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876
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
... And Together We'll Find the Treasure
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Contemporary
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Caelan Chan
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... And Together We'll Find th
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Caelan Chan Music
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SheetMusicPlus
Instrumental Duet B-Flat Bass Clarinet,B-Flat Clarinet,Instrumental Duet - Level 5 - Digital Download SKU: A0.529310 Composed by Caelan Chan. Contemporar...
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Instrumental Duet B-Flat Bass Clarinet,B-Flat Clarinet,Instrumental Duet - Level 5 - Digital Download SKU: A0.529310 Composed by Caelan Chan. Contemporary. Score and parts. 15 pages. Caelan Chan Music #139709. Published by Caelan Chan Music (A0.529310). Duration: ca. 5'30 … And Together We’ll Find the Treasure is a duet for soprano clarinet and bass clarinet that musically depicts a story of my own creation. Each instrument represents two friends who go on an adventure to find treasure. Due to increasing irritation with each other, they fall out and end their friendship. While one of them finds the treasure, he cannot truly celebrate due to lingering sadness. Realizing how friendship is important to them both, they find each other again, reconcile, and share the treasure. This piece was an opportunity for me to depict a story through musical aspects and ideas like leitmotifs, key centers, and dialogue. Two principal themes appear in this piece: the Treasure Theme, which represents its namesake, as well as the Friendship Theme, which represents the bond between the two main characters. These two themes appear, twist and turn throughout the piece as our two main characters go through obstacles. Key centers also change as the friendship between the two main characters crumble and recover again.
$11.99
Beyond The Sea
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Choral SATB
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INTERMEDIATE/ADVANCED
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL P
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Tobi Crawford
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pag...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
Eye Of The Tiger
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Easy Piano
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BEGINNER
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Pop music
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Survivor
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Susan Staples Bell
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Eye Of The Tiger
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Susan Staples Mast Bell
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1041970 By Survivor. By Frank Sullivan and Jim Peterik. Arranged by Susan Staples Bell. Contest,Festival,...
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Easy Piano - Level 1 - Digital Download SKU: A0.1041970 By Survivor. By Frank Sullivan and Jim Peterik. Arranged by Susan Staples Bell. Contest,Festival,Film/TV,Instructional,Rock,Video Game. Score. 3 pages. Susan Staples Mast Bell #646756. Published by Susan Staples Mast Bell (A0.1041970). Eye of the Tiger, from Rocky III Multi Level Piano Ensemble By Frank Sullivan, Jim Peterik Arranged by Susan Staples Bell, ASCAP “Eye of the Tiger†is a song by the American Rock Band, Survivor, which rocketed to fame when it was released as the theme song for the 1982 movie, Rocky III. Now, it’s an all time favorite. Here’s a fresh new arrangement, that’s sure to please! Perfect for group lessons, recitals or just plain fun. Written in the Key of C minor, 4/4 time, BPM = Medium Rock, 102. Includes hand claps and some options to make younger parts easier. Piano Ensemble comes with Score and all Parts. This arrangement is for Easy Piano Solo. It is part of a Multi Level Piano Ensemble. Group Lessons and Piano Ensembles have been growing in popularity, and what a wonderful opportunity to bring everyone together. The beauty of this arrangement is how flexible it is: All the parts can be played together in 1 large group. Mix & match parts: Pianist 3 & 4 are a stand alone Duet. Pianist 5 is a stand alone Intermediate Solo. Pianist 1 is an Elementary Solo- and you can use the Secondo from the Duet or the included Teacher part for Accompaniment. Pianist 2 is an easier stand alone Late Elementary Solo. Don’t have an advanced student to play Intermediate Solo? Parts 1 - 4 cover all the parts on their own. FREE Backing Tacks included to aid in practicing for each part! Find them here: https://drive.google.com/drive/folders/1DMde4XYcP_xxLrIgEmTdEDcJxzTRcDsi?usp=sharing In this Multi Level Piano Ensemble, you’ll find: All parts get to enjoy the melody, some might need to learn it by rote, due to syncopation. Easy Piano: Simplified melody and minimal movement in Right hand. Left hand is optional, and when played, stays in Bass C position using whole notes. This part is written in C Major with accidentals. Late Elementary: Simplified melody, with some thirds, and minimal movement in Right hand. Left Hand accompanies with a drone bass in 5ths. This part is written in C Major with accidentals. Primo: Top half of the Duet. Straight up Melody the entire piece and is doubled in both hands. Secondo: Bottom half of the Duet. Low C position Power chords! (Open 5ths) really adds to the pounding Rock beat. Intermediate Solo/Teacher: This part gets all the fun! Is a stand alone Solo or the Leader of the group. Lots of Octaves in Left Hand and moving hand positions. But don’t worry, if you don’t have an Intermediate pianist, this part is covered in the Duet. Or use the Backing Track as a foundation for others to play with. This arrangement is available in 5 versions: Multi Level Piano Ensemble Easy Solo Late Elementary Solo Intermediate Duet Intermediate Solo Susan Staples Bell has been a Piano Instructor for over 30 years. In all her compositions, she strives to educate as well as delight. This is a Single Use License. Eye of the Tiger, from Rocky III Multi Level Piano Ensemble By Frank Sullivan, Jim Peterik Arranged by Susan Staples Bell, ASCAP Time length. (03.00). Perfect for Group Lessons. Recitals. Pop. Rock. Fun! There’s so much more to discover! For special SALE and FREE items check out: https://www.susanstaplesbellmusic.com/ Check out other compositions by Susan Staples Bell available on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/susan-staples-mast-bell-sheet-music/3014463?aff_id=563375.
$4.99
Beyond The Sea
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Piano solo
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INTERMEDIATE/ADVANCED
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Bobby Darin
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Tobi A Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Conte...
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Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
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Piano solo
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Contemporary
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Monica Bergo
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THE LAST MY FLOWER
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Moni Bergo
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1...
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Piano Solo - Digital Download SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch) I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night guard and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around us Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is I stop here It will end well I can not tell the end of a love that is not written yet I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already go wolf go stop thinking about her from your pack you will need to return and then runs away witch will if you want to transform changes role an actress who artand you will have new flowers day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far a fairy tale real or invented in between my hidden truth all my stories strange and weird over this skin are now tattooed I watc.
$5.00
The Crater of Doom
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Bassoon, Piano (duet)
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ADVANCED
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Martin J
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The Crater of Doom
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Martin J. Van Klompenberg
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SheetMusicPlus
Bassoon,Piano - Level 5 - Digital Download SKU: A0.1298041 Composed by Martin J. Van Klompenberg. 21st Century,Chamber,Classical. Score and part. 36 page...
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Bassoon,Piano - Level 5 - Digital Download SKU: A0.1298041 Composed by Martin J. Van Klompenberg. 21st Century,Chamber,Classical. Score and part. 36 pages. Martin J. Van Klompenberg #887947. Published by Martin J. Van Klompenberg (A0.1298041). Prior to the 1990s, there was no unified theory on what caused the extinction of thedinosaurs. Could it have been changes in the weather? Disease? Geologicalchange? Then came Dr. Walter Alvarez! Dr. Alvarez discovered a thin layer of themineral iridium found in sedimentary rocks that were roughly 65 million years old.Knowing that iridium only comes from a meteor, he set out to find the source, acrater in the Yucatán peninsula of Mexico called Chicxulub. In 1991, Dr. Alvarezwrote a book called T.Rex and the Crater of Doom, describing the scientificjourney to most widely accepted theory about the demise of the dinosaurs.The Crater of Doom is inspired by this text. Although we think of the demise of thedinosaurs as a singular event (In a geological sense, this is sort of true.), it reallyoccurred over thousands, and perhaps, millions of years. I wanted this piece todepict these events. In four movements, played without a break, one can hear leadup to the initial impact of the meteor strike, its aftermath, a lonely hunt by one ofthe last survivors, and the sunset of the dinosaur era.
$25.00
The Harvest of the Earth (See How Brown Autumn Spreads the Fields) [Lead Sheet Version]
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C Instruments
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INTERMEDIATE
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Sacred music
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Stacey Plays Hymns
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Anastace
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The Harvest of the Earth
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Anastace
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1381727 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Historic,Praise &...
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C Instrument - Level 3 - Digital Download SKU: A0.1381727 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Historic,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 4 pages. Anastace #966363. Published by Anastace (A0.1381727). Here is the lead sheet version of the hymn, The Harvest of the Earthâ€, as heard on my YouTube channel and requsted by listeners. Originally titled “See How Brown Autumn Spreads the Fieldsâ€, this song is so rare that I couldn’t find any music for it online, and therefore wrote a new melody and accompaniment for it that captures the the solemnity and even anguish of the lyrics. It’s one of the songs of harvest off of my album entitled “Hymns of Autumnâ€, but doesn’t talk about harvest in the traditional sense we normally sing about these days.Not many talk about the judgement of God in today’s church, and this hymn will send chills down the spine of the most devout believer as we realize the full spectrum of God's character, including His wrath and power on Judgement Day. I found this in an old hymnal that was so old that the “Sâ€s were still written as “Fâ€s, and I had to squint to read it while learning to sing for this recording. I hope this ancient and powerful hymn finds a place to minister to today's church and believers around the world, perhaps after a sermon on God’s judgement, or for a Lent or Advent service about repentance and turning to God, both individually and as a nation.This version is in B Minor to match the original recording, and includes the chords for the whole song including the reharmonized verse with a different melody.Also available, by searching Stacey Plays Hymns and the song title on this site is the full piano vocal arrangement as played in the original recording.For other formats including large print, simplified, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00
The Harvest of the Earth (See How Brown Autumn Spreads the Fields)
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Piano, Voice
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INTERMEDIATE
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Sacred music
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Stacey Plays Hymns
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Anastace
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The Harvest of the Earth
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Anastace
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1381714 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Historic,Pra...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1381714 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Historic,Praise & Worship,Religious,Sacred. Score. 5 pages. Anastace #966349. Published by Anastace (A0.1381714). Here is the full piano vocal arrangement of The Harvest of the Earthâ€, as heard on my YouTube channel and requsted by listeners. Originally titled “See How Brown Autumn Spreads the Fieldsâ€, this song is so rare that I couldn’t find any music for it online, and therefore wrote a new melody and accompaniment for it that captures the the solemnity and anguish of the lyrics. It’s one of the songs of harvest off of my album entitled “Hymns of Autumnâ€, but doesn’t talk about harvest in the traditional sense we normally sing about these days.Not many talk about the judgement of God in today’s church, and this hymn will send chills down the spine of the most devout believer as we realize the full spectrum of God's character, including His wrath and power on Judgement Day. I found this in an old hymnal that was so old that the “Sâ€s were still written as “Fâ€s, and I had to squint to read it while learning to sing for this recording. I hope this ancient and powerful hymn finds a place to minister to today's church and believers around the world, perhaps after a sermon on God’s judgement, or for a Lent or Advent service about repentance and turning to God, both individually and as a nation.This version is in B Minor to match the original recording, and includes the full piano accompaniment as played in the recording. Also available, by searching Stacey Plays Hymns and the song title on this site is a lead sheet version for those who prefer to play off a chart.For other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
The Dream Of Olwen
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2 Guitars (duet)
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INTERMEDIATE
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Pamela Page
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Derek Hasted
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The Dream Of Olwen
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797782 By Pamela Page. By Charles Williams and Cheri Williams. Arranged b...
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797782 By Pamela Page. By Charles Williams and Cheri Williams. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 24 pages. Derek Hasted #5790447. Published by Derek Hasted (A0.797782). THE DREAM OF OLWEN - One of two GUITAR DUETSFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes I have made two arrangements of this lovely piece. This edition contains the more accessible arrangement - ideal for an intermediate duo or a student/teacher duo. Visit my website (below) to easily find the other version.This fantastic piece was written as an integral part of the film 'While I Live', and such is the power and emotion in the music, it has achieved a recognition that has far outlasted the film.My arrangement for two guitars captures all of the original, fiendishly difficult, piano composition, but uses the sweet tone of the guitar to add quality, rather than quantity, to the notes, creating a soundscape that works effectively and makes a wonderful concert piece lasting almost 4 minutes.The centre section has a simpler accompaniment than the original to avoid an overly fussy and unsatisfactory sound. Elsewhere the accompaniment is less rhythmically busy than the original, yet the chords are retained.There are two arrangements in this one edition...Version 1 allocates the music to the players as if they were the left and right hands of the piano piece - ideal for a duo in which one player is technically stronger than the other (for example a student/teacher duet).Version 2 swaps the roles around at the phrase boundaries and suits a well-matched duo.The choice of which you play is yours...The arpeggios are fingered because they generally only work well in one position. The melody, by contrast, is unfingered; it is chromatic and so there is no place on the neck where all the notes are accessible. It’s really a matter of personal choice where you change position and whether you prefer to stay high up the neck or venture down to get a brighter tone.Dedicated to the memory of my maternal grandmother Olwen
$4.99
The Star of Bethlehem
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Choral Unison
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Christmas
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Gregg Sewell
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The Star of Bethlehem
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Triune Music Inc
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SheetMusicPlus
Unison/2-part choir - Digital Download SKU: LX.65-1902K A Christmas Musical for Unison or Two-part. Composed by Gregg Sewell. Choral Cantatas. Chr...
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Unison/2-part choir - Digital Download SKU: LX.65-1902K A Christmas Musical for Unison or Two-part. Composed by Gregg Sewell. Choral Cantatas. Christmas. 44 pages. Triune Music Inc #e65/1902K. Published by Triune Music Inc (LX.65-1902K). UPC: 000308046250. Text: Grace Hawthorne.Star is a homeless child on the streets of Bethlehem, and she (or He)bears this name because her street show is the means by which she earns enough money to eat. Elated that the census is bringing larger crowds of people to town, Star faces a dilemma when she meets a young couple unable to find lodging for the night. Should Star share her sacred place behind an inn at Bethlehem? Before the music concludes, Star discovers the real star of Bethlehem-Jesus, the newborn Messiah. High energy music and easy-to-learn speaking parts combine to make this a delightful experience for young choristers. Duration is approximately 45 minutes.
Song List
: A Miracle Is Coming Rejoice With Exceeding Taxes Thats All I Ask The Star Of Bethlehem Theres A Brand New Star In Bethlehem
$8.95
Embracing the Comfort Zone [piano solo]
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Piano solo
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EASY
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Iannis Eralos
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composer href=http://www
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Embracing the Comfort Zone [pi
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Juan Maria Solare
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SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.1270300 By Iannis Eralos. By Juan MarÃa Solare. 21st Century,Classical,Contemporary,Instructional,New ...
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Easy Piano - Level 2 - Digital Download SKU: A0.1270300 By Iannis Eralos. By Juan MarÃa Solare. 21st Century,Classical,Contemporary,Instructional,New Age. Score. 5 pages. Juan Maria Solare #862734. Published by Juan Maria Solare (A0.1270300). Juan MarÃa Solare: Embracing the Comfort Zone, for piano solo [en Castellano debajo]Tons of motivational speeches suggest, or rather order, to leave the comfort zone in order to achieve success. I dare to relativize this idea. In the comfort zone, one feels safe and in control. It is the realm of mastery, the place where we perform at our best. When in your comfort zone we can carry out tasks with ease and precision. Discomfort is not a measure of growth. Stress hampers creativity. While stress might be necessary in some situations to combat stagnation, life itself constantly pushes us outside our comfort zone.The comfort zone is not the enemy, it's not a trap. Instead, it can be our ally, a place where we can safely build with a solid foundation. And if you have the feeling it's not large enough, you can expand it.Oh, I forgot to mention that this is a quiet piano piece! In neoclassical style.Find the audio here: https://gyro.to/EmbracingtheComfortZoneJuan MarÃa SolareWorpswede, Germany, 25 July 2023Montones de discursos motivacionales sugieren, o más bien ordenan, abandonar la zona de confort para alcanzar el éxito. Me atrevo a relativizar esta idea. En la zona de confort uno se siente seguro y en control. Es la región de la maestrÃa, el lugar donde rendimos al máximo. En la zona de confort podemos realizar tareas con facilidad y precisión. La incomodidad no es un baremo del crecimiento. El estrés obstaculiza la creatividad. Aunque el estrés pueda ser necesario en algunas situaciones para combatir el estancamiento, ya la vida misma nos empuja constantemente fuera de nuestra zona de confort.La zona de confort no es el enemigo, no es una trampa. En cambio, puede ser tu aliada, un lugar donde se puede construir en seguridad y con bases sólidas. Y si uno siente que no es lo suficientemente grande, se la puede expandir.¡Ah, se me olvidó mencionar que esta es una calma pieza para piano! En estilo neoclásico.Hallen la música aquÃ: https://gyro.to/EmbracingtheComfortZoneJuan MarÃa SolareWorpswede, Alemania, 25 de julio de 2023.
$2.00
The Holly and the Ivy, piano solo
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Piano solo
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INTERMEDIATE
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Christine Brown
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Christine Brown
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The Holly and the Ivy, piano s
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Christine Brown
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.843980 Composed by Christine Brown. Arranged by Christine Brown. Christmas,Concert,Holiday,New Age. Score...
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Piano Solo - Level 3 - Digital Download SKU: A0.843980 Composed by Christine Brown. Arranged by Christine Brown. Christmas,Concert,Holiday,New Age. Score. 6 pages. Christine Brown #6601327. Published by Christine Brown (A0.843980). A gorgeous solo piano arrangement of the classic Christmas carol, arranged in a modern classical, new age style by Christine Brown.Christine Brown is a Kawai Piano Artist and award-winning composer of the new age, modern classical solo piano genre. Christine has released many albums that include original music, Christmas arrangements, as well as cover songs and children's music. Her unique cover song arrangements are popular with many generations, often blending pop/rock with classical. Awarded Best Solo Piano Album 2014 for her original compositions on the CD Souvenirs, two other albums were also nominated for the prestigious award by Solo Piano Radio.com, for Promise and The Wishing Well. A unique collection of mashup cover songs, Seamless was awarded Best Pop/Rock Solo Piano Album 2016 by SoloPiano.com, blending classical pieces into a pop/rock seamless arrangements of timeless classics, followed by Timeless, the second cover collection. Christine's holiday CD, A Classic Christmas was named 2012 Favorites List by MainlyPiano.com.You can find Christine Brown on Spotify, Pandora, iTunes and Amazon, as well as visit her website at https://www.christinebrownpiano.com/Since the young age of three, Christine has been fascinated by the piano. Receiving the highest honors given by the Guild National Piano Auditions, Christine's childhood classical training is evident in her melodic and thematic compositions, while rich harmonies reflect her background in accompanying various choral groups. From Chopin to Joplin, her influences were varied and many, and she also enjoyed creating her own arrangements of popular songs. While earning a business degree at the University of Colorado Boulder, Christine was inspired by George Winston's new age genre of solo piano, yet the piano remained only a hobby for many years. In 1990, my mother requested a cassette tape of my piano music for her birthday, so I went to a local recording studio. It was then that I rediscovered my passion for playing the piano, and I realized my gift to her was really her gift to me. Sadly, her mother passed away just months later. Christine immersed herself into the piano to comfort her grief and voice her emotions, releasing heartfelt compositions that captured listeners. Christine's fans have written, There is a richness to your sound, a refined elegance and passionate intelligence that could only come from working hard at your craft, and ...her music is vibrant, colorful and full of life. Skilled at the art of blending chords and note progressions into beautiful aural tapestries, her music is at once a welcome retreat from the mundane and ordinary. Her emotions come through her music...and through her music, she is able to reach out and touch the hearts of millions of appreciative piano music fans.COMPOSER.
$5.99
The Bare Necessities
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Piano solo
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EASY
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Walt Disney
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the way, there are a few bars
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Terry Gilkyson
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Thomas Gunther
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The Bare Necessities
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thom...
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Piano Solo - Level 2 - Digital Download SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music Productions #869433. Published by Thomas Gunther Music Productions (A0.1277927). About the arrangement(See also (PopJazzKeys.com/The-Bare-Necessities)This is a relatively easy to play solo piano jazz arrangement of THE BAR NECESSITIES. The song is a traditional jazz tune made famous in the Walt Disney movie THE JUNGLE BOOK. The video and audio recording I posted here features me playing the short version of my arrangement. When played as written (with all the repeats) it is almost 4 minutes long.What's cool about this arrangement is that you can easily add a bass player and even an entire rhythm section while playing it the same way as you would in a solo performance!Who this arrangement is best suited forI think everyone who likes the song except perhaps advanced jazz pianists will have fun learning and playing this arrangement. I arranged this piece originally with my younger piano students in mind, who have smaller hands than most adults. That’s why there are no large intervals or big jumps in the left hand. Something generally found in ragtime and early jazz piano styles. This means that my arrangement is perfectly suited for pianists with smaller hands. Of course pianists with large hands (like myself) can play it too (ha-ha!).I think it is also a great piece for pianists who want to familiarize themselves with playing jazz piano. And since I wrote out every note and articulation, they can play along with the recording and hopefully pick up the traditional jazz feel along the way.Although the arrangement is not very difficult, it poses several challenges for the inexperienced pianist, as explained later.How I arranged itAs I already explained above, there are no large intervals or big jumps in the left hand to be found. Instead, I focused more on polyphonic arranging techniques, in both hands. I also used guide tones and inversions.The left hand imitates the accompaniment style of a traditional jazz guitar or banjo player with added half time bass figures that are typically played by a tuba or upright bass an octave lower. Tips for how to learn this arrangementWhen I teach this song to my students I strongly recommend to them to listen to the original version and my recording a lot, rather than explaining to them how swinging eighth notes and jazz articulation work. By the way, there are a few bars where you hear me playing straight eighths on the recording (as indicated in the sheet music). I decided to add articulations so that pianists who have not a lot of experience with playing jazz will find it easier to play it with the appropriate “touchâ€. It's a good idea to check those out.Should you not be familiar with playing polyphonic passages with one hand, you might want to practice very slowly at first and attempt to balance the different voices appropriately. Listening to the recording will also help with discovering dynamic possibilities. I didn’t want to clutter up the sheet music with dynamic markings, so listening to the recording is really the only way to figure out what dynamics I had in mind.
$4.99
BRODERIP AND WILKINSON’S Complete Treatise for the VIOLONCELLO
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Cello
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BEGINNER
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BRODERIP AND WILKINSON
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Aaron Sinnett
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BRODERIP AND WILKINSON’S Com
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Aaron Sinnett
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SheetMusicPlus
Cello Solo - Level 1 - Digital Download SKU: A0.1081749 Composed by BRODERIP AND WILKINSON. Arranged by Aaron Sinnett. Baroque,Classical,Instructional,Tr...
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Cello Solo - Level 1 - Digital Download SKU: A0.1081749 Composed by BRODERIP AND WILKINSON. Arranged by Aaron Sinnett. Baroque,Classical,Instructional,Traditional. Individual part. 49 pages. Aaron Sinnett #685876. Published by Aaron Sinnett (A0.1081749). This arrangement is really just a transcription of the original in order to make the text and the music readable. The original publication from c. 1800 is in landscape orientation and is somewhat illegible. This transcription orients the book in Portrait and renders ALL text and music easy to read. There is nothing added or taken away from the original text with the exception that I have a repeated 10 Easy Lessons in which the lessons are spaced farther apart. I have included a Preface and fashioned a Table of Contents, which is not in the original, that both come prior to the book proper. You can find the original at IMSLP if you are interested in making a comparison. https://imslp.org/wiki/Broderip_and_Wilkinson's_Complete_Treatise_for_the_Violoncello_(Various) The audio sample is from The Madrigal a folk tune for cello duet.
$4.99
Where the Story Begins
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Piano solo
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INTERMEDIATE
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New Age
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Jennifer Oleksy
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Where the Story Begins
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Jennifer Oleksy
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1456693 By Jennifer Oleksy. By Jennifer Oleksy. New Age. Score. 3 pages. Jennifer Oleksy #1035762. Publis...
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Piano Solo - Level 3 - Digital Download SKU: A0.1456693 By Jennifer Oleksy. By Jennifer Oleksy. New Age. Score. 3 pages. Jennifer Oleksy #1035762. Published by Jennifer Oleksy (A0.1456693). This song was inspired by Patti Callahan's novel, Once Upon a Wardrobe. If this book had a soundtrack, this is my idea of it. It's a story of faith - faith in finding meaning, faith in a beloved story, and faith even in the face of loss. The song reflects the magic inherent in the stories of Narnia (Callahan's novel centers around C.S. Lewis' The Chronicles of Narnia) and the hope of an ailing little boy to find out where the story comes from. It lends emphasis to the idea that although the Narnia stories are fiction, there is indeed much to be found therein that IS real. And as a young mathemetician surprises herself to find meaning in something not based in logic, so does the listener realize that even when we think we have found the truth of where the story begins, we are only just beginning and there is more to find.
$4.99
I Come to the Garden (In the Garden) - Organ solo
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Organ
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INTERMEDIATE
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Charles Austin Miles
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KATHLEEN HOLYOAK
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I Come to the Garden
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Kathleen Holyoak
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.1458588 Composed by Charles Austin Miles. Arranged by KATHLEEN HOLYOAK. Christian,Easter,Praise & Worship,Reli...
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Organ - Level 3 - Digital Download SKU: A0.1458588 Composed by Charles Austin Miles. Arranged by KATHLEEN HOLYOAK. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 4 pages. Kathleen Holyoak #1037515. Published by Kathleen Holyoak (A0.1458588). This famous and beloved old song, written by Charles Austin Miles in 1912, is often sung at funerals and was inspired by John, Chapter 20 in the Bible where Mary goes to the Garden Easter morning and finds the tomb of Jesus empty. Mary is distraught but then she hears a voice and realizes it is the voice of Jesus and not the gardener. Upon many requests, the arranger, Kathleen Holyoak, has written this as an organ solo, having previously published it for vocal solo and instrumental versions. This is one title every organist needs to include in their library or organ music. The words are inspiring and can be printed in a program as follows:I come to the garden alonewhile the dew is still on the roses,and the voice I hear falling on my earthe Son of God discloses.And he walks with me, and he talks with me,and He tells me I am his own;and the joy we share as we tarry there,none other has ever known.
$5.99
Hope Prevails
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Brass ensemble
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His Own Hand - 4:26 in length:
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Arwyn Bailey
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Hope Prevails
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Galactic Publishers Limited
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galacti...
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Brass Ensemble - Digital Download SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Limited #3382201. Published by Galactic Publishers Limited (A0.1028133). Hope PrevailsThe composition consists of six movements and is for a Brass Quintet with guest instrumentalists of Oboe, Violin, Viola and Soprano voice.The piece explores the moods that many encounter as they go through life from loneliness through to elation. the composers brother experienced these extreme emotions and it resulted in him taking his own life. This piece is dedicated to his memory.The MP3 contains a very short extract from each movement that is a direct download from computer composition software and is therefore not of great quality.The composer is looking for a group to record this piece. Please get in touch if you wish to be part fo a collaborative project perhaps as a school, college, university or other group.The Struggle of the night - 4:09 in length:The first movement commences with sonorous chord sequences and quickly moves to a lively section. The piece incorporates the tune of the Welsh National Anthem along with the hymn tune Cwm Rhondda. The movement moves between the despair and loneliness of the night that one can feel, even when sleeping next to a close partner, and the racing desperation of the mind, whereby patriotic affiliations will calm the soul at these times. the movement finishes with the tune of Land of my father's resonating but even this is of no comfort, and the troubled mind lies awake and the movement finishes with a flurry of discord.The Solitude - 5.34 in length:The movement begins with a haunting melody led by the Oboe. the Horn soon joins in as do other instruments of the quintet. A simple Gregorian type rhythm and chant passes through the quintet with the Oboe leading the movement.Crescendos and attacked notes give the piece a rise and fall showing the mood of the soul that alternates between a calm and a peak of mood as sleep is hard to come by and a restless state is invoked.It appears that the oboe will be leading the soul into peace yet, at the last moment, the quintet joins in with chords of attack and crescendo followed by a sharp diminuendo to end the piece.The soul has sought solace, yet, all they find is loneliness.Brad's Broadcast - 3:01 in length:The restless soul awakes after a restless night. The world is full of voices, advice, motivation and answers.In this lively movement, the soul searches for solace and finds sense from some sources, yet, the cacophony of contrary advice and the nature of some disciples of business and life coaches becomes confusing. there are some real gems of advice available, but, the noise of others drowns out the sense and sanity.The soul manages to find some humour in the forums and media, they smile, but the relief is short lived.The movement ends with all voices descending away in a glissando and silence is restored.By His Own Hand - 4:26 in length:This movement reflects the desperation of the soul. they have sought solace, humour has passed them by, they do not feel that they can continue to live.The piece starts with a cadenza played by a viola. A violin soon duets in this Jewish styled lament.Throughout the movement the brass are spartan, reflecting the confusion of the soul. The ability to cling onto the world and to continue living is a losing battle.The waves of the lament increase in their presence, but not velocity, for the depressed souul is reaching the point of no return and of no choice.They will soon depart from the world by their own hand. The end ofthe movement is a descent and a unifying discordant sound as the soul leaves.Dreaming of Heaven - 2:31 in length:The soul is now rising and an ancient Celtic tune accompanies the soul in the form of a Soprano voice singing words of hope and light.The soul's path is lit and the ancient bell of.
$5.00
Dancing In The Street
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Contemporary
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Martha And The Vandellas
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Ben Trigg
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Dancing In The Street
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OlivePress Music
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SheetMusicPlus
Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1002406 By Martha And The Vandellas. By Ivy Hunter, Marvin Gaye, and...
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Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1002406 By Martha And The Vandellas. By Ivy Hunter, Marvin Gaye, and William Stevenson. Arranged by Ben Trigg. Contemporary. 8 pages. OlivePress Music #6644209. Published by OlivePress Music (A0.1002406). Chord chart with horn cues for the band leader, and parts for Alto and Tenor Sax, Trumpet in Bb and Trombone (not all parts need to be covered to make an effective horn section). These charts are intended for use in function bands where the band leader can call the arrangements on the fly, therefore exact structures are not always fully represented, but often indicated through general verbal instructions. Used in real life with my function band, the staff size is great for low-light situations on paper or for displaying on a tablet smaller than A4.Find the complete 'For Pop Covers' catalogue from OlivePress Music at https://olivepressmusic.com/for-pop-covers/
$12.99
Blame It On The Boogie
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Contemporary
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David Jackson-Rich, Elmar Kroh
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Ben Trigg
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Blame It On The Boogie
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OlivePress Music
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SheetMusicPlus
Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1002404 Composed by David Jackson-Rich, Elmar Krohn, Hans Kampschroe...
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Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1002404 Composed by David Jackson-Rich, Elmar Krohn, Hans Kampschroer, Michael Jackson-Clark, and Thomas Meyer. Arranged by Ben Trigg. Contemporary. 7 pages. OlivePress Music #6644201. Published by OlivePress Music (A0.1002404). Chord chart with horn cues for the band leader, and parts for Alto and Tenor Sax, Trumpet in Bb and Trombone (not all parts need to be covered to make an effective horn section). These charts are intended for use in function bands where the band leader can call the arrangements on the fly, therefore exact structures are not always fully represented, but often indicated through general verbal instructions. Used in real life with my function band, the staff size is great for low-light situations on paper or for displaying on a tablet smaller than A4.Find the complete 'For Pop Covers' catalogue from OlivePress Music at https://olivepressmusic.com/for-pop-covers/
$12.99
The Door
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Choral SATB
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INTERMEDIATE/ADVANCED
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Carter Datz
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The Door
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Carter Datz
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1415908 Composed by Carter Datz. 21st Century,Classical,Contemporary,Thriller. 11 pa...
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1415908 Composed by Carter Datz. 21st Century,Classical,Contemporary,Thriller. 11 pages. Carter Datz #997602. Published by Carter Datz (A0.1415908). The Door weaves a story of someone who feels stuck - they'd like to make a change in their life but it's easier to stay inside their comfort zone, far away from the fear monster that guards the door. Eventually they decide to stand and go through the door, but they find themselves unable to vanquish the fear monster. They realize that the only way through is by accepting their fear! The moral of the story is that true courage isn't the absence of fear - it's being scared out of your mind and making the tough decision anyway. I wrote this piece in collaboration with the Wentzville Liberty Chamber Choir - the students came up with the idea for the piece and contributed lyric and musical ideas. They wanted a roller coaster of a piece, and I did my best to deliver.
$2.99
It's Hard to Find a Real Nice Man
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Piano, Voice
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Terry Sherman
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It's Hard to Find a Real Nice
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.6988 Composed by Terry Sherman. Portraits, Couples, Drapery, Parlors, Courtship. Lester S. Levy Collection. 4 ...
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Piano and voice - Digital Download SKU: LV.6988 Composed by Terry Sherman. Portraits, Couples, Drapery, Parlors, Courtship. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6988). It's Hard to Find a Real Nice Man. Lyrics by Arthur Gillespie. Music by Terry Sherman. Published 1909 by Gus Edwards Music Pub. Co., 1531 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Couples, Drapery, Parlors, Courtship. First line reads I wish that I could find a man that had a little sense.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Prayers from the Ark
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Alfred Koerppen
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Prayers from the Ark
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Möseler Verlag
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SheetMusicPlus
Female choir (SSAA) and instruments - level 4 SKU: M2.MOS-69449-01 Composed by Alfred Koerppen. Choral score. Möseler Verlag #MOS 69449-01. Published ...
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Female choir (SSAA) and instruments - level 4 SKU: M2.MOS-69449-01 Composed by Alfred Koerppen. Choral score. Möseler Verlag #MOS 69449-01. Published by Möseler Verlag (M2.MOS-69449-01). ISBN 9790203755685.1955 erschien aus der Hand der franzosischen Nonne Carmen Bernos de Gaszold ein Gedichtband unter dem Titel Prieres dans l'Arche - Gebete aus der Arche. Diese Gebete werden den Tieren in den Mund gelegt, die mit Noah, in der drangvollen Enge der Arche vereint, das Ende der Sintflut erwarten. Die Dichterin folgt einer Tradition - man denkt an Asop, La Fontaine und Goethe - wenn sie im Wesen der Kreaturen Spiegelungen menschlicher Schwachen, Fehler und Tugenden erkennt. Denn die in der Wasserwuste gefangenen Tiere reden so fromm, furchtsam, selbstgerecht und banal, wie es menschlich ware. Und auch das Allzumenschliche - Hoffart, Leichtsinn, Neid - kommt zu Wort. Nur dass die Ichbefangenheit der betenden Tiere ihrer Unschuld keinen Abbruch tut. Ihre bedingte und bedrangte Natur findet Gedanken, die uns ein sympathisierendes Lacheln abgewinnt. Der Zyklus schien mir zur Vertonung geeignet, weil er ein religioses Thema unpratentios und originell vortragt und ein Stuck ermoglicht, das die ubliche Trennung zwischen weltlich und geistlich uberschreitet und Konzertsaal und Kirche in Anspruch nehmen kann. Zur Besetzung: Der Frauenchor muss aus den vier ublichen Stimmlagen 1. und 2. Sopran, 1. und 2. Alt bestehen, wobei auch noch Stimmteilungen vorkommen. In Nr. 9 Gebet der Taube wird noch ein (aus dem Chor zu bildendes) Soloquartett gebraucht. Der Instrumentalpart besteht aus einer Oboe und einem Streicherquintett (1. und 2. Violine, Viola, Violoncello und Kontrabass). Die Besetzung soll solistisch sein, kann aber bei den Streichern (und wenn die Klangbalance zum Chor dies wunschenswert macht) zu einem kleinen Kammerorchester erweitert werden. Der Charakter der Instrumente, ihre Techniken und Farben, erlauben mir realistische Klangmetaphern und physiognomische Parallelen - so, wenn das Cello im Duett mit dem Alt die hochmutige Giraffe in grossintervalligen Sprungen deutet, die rasende Geschaftigkeit der Ameise sich in schnellen Violinbariolagen ausdruckt oder die Oboe ein naturalistisches Rabengekrachz horen lasst. Der Zyklus beginnt mit dem Gebet des Noah. Man stelle sich das Gedrange und Geschrei vor, dass die Arche erfullt, die hochgehenden Wogen, den prasselnden Regen, und mitten darin den Urvater Noah, dem sich der Ausruf entringt: Herr, was fur ein Zirkus! Seine Ausbruche korrespondieren mit dem auf- und niederwogenden Streichersatz, bis der Sturm sich legt, die Wogen sich glatten und Noah in der mehrmals gedehnten Phrase Es dauert lange seine Ergebung und Hoffnung ausdruckt. Nach dem pharisaischen Gebet der Giraffe ergreift die Schildkrote das Wort. Ihr Instrument ist die Bratsche. Ihre schnaufende Kurzatmigkeit hindert sie, ihr Gebet zusammenhangend zu sprechen. Der fleissigen Ameise - sie erbost sich sehr uber die Grille, deren Wirtshausmusik sie unterbricht - folgt der Hahn mit hellen und scharfen Tonen. Er ist es, der die Sonne aufgehen lasst; man kann es in dem sich auffaltenden Klang der Coda horen. Der vergessliche Schmetterling taumelt in immer neu variierten Oboenfiguren durch die glasernen Sommerklange von Streicherflageoletts, bis es ihm einfallt, was er sagen wollte: Amen. Das Schwein bekennt sich zu seiner schnuffelnden und grunzenden Natur, die, von den Streichern mit rauhem Bogendruck gezeichnet, in der Coda durch eine stille F-Dur-Kantilene eine sonderbare Verklarung erfahrt. Vor uns die Sintflut ruft der Rabe, und sein durchdringender Oboenschrei ubertont das Wogen und Schwanken der Streicher, die hier Motive aus dem Gebet des Noah wieder aufnehmen. In der darauf eintretenden Stille bieten die Instrumente verschiedene Themen an, die folgenlos verschwinden - um nach dem Altsolo Die Arche wartet sich in einem ruhig-feierlichen a-cappella-Satz mit alternierendem Soloquartett wieder zusammenzufinden und das Werk in reinem Es-Dur beschliessen. Alfred Koerppen.
$11.95
Prayers from the Ark
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Alfred Koerppen
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Prayers from the Ark
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Möseler Verlag
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SheetMusicPlus
Female choir (SSAA) and instruments - level 4 SKU: M2.MOS-69449 Composed by Alfred Koerppen. Score. 56 pages. Möseler Verlag #MOS 69449. Published by ...
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Female choir (SSAA) and instruments - level 4 SKU: M2.MOS-69449 Composed by Alfred Koerppen. Score. 56 pages. Möseler Verlag #MOS 69449. Published by Möseler Verlag (M2.MOS-69449). ISBN 9790203755678.1955 erschien aus der Hand der franzosischen Nonne Carmen Bernos de Gaszold ein Gedichtband unter dem Titel Prieres dans l'Arche - Gebete aus der Arche. Diese Gebete werden den Tieren in den Mund gelegt, die mit Noah, in der drangvollen Enge der Arche vereint, das Ende der Sintflut erwarten. Die Dichterin folgt einer Tradition - man denkt an Asop, La Fontaine und Goethe - wenn sie im Wesen der Kreaturen Spiegelungen menschlicher Schwachen, Fehler und Tugenden erkennt. Denn die in der Wasserwuste gefangenen Tiere reden so fromm, furchtsam, selbstgerecht und banal, wie es menschlich ware. Und auch das Allzumenschliche - Hoffart, Leichtsinn, Neid - kommt zu Wort. Nur dass die Ichbefangenheit der betenden Tiere ihrer Unschuld keinen Abbruch tut. Ihre bedingte und bedrangte Natur findet Gedanken, die uns ein sympathisierendes Lacheln abgewinnt. Der Zyklus schien mir zur Vertonung geeignet, weil er ein religioses Thema unpratentios und originell vortragt und ein Stuck ermoglicht, das die ubliche Trennung zwischen weltlich und geistlich uberschreitet und Konzertsaal und Kirche in Anspruch nehmen kann. Zur Besetzung: Der Frauenchor muss aus den vier ublichen Stimmlagen 1. und 2. Sopran, 1. und 2. Alt bestehen, wobei auch noch Stimmteilungen vorkommen. In Nr. 9 Gebet der Taube wird noch ein (aus dem Chor zu bildendes) Soloquartett gebraucht. Der Instrumentalpart besteht aus einer Oboe und einem Streicherquintett (1. und 2. Violine, Viola, Violoncello und Kontrabass). Die Besetzung soll solistisch sein, kann aber bei den Streichern (und wenn die Klangbalance zum Chor dies wunschenswert macht) zu einem kleinen Kammerorchester erweitert werden. Der Charakter der Instrumente, ihre Techniken und Farben, erlauben mir realistische Klangmetaphern und physiognomische Parallelen - so, wenn das Cello im Duett mit dem Alt die hochmutige Giraffe in grossintervalligen Sprungen deutet, die rasende Geschaftigkeit der Ameise sich in schnellen Violinbariolagen ausdruckt oder die Oboe ein naturalistisches Rabengekrachz horen lasst. Der Zyklus beginnt mit dem Gebet des Noah. Man stelle sich das Gedrange und Geschrei vor, dass die Arche erfullt, die hochgehenden Wogen, den prasselnden Regen, und mitten darin den Urvater Noah, dem sich der Ausruf entringt: Herr, was fur ein Zirkus! Seine Ausbruche korrespondieren mit dem auf- und niederwogenden Streichersatz, bis der Sturm sich legt, die Wogen sich glatten und Noah in der mehrmals gedehnten Phrase Es dauert lange seine Ergebung und Hoffnung ausdruckt. Nach dem pharisaischen Gebet der Giraffe ergreift die Schildkrote das Wort. Ihr Instrument ist die Bratsche. Ihre schnaufende Kurzatmigkeit hindert sie, ihr Gebet zusammenhangend zu sprechen. Der fleissigen Ameise - sie erbost sich sehr uber die Grille, deren Wirtshausmusik sie unterbricht - folgt der Hahn mit hellen und scharfen Tonen. Er ist es, der die Sonne aufgehen lasst; man kann es in dem sich auffaltenden Klang der Coda horen. Der vergessliche Schmetterling taumelt in immer neu variierten Oboenfiguren durch die glasernen Sommerklange von Streicherflageoletts, bis es ihm einfallt, was er sagen wollte: Amen. Das Schwein bekennt sich zu seiner schnuffelnden und grunzenden Natur, die, von den Streichern mit rauhem Bogendruck gezeichnet, in der Coda durch eine stille F-Dur-Kantilene eine sonderbare Verklarung erfahrt. Vor uns die Sintflut ruft der Rabe, und sein durchdringender Oboenschrei ubertont das Wogen und Schwanken der Streicher, die hier Motive aus dem Gebet des Noah wieder aufnehmen. In der darauf eintretenden Stille bieten die Instrumente verschiedene Themen an, die folgenlos verschwinden - um nach dem Altsolo Die Arche wartet sich in einem ruhig-feierlichen a-cappella-Satz mit alternierendem Soloquartett wieder zusammenzufinden und das Werk in reinem Es-Dur beschliessen. Alfred Koerppen.
$56.95
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