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Flam Mania
Sheetmusic to print
5 sheet music found
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1
Flam Mania
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Drums
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EASY
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Harvey Minchin
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Flam Mania
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Harvey Minchin
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SheetMusicPlus
Drums - Level 2 - Digital Download SKU: A0.881284 Composed by Harvey Minchin. Instructional. Score. 2 pages. Harvey Minchin #3494073. Published by Harvey...
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Drums - Level 2 - Digital Download SKU: A0.881284 Composed by Harvey Minchin. Instructional. Score. 2 pages. Harvey Minchin #3494073. Published by Harvey Minchin (A0.881284). Flam Mania - Snare Drum Solo - Is a catchy exercise in the 4/4 time signature for intermediate drummers to practice flams in a variety of syncopated patterns. Dynamics, repeats and accents are also worked on. It can be worked on for lessons or as a performance piece for recitals and concerts and can be performed solo or by multiple drummers. This piece is also included in the collection Snare Drum Solos Collection 1.
$3.50
La Paloma - Spanish Habanera - Saxophone Quartet H - Arrangement: Thomas H. Graf
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Saxophone Quartet: 4 saxophones
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EASY
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Contemporary
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Thomas Graf
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La Paloma - Spanish Habanera -
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.568938 Arrang...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.568938 Arranged by Thomas Graf. Contemporary. 25 pages. Thomas Graf - the-hit-factory.com #3430243. Published by Thomas Graf - the-hit-factory.com (A0.568938). La Paloma is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) after he visited Cuba in 1861. Iradier may have composed La Paloma around 1863, just two years before he died in Spain in obscurity, never to learn how popular his song would become. La Paloma belongs to a genre of songs called Habaneras, a musical style developed in 19th-century Spain that is still today very much present in the form of folk songs and formal compositions, particularly in the Northern Basque Region and East Coast (Catalonia and Valencia) regions of the country. Like all Habaneras, its characteristic and distinct rhythm reflects the fusion of the local Cuban songs that the Spanish sailors of the time brought back with them from their travels to the island, with the rhythm structure of the flamenco tanguillo gaditano (original from Cádiz, Andalusia). Very quickly La Paloma became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Hawaii, the Philippines, Germany, Romania, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years the popularity of La Paloma has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds.[1] There are more than one thousand versions of this song, and that together with Yesterday by the Beatles, is one of the most recorded songs in the history of music. Instrumentation: Soprano (Alto), Alto, Tenor, Baritone  Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/qR5PI78fGqM .
$10.49
La Paloma - Spanish Habanera - Saxophone Trio
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3 Saxophones (trio)
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EASY
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Sebastina de Yvradier
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Thomas Graf
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La Paloma - Spanish Habanera -
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.56848...
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Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.568484 Composed by Sebastina de Yvradier (1809â??1865). Arranged by Thomas Graf. Folk,World. 12 pages. Thomas Graf - the-hit-factory.com #2961267. Published by Thomas Graf - the-hit-factory.com (A0.568484). La Paloma is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) after he visited Cuba in 1861. Iradier may have composed La Paloma around 1863, just two years before he died in Spain in obscurity, never to learn how popular his song would become. La Paloma belongs to a genre of songs called Habaneras, a musical style developed in 19th-century Spain that is still today very much present in the form of folk songs and formal compositions, particularly in the Northern Basque Region and East Coast (Catalonia and Valencia) regions of the country. Like all Habaneras, its characteristic and distinct rhythm reflects the fusion of the local Cuban songs that the Spanish sailors of the time brought back with them from their travels to the island, with the rhythm structure of the flamenco tanguillo gaditano (original from Cádiz, Andalusia). Very quickly La Paloma became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Hawaii, the Philippines, Germany, Romania, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years the popularity of La Paloma has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds.[1] There are more than one thousand versions of this song, and that together with Yesterday by the Beatles, is one of the most recorded songs in the history of music. Instrumentation: Part I (Soprano/Alto), Part II (Alto), Part III (Tenor) Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412 1303131?N... Any individual arrangement and substitute parts are available on request. Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalogue includedVideo: https://www.youtu.be/ERXv2yBGgOA.
$9.49
TRAVELS ABROAD
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Violin
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INTERMEDIATE/ADVANCED
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Contemporary
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James F
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TRAVELS ABROAD
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James Babcock
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SheetMusicPlus
Violin Solo - Level 4 - Digital Download SKU: A0.1017142 Composed by James F. Babcock. Contemporary. 53 pages. James Babcock #6065421. Published by James...
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Violin Solo - Level 4 - Digital Download SKU: A0.1017142 Composed by James F. Babcock. Contemporary. 53 pages. James Babcock #6065421. Published by James Babcock (A0.1017142). TRAVELS ABROAD – Piano accompaniment only. 35 pgs. (Violin part. 15 pgs. Sold separately SO.876523) Four intermediate to advanced violin solos for instruction and performance. With piano accompaniments. Each of the four pieces is available separately on SMP. (1) AMBIENTE DE TABERNA. (SO.876359) A difficult recital showpiece with dramatic Spanish themes evoking the ambience of a tavern and its flamenco dancers. (2) ORENSKI IN BUCHAREST. (SO.876509) Of intermediate difficulty, the piece honors a Rumanian refugee who created a leading novelties business in the U.S. and introduced the composer to vexillology-flag study-as a hobby. (3) TO VODKA. (SO.876513) Of intermediate difficulty, this set of variations becomes progressively more hectic and ends with a burp. In an otherwise serious recital, it can serve as an entertaining interlude. But not for playing while inebriated. (4) O AMIGO DA ONÇA. (SO.876507) A difficult concert showpiece. Modernistic, it evokes the Brazilian jungle and its tiger, the onça. The title refers to a classic Brazilian anecdote: A man is explaining how to escape from a tiger and his friend keeps presenting obstacles to be overcome, to which the man in frustration finally exclaims, Hey! Are you my friend or the friend of the tiger?! The piece has a few obstacles of its own. Your compositions are charming and melodic, useful both for training and performance.-Thomas Lindsay, former concertmaster, Virginia Beach Symphony and New Jersey Pops.
$18.55
TRAVELS ABROAD
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Violin
#
INTERMEDIATE/ADVANCED
#
Contemporary
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James F
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TRAVELS ABROAD
#
James Babcock
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SheetMusicPlus
Violin Solo - Level 4 - Digital Download SKU: A0.1017143 Composed by James F. Babcock. Contemporary. 23 pages. James Babcock #6065425. Published by James...
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Violin Solo - Level 4 - Digital Download SKU: A0.1017143 Composed by James F. Babcock. Contemporary. 23 pages. James Babcock #6065425. Published by James Babcock (A0.1017143). – Violin part only. 15 pgs.(Piano accomp. 35 pgs. Sold separately SO.876519) Four intermediate to advanced violin solos for instruction and performance. With piano accompaniments. Each of the four pieces is available separately on SMP. (1) AMBIENTE DE TABERNA. (SO.876359) A difficult recital showpiece with dramatic Spanish themes evoking the ambience of a tavern and its flamenco dancers. (2) ORENSKI IN BUCHAREST. (SO.876509) Of intermediate difficulty, the piece honors a Rumanian refugee who created a leading novelties business in the U.S. and introduced the composer to vexillology-flag study-as a hobby. (3) TO VODKA. (SO.876513) Of intermediate difficulty, this set of variations becomes progressively more hectic and ends with a burp. In an otherwise serious recital, it can serve as an entertaining interlude. But not for playing while inebriated. (4) O AMIGO DA ONÇA. (SO.876507) A difficult concert showpiece. Modernistic, it evokes the Brazilian jungle and its tiger, the onça. The title refers to a classic Brazilian anecdote: A man is explaining how to escape from a tiger and his friend keeps presenting obstacles to be overcome, to which the man in frustration finally exclaims, Hey! Are you my friend or the friend of the tiger?! The piece has a few obstacles of its own. Your compositions are charming and melodic, useful both for training and performance.-Thomas Lindsay, former concertmaster, Virginia Beach Symphony and New Jersey Pops.
$8.05
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