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Every Victory
SheetMusicPlus
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44 sheet music found
<
1
26
Every Victory
#
Bass guitar
#
Contemporary
#
The Belonging Co
#
Daniel Roberts
#
Every Victory
#
Daniel P Roberts
#
SheetMusicPlus
Bass Guitar - Digital Download SKU: A0.942006 By The Belonging Co (Feat. Danny Gokey). By Andrew Holt, Ben Cantelon, Danny Gokey, Joshua Silverberg, Kari...
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Bass Guitar - Digital Download SKU: A0.942006 By The Belonging Co (Feat. Danny Gokey). By Andrew Holt, Ben Cantelon, Danny Gokey, Joshua Silverberg, Kari Jobe, and Mitch Wong. Arranged by Daniel Roberts. Contemporary. Score. 5 pages. Daniel P Roberts #6888539. Published by Daniel P Roberts (A0.942006). LYRICS We will lift our eyes We won’t fear the fight There is one who’s stronger Hard pressed on each side We will not lose sight Of the one who’s greater One name, one name holds every victory One voice that silences the enemy One king who reigns for all eternity Jesus, Jesus On the battlefield Your power is revealed Giants fall defeated We are taking ground Walls are falling down In the mighty Name of Jesus Every victory is Yours Every victory is Yours You rose, You reign Death is buried in the grave Hell could not defy your name You rose, You reign Oh, the battle is the Lord’s Oh, the victory is Yours.
$4.99
Lead Us On To Victory, sacred music for SATB choir
#
Choral SATB
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
Kevin G
#
Lead Us On To Victory, sacred
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Kevin G. Pace
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1368263 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worsh...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1368263 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 10 pages. Kevin G. Pace #952593. Published by Kevin G. Pace (A0.1368263). A bold, striking choral composition with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:1. Through a troubled world we wander,Faced with sin on every side,But the banner which we followGives us courage to abide.We will honor our ExemplarAnd the path that He has shown,Never heeding any evil way.Thus may we be called His own.2. With our hands we'll help our neighbors.With our hearts we'll show His love.With our voices testifyingTruth revealed from up above.Thus our ranks will swell with soldiersAs we add more to our rolls.Armed with faith and love and sacrifice,We battle to win all souls.CHORUSFor the Lord, He is our Captain.We will e'er His servants be.He will lead us ever unto God,Lead on to victory.3. When at last the war is over,When the race has run its course,May we then return in honorTo the One who is our source.As we kneel before our CaptainTo be judged of all our deeds,He will honor all who served Him well,For all who are true He pleads.CHORUS.
$1.99
Eagles' Victory Song
#
Trumpet, Piano
#
BEGINNER
#
Dirk Quinn Band
#
Marcony Carvalho
#
Eagles' Victory Song
#
Zedas Couve
#
SheetMusicPlus
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1182594 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carval...
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1182594 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,Classical,March. Score and part. 2 pages. Zedas Couve #782339. Published by Zedas Couve (A0.1182594). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
Eagles' Victory Song
#
Clarinet and Piano
#
BEGINNER
#
Dirk Quinn Band
#
Marcony Carvalho
#
Eagles' Victory Song
#
Zedas Couve
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.1182610 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carva...
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B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.1182610 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782355. Published by Zedas Couve (A0.1182610). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
Eagles' Victory Song
#
Bassoon, Piano (duet)
#
BEGINNER
#
Dirk Quinn Band
#
Marcony Carvalho
#
Eagles' Victory Song
#
Zedas Couve
#
SheetMusicPlus
Bassoon,Piano - Level 1 - Digital Download SKU: A0.1182609 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20t...
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Bassoon,Piano - Level 1 - Digital Download SKU: A0.1182609 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782354. Published by Zedas Couve (A0.1182609). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
Eagles' Victory Song
#
Easy Piano
#
BEGINNER
#
Dirk Quinn Band
#
Marcony Carvalho
#
Eagles' Victory Song
#
Zedas Couve
#
SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1180746 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th C...
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Easy Piano - Level 1 - Digital Download SKU: A0.1180746 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,Classical,Historic,Patriotic,Pop. Score. 1 pages. Zedas Couve #780613. Published by Zedas Couve (A0.1180746). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
Eagles' Victory Song
#
Alto Saxophone and Piano
#
BEGINNER
#
Dirk Quinn Band
#
Marcony Carvalho
#
Eagles' Victory Song
#
Zedas Couve
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1182606 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carval...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1182606 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782353. Published by Zedas Couve (A0.1182606). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
Eagles' Victory Song
#
Soprano Saxophone and Piano
#
BEGINNER
#
Dirk Quinn Band
#
Marcony Carvalho
#
Eagles' Victory Song
#
Zedas Couve
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1182615 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Car...
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1182615 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782360. Published by Zedas Couve (A0.1182615). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
Eagles' Victory Song
#
Saxophone (band part)
#
BEGINNER
#
Dirk Quinn Band
#
Marcony Carvalho
#
Eagles' Victory Song
#
Zedas Couve
#
SheetMusicPlus
Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1183091 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carv...
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Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1183091 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Traditional. Individual part. 1 pages. Zedas Couve #782816. Published by Zedas Couve (A0.1183091). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
Eagles' Victory Song
#
Oboe (band part)
#
BEGINNER
#
Dirk Quinn Band
#
Marcony Carvalho
#
Eagles' Victory Song
#
Zedas Couve
#
SheetMusicPlus
Oboe Solo - Level 1 - Digital Download SKU: A0.1183101 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Ce...
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Oboe Solo - Level 1 - Digital Download SKU: A0.1183101 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Traditional. Individual part. 1 pages. Zedas Couve #782821. Published by Zedas Couve (A0.1183101). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
Eagles' Victory Song
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Oboe, Piano (duet)
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BEGINNER
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Dirk Quinn Band
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Marcony Carvalho
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Eagles' Victory Song
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Zedas Couve
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SheetMusicPlus
Oboe,Piano - Level 1 - Digital Download SKU: A0.1182613 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th C...
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Oboe,Piano - Level 1 - Digital Download SKU: A0.1182613 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782358. Published by Zedas Couve (A0.1182613). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
VICTORY IS WON - FANNY J. CROSBY (HYMN - EASY ORGAN)
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Organ
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EASY
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Sacred music
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Fanny J
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Juliano Music
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VICTORY IS WON - FANNY J. CROS
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Juliano Alessandro Molteni
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SheetMusicPlus
Instrumental Solo,Organ - Level 2 - Digital Download SKU: A0.1152161 Composed by Fanny J. Crosby. Arranged by Juliano Music. Christian,Praise & Worship,R...
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Instrumental Solo,Organ - Level 2 - Digital Download SKU: A0.1152161 Composed by Fanny J. Crosby. Arranged by Juliano Music. Christian,Praise & Worship,Religious,Sacred. Individual part. 3 pages. Juliano Alessandro Molteni #752374. Published by Juliano Alessandro Molteni (A0.1152161). MY EASY ARRANGEMENT OF THE HYMN VICTORY IS WON BY FANNY J. CROSBY. VERSION FOR ORGAN, WITHOUT THE PEDALBOARD LINE. --COPYRIGHTED AND SIGNED BY ORIGINAL TEMPORAL CONTENT MARKING- JAM MUSIC APPROACH is the easy way to approach a song. Musicians of every kind deserve the possibility to experience and to be at ease with their improving performance. ENJOY!!
$1.99
Eagles' Victory Song
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Trombone and Piano
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BEGINNER
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Dirk Quinn Band
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Marcony Carvalho
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Eagles' Victory Song
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Zedas Couve
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SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.1182600 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20...
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Piano,Trombone - Level 1 - Digital Download SKU: A0.1182600 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782346. Published by Zedas Couve (A0.1182600). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
Eagles' Victory Song
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Easy Piano
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BEGINNER
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Dirk Quinn Band
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Marcony Carvalho
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Eagles' Victory Song
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Zedas Couve
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SheetMusicPlus
Piano,Tuba - Level 1 - Digital Download SKU: A0.1182604 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th C...
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Piano,Tuba - Level 1 - Digital Download SKU: A0.1182604 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782350. Published by Zedas Couve (A0.1182604). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
Lift Every Voice
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Choral TTBB
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Text: James Weldon Johnson Mus
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Ron Anderson
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Lift Every Voice
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Ron James Anderson
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SheetMusicPlus
Choral Choir (TTBB) - Digital Download SKU: A0.965560 Composed by Text: James Weldon Johnson Music: J. Rosamond Johnson. Arranged by Ron Anderson. Holida...
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Choral Choir (TTBB) - Digital Download SKU: A0.965560 Composed by Text: James Weldon Johnson Music: J. Rosamond Johnson. Arranged by Ron Anderson. Holiday,Patriotic,Sacred. Octavo. 9 pages. Ron James Anderson #6882891. Published by Ron James Anderson (A0.965560). This arrangement of Lift Every Voice and Sing highlights the transcendent beauty of James Weldon Johnson's poetic text. It is suitable for any occasion that celebrates struggle and ultimate victory.
$2.95
We are One (For SATB)
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Choral SATB
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EASY
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Korea, Canada
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Han-Ki Kim
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We are One
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Han-Ki Kim
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1452810 By Korea, Canada. By Korea and Canada Anthem. Arranged by Han-Ki Kim. Classi...
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1452810 By Korea, Canada. By Korea and Canada Anthem. Arranged by Han-Ki Kim. Classical,Patriotic,Singer/Songwriter,Standards,Traditional. 2 pages. Han-Ki Kim #1032090. Published by Han-Ki Kim (A0.1452810). The year 2023 marks the 60th anniversary of diplomatic relations between South Korea and Canada, and the 70th anniversary of the armistice. It is the only Korean association in Canada that commemorates the Battle of Gapyeong every year at the Korean Association level. To commemorate the heroic victory of the Canadian Forces during the Korean War. Princess Patricia, the Canadian Light Infantry Regiment, veterans and widows are invited. The Gapyeong Battle Victory monument Unveiling Ceremony is held every year. This music (For SATB) is composed for this event.
$1.99
We are One (For Brass Quintet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Korea, Canada
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Han-Ki Kim
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We are One
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Han-Ki Kim
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1452807 By Korea, Canada. By Korea and Canada Anthem. Arranged by Han-Ki Ki...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1452807 By Korea, Canada. By Korea and Canada Anthem. Arranged by Han-Ki Kim. Classical,March,Patriotic,Standards,Traditional. 8 pages. Han-Ki Kim #1032087. Published by Han-Ki Kim (A0.1452807). The year 2023 marks the 60th anniversary of diplomatic relations between South Korea and Canada, and the 70th anniversary of the armistice. It is the only Korean association in Canada that commemorates the Battle of Gapyeong every year at the Korean Association level. To commemorate the heroic victory of the Canadian Forces during the Korean War. Princess Patricia, the Canadian Light Infantry Regiment, veterans and widows are invited. The Gapyeong Battle Victory monument Unveiling Ceremony is held every year. This music(Brass Quintet) is composed for this event.
$1.99
Piano Concerto No. 1 - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Piano Concerto No. 1 - FIRST movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Sco...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - SECOND movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th C...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - THIRD movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Contemporary
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
God Loves You (from the "Ten Minute Praise in Scripture and Song" Children’s Musical Program)
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Piano, Voice
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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God Loves You
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Sharon Wilson
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.565623 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Children,Contemporary,Holida...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.565623 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Children,Contemporary,Holiday,Praise & Worship,Sacred. Score. 6 pages. Sharon Wilson #5025295. Published by Sharon Wilson (A0.565623). This song is filled with encouraging words of God's love for each one of us: From the moment God formed you in His mind, His everlasting love He hoped you would find. . .Remember God loves you every hour of every day. Let His love fill your heart with joy in every way. Remember God so loved the world that He gave His only son; believe in Him always for the victory he won. Though originally written to be performed around Valentine's Day, this song is fitting any time of year as a celebration of God's love for us. This arrangement is one of the four songs in the children's musical choir program titled God Loves You (in the Ten Minute Praise in Scripture and Song series). Purchase price includes the 3-staff score with melody line and piano accompaniment (4 pages) plus a separate score with melody line only for the soloist or unison choir (2 pages). Set in the key of C major, the vocal range is one octave from middle C to high C.
$3.99
Glorious Lights (Forever His Name)
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Stephan Langenberg
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Stephan Langenberg
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Glorious Lights
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Stephan Langenberg
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1516908 Composed by Stephan Langenberg. Arranged by Stephan Langenberg. Christian,Pop,Praise & Worship,Religi...
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Guitar - Level 3 - Digital Download SKU: A0.1516908 Composed by Stephan Langenberg. Arranged by Stephan Langenberg. Christian,Pop,Praise & Worship,Religious,Singer/Songwriter. Chords/Lyrics. 5 pages. Stephan Langenberg #1091077. Published by Stephan Langenberg (A0.1516908). Experience the power and devotion of the worship genre with Forever His Name, a dynamic and spiritually uplifting song. This worship piece invites listeners to lift their hands to the sky and join in unity to praise the name of God. With powerful lyrics that describe mountains bowing and rivers of love flowing freely, this song is perfect for reflection and praise. Included in this purchase:LEAD SHEET (Original Key: C# or Db)LEAD SHEET (Version in C)LYRICS OnlyThe captivating Chorus, Glorious light shining bright, bringing hope day and night, highlights the radiant light of God that guides us day and night. The flowing Guitar Solo and the emotional Bridge enhance the spiritual experience. The song’s closing celebrates the victory of faith and the unity of believers: Every heart beats as one, under stars or the sun.This arrangement is ideal for churches, worship bands, or solo performers who want to emphasize the emotional depth of worship music.More arrangements and sheet music can be found on my page at Sheetmusicdirect.com, Sheetmusicplus.com and on my official website:www.langenbergmedia.com
$3.99
You Have Won The Victor's Crown
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C Instruments
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BEGINNER
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Robert Gay, Integrity's Hosann
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Robert Gay, Integrity's Hosann
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You Have Won The Victor's Crow
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Steven See
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SheetMusicPlus
C Instrument - Level 1 - Digital Download SKU: A0.1500583 By Robert Gay, Integrity's Hosanna! Music. By Robert Gay, Integrity's Hosanna! Music. Arranged ...
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C Instrument - Level 1 - Digital Download SKU: A0.1500583 By Robert Gay, Integrity's Hosanna! Music. By Robert Gay, Integrity's Hosanna! Music. Arranged by Robert Gay, Integrity's Hosanna! Music. Christian,Praise & Worship,Religious,Spiritual. Lead Sheet / Fake Book. 1 pages. Steven See #1076668. Published by Steven See (A0.1500583). You have won the victor’s crownYou have triumphed over sin and deathYour Name is lifted high and ringsThrough all the earthEvery demon spirit in hellAlways trembles when Your name is heardAnd we Your churchEnforce that victory in the worldCO the glory of Your NameThe splendour of Your NameNone can compare with the power of that NameYou are JesusYou are LordYou are God.
$3.99
Kinderszenen Op. 15 No. 7: Traumerei
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Classical
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Robert Schumann
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Peet du Toit
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Kinderszenen Op. 15 No. 7: Tra
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Peet du Toit
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SheetMusicPlus
Brass Ensemble,Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1495842 Composed by Robert Schumann. Arranged by Peet ...
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Brass Ensemble,Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1495842 Composed by Robert Schumann. Arranged by Peet du Toit. Classical. 8 pages. Peet du Toit #1072371. Published by Peet du Toit (A0.1495842). Kinderszenen (Scenes from Childhood), Op. 15, by Robert Schumann, is a set of thirteen pieces of music for piano written in 1838.Movement No. 7 of the work, Träumerei, is one of Schumann's best known pieces; it is the opening and closing musical theme of the 1947 Hollywood film Song of Love, and Träumerei is the title of a 1944 German biographical film on Schumann. In Russia, a hummed choral a cappella version became known as mourning music, being played annually during the Minute of Silence on Victory Day. In 2021, violinist Fenella Humphreys released an arrangement of Träumerei for violin.Here is my contribution on it scored for a brass quintet, giving every member thereof a great opportunity to act both as soloist and supportive ensemble player, with the purpose of the music in mind. Enjoy!
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