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Fugue No.3
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Piano solo
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ADVANCED
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Contemporary
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David Tsvariani
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Fugue No.3
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1324803 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913012. Pub...
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Piano Solo - Level 5 - Digital Download SKU: A0.1324803 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913012. Published by David Tsvariani (A0.1324803). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99
Fugue No.4
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Piano solo
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ADVANCED
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Contemporary
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David Tsvariani
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Fugue No.4
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David Tsvariani
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Pub...
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Piano Solo - Level 5 - Digital Download SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Published by David Tsvariani (A0.1324805). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99
Fugue No.2
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Piano solo
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ADVANCED
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Contemporary
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David Tsvariani
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Fugue No.2
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1324802 Composed by David Tsvariani. Classical,Contemporary. Score. 5 pages. David Tsvariani #913011. Pub...
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Piano Solo - Level 5 - Digital Download SKU: A0.1324802 Composed by David Tsvariani. Classical,Contemporary. Score. 5 pages. David Tsvariani #913011. Published by David Tsvariani (A0.1324802). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99
Fugue No.1
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Piano solo
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ADVANCED
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Contemporary
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David Tsvariani
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Fugue No.1
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #...
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Piano Solo - Level 5 - Digital Download SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #913009. Published by David Tsvariani (A0.1324800). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99
Final Fugue #12 from Fantasia Contrappuntistica for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Ferruccio Busoni
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Charles Decker
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Final Fugue #12 from Fantasia
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.817110 Composed by Ferruccio Busoni. Arranged by Charles Decker. ...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.817110 Composed by Ferruccio Busoni. Arranged by Charles Decker. 20th Century,Baroque,Chamber,Multicultural,World. 20 pages. Charles Decker Music Press #3540945. Published by Charles Decker Music Press (A0.817110). For ambitious brass quintets seeking innovative programming here is the final fugue from Italian composer and pianist Ferrucio Busoni's 1912 magnum opus treatise Fantasia Contrappuntistica that pays homage to J.S. Bach's Art of the Fugue with inventive counterpoint and harmonic transformations. Busoni’s ingenious Final Fugue #12 presents Bach’s uncompleted last fugue in an entirely new light. The audio file is an actual brass quintet performance of the entire work and not a computer playback of the score. See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  All ensemble publications include recordings of the entire edition.    For more of Charles Decker quintet editions use these links to  Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$9.95
"Thou Art the Mighty One" arr. for Orchestra from Opening Chorus & Final Fugue by Louis Spohr
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Orchestra
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INTERMEDIATE
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Sacred music
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Paul Ferington
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Paul Ferington
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"Thou Art the Mighty One" arr.
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Paul K Ferington
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.982350 By Paul Ferington. By Louis Spohr. Arranged by Paul Ferington. Praise & Worship,Sacred,Spiritu...
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Full Orchestra - Level 3 - Digital Download SKU: A0.982350 By Paul Ferington. By Louis Spohr. Arranged by Paul Ferington. Praise & Worship,Sacred,Spiritual. Score and parts. 23 pages. Paul K Ferington #6431609. Published by Paul K Ferington (A0.982350). A sacred orchestral work (2:30) for reduced size orchestra (Strings +2/1/1/1 2/1/1/1 Timp/Bells/Organ) transcribed from Louis Spohr's 1836 cantata LORD THOU ART GREAT Op. 98, including the final fugue based on text Thou Art the Mighty One....for intermediate church orchestras.
$10.95
Variations and Fugue on a Theme by Handel
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Organ
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ADVANCED
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Classical
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Johannes Brahms
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Martin Schmeding
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Variations and Fugue on a Them
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - Digital Download SKU: S9.Q21332 Bearbeitung für Orgel. Composed by Johannes Brahms. Arranged by Martin Schmeding. This editi...
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Organ - advanced - Digital Download SKU: S9.Q21332 Bearbeitung für Orgel. Composed by Johannes Brahms. Arranged by Martin Schmeding. This edition: Sheet music. Downloadable. Op. 24. Duration 16 minutes. Schott Music - Digital #Q21332. Published by Schott Music - Digital (S9.Q21332). Key: B flat major.This work is based on an aria from Handel's Suite I in B-flat major for harpsichord HWV 434. The 25 variations with final fugue in their ornate polyphonic design lend themselves excellently to the organ.
$16.99
A Repton Fugue
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Philip Le Bas
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Philip Le Bas
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A Repton Fugue
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Philip Le Bas
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1463474 By Philip Le Bas. By Philip Le Bas. Arra...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1463474 By Philip Le Bas. By Philip Le Bas. Arranged by Philip Le Bas. Chamber,Classical. 21 pages. Philip Le Bas #1042196. Published by Philip Le Bas (A0.1463474). A short, attractive fugue for wind quintet (flute, oboe, clarinet, horn and bassoon) by Philip Le Bas, inspired by and based on Hubert Parry's much-loved hymn Dear Lord and Father, whose melody is entitled Repton. The fugue's structure results from a fascinating online Fugue Writing course run by CityLit, London, which the composer attended in the first half of 2024. The course presents and explains the eighteenth-century ideas of a fully developed fugue, which culminated in J.S. Bach's extraordinary achievement, the Well Tempered Clavier, and which has been used in various forms by composers ever since. The fugal rules are here treated rather as guidelines in order to create a fugue more immediately appealing to 21st century listeners, but the piece attempts to maintain the general structure found in classic fugues. The initial subject is quirky and tuneful (in fact a bit of an ear-worm), but it immediately goes on to include counter-subjects, tonal answers, codettas, episodes, middle entries, inverted subjects, strettos, a pedal and a final entry, plus a relatively long coda in which Parry's original melody is celebrated exuberantly. These different sections and techniques are all labeled in the score to add an educational dimension to the composition. Those who know the composer's Repton Variations for wind sextet will recognise the opening and ending, at least in outline, but they will soon find the rest to be more technically developed, if rather less serious, from the very beginning! The piece lasts just under three minutes.
$5.99
Prelude and Fugue II (BWV 847) for Brass Quartet
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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G L Harvey
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Prelude and Fugue II
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G L Harvey
#
SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.805866 Composed by Johann Sebastian Bach. Arranged by G L Harvey. Baroque,Concert,Graduation,Standard...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.805866 Composed by Johann Sebastian Bach. Arranged by G L Harvey. Baroque,Concert,Graduation,Standards,Wedding. Score and parts. 33 pages. G L Harvey #5197823. Published by G L Harvey (A0.805866). This piano classic in C minor, second in the series of J S Bach's 48 Preludes & Fugues, has been arranged for flexible brass quartet. With concerts, recitals and wedding performances in mind, this arrangement will be popular with players and audiences alike. The Prelude has an irrevocable sense of momentum, only sated with a short cadenza like flourish and a final bout of arpeggios. The Fugue allows all four voices to develop and flourish after the forced regimentation of the Prelude. The difficulty level for the Prelude is about ABRSM grade 5-6, and the Fugue about grade 5-8 with the outside parts taking the more technical moments, although optional alternatives are scored where range appropriate to lower difficulty if desired. The PDF is 33 pages in length (portrait A4) and includes a full score and parts for flexible brass quartet (2 Cornets/Trumpets, Tenor Horn/F Horn/Baritone/Trombone and Euphonium/BassTrombone). Bb treble and bass clef parts included as appropriate. The combined duration of the Prelude & Fugue is about 3 minutes 20 seconds.
$15.99
Prelude and Fugue II (BWV 847) for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
#
G L Harvey
#
Prelude and Fugue II
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G L Harvey
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.805869 Composed by Johann Sebastian Bach. Arranged by G L Harvey. Baroqu...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.805869 Composed by Johann Sebastian Bach. Arranged by G L Harvey. Baroque,Concert,Graduation,Standards,Wedding. 21 pages. G L Harvey #5200727. Published by G L Harvey (A0.805869). This piano classic in C minor, second in the series of J S Bach's 48 Preludes & Fugues, has been arranged for Clarinet Quartet (Clarinets 1,2 & 3 in B flat and Bass Clarinet). With concerts, recitals and wedding performances in mind, this arrangement will be popular with players and audiences alike. The Prelude has an irrevocable sense of momentum, only sated with a short cadenza like flourish and a final bout of arpeggios. The Fugue allows all four voices to develop and flourish after the forced regimentation of the Prelude. The difficulty level for the Prelude is about ABRSM grade 5-6, with the Fugue possibly slightly higher. The PDF is 21 pages in length (portrait A4) and includes a full score and parts. The combined duration of the Prelude & Fugue is about 3 minutes 20 seconds.
$14.99
Prelude and Fugue II (BWV 847) for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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G L Harvey
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Prelude and Fugue II
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G L Harvey
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.805867 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.805867 Composed by Johann Sebastian Bach. Arranged by G L Harvey. Baroque,Concert,Graduation,Standards,Wedding. 23 pages. G L Harvey #5197937. Published by G L Harvey (A0.805867). This piano classic in C minor, second in the series of J S Bach's 48 Preludes & Fugues, has been arranged for Saxophone Quartet (Soprano, Alto, Tenor and Baritone). With concerts, recitals and wedding performances in mind, this arrangement will be popular with players and audiences alike. The Prelude has an irrevocable sense of momentum, only sated with a short cadenza like flourish and a final bout of arpeggios. The Fugue allows all four voices to develop and flourish after the forced regimentation of the Prelude. The difficulty level for the Prelude is about ABRSM grade 5-6 (there is also a substitute Soprano part on Alto to avoid some low C-Bb combinations if required), and the Fugue is a little higher. The PDF is 23 pages in length (portrait A4) and includes a full score and parts. The combined duration of the Prelude & Fugue is about 3 minutes 20 seconds.
$14.99
Prelude and Fugue II (BWV 847) for Woodwind Quartet
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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G L Harvey
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Prelude and Fugue II
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G L Harvey
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.805868 Composed by Johann Sebastian Bach. Arranged by...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.805868 Composed by Johann Sebastian Bach. Arranged by G L Harvey. Baroque,Concert,Graduation,Standards,Wedding. 20 pages. G L Harvey #5200665. Published by G L Harvey (A0.805868). This piano classic in C minor, second in the series of J S Bach's 48 Preludes & Fugues, has been arranged for Woodwind Quartet (Flute, Oboe, Clarinet and Bassoon). With concerts, recitals and wedding performances in mind, this arrangement will be popular with players and audiences alike. The Prelude has an irrevocable sense of momentum, only sated with a short cadenza like flourish and a final bout of arpeggios. The Fugue allows all four voices to develop and flourish after the forced regimentation of the Prelude. The difficulty level for the Prelude is about ABRSM grade 5-6 and the Fugue is a little higher. The PDF is 20 pages in length (portrait A4) and includes a full score and parts. The combined duration of the Prelude & Fugue is about 3 minutes 20 seconds.
$14.99
Prelude and Fugue
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Classical
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Clara Wieck-Schumann
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Norman Phillip Hart
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Prelude and Fugue
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Hathor Publications
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SheetMusicPlus
Woodwind Ensemble Bassoon,Clarinet,Horn,Oboe - Level 2 - Digital Download SKU: A0.1089373 Composed by Clara Wieck-Schumann. Arranged by Norman Phillip Ha...
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Woodwind Ensemble Bassoon,Clarinet,Horn,Oboe - Level 2 - Digital Download SKU: A0.1089373 Composed by Clara Wieck-Schumann. Arranged by Norman Phillip Hart. Classical,Romantic Period. 15 pages. Hathor Publications #693572. Published by Hathor Publications (A0.1089373). The final prelude and fugue of Clara Schumann's Three Preludes and Fugues, Op. 16, arranged for Oboe, Clarinet, French Horn, and Bassoon.
$6.00
Prelude and Fugue in G, BWV 541 for concert band
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Concert band
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ADVANCED
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Classical
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Garden City Winds
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Rudy Volkmann
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Prelude and Fugue in G, BWV 54
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Rudy Volkmann
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1222423 By Garden City Winds. By Johann Sebastian Bach. Arranged by Rudy Volkmann. Baroque. Score and P...
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Concert Band - Level 5 - Digital Download SKU: A0.1222423 By Garden City Winds. By Johann Sebastian Bach. Arranged by Rudy Volkmann. Baroque. Score and Parts. 106 pages. Rudy Volkmann #818679. Published by Rudy Volkmann (A0.1222423). This is one of Bach's major (but rarely heard) preludes and fugues. Â Inspired by the Eugene Ormandy recordings of other Bach works with the Philadelphia Orchestra in the 1960's, I have been tweaking this arrangement for concert band for over forty years - this final arangement is a wonderful vehicle for a good symphonic band.There is no percussion.
$60.00
Classical Finale for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Bob Delfausse
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Classical Finale for Brass Qui
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Robert Delfausse
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.766947 Composed by Bob Delfausse. Concert,Contemporary,Standards. Score and parts. 38 pages. Robert D...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.766947 Composed by Bob Delfausse. Concert,Contemporary,Standards. Score and parts. 38 pages. Robert Delfausse #2343373. Published by Robert Delfausse (A0.766947). This piece could be subtitled Homage to Haydn, as I found myself using many aspects of his musical language: clear phrasing and form, unexpected turns, ideas that develop into new ideas, sections of fugue, etc. I call it a finale because it has the same energy as most of his symphonies' final movements. It is suitable for advanced intermediate and professional quintets. It would work well anywhere in a recital, but especially at the end. Duration: 4 minutes, 39 seconds. .
$20.00
Fanfare, Fugue, and Chorale on CRUCIFER (Brass Choir with Optional Organ)
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Sacred music
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Jubal's Lyre Music
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Fanfare, Fugue, and Chorale on
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.1295595 By Jubal's Lyre Music. By Martin Dicke. 21st Century,Christian,Easter,Religious,Sacred. Score...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1295595 By Jubal's Lyre Music. By Martin Dicke. 21st Century,Christian,Easter,Religious,Sacred. Score and Parts. 66 pages. Jubal's Lyre Music Publishers #885890. Published by Jubal's Lyre Music Publishers (A0.1295595). This festive setting of “Lift High the Cross†(CRUCIFER) for Brass Choir (2 trumpets, 2 French horns, 2 Trombones, Euphonium, and Tuba) will inspire both audience and musicians alike. It is a programmatic telling of the story of the Christian church from the crucifixion and resurrection of Jesus Christ to the Last Day and the Church Triumphant revealed in the Book of Revelation. Cast into three rousing movements, the Fanfare is a celebration of the resurrection. The Fugue recounts the joys and struggles of the church on earth. In the final movement the Church Militant and the Church Triumphant join together in song. The work may be performed by brass alone or with organ. A choir and/or congregation may join in singing the final movement. The French Horn 1 part may be played by a trumpet and the Euphonium part may be played by a trombone or bass trombone. For more music and information, visit
$24.99
Contrapunctus XV from "The Art of Fugue" for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Classical
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Johann Sebastian Bach
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Ralph Sauer
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Contrapunctus XV from "The Art
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.792497 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Sco...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792497 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Score and parts. 27 pages. Gordon Cherry #4988365. Published by Gordon Cherry (A0.792497). J. S. Bach’s massive work, The Art of Fugue, is a summation of his powers as a composer of contrapuntal music. Each fugue is a masterpiece in its own right. Number 15 is an unfinished four-voice, quadruple fugue. Only the first three subjects are introduced, the third being a chromatic subject built from the letters of Bach’s name-B (B-flat), A, C, H (B-natural). Just at the point where all three subjects are combined, the manuscript breaks off, and C. P. E. Bach wrote in the score that the composer has died. Bach clearly intended that the original Art of Fugue theme was to be the final subject and all four themes would combine in a glorious climax. Whether he intended to finish the work or leave it up to others to complete is conjecture. About 8 minutes in length.
$22.50
St Anne Fugue (BWV 552)
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Classical
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Johann Sebastian Bach
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Andrew Henderson
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St Anne Fugue
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Andrew Henderson
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SheetMusicPlus
Small Ensemble Organ - Level 5 - Digital Download SKU: A0.850943 Composed by Johann Sebastian Bach. Arranged by Andrew Henderson. Baroque. Score and part...
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Small Ensemble Organ - Level 5 - Digital Download SKU: A0.850943 Composed by Johann Sebastian Bach. Arranged by Andrew Henderson. Baroque. Score and parts. 11 pages. Andrew Henderson #6658839. Published by Andrew Henderson (A0.850943). Bach's 'St Anne Fugue' in E flat, BWV 552, arranged for brass quintet and organ.The piece is a triple fugue; the first fugue is arranged for brass alone, and the third for organ and brass. The original organ version should be used alongside this arrangement; it can be found for free at https://bit.ly/BWV552. For the YouTube link, click on the final chapter, or on this separate link below:www.youtube.com/watch?v=hu327vCa9Yo&t=5382shttps://bit.ly/BWV552
$5.99
Prelude and Fugue in D Minor for Handbells
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Handbells
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INTERMEDIATE
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Vaclav Nelhybel
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Prelude and Fugue in D Minor f
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Hope Publishing - Digital
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SheetMusicPlus
Handbells (Handbells) - Level 3 - Digital Download SKU: H1.792DP Composed by Vaclav Nelhybel. Original, Education, General Worship. Handbell score. 8 pag...
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Handbells (Handbells) - Level 3 - Digital Download SKU: H1.792DP Composed by Vaclav Nelhybel. Original, Education, General Worship. Handbell score. 8 pages. Hope Publishing - Digital #792DP. Published by Hope Publishing - Digital (H1.792DP). An original composition This original composition was first printed in 1979. This original composition was first printed in 1979. The texture for both the prelude and fugue is open and flowing with chromatic lines and clear sections of varying textures. A circled accent symbol is used to denote the melody in the final passage of the fugue. It is 58 measures in length.
$6.25
Adagio & Fugue BWV 564 for 8-part Trombone Ensemble
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Trombone ensemble
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ADVANCED
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Classical
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Johann Sebastian Bach
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Ralph Sauer
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Adagio & Fugue BWV 564 for 8-p
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792784 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaiss...
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792784 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Score and parts. 48 pages. Gordon Cherry #6434581. Published by Gordon Cherry (A0.792784). Ralph Sauer has taken the final two sections of Bach's great organ composition Toccata, Adagio and Fugue in C major, BWV 564, and beautifully arranged them for 8-part Trombone Ensemble. It is about 9-minutes in length and appropriate for advanced performers.The Adagio is in two sections. The first is almost cheerful in its minor key, but the 2nd part Grave is very dark and brooding. It was used during a satanic ritual scene in the 1934 Karloff/Lugosi film The Black Cat.The Fugue is in 4-voices in 6/8 and bounces along nicely till its dramatic ending.
$32.50
Contrapunctus I - From The Art of The Fugue ~ BWV 1080
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Johann Sebastian Bach
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Alberto Mandarini
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Contrapunctus I - From The Art
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Alm@music
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructi...
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Level 3 - Digital Download SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. Alm@music #1065126. Published by Alm@music (A0.1488249). I transcribed Contrapunctus I from the Art of Fugue by Johann Sebastian Bach, faithfully respecting the work of the Great Maestro, intervening only to distribute the voices when impracticable by the individual instruments and to give some breathing space to the various performers. In fact, from 4 parts, I obtained 5 using a small doubling only in the final part.The choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the lineup I had available at the time I made the transcription. Luckily, the second trombone part fits perfectly with the original fourth voice (…except for one very brief point…).However, in the future, I don't rule out creating a version for the standard quintet too!On a didactic level, the choice of this piece was certainly ambitious, but the extraordinary thing is that through Bach's music (!!!) it was possible to address an enormous amount of musical nuances. This immediately fascinated my students, both young and old, who did not hesitate to get involved with all their strength and I must say that, at the end of the study path, each of them achieved a clear improvement both technically and, above all, expressive.But then it's no surprise, Bach's music is always extraordinary and surprising!The structure of the transcription is therefore the original one and the duration is around 2 minutes and 45 seconds. To the expected parts I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, decide whether to replace it or double it directly.Also in this case, the audio is made with the synthetic sounds of midi, therefore not particularly captivating, but it should still be useful for getting an idea of the arrangement and for studying the individual parts.Good music!am.
$4.99
Contrapunctus 19 from ' The Art of Fugue' By J.S.Bach BWV1080 For Clarinet Quartet.
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Clarinet Quartet: 4 clarinets
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ADVANCED
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Classical
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Johann Sebastian Bach
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Stephen Davies
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Contrapunctus 19 from ' The Ar
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - Digital Download SKU: A0.891916 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Ba...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - Digital Download SKU: A0.891916 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque. 47 pages. Stephen Davies #3480163. Published by Stephen Davies (A0.891916). The final composition of J.S.Bach is surprisingly triumphant, despite his demise just after bar 239. It's also a matter of scholarly conjecture that Bach wrote 'The Art of Fugue' for the keyboard, as some will argue that certain Contrapunctii (?!) are almost impossible to play, bearing in mind that the sustain pedal had yet to be invented. And thus, the most credible path would be that Bach wrote them as A) Academic exercises for study or B) To be played by a suitable ensemble. I'm going with the latter obviously! I include Donald Tovey's conclusion to the work, its brilliance is noted the world over, but surely not what Bach intended, but damn close!
$14.99
'Contrapunctus 19' By J.S.Bach BWV 1080 from 'The Art of the Fugue' for Saxophone Quartet.
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Classical
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Johann Sebastian Bach
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Stephen Davies
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'Contrapunctus 19' By J.S.Bach
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.891915 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.891915 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque. 49 pages. Stephen Davies #3480611. Published by Stephen Davies (A0.891915). The final composition of J.S.Bach is surprisingly triumphant, despite his demise just after bar 239. It's also a matter of scholarly conjecture that Bach wrote 'The Art of Fugue' for the keyboard, as some will argue that certain Contrapunctii (?!) are almost impossible to play, bearing in mind that the sustain pedal had yet to be invented. And thus, the most credible path would be that Bach wrote them as A) Academic exercises for study or B) To be played by a suitable ensemble. I'm going with the latter obviously! I include Donald Tovey's conclusion to the work, its brilliance is noted the world over, but surely not what Bach intended, but damn close! This Saxophone version is particularly LOUD!!, so, go make some noise!!
$14.99
Fugue für Streichquintett Opus. 1
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String Quintet: 2 violins, viola, cello, bass
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INTERMEDIATE/ADVANCED
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Classical
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Fabio Henrique Teles Martins
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Fugue für Streichquintett Opu
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Fabio Dentello
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.486726 Composed by Fabio Henrique Teles Martins (Dentello). Baroque,Cl...
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String Quintet Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.486726 Composed by Fabio Henrique Teles Martins (Dentello). Baroque,Classical,Romantic Period. 30 pages. Fabio Dentello #104830. Published by Fabio Dentello (A0.486726). This song was written between April and June, it was composed in fugue form, in which each voice is repeated in the first phrase, and then in free counterpoint. I had the first ideas for the main melody while I was at school, so I wrote them down and composed the development of that idea. I put a lot of effort into it and the final result impressed me a lot.
$20.00
Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
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String Orchestra
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Classical
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Maestoso and Fugue in D minor
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Upstream Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and...
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String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages. Upstream Music #6353295. Published by Upstream Music (A0.933521). Both the Adagio molto (Hess 40) and the unfinished, originally intended Fugue date from November, 1817. It was the publisher Tobias Haslinger who requested a prelude and fugue for a publication in line with works published earlier. Beethoven completed the prelude but with the fugue he stopped after merely four bars of music. The short original fugue theme was later inserted into the second part (Molto vivace) of the Ninth Symphony (Opus 125).The prelude (Beethoven did not give any time indication) starts with 37 bars of solemn music followed by 12 bars Allegro. In terms of form, rhythm, and key, this material shows great similarity to the Molto vivace from Opus 125 referred to above. The present version has been arranged for a string orchestra instead of for a string quintet, thus being the first publication which enables it to be performed in its entirety. In order to balance the foundation, I opted for introducing a contrabass part, which largely follows the cello part composed by Beethoven. As regards the phrasing, dynamics, and rests as well as the time indication, this publication follows those in Willy Hess’ publication. So the prescribed time ‘Adagio molto’ is not that of Beethoven himself.The arguments to link the Maestoso to the Fugue in D major (Opus 137) published later are multiple. In the first place, the Fugue also dates from 1817. Secondly, the key is the same as is the number of instruments for a string quintet with two separate alto parts. Not only does the original fugue theme start at the tone a, but the timing too is the same, that is 3/8. So it seems reasonable to assume that Beethoven intended both works as a couple.The abnormal rhythmics of the bars 38 up to and including 49 is remarkable. I have preserved it because the part has been authentically composed by Beethoven, while it did not seem logical to me to have it immediately followed by the Fugue completed by myself. I have composed a number of bars of music based on the beginning of the prelude by way of a smooth transition.In the Fugue, I closely adhere to Beethoven, at the same time introducing a contrabass part here as well, so as to support the cello. At a number of places in the score, Beethoven recorded neither music nor rests. This refers to the bars 5 (second viola and cello), 11, 12, 25 and 26 (first and second violins), 39 to 41 (all parts), 43 and 44 (all parts except the first violin), 45 (first viola) and finally 45 and 46 (second violin). As in Willy Hess’ publication, I have just inserted rests here.
$29.00
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