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Far Too Late
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Far Too Late
Sheetmusic to print
120 sheet music found
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51
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101
It's Not Too Late
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Choral SATB
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INTERMEDIATE
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Phil Collins
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Kirstie Smith
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It's Not Too Late
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Kirstie Smith
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1459262 Composed by Phil Collins. Arranged by Kirstie Smith. 21st Century,Pop...
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1459262 Composed by Phil Collins. Arranged by Kirstie Smith. 21st Century,Pop,Rock,Soul,Spiritual. 7 pages. Kirstie Smith #1038202. Published by Kirstie Smith (A0.1459262). A carefully crafted choral ensemble arrangement of Phil Collins' stunning song 'It's Not Too Late' from his album Testify (2002). Although one of his lesser known hits, this is a hidden gem from the master of songwriting. Inspired by his live 'First Farewell Tour' (2004) performance, this arrangement has been lovingly scored to feature the beautifully rich harmonies, expressive melodic lines and emotive lyrics that Phil Collins is reknowned for. One can't improve upon perfection, so this arrangement is as true to the maestro's intentions as possible, in SATB divisi format.
$3.50
Never Too Late
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Piano solo
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INTERMEDIATE
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Pop music
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Alle Farben & Sam Gray
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Milka Rubtsova
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Sam Gray
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Never Too Late
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Milka Rubtsova
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SheetMusicPlus
Piano Solo - Intermediate - Digital Download By Alle Farben & Sam Gray. Arranged by Milka Rubtsova. 4 pages. Published by Milka Rubtsova...
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Piano Solo - Intermediate - Digital Download By Alle Farben & Sam Gray. Arranged by Milka Rubtsova. 4 pages. Published by Milka Rubtsova
$5.99
Farewell Too Fair & Time Stands Still for Flute Quartet
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Flute Quartet: 4 flutes
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INTERMEDIATE
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Renaissance
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John Dowland
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Lisa Ochoco
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Farewell Too Fair & Time Stand
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Lisa L Ochoco
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.559786 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 20 page...
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Flute Quartet,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.559786 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 20 pages. Lisa L Ochoco #4790641. Published by Lisa L Ochoco (A0.559786). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.
$3.00
Farewell Too Fair & Time Stands Still for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Renaissance
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John Dowland
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Lisa Ochoco
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Farewell Too Fair & Time Stand
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.559796 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 2...
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Clarinet Quartet,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.559796 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 23 pages. Lisa L Ochoco #4790887. Published by Lisa L Ochoco (A0.559796). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.
$3.00
Toot, Toot, Tootsie!
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Gus Kahn, Ernie Erdman and Dan
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F
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Toot, Toot, Tootsie!
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Le...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
Far Too Late (from Cinderella) (arr. Mac Huff) - Synthesizer
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Choral Instrumental Pak
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Broadway
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Mac Huff
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Far Too Late
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Hal Leonard - Digital
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SheetMusicPlus
Choral - Digital Download SKU: HX.515604 Arranged by Mac Huff. This edition: scorch. Broadway,Musical/Show. Choral Instrumental Pak. 2 pages. Duration 26...
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Choral - Digital Download SKU: HX.515604 Arranged by Mac Huff. This edition: scorch. Broadway,Musical/Show. Choral Instrumental Pak. 2 pages. Duration 260. Hal Leonard - Digital #325547. Published by Hal Leonard - Digital (HX.515604).
$7.00
Far Too Late (arr. Mac Huff)
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Andrew Lloyd Webber
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Mac Huff
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Far Too Late
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Hal Leonard - Digital
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SheetMusicPlus
Choral Accompaniment Only - Digital Download SKU: HX.854175 Composed by Andrew Lloyd Webber. Arranged by Mac Huff. Ballad,Broadway,Love,Musical/Show. Oct...
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Choral Accompaniment Only - Digital Download SKU: HX.854175 Composed by Andrew Lloyd Webber. Arranged by Mac Huff. Ballad,Broadway,Love,Musical/Show. Octavo. Duration 264. Hal Leonard - Digital #325547. Published by Hal Leonard - Digital (HX.854175).
$24.99
Far Too Late (arr. Mac Huff)
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Andrew Lloyd Webber
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Mac Huff
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Far Too Late
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Hal Leonard - Digital
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SheetMusicPlus
Choral - Digital Download SKU: HX.854174 Composed by Andrew Lloyd Webber. Arranged by Mac Huff. Ballad,Broadway,Love,Musical/Show. Octavo. Duration 264. ...
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Choral - Digital Download SKU: HX.854174 Composed by Andrew Lloyd Webber. Arranged by Mac Huff. Ballad,Broadway,Love,Musical/Show. Octavo. Duration 264. Hal Leonard - Digital #325547. Published by Hal Leonard - Digital (HX.854174).
$1.99
Far Too Late (from Cinderella) (arr. Mac Huff)
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Choral 3-part
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Broadway
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Mac Huff
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Far Too Late
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Hal Leonard
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SheetMusicPlus
Choral, Voice (SAB) - Digital Download Arranged by Mac Huff. This edition: scorch. Broadway, Musical/Show. Octavo. 11 pages. Duration 260. Hal Leonar...
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Choral, Voice (SAB) - Digital Download Arranged by Mac Huff. This edition: scorch. Broadway, Musical/Show. Octavo. 11 pages. Duration 260. Hal Leonard #325547. Published by Hal Leonard
$2.30
Far Too Late (from Cinderella) (arr. Mac Huff)
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Choral SATB
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Broadway
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Mac Huff
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Far Too Late
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Hal Leonard
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SheetMusicPlus
Choral, Voice (SATB) - Digital Download Arranged by Mac Huff. This edition: scorch. Broadway, Musical/Show. Octavo. 11 pages. Duration 260. Hal Leona...
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Choral, Voice (SATB) - Digital Download Arranged by Mac Huff. This edition: scorch. Broadway, Musical/Show. Octavo. 11 pages. Duration 260. Hal Leonard #325547. Published by Hal Leonard
$2.30
Far Too Late (from Cinderella) (arr. Mac Huff)
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Choral 3-part
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Broadway
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Mac Huff
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Far Too Late
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Hal Leonard
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SheetMusicPlus
Choral, Voice (SSA) - Digital Download Arranged by Mac Huff. This edition: scorch. Broadway, Musical/Show. Octavo. 10 pages. Duration 260. Hal Leonar...
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Choral, Voice (SSA) - Digital Download Arranged by Mac Huff. This edition: scorch. Broadway, Musical/Show. Octavo. 10 pages. Duration 260. Hal Leonard #325547. Published by Hal Leonard
$2.30
Far Too Late (from Andrew Lloyd Webber's Cinderella)
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Piano, Vocal and Guitar
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Far Too Late
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Hal Leonard - Digital
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SheetMusicPlus
This edition: Interactive Download,scorch. Broadway, Musical/Show. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital...
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This edition: Interactive Download,scorch. Broadway, Musical/Show. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital
$4.99
Far Too Late (from Andrew Lloyd Webber's Cinderella)
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Easy Piano
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EASY
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Broadway
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Far Too Late
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Hal Leonard - Digital
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SheetMusicPlus
This edition: Interactive Download,scorch. Broadway, Musical/Show. Easy Piano. 7 pages. Duration 120. Published by Hal Leonard - Digital...
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This edition: Interactive Download,scorch. Broadway, Musical/Show. Easy Piano. 7 pages. Duration 120. Published by Hal Leonard - Digital
$3.99
Old Farmer Buck - Pearl S Buck (Brass Quintet)
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Contemporary
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Pearl S Buck
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Peet du Toit
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Old Farmer Buck - Pearl S Buck
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802620 Composed by Pearl S Buck. Arranged by Peet du Toit. Contemporary. S...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802620 Composed by Pearl S Buck. Arranged by Peet du Toit. Contemporary. Score and parts. 8 pages. Peet du Toit #6027923. Published by Peet du Toit (A0.802620). Pearl Sydenstricker Buck (June 26, 1892 – March 6, 1973; also known by her Chinese name Sai Zhenzhu; Chinese: èµ›çç ) was an American writer and novelist. As the daughter of missionaries, Buck spent most of her life before 1934 in Zhenjiang, China. Her novel The Good Earth was the best-selling fiction book in the United States in 1931 and 1932 and won the Pulitzer Prize in 1932. In 1938, she was awarded the Nobel Prize in Literature for her rich and truly epic descriptions of peasant life in China and for her biographical masterpieces. She was the first American woman to win the Nobel Prize for Literature.After returning to the United States in 1935, she continued writing prolifically, became a prominent advocate of the rights of women and minority groups, and wrote widely on Chinese and Asian cultures, becoming particularly well known for her efforts on behalf of Asian and mixed-race adoption.There are no adult rhymes in this ditty, because this English folk song was written for children. Its three verses each relate the misadventures of a farmer - beginning with Old Farmer Buck - who appear to have been drinking too much. Perhaps they all came up from Somerset where the cider rotted their brains? In 1926, an arrangement of this song in 4/4 time by Gerrard Williams was published by J. Curwen & Sons of London. It was still being taught in English schools in the 1960s, and perhaps later.
$13.00
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Americana Fanfares, Vol. 2, Op. 137
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Dr
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Americana Fanfares, Vol. 2, Op
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - Digital Download SKU: A0.1489490 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Historic,Patriotic. 38 pages. Https://gil...
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Brass Quintet - Level 4 - Digital Download SKU: A0.1489490 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Historic,Patriotic. 38 pages. Https://gildedmusicpress.com/ #1066354. Published by https://gildedmusicpress.com/ (A0.1489490). Three of these seven short pieces are worthy to open any brass quintet concert or recital. Two fanfares are too short for a concert feature but work extremely well in a ceremony or celebratory setting. The last two short pieces aptly serve contrasting special purposes, as explained below.“Fort Pierre Fanfare” is about 40 seconds in duration, and was composed to open the feature concert at the South Dakota Bandmasters Association convention in 2022. Offutt Brass, from the US Air Force Heartland of America Band, was invited to perform that concert. Before the final piece of the concert, when gifts were exchanged between the sponsor and performers, beautiful presentation copies of the sheet music were presented to the sponsor. In performance, staging directions on the music can be extremely effective or cringy, depending on how they are conveyed. If there is any inkling that there may be a cringe factor, ignore them, and play the fanfare already on stage.“Enduring Freedom Fanfare” is nearly a minute of music. It was composed as a gift for the outgoing Commander of the US Air Force Heritage of America Band, Major Rafael Toro-Quiñones. His leadership was strong and inspiring, and he held a place of high esteem among many of the fine military musicians that he led. The Change of Command ceremony was toward the end of the Covid-19 shut-downs, so the work was not performed at the ceremony. Chief Remley, from the command’s satellite location in Nebraska, hand-delivered some finely printed presentation copies to Major Toro-Quiñones.“Noble Eagle Fanfare” is slightly over a minute in length, and, like “Enduring Freedom Fanfare,” was composed as a gift for another outgoing Commander of the US Air Force Heritage of America Band, Captain David Neil Regner.“Pilgrims’ Fanfare” was composed on what many Americans acknowledge as “Pioneer Day,” 24 July 2023. Not only honoring the thousands of pioneers that settled the western United States, but also the pilgrims that voyaged across the ocean to settle in the new continent. It is about 15 seconds in duration and is effective for any occasion in need of a magnificent fanfare.“Flightline Fanfare,” as its title implies, was composed for the ribbon cutting ceremony of the dedication of the newly renovated flightline at Offutt Air Force Base in Nebraska. Unfortunately, the ceremony itself was altered last-minute, and the 15-second fanfare was not used. However, like “Pilgrims’ Fanfare,” it is very handy for any event demanding a splash of pomp.“American Interlude” is a soft 75-second underscore for an MC’s moving speech or dedication. It was originally composed as a smooth segue between two moving patriotic pieces of different keys in a concert setting, but can be used in any similar appropriate situation.“Troop 184” is dedicated to my childhood BSA Scoutmaster, Gerry Nielson, who molded me in significant ways into the man I am decades later. It is functional music, akin to a fight song, and can be easily marched to. Words may be crafted as a customized hiking ditty, or it can be featured before or after ceremonies as prelude or processional music. The duration can also be customized, as there is a written optional repeat, lengthening the tune from 45 seconds to a minute and a half.
$24.95
The Farmer in the Dell (Piano Solo)
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Piano solo
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EASY
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Traditional
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Felix Sun
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The Farmer in the Dell
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Felix Sun
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1499228 Composed by Traditional. Arranged by Felix Sun. Children,Folk,Traditional. Score. 2 pages. Felix ...
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Piano Solo - Level 2 - Digital Download SKU: A0.1499228 Composed by Traditional. Arranged by Felix Sun. Children,Folk,Traditional. Score. 2 pages. Felix Sun #1075279. Published by Felix Sun (A0.1499228). A beautiful solo piano arrangement of The Farmer in the DellThis piece sounds great and is not too difficult to play. It's perfect for late beginner to intermediate piano players.The Farmer in the Dell is credited for having originated in Germany around 1826 where it is known as “Es Fuhr Ein Bau’r ins Holz,” which loosely translates into, “A farmer drove into the woods.”.
$5.99
Plateau of Dances with a Scottish Flavour
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Alexandra Lehmann
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Plateau of Dances with a Scott
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Forton Music - Digital
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SheetMusicPlus
Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet...
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Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet. Score. 6 pages. Forton Music - Digital #FM628. Published by Forton Music - Digital (F2.FM628). ISBN 9790570485277.'Plateau of Dances with a Scottish Flavour' Plateau of Dances with a Scottish Flavour was composed in autumn 2016, Eastbourne, and is inspired by my childhood in Doune, Perthshire; as well as the Ceilidhs and Feis (cultural festival in the Highlands) my daughter, Clara, and I were immersed in when we lived in the picturesque village of Kingussie, Badenoch and Strathspey. The four dances are a celebration of my love and nostalgia for Scotland, and an expression of my family's Scottish memories. Each dance comes with a quote from my favourite poet, Robert Burns, whose insightful and sensitive observations are a poignant appreciation of everyday life. Why the reference to Scottish food? Because this piece is dedicated to my father, Papou, who appreciates a merry supper. The 1st Movement, 'To the Mighty Haggis', is a Strathspey with its characteristic Scotch snap -a short-long rhythm, as if saying the word 'haggis'; which is fitting as the Scottish bard's quote comes from his poem Address to a Haggis, traditionally said on Burns' Night. The 2nd Movement, 'The Humble Shortbread', is a Reel; as is usually the case in Scottish dances. It should be played with a slightly 'snappy', swung rhythm. 'What though on homely fare we dine, [...] A man is a man for all that' comes from my favourite Burns' poem: A Man's a Man for A' That. And who doesn't enjoy the humble shortbread? There is a more reflective, nostalgic mood to the 3rd Movement, 'Ode to the Homely (salty) Porridge'. The Air is a reminiscence of the quiet evenings Clara and I would spend in Kingussie, with our view of the beautifully haunting mountains. 'What will I get to my supper, [...] Ye'se get a panfu' o' plumpin parridge' comes from Burns' The Shepherd's Wife who tries to entice her husband back home with the promise of porridge (the Scottish way: with salt). Finally, the 4th Movement, 'Too Many Drams of Whisky', is a cheerful and lively Jig. It's the convivial merriness of being with friends and family, maybe at a Ceilidh, with a wink to Scotland's 'water of life'. 'We'll tak a cup o' kindness yet, For auld lang syne' comes from Burns' famous Auld Lang Syne: a fitting end to our musical and culinary tour of Scotland.
$7.95
Blue Art, Too
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Guitar notes and tablatures
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Contemporary
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Tal Farlow
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Tal Farlow
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Blue Art, Too
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Vladimir Polyakov
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SheetMusicPlus
Guitar - Digital Download SKU: A0.1015749 By Tal Farlow. By Tal Farlow. Arranged by Tal Farlow. Contemporary. Guitar Tab. 10 pages. Vladimir Polyakov #48...
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Guitar - Digital Download SKU: A0.1015749 By Tal Farlow. By Tal Farlow. Arranged by Tal Farlow. Contemporary. Guitar Tab. 10 pages. Vladimir Polyakov #4888955. Published by Vladimir Polyakov (A0.1015749). Sheets music of the composition Yardbird Suite, as it is played by Tal Farlow. The PDF includes sheet music and tab for guitar. It consist of theme and 3 choruses of guitar improvisation. GP5 file is also related.
$4.99
It's Too Late
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Marching band
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INTERMEDIATE
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Rock
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Carole King
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Larry Triplett
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It's Too Late
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Larry Triplett
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SheetMusicPlus
Marching Band - Level 3 - Digital Download SKU: A0.1353270 By Carole King. By Carole King and Toni Stern. Arranged by Larry Triplett. Pop,Rock. 25 pages....
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Marching Band - Level 3 - Digital Download SKU: A0.1353270 By Carole King. By Carole King and Toni Stern. Arranged by Larry Triplett. Pop,Rock. 25 pages. Larry Triplett #938060. Published by Larry Triplett (A0.1353270). The Carole King hit from her breakthrough album Tapestry. Suitable for marching band, pep band, or concert band.
$55.00
Ebben? Ne andrò lontano (Well then, I'll go far away), La Wally
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Choral SATB
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INTERMEDIATE
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Alfredo Catalani
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Scott S
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Ebben? Ne andrò lontano
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Scott S. Stewart
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.955858 Composed by Alfredo Catalani. Arranged by Scott S. Stewart. A Cappella,Concert,Film/TV,Op...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.955858 Composed by Alfredo Catalani. Arranged by Scott S. Stewart. A Cappella,Concert,Film/TV,Opera,Romantic Period,Standards. Octavo. 4 pages. Scott S. Stewart #6454731. Published by Scott S. Stewart (A0.955858). Ebben? Ne andrò lontana (Well then, I’ll go far away) is the aria sung by Wally when she decides to leave her home forever in the opera La Wally (1892). Composer Alfredo Catalani originally created the aria as Chanson Groënlandaise in 1878 and later incorporated it into his opera. The aria was also featured in the French thriller Diva (1981). It has been arranged for 4-part SATB ensemble to be performed a cappella. This arrangement of an operatic masterpiece was created to make ‘Opera’ accessible to wider audiences for various reasons (instructive, educational purposes; and performance familiarity to/for a larger population). The original melody and harmonies are used. It retains the original foreign language text. This arrangement is an excellent tool for introducing ‘Opera’ music in the classroom, and programming diversity in the concert hall. Performance time: 2:21+-
$2.99
Resurrectio à Fanfarer
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J
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Resurrectio à Fanfarer
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J. Randolph Hall
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SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Interactive Download SKU: A0.482584 Arranged by J. Randolph Hall. This edition: Interactive Download. Classic...
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Interactive Download SKU: A0.482584 Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Holiday,Praise & Worship,Standards. Score and parts. 8 pages. Duration 63. Published by J. Randolph Hall (A0.482584). The title is a mix of Latin and French and basically means the Resurrection to Fanfare about. It is based on a 1541 work by Palestrina and adapted by 19th Century hymnist William Henry Monk. I took the liberties of changing the time meter. Section A has an intro and a refrain that is repeated. A French sixth chord is used to modulate to a new key in Section B which includes a descant by yours truly. In this section, the intro is repeated and the refrain is not.This is well suited for Easter Sunday.
$4.00
Pierné: Album pour mes Petits Amis Op.14 - 2.Farandole - symphonic wind dectet
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Contemporary
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Gabriel Pierne
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Ray Thompson
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Pierné: Album pour mes Petits
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553949 Composed by Gabriel Pierne. Arranged by Ray Thomp...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553949 Composed by Gabriel Pierne. Arranged by Ray Thompson. 20th Century. Score and parts. 16 pages. RayThompsonMusic #6342493. Published by RayThompsonMusic (A0.553949). Gabriel Pierné was born in Metz. His family moved to Paris, after Metz and part of Lorraine were annexed to Germany in 1871 following the Franco-Prussian War. He studied at the Paris Conservatoire, gaining first prizes for solfège, piano, organ, counterpoint and fugue. He won the French Prix de Rome in 1882, with his cantata Edith. His teachers included Antoine François Marmontel, Albert Lavignac, Émile Durand, César Franck (for the organ) and Jules Massenet (for composition).He succeeded César Franck as organist at Sainte-Clotilde Basilica in Paris from 1890 to 1898. He himself was succeeded by another distinguished Franck pupil, Charles Tournemire. Associated for many years with Édouard Colonne's concert series, the Concerts Colonne, from 1903, Pierné became chief conductor of this series in 1910.His most notable early performance was the world premiere of Igor Stravinsky's ballet The Firebird, at the Ballets Russes, Paris, on 25 June 1910. He remained in the post until 1933 (when Paul Paray took over his duties). This arrangement is taken from his album of 6 short pieces: originally written for piano, and later transcribed for small orchestra (English Translation: Album for my little friends (Children)Movts are:PastoraleFarandole (This one)La Veillée de l'ange gardienPetite gavotteChanson d'autrefoisMarche des petits soldats de plombArranged for double wind quintet and bass.
$7.95
Hollinfare Te Deum for men's voices and organ
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Choral 3-part
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INTERMEDIATE
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David Warin Solomons
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Hollinfare Te Deum for men's v
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David Warin Solomons
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SheetMusicPlus
Choral Choir,Choral (3-Part) - Level 3 - Digital Download SKU: A0.576393 Composed by David Warin Solomons. 20th Century,Contemporary,Sacred,Spiritual. 9 ...
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Choral Choir,Choral (3-Part) - Level 3 - Digital Download SKU: A0.576393 Composed by David Warin Solomons. 20th Century,Contemporary,Sacred,Spiritual. 9 pages. David Warin Solomons #20919. Published by David Warin Solomons (A0.576393). St Helen's church in Hollinfare celebrated its 500th anniversary in 1997 and invited the gentlemen of Manchester Cathedral Choir to sing at the celebratory service. The service included a Te Deum and Jubilate, which I wrote especially for the purpose. The Te Deum is a full setting with organ and alto, tenor and bass singers. The Jubilate is a psalm chant. Both are available on this site. The sound sample in each case is the original performance.The words of the Te Deum are: We praise thee, O God : we acknowledge thee to be the Lord. All the earth doth worship thee : the Father everlasting. To thee all Angels cry aloud : Â the Heavens, and all the Powers therein. To thee Cherubim and Seraphim : continually do cry, Holy, Holy, Holy : Lord God of Hosts; Heaven and earth are full of the Majesty : of thy glory. The glorious company of the Apostles : praise thee. The goodly fellowship of the Prophets : praise thee. The noble army of Martyrs : praise thee. The holy Church throughout all the world : doth acknowledge thee; The Father : of an infinite Majesty; Thine honourable, true : and only Son; Also the Holy Ghost : the Comforter. Thou art the King of Glory : O Christ. Thou art the everlasting Son : of the Father. When thou tookest upon thee to deliver man : thou didst not abhor the Virgin's womb. When thou hadst overcome the sharpness of death : thou didst open the Kingdom of Heaven to all believers. Thou sittest at the right hand of God : in the glory of the Father. We believe that thou shalt come : to be our Judge. We therefore pray thee, help thy servants : whom thou hast redeemed with thy precious blood. Make them to be numbered with thy Saints : in glory everlasting. O Lord, save thy people : and bless thine heritage. Govern them : and lift them up for ever. Day by day : we magnify thee; And we worship thy Name : ever world without end. Vouchsafe, O Lord : to keep us this day without sin.O Lord, have mercy upon us : have mercy upon us. O Lord, let thy mercy lighten upon us : as our trust is in thee. O Lord, in thee have I trusted : let me never be confounded.
$2.99
Christ the King Fanfare, Op. 222 (Organ Solo) by Vidas Pinkevicius
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Organ
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EASY
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Sacred music
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Christian contemporary
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Vidas Pinkevicius
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Christ the King Fanfare, Op. 2
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 2 - Digital Download SKU: A0.1163696 Composed by Vidas Pinkevicius. Christian,Contemporary,Praise & Worship,Religious,Sacred. Score. 3 page...
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Organ - Level 2 - Digital Download SKU: A0.1163696 Composed by Vidas Pinkevicius. Christian,Contemporary,Praise & Worship,Religious,Sacred. Score. 3 pages. Vidas Pinkevicius #764042. Published by Vidas Pinkevicius (A0.1163696). This is a joyful fanfare written in the key of C major. I first improvised it at Christ the King Cathedral in Panevežys, Lithuania and later took the opening theme as the basis of this composition. Dedicated to Antanas Šauklys. This piece will be very effective in ceremonial music, also in liturgical organ playing and recital programs.
$4.99
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