complete for String Orchestra - Score Only
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String Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Jan Pieterszoon Sweelinck
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James M
#
Sweelinck: Six Echo Fantasias
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1298022 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Fe...
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String Orchestra - Level 4 - Digital Download SKU: A0.1298022 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Instructional,Renaissance. 88 pages. Jmsgu3 #887923. Published by jmsgu3 (A0.1298022). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$98.85
Sweelinck: Echo Fantasia No. 2 for String Quartet - Score Only
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Jan Pieterszoon Sweelinck was
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James M
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Sweelinck: Echo Fantasia No. 2
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jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1296215 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamb...
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1296215 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #886460. Published by jmsgu3 (A0.1296215). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 1 for String Quartet - Score Only
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 1
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jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1295687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,C...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1295687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 14 pages. Jmsgu3 #885985. Published by jmsgu3 (A0.1295687). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Jan Pieterszoon Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's.
$24.95
Sweelinck: Echo Fantasia No. 6 for String Quartet - Score Only
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 6
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jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1297751 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,C...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1297751 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 8 pages. Jmsgu3 #887726. Published by jmsgu3 (A0.1297751). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
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