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FAURÉ: En prière
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FAURÉ: En prière
SheetMusicPlus
Sheetmusic to print
23 sheet music found
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1
FAURÉ: En prière (transposed to A-flat major, bass clef)
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Piano, Voice
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Classical
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Gabriel Faure
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ArtSongTranspositions
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FAURÉ: En prière
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AST Publications, LLC
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SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.539793 Composed by Gabriel Faure. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 5 pages. AS...
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Piano,Vocal,Voice - Digital Download SKU: A0.539793 Composed by Gabriel Faure. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 5 pages. AST Publications, LLC #6246671. Published by AST Publications, LLC (A0.539793). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
G. Fauré-En prière,in E flat Major
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Piano, Voice
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INTERMEDIATE
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Classical
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Gabriel Faure
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OSM Press
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G. Fauré-En prière,in E flat
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1374963 Composed by Gabriel Faure. Arranged by OSM Press. Classical. Score. 6 pages. Open Cloud #9...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1374963 Composed by Gabriel Faure. Arranged by OSM Press. Classical. Score. 6 pages. Open Cloud #959533. Published by Open Cloud (A0.1374963).
$3.99
FAURÉ: En prière (transposed to A major, bass clef)
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Piano, Voice
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Classical
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Gabriel Faure
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ArtSongTranspositions
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FAURÉ: En prière
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AST Publications, LLC
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SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.539791 Composed by Gabriel Faure. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 5 pages. AS...
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Piano,Vocal,Voice - Digital Download SKU: A0.539791 Composed by Gabriel Faure. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 5 pages. AST Publications, LLC #6246665. Published by AST Publications, LLC (A0.539791). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
FAURÉ: En prière (transposed to A-flat major)
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Piano, Voice
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Classical
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Gabriel Faure
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ArtSongTranspositions
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FAURÉ: En prière
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AST Publications, LLC
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SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.539792 Composed by Gabriel Faure. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 5 pages. AS...
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Piano,Vocal,Voice - Digital Download SKU: A0.539792 Composed by Gabriel Faure. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 5 pages. AST Publications, LLC #6246667. Published by AST Publications, LLC (A0.539792). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
En prière
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Classical
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Gabriel Faure
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Mark Phillips
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En prière
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A. J. Cornell Publications
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.978754 Composed by Gabriel Faure. Arranged by Mark Phillips. Romantic Period. Sc...
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Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.978754 Composed by Gabriel Faure. Arranged by Mark Phillips. Romantic Period. Score and parts. 8 pages. A. J. Cornell Publications #584451. Published by A. J. Cornell Publications (A0.978754). Fauré's En prière (from Contes mystiques) for guitar duet (in standard notation and tab).
$4.99
En prière
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Flute and Guitar
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INTERMEDIATE
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Classical
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Gabriel Faure
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Mark Phillips
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En prière
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A. J. Cornell Publications
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SheetMusicPlus
Composed by Gabriel Faure (1845-1924). Arranged by Mark Phillips. Post-Romantic. Score, Sheet Music Single. 6 pages. Published by A. J. Cornell Public...
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Composed by Gabriel Faure (1845-1924). Arranged by Mark Phillips. Post-Romantic. Score, Sheet Music Single. 6 pages. Published by A. J. Cornell Publications
$4.99
Gabriel Fauré : Fantaisie for Flute and Piano op. 79 , Arranged for Flute and string Orchestra
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Gabriel Faure
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Amir Awad
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Gabriel Fauré : Fantaisie for
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Amir Awad
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.772375 Composed by Gabriel Faure. Arranged by Amir Awad. Concert,Romantic Period,Standards. Score ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.772375 Composed by Gabriel Faure. Arranged by Amir Awad. Concert,Romantic Period,Standards. Score and parts. 49 pages. Amir Awad #3506351. Published by Amir Awad (A0.772375). This piece is originally composed by Gabriel Fauré for Flute and piano , and it is arranged for Flute and String OrchestraThis elegant solo has some beautiful melodic lines and is Impressionistic in form and harmony. An excellent teaching piece to emphasize phrasing and musicality, or a great programming choice when a lovely lyrical moment is needed!This famous work is dedicated to Paul Taffanel, often called the father of the modern French school of the flute. He was a busy man, active at the Opéra de Paris, in the Conservatoire concerts, as the leader of the Orchestre de la Société des Instruments àVent, and, from 1893, as a professor at the Conservatoire. Fauré was appointed professor of composition there in 1896, and it was almost inevitable that Taffanel should ask him, in the spring of 1898, to write a sight-reading piece (the Morceau de lecture) and a concours composition for the July examinations. Fauré decided to pass the orchestration of his incidental music for Maeterlinck's play Pelléas et Mélisande, on which he had been feverishly working, to his pupil Charles Koechlin, so he could get to grips with the concours piece. The Fantaisie for flute and piano occupied him from the beginning of June until at least mid-July.The piece opens with an E-minor sicilienne of great charm, but soon gets to a C-major Allegro filled with lightning-fast pyrotechnics. Writing to Koechlin, Fauré complained:I am drowned in the Taffanel and plunged up to my neck in scales, arpeggios, and staccati! I have already perpetrated 104 bars of this irksome torture The first performance of the Fantaisie was given by the concours winner, Gaston Blanquart, on July 28, 1898.
$5.00
Fauré 1887 Op 50 Pavane Flute or Alto Flute Solo
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Flute and Piano
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INTERMEDIATE
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Rainer's Rainbow
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R G Roth
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Fauré 1887 Op 50 Pavane Flute
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Rainer's Rainbow
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.1074638 By Rainer's Rainbow. By Gabriel Faure 1845-1924. Arranged by R G Roth. 20th Century,Baroque,Clas...
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Flute,Piano - Level 3 - Digital Download SKU: A0.1074638 By Rainer's Rainbow. By Gabriel Faure 1845-1924. Arranged by R G Roth. 20th Century,Baroque,Classical,Folk,Romantic Period. Score and part. 17 pages. Rainer's Rainbow #678908. Published by Rainer's Rainbow (A0.1074638). Fauré composed his Pavane for a dead princess Op 50 in 1887. It is arranged here in its original key of F sharp minor for Flute and piano. For the first time the solo can be played on an Alto Flute. The part is included in this set. Although it is very frequently played there are very few options available in this key signature. The piece is also an excellent recital choice and offers enjoyable playing challenges.
$8.99
Après un rêve (Fauré) for Flute and Piano
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Flute and Piano
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EASY
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Classical
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Gabriel Faure
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Harry Walker
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Après un rêve
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SCORE EDITIONS
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SheetMusicPlus
Flute,Piano - Level 2 - Digital Download SKU: A0.1303412 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Peri...
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Flute,Piano - Level 2 - Digital Download SKU: A0.1303412 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #892986. Published by SCORE EDITIONS (A0.1303412). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking. In this version, the composition was arranged for Flute and Piano by Harry Walker.
$5.99
Saint-Saëns: The Swan for Flute & Piano
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Flute and Piano
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Flu
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jmsgu3
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Cont...
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
En prière (E major)
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Piano, Voice
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Classical
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Gabriel Faure
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En prière
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AST Publications
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SheetMusicPlus
Composed by Gabriel Faure (1845-1924). Romantic Period. Score. 6 pages. Published by AST Publications (S0.220589). - Score - Romantic Period - AST Publications...
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Composed by Gabriel Faure (1845-1924). Romantic Period. Score. 6 pages. Published by AST Publications (S0.220589). - Score - Romantic Period - AST Publications
$9.99
En prière (D major)
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Piano, Voice
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Classical
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Gabriel Faure
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En prière
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AST Publications
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SheetMusicPlus
Composed by Gabriel Faure (1845-1924). Romantic Period. Score. 6 pages. Published by AST Publications (S0.227149). - Score - Romantic Period - AST Publications...
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Composed by Gabriel Faure (1845-1924). Romantic Period. Score. 6 pages. Published by AST Publications (S0.227149). - Score - Romantic Period - AST Publications
$9.99
En prière (C major)
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Piano, Voice
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Classical
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Gabriel Faure
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En prière
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AST Publications
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SheetMusicPlus
Composed by Gabriel Faure (1845-1924). Romantic Period. Score. 6 pages. Published by AST Publications (S0.220593). - Score - Romantic Period - AST Publications...
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Composed by Gabriel Faure (1845-1924). Romantic Period. Score. 6 pages. Published by AST Publications (S0.220593). - Score - Romantic Period - AST Publications
$9.99
En prière (E-flat major)
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Piano, Voice
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Classical
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Gabriel Faure
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En prière
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AST Publications
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SheetMusicPlus
Composed by Gabriel Faure (1845-1924). Romantic Period. Score. 6 pages. Published by AST Publications (S0.220585). - Score - Romantic Period - AST Publications...
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Composed by Gabriel Faure (1845-1924). Romantic Period. Score. 6 pages. Published by AST Publications (S0.220585). - Score - Romantic Period - AST Publications
$9.99
Dolly's Garden (Le jardin de Dolly)
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Gabriel Faure
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Kevin Frecker
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Dolly's Garden
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Kevin Frecker
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SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.1048375 Composed by Gabriel Faure. Arranged by Kevin Frecker. Classical,Romantic Period. Score and part....
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Flute,Piano - Level 4 - Digital Download SKU: A0.1048375 Composed by Gabriel Faure. Arranged by Kevin Frecker. Classical,Romantic Period. Score and part. 9 pages. Kevin Frecker #652812. Published by Kevin Frecker (A0.1048375). The primo part of the original piano duet is transcribed for flute and the secondo part is retained as the piano accompaniment.
$4.00
Automne (Op.18, No.3)
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Flute and Piano
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BEGINNER
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Classical
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Gabriel Faure
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Automne
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SheetmusicLAB
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SheetMusicPlus
Flute, Piano - Primer Level - Digital Download SKU: P5.CL-VOC-31348 Composed by Gabriel Faure. Classical. Score & Part. 8 pages. SheetmusicLAB #CL-VOC-31...
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Flute, Piano - Primer Level - Digital Download SKU: P5.CL-VOC-31348 Composed by Gabriel Faure. Classical. Score & Part. 8 pages. SheetmusicLAB #CL-VOC-31348. Published by SheetmusicLAB (P5.CL-VOC-31348). 8.3 x 11.7 inches.
$1.99
Clair de lune Op.46, No.2 in D
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Flute and Piano
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BEGINNER
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Classical
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Gabriel Faure
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Clair de lune Op.46, No.2 in D
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SheetmusicLAB
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SheetMusicPlus
Flute, Piano - Primer Level - Digital Download SKU: P5.CL-VOC-31200 Composed by Gabriel Faure. Classical. Score and Part. 10 pages. SheetmusicLAB #CL-VOC...
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Flute, Piano - Primer Level - Digital Download SKU: P5.CL-VOC-31200 Composed by Gabriel Faure. Classical. Score and Part. 10 pages. SheetmusicLAB #CL-VOC-31200. Published by SheetmusicLAB (P5.CL-VOC-31200). 8.3 x 11.7 inches.
$1.99
Apres un reve Op.7 No.1
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Flute and Piano
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BEGINNER
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Classical
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Gabriel Faure
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Apres un reve Op.7 No.1
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SheetmusicLAB
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SheetMusicPlus
Flute, Piano - Primer Level - Digital Download SKU: P5.CL-VOC-30183 Composed by Gabriel Faure. Classical. Score and part. 6 pages. SheetmusicLAB #CL-VOC-...
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Flute, Piano - Primer Level - Digital Download SKU: P5.CL-VOC-30183 Composed by Gabriel Faure. Classical. Score and part. 6 pages. SheetmusicLAB #CL-VOC-30183. Published by SheetmusicLAB (P5.CL-VOC-30183). 8.3 x 11.7 inches.
$1.99
Clair de lune Op.46, No.2
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Flute and Piano
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BEGINNER
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Classical
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Gabriel Faure
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Clair de lune Op.46, No.2
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SheetmusicLAB
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SheetMusicPlus
Flute, Piano - Primer Level - Digital Download SKU: P5.CL-VOC-31190 Composed by Gabriel Faure. Classical. Score and Part. 10 pages. SheetmusicLAB #CL-VOC...
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Flute, Piano - Primer Level - Digital Download SKU: P5.CL-VOC-31190 Composed by Gabriel Faure. Classical. Score and Part. 10 pages. SheetmusicLAB #CL-VOC-31190. Published by SheetmusicLAB (P5.CL-VOC-31190). 8.3 x 11.7 inches.
$1.99
Ten Solos for Flute and Piano
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Flute and Piano
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INTERMEDIATE
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Various
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Andrew Middleton
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Ten Solos for Flute and Piano
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Andrew Middleton
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.735585 Composed by Various. Arranged by Andrew Middleton. 20th Century,Romantic Period. Score and part. ...
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Flute,Piano - Level 3 - Digital Download SKU: A0.735585 Composed by Various. Arranged by Andrew Middleton. 20th Century,Romantic Period. Score and part. 56 pages. Andrew Middleton #5020111. Published by Andrew Middleton (A0.735585). Ten solos of varying difficulty arranged for flute and piano accompaniment. All pieces are sold separately but buying all 10 together means each piece only costs $1! The collection includes:Anitra’s Dance from Peer Gynt by Edvard GriegChanson nuit by Edward ElgarDanse Macabre by Camille Saint-SaensVoices of Spring by Johann Strauss Jr.Gnossienne No. 1 by Erik SatieMazurka in F Minor by Anatoly LyadovPavane Op. 50 by Gabriel FaurePrelude in E Minor by Fredric ChopinRomance Op. 17 by Carl ReineckeValse Impromtu by Edvard GreigThis collection of pieces is also available for: oboe, cor anglais, clarinet, soprano sax, alto sax, tenor sax and bassoon.
$8.00
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Fantasy
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Flute and Piano
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INTERMEDIATE
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Classical
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Gabriel Faure
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Fantasy
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Schott Music - Digital
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SheetMusicPlus
Flute and piano - intermediate - Digital Download SKU: S9.Q43474 Op. 79. Composed by Gabriel Faure. Edited by Wolfgang Birtel. This edition: Sheet...
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Flute and piano - intermediate - Digital Download SKU: S9.Q43474 Op. 79. Composed by Gabriel Faure. Edited by Wolfgang Birtel. This edition: Sheet music. Copyright 2016 Schott Music GmbH & Co. KG, Mainz. Downloadable. Op. 79. 17 pages. Schott Music - Digital #Q43474. Published by Schott Music - Digital (S9.Q43474). Digital publication of the piece found in the following print music collection: Best of Flute Classics - 10 Famous Pieces for Flute and Piano.
$4.99
Claude Debussy: Sérénade for violin and piano
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pa...
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Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
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