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You've selected:
Ernest Wright
Sheetmusic to print
5 sheet music found
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If You Will Only Let God Guide You (If Thou but Suffer God to Guide Thee)
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1250191 By Ernest Wri…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1250191 By Ernest Wright. By Words: Georg Neumark, tr. Catherine Winkworth / Music: Georg Neumark. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #844525. Published by Leatherman Music Services (A0.1250191). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
2.71 €
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Piano, Vocal and Guitar
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Ernest Wright
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some were not
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If You Will Only Let God Guide You
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Leatherman Music Services
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SheetMusicPlus
I Had Some Help
Guitar - Digital Download SKU: A0.1464121 By Post Malone Feat. Morgan Wallen. By As…
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Guitar - Digital Download SKU: A0.1464121 By Post Malone Feat. Morgan Wallen. By Ashley Glenn Gorley, Austin Richard Post, Chandler Walters, Ernest Smith, Jonathan Hoskins, Louis Bell, Morgan Wallen, and Ryan Vojtesak. Arranged by Bronson Ferdinand Wright. 21st Century,Country,Instructional,Pop,Rock. Chords/Lyrics. 2 pages. Bronson Ferdinand #1042837. Published by Bronson Ferdinand (A0.1464121). Guitar chords and lyrics of the Post Malone country song.
$3.99
3.62 €
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Post Malone Feat
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I Had Some Help
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Bronson Ferdinand
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SheetMusicPlus
Choros No 1
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download…
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.513367 Composed by Heitor Villa Lobos. Arranged by Renato Esteves. Classical,Latin,Multicultural,World. Score and parts. 29 pages. Renato Esteves #124134. Published by Renato Esteves (A0.513367). Villa-Lobos composed Chôros No. 1 in Rio de Janeiro in 1920, originally publishing it under the title Chôro tÃpico, then Chôro tÃpico brasileiro. The title is taken from an improvisational genre of Brazilian instrumental popular music that originated in Rio de Janeiro in the nineteenth century. The Portuguese word choro (pronounced [ˈʃoɾu]), means cry or lament, though most music of this type is far from being sorrowful. Four years after composing this work, at the time of his first visit to Paris, he decided to make it part of an extended cycle of works collectively titled Chôros, which eventually included fourteen numbered compositions, plus an Introduction aux chôros (Introdução aos chôros): Ouverture, for guitar and orchestra, designed to be played before a complete performance of the cycle, and Chôros bis, a two-movement duo for violin and cello, considered as a sort of encore piece. A Quintet (em forma de chôros), for five woodwind instruments (1928) is sometimes considered as related. In the context of the larger cycle, Chôros No. 1 is like the essence, the embryo, the psychological model that will be developed technically in the conception of all the Chôros.[1] The score of Chôros No. 1 is dedicated to Ernesto Nazareth, and a recording of it made by the composer lasts just under four minutes. Unlike the successor works, there is no attempt here to synthesize different aspects of Brazilian music into a stylistic montage. Instead, it employs the patterns, figurations, and simple structure characteristic of the improvised music of such celebrated chorões of the late-nineteenth and early twentieth centuries as Zequinha de Abreu, Quincas Laranjeiras [pt], Chiquinha Gonzaga, and Catulo da Paixão Cearense [pt].[2] This simplicity and the beauty of its composition have made it a favourite with professional guitarists.[3] Footnotes Villa-Lobos 1972, p. 210. Wright, Simon. 1992. Villa-Lobos. Oxford Studies of Composers. Oxford and New York: Oxford University Press. ISBN 0-19-315476-5 (cloth); ISBN 0-19-315475-7 (pbk). p. 62. Appleby, David. 2002. Heitor Villa-Lobos: A Life (1887–1959). Lanham, MD: Scarecrow Press. ISBN 978-0-8108-4149-9. p. 80. https://en.wikipedia.org/wiki/Ch%C3%B4ros_No._1.
$20.00
18.13 €
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Heitor Villa Lobos
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ISBN 0-19-315475-7 (pbk)
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Choros No 1
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Renato Esteves
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SheetMusicPlus
Choros No 1
Violin
Violin Solo - Level 5 - Digital Download SKU: A0.798120 Composed by Heitor Villa Lo…
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Violin Solo - Level 5 - Digital Download SKU: A0.798120 Composed by Heitor Villa Lobos. Arranged by Inacio Saldanha. Contemporary. 3 pages. Inacio Saldanha #6318935. Published by Inacio Saldanha (A0.798120). Villa-Lobos composed Chôros No. 1 in Rio de Janeiro in 1920, originally publishing it under the title Chôro tÃpico, then Chôro tÃpico brasileiro. The title is taken from an improvisational genre of Brazilian instrumental popular music that originated in Rio de Janeiro in the nineteenth century. The Portuguese word choro, means cry or lament, though most music of this type is far from being sorrowful. Four years after composing this work, at the time of his first visit to Paris, he decided to make it part of an extended cycle of works collectively titled Chôros, which eventually included fourteen numbered compositions, plus an Introduction aux chôros (Introdução aos chôros): Ouverture, for guitar and orchestra, designed to be played before a complete performance of the cycle, and Chôros bis, a two-movement duo for violin and cello, considered as a sort of encore piece. A Quintet (em forma de chôros), for five woodwind instruments (1928) is sometimes considered as related.In the context of the larger cycle, Chôros No. 1 is like the essence, the embryo, the psychological model that will be developed technically in the conception of all the Chôros (Villa-Lobos 1972, 210).The score of Chôros No. 1 is dedicated to Ernesto Nazareth, and a recording of it made by the composer lasts just under four minutes. Unlike the successor works, there is no attempt here to synthesize different aspects of Brazilian music into a stylistic montage. Instead, it employs the patterns, figurations, and simple structure characteristic of the improvised music of such celebrated chorões of the late-nineteenth and early twentieth centuries as Zequinha de Abreu, Quincas Laranjeiras [pt], Chiquinha Gonzaga, and Catulo da Paixão Cearense [pt] (Wright 1992, 62) This simplicity and the beauty of its composition have made it a favourite with professional guitarists (Appleby 2002, 80).Originally for Guitar, adapted for Solo Violin by Inacio Saldanha. Key of E minor. Advanced.
$7.99
7.24 €
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Violin
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Heitor Villa Lobos
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Choros No 1
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Inacio Saldanha
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SheetMusicPlus
SOUVENIR DE PORTO RICO (Marche des Gibaros, Op. 31) - for Piano Solo
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Louis Moreau Gott…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Louis Moreau Gottschalk (1829-1869). Arranged by Flavio Regis Cunha. Romantic Period, Ragtime, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Souvenir de Porto Rico, Op. 31, is a musical composition for piano by American composer Louis Moreau Gottschalk written from 1857 during a tour in Puerto Rico. Dedicated to the Dutch piano virtuoso and salon music composer Ernest Henry Lubeck, and published in Mainz circa 1860 with the subtitle of Marche des Gibaros, it is based on the Christmas folk song 'Si me dan pasteles, denmelos calientes', performed by local peasants known as Jíbaros.<br> <br> The piece makes use of Latin-American and Afro-American melodies and rhythms almost fifty years before early ragtime and jazz would popularize its use.Souvenir de Porto Rico was written in the last trimester of 1857, when of Gottschalk's stay at the sugar plantation of English-born Mr. Cornelius Cartwright, in Plazuela. At the time, Gottschalk was on vacation with singer Adelina Patti and her father. He would decide not to leave Puerto Rico, but instead remain there for weeks. During this period he composed a number of additional pieces after the local musical styles.Gottschalk would say about the setting where he composed the piece: "[I was] perched upon the edge of a crater, [and] my cabin overlooked the whole country. Every evening I moved my piano out upon the terrace, and played for myself alone, everything that the scene opened up before me inspired. It was there that I composed 'Marche des Gibaros.'.
$4.99
4.52 €
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Piano solo
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Louis Moreau Gottschalk
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SOUVENIR DE PORTO RICO
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Flavio Regis Cunha
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SheetMusicPlus
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