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9976
Carson Cooman: Biblicals: Concerto for Solo Piano
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.533692 Composed by Carson Cooman. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.533692 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Sacred,Standards. Score. 17 pages. Musik Fabrik Music Publishing #3038635. Published by Musik Fabrik Music Publishing (A0.533692). Biblicals: Concerto for Solo Piano in Five Movements (1998) was commissioned from thecomposer by an anonymous benefactor for pianist Kathleen Supové in tribute of her tirelesssupport of new music.The work is in five movements, each inspired by a different biblical quotation which isquoted in the score before each movement. If possible, these passages should be printed inthe program or read aloud before the performance of the work. Each movement isprogrammatic only in an internal sense. While the movements do not attempt to directlyportray the action of the passage in a storybook sense, they do attempt to capture the overallaffect of the verse. The form of the work is as a concerto for solo piano drawing on a titlethat has been used in the past by numerous composers. Likewise, although the work does notinvolve an orchestra, I have titled it concerto because it contains elements of a concerto solopart and because of the virtuosity required to perform the work. The work explores a widerangeof styles from quasi-lyrical to highly chromatic. Throughout, the work has a rhythmicintensity which should be observed by the performer.The first movement, Hovering Over the Waters, makes use of an irregular rhythmic patternintroduced in the opening measure and used throughout the work. Irregular and nervousrhythms using chromatic intervals pervade the entire movement.The second movement, Baldhead, is a forceful and loud movement making use of the clashbetween diatonic and pentatonic clusters. It is relentless in its pounding energy, irregularrhythms, and volume. This movement is dedicated to American composer Daniel Pinkhamon the occasion his 75th birthday in 1998. The connection of this movement to Pinkhamcomes in the superimposition of pentatonic and diatonic clusters, a technique used so well inone of my favorite Pinkham works, Blessings for Organ (1978).The third movement, Forgiven and Free, presents a tranquil scene involving the building ofchords, standard and otherwise, through the adding of tones one at a time. Brief chromaticmelodies appear and then disappear quickly.The fourth movement, Under the Sun, makes use of a motive involving four chords over a lefthand bass consisting of a major-tenth chord. This motive appears throughout the movement,constantly breaking in and interrupting the action. A variety of irregular rhythmic motivesappear throughout as a contrast to the main motive with its strict rhythm. Quotes of nurseryrhyme tunes are hidden throughout the movement as well in various forms.The fifth movement, The Seventh Angel, is a fast and furious tarantella. As the movementflies by a variety of musical ideas emerge and then disappear into the main motive again.The music continues to get faster and faster and finally the movement ends with a furiousprogression from the bottom to top of the piano and then a thunderous unison chord in thelower register.
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Piano solo
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Carson Cooman
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Carson Cooman: Biblicals: Concerto for Solo Piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
A Blessing for Bendigeidfran
Digital Download SKU: OX.9780193566965 Bendith Bendigeidfran. Composed by Ed…
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Digital Download SKU: OX.9780193566965 Bendith Bendigeidfran. Composed by Edward-Rhys Harry. In the deep. Score. 10 pages. Oxford University Press Digital #9780193566965. Published by Oxford University Press Digital (OX.9780193566965). ISBN 9780193566965.For TTBB and piano. A Blessing for Bendigeidfran' is the third movement of Four Welsh Psalms. It was recorded by the London Welsh Male Voice Choir, and this was chosen as one of Classic FM's 'Platinum Performances' in 2022. The stirring melody illuminates the inspiring lyrics in both English and Welsh by Grahame Davies.
$3.65
3.34 €
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Edward-Rhys Harry
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A Blessing for Bendigeidfran
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Oxford University Press Digital
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SheetMusicPlus
A Clare Benediction (solo/high)
High voice
Composed by John Rutter (1945-). Sheet music. 4 pages. Oxford University Press Digit…
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Composed by John Rutter (1945-). Sheet music. 4 pages. Oxford University Press Digital #9780193550599. Published by Oxford University Press Digital
ISBN 9780193550599.<br> <br> Originally published in Oxford Solo Songs: Sacred, this is an easy anthem with words and music by the composer, scored here for solo high voice and piano (which may be adapted for performance on the organ). Also available in versions for solo low voice and piano, unison (or two-part) with keyboard, upper voices with keyboard, SA and Men with piano or SATB unaccompanied or with keyboard.
$4.00
3.66 €
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High voice
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John Rutter (1945-)
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A Clare Benediction
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Oxford University Press Digital
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SheetMusicPlus
A Clare Benediction
Choral SATB
SATB choir unaccompanied or organ - Digital Download Composed by John Rutter (1945-).…
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SATB choir unaccompanied or organ - Digital Download Composed by John Rutter (1945-). Sheet music. Octavo. 8 pages. Oxford University Press Digital #9780193537347. Published by Oxford University Press Digital
ISBN 9780193537347.<br> <br> Anthem accompaniment for chamber orchestra.
$2.85
2.61 €
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Choral SATB
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John Rutter (1945-)
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A Clare Benediction
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Oxford University Press Digital
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SheetMusicPlus
A Clare Benediction
Choral Unison
Unison voices (with optional second part) and piano - Digital Download Composed by Jo…
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Unison voices (with optional second part) and piano - Digital Download Composed by John Rutter (1945-). Sheet music. 4 pages. Oxford University Press Digital #9780193538061. Published by Oxford University Press Digital
ISBN 9780193538061.<br> <br> Anthem accompaniment for chamber orchestra.
$3.25
2.97 €
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Choral Unison
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John Rutter (1945-)
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A Clare Benediction
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Oxford University Press Digital
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SheetMusicPlus
Barbecue for Ben
Sacred Musical for Young Voices A musical for young voices which will bring to life th…
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Sacred Musical for Young Voices A musical for young voices which will bring to life the Biblical story of the Prodigal Son. Performance time approx. 32 minutes
Song List: What's "Prodigal"? As Prodigal as Can Be Woops! My Pocketbook's Empty Who's That Diggin' in my Garbage Can? Let Me Be a Servant Look Who's Comin' Down the Street We'll Have a Barbecue for Ben N'ya, N'ya, Johnny's Jealous Lost And Found Reprise: 'Barbecue for Ben' and 'Lost and Found' That's the Way God's Love Is
$12.95
11.85 €
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Barbecue for Ben
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
10.93 €
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Alto Saxophone and Piano
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Ali Ben Sou Alle, Wolfgang Amadeus Mozart
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Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flowers for Dorothy
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. …
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Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofonica Artistworks (A0.948699). Flowers For Dorothy is a beautiful jazz waltz (in lead-sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International, performed by Mark Massey and his trio (Eric Stiller on acoustic bass and Aldo Bentivegna on drums). In the vein of great jazz waltzes like Someday My Prince Will come, Emily, and Waltz for Debby.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Flowers for Dorothy, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and Seraphs Of Terpsichore are highlights. The opening track, Que Garota Linda, is a particularly rewarding Latin jazz number... All in all, a well-rounded and easily enjoyable release from pianist Mark Massey.----SCOTT YANOW (author of the books Swing and Bebop : The Essential Listening Companion), in L.A. JAZZ SCENE The Mark Massey Trio makes an exciting impression... Massey has traveled the world, perfor.
$3.99
3.65 €
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Piano solo
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Mark S
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Flowers for Dorothy
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Geofonica Artistworks
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SheetMusicPlus
Jean-Thierry Boisseau: Fantaisie Révolutionaire for alto saxophone and piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534527 Composed by Jean-T…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534527 Composed by Jean-Thierry Boisseau. 20th Century,Concert,Contemporary,Standards,World. Score and part. 27 pages. Musik Fabrik Music Publishing #3604007. Published by Musik Fabrik Music Publishing (A0.534527). It was in the process of preparing the publication of the works of Demersseman and of Ali Ben Sou Alle that suggested to me the idea of the typical 19th century practice of the Fantasy and Variations on well-known themes.The saxophone lends itself perfectly for this stylistic exercise. I therefore chose to write for this instrument, which the piano supports seriously.My republican roots (in the French sense) suggested that I set several revolutionary songs from 1789. I therefore chose the emblematic “ Ah ça ira ! â€, after having seen the famous sequence of “Si Versailles l’était conté†where Piaf sings this song hanging of the grill of the Palace of Versailles, in the superbe version by Jean Françaix.I added at the end “ La Carmagnole †and the famous “ Il pleut bergère †a foreshadowing of the destiny of Marie-Antoinette who is said to have enjoyed singing this air. One will find, a bit hidden, a short citation of a work for organ by Bach.This isn’t a pastiche but rather a sort of modern update to this form in respecting its codes, its forms of this type of work which disappeared temporarily due to forced musical austerity.
$16.95
15.51 €
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Alto Saxophone and Piano
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Jean-Thierry Boisseau
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Jean-Thierry Boisseau: Fantaisie Révolutionaire for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Abendlied op 69 no 3
Double Reed Ensemble - Intermediate - Digital Download SKU: F2.FM154 Composed by Jo…
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Double Reed Ensemble - Intermediate - Digital Download SKU: F2.FM154 Composed by Josef Gabriel Rheinberger. Arranged by Robert Rainford. Score and parts. 12 pages. Forton Music - Digital #FM154. Published by Forton Music - Digital (F2.FM154). ISBN 9790570480531.Double Reed Ensemble - 3 oboes, Oboe 4 or Cor Anglais, Cor Anglais or Bassoon, Bassoon A relatively simple yet beautiful arrangement of a choral piece by Rheinberger with an andante tempo marking. Chordal passages alternate with some simple counterpoint building to a magnificent climax in the middle of the piece. Oboe 1 up to top D, bassoon up to top G so maybe grade 4/5 standard.
$12.95
11.85 €
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Josef Gabriel Rheinberger
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Abendlied op 69 no 3
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Forton Music - Digital
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SheetMusicPlus
Abendlied Op69 no 3
2tpt. Hn. Tbn. tba - Intermediate - Digital Download SKU: F2.FM341 Composed by Jose…
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2tpt. Hn. Tbn. tba - Intermediate - Digital Download SKU: F2.FM341 Composed by Josef Gabriel Rheinberger. Arranged by Robert Rainford. Brass Quintet - 2 Trumpets, Horn, Trombone, Tuba. Score and Parts. 8 pages. Forton Music - Digital #FM341. Published by Forton Music - Digital (F2.FM341). ISBN 9790570482405.A relatively simple yet beautiful arrangement of a choral piece by Rheinberger. Chordal passages alternate with some simple counterpoint building to a magnificent climax in the middle of the piece. Players of grade 3 standard should be able to get a lot out of this piece.
$10.95
10.02 €
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Josef Gabriel Rheinberger
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Abendlied Op69 no 3
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Forton Music - Digital
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SheetMusicPlus
Abendlied op 69 no 3
Flute Ensemble - 4 flutes, alto, bass - Intermediate - Digital Download SKU: F2.FM058
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Flute Ensemble - 4 flutes, alto, bass - Intermediate - Digital Download SKU: F2.FM058 Composed by Josef Reinberger. Arranged by Robert Rainford. Score and parts. 10 pages. Forton Music - Digital #FM058. Published by Forton Music - Digital (F2.FM058). ISBN 9790708085577.4 flutes, alto flute, bass flute. A relatively simple yet beautiful arrangement of a choral piece by Rheinberger. G major with an andante tempo marking. Chordal passages alternate with some simple counterpoint building to a magnificent climax in the middle of the piece. Players of grade 3 standard should be able to get a lot out of this piece.
$9.95
9.1 €
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Josef Reinberger
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Abendlied op 69 no 3
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Forton Music - Digital
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SheetMusicPlus
Abendlied
Ssax, 2 Asax, 2 Tsax, Bar Sax - Intermediate - Digital Download SKU: F2.FM789 Compo…
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Ssax, 2 Asax, 2 Tsax, Bar Sax - Intermediate - Digital Download SKU: F2.FM789 Composed by Josef Gabriel Rheinberger. Arranged by Robert Rainford. Alternating chordal and contrapuntal passages make a short, attractive concert piece. Score and Parts. 10 pages. Forton Music - Digital #FM789. Published by Forton Music - Digital (F2.FM789). ISBN 9790570486885.
$12.95
11.85 €
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Josef Gabriel Rheinberger
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Abendlied
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Forton Music - Digital
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SheetMusicPlus
One Sows for the Benefit of Another Age - Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vander…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
45.74 €
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Orchestra
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Kyle Vanderburg
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One Sows for the Benefit of Another Age - Orchestra
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NoteForge
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SheetMusicPlus
Two Benedictions
Choral TTBB
SATB chorus unaccompanied - Digital Download SKU: OX.9780193706538 Composed by Davi…
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SATB chorus unaccompanied - Digital Download SKU: OX.9780193706538 Composed by David Willcocks. Sheet music. Octavo. 4 pages. Oxford University Press Digital #9780193706538. Published by Oxford University Press Digital (OX.9780193706538). ISBN 9780193706538.These are two easy and peaceful benedictions for unaccompanied SATB voices. Both unfold from a simple opening, build to a gentle climax, and then close with a decorated 'amen' cadence.
$2.85
2.61 €
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Choral TTBB
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David Willcocks
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Two Benedictions
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Oxford University Press Digital
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SheetMusicPlus
Stand By Me - String Quartet - Ben E. King arr. Cellobat - Recording Available!
String Quartet: 2 violins, viola, cello
Violin, Viola, Cello, String Quartet - Intermediate - Digital Download By Ben E. King. A…
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Violin, Viola, Cello, String Quartet - Intermediate - Digital Download By Ben E. King. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 15 pages. Published by Sarah Chaffee
Originally inspired by a spiritual, "Stand By Me" was written and recorded in 1961 by famed RandB singer-songwriter Ben E. King. The catchy, soulful tune immediately went to #1 on the RandB charts, and ended up becoming a Top Ten on the Billboard charts twice -- once for its original release, and again in 1986 when it was used as the theme song for a movie of the same name. This song has been deemed "culturally and historically significant" and it has remained one of the most beloved songs in history for decades, so you can't go wrong having this one in your gig books! This Cellobat arrangement for string quartet maintains the fun groove, catchy melody, and joyful feel of the original, while adding in a number of beautiful harmonic and countermelodic layers that put this chart above and beyond the rest! Rated intermediate -- there are some fun syncopated rhythms throughout, but none of the parts go above 2nd position, and this will be playable for students and easily sightreadable for professionals. Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click "Watch" near the item details at the top of the page for full video of "Stand By Me." Crowd pleasing guaranteed. Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at: http://www.cellobat.com http://www.instagram.com/cellobat http://www.youtube.com/c/SarahCellobatChaffee
$16.99
15.54 €
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String Quartet: 2 violins, viola, cello
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Ben E
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Stand By Me - String Quartet - Ben E. King arr. Cellobat - Recording Available!
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Sarah Chaffee
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SheetMusicPlus
Stand By Me - Violin and Cello Duet - Ben E. King arr. Cellobat
Violin, Cello (duet)
Violin, Cello, String Duet - Intermediate - Digital Download By Ben E. King, Mickey Gil…
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Violin, Cello, String Duet - Intermediate - Digital Download By Ben E. King, Mickey Gilley. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 8 pages. Published by Sarah Chaffee
Originally inspired by a spiritual, "Stand By Me" was written and recorded in 1961 by famed RandB singer-songwriter Ben E. King. The catchy, soulful tune immediately went to #1 on the RandB charts, and ended up becoming a Top Ten on the Billboard charts twice -- once for its original release, and again in 1986 when it was used as the theme song for a movie of the same name. This song has been deemed "culturally and historically significant" and it has remained one of the most beloved songs in history for decades, so you can't go wrong having this one in your gig books! This Cellobat arrangement for your violin and cello duo maintains the fun groove, catchy melody, and joyful feel of the original, plus a lyrical violin interpretation of the orchestral interlude in the middle, for a chart that's just as enjoyable to play as it is to listen to! Rated intermediate -- there are some syncopated rhythms throughout, but there's nothing too complicated here, and this chart will be playable for students and easily sightreadable for professionals. Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at: http://www.cellobat.com http://www.instagram.com/cellobat http://www.youtube.com/c/SarahCellobatChaffee
$9.99
9.14 €
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Violin, Cello (duet)
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Ben E
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Stand By Me - Violin and Cello Duet - Ben E. King arr. Cellobat
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SheetMusicPlus
Stand By Me - String Trio (2 Violins & Cello) - Ben E. King arr. Cellobat
String Trio: 2 violins, cello
Violin, Cello, String Trio, Violin 1, Violin 2, Cello - Intermediate - Digital Downl…
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Violin, Cello, String Trio, Violin 1, Violin 2, Cello - Intermediate - Digital Download By Ben E. King. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 13 pages. Published by Sarah Chaffee
Originally inspired by a spiritual, "Stand By Me" was written and recorded in 1961 by famed R&B singer-songwriter Ben E. King. The catchy, soulful tune immediately went to #1 on the R&B charts, and ended up becoming a Top Ten on the Billboard charts twice -- once for its original release, and again in 1986 when it was used as the theme song for a movie of the same name. This song has been deemed "culturally and historically significant" and it has remained one of the most beloved songs in history for decades, so you can't go wrong having this one in your gig books! This Cellobat arrangement for your two-violin and cello trio maintains the fun groove, catchy melody, and joyful feel of the original, while adding in a number of beautiful harmonic and countermelodic layers that put this chart above and beyond the rest! Rated intermediate -- there are some fun syncopated rhythms throughout, but none of the parts go above 2nd position, and this will be playable for students and easily sightreadable for professionals.<br> <br> Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:<br> http://www.cellobat.com <br> http://www.instagram.com/cellobat <br> http://www.youtube.com/c/SarahCellobatChaffee
$14.99
13.71 €
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String Trio: 2 violins, cello
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Ben E
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Stand By Me - String Trio
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Sarah Chaffee
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SheetMusicPlus
Ali Ben Sou Alle: Souvenirs de la Chine for soprano saxophone and piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.533495 Composed by Ali…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3000191. Published by Musik Fabrik Music Publishing (A0.533495). “Loc-tee-kun-tzin: air chinoise et Rondo. Souvenirs de la Chine starts with a setting of the Chinese folksong « Loc-tee-kun-tzin », one of eight used by Pucinni in his opera Turandot but set in a completely different harmonic context here. The Rondo which follows is in the form of a valse with several scherzando passages and an brillant code. The folksong is briefly reprised before the concise endingOne of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) s born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
10.93 €
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Soprano Saxophone and Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs de la Chine for soprano saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Diamonds Are Forever
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.774354 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.774354 Composed by John Barry. Arranged by Brad Esbensen. Contemporary,Film/TV,Pop. Score and Parts. 53 pages. Brad Esbensen Music Services #3675993. Published by Brad Esbensen Music Services (A0.774354). This arrangement is written in the original Shirley Bassey key of B minor, as sung on the sound track of the James Bond film, Diamonds Are Forever, and follows the same form as the original recording. The key may present problems for less experienced players although the horn figures are fairly straightforward forward. Brass parts are all written within a comfortable range for most players. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au.
$60.00
54.89 €
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Jazz Ensemble
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John Barry
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Diamonds Are Forever
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Brad Esbensen Music Services
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SheetMusicPlus
The Dancing Forest
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1023643 Composed by Ben Ledochows…
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Concert Band - Level 3 - Digital Download SKU: A0.1023643 Composed by Ben Ledochowski. Contemporary,New Age. Score and parts. 31 pages. Ben Ledochowski #6217581. Published by Ben Ledochowski (A0.1023643). Far to the westernmost regions of Russia, and then farther still, there is a place known as theDancing Forest of Kaliningrad. It is a mysterious, otherworldly place where trees grow in tangles,knots, and other unfathomable shapes, a place described by local psychics as a point of conflict where great positive and negative forces collide. Due to its remarkable air of mystery, the forest has woven its way into the legends and folklore of the region. My personal favorite legend about it goes as follows: The Prussian prince Barty used to hunt in these forests. Chasing a Roe deer one day, heheard a wonderful tune, and as he came to a field, he saw a beautiful girl playing a lyre. She was a Christian and her name was Predislava. The prince proposed to her but she replied that she would marry only a man of her faith. Prince Barty agreed to become a Christian as long as she could prove the power of her invisible God was more powerful than the surrounding trees. Predislava played her lyre. Birds grew silent, and the trees started dancing. The prince then took a bracelet from his hand and gave it to her as a token of their betrothal. On this very spot, many years later, there grew the Dancing Forest.This piece is my homage to the Dancing Forest of Kaliningrad and all its associated legends. Premiered by the Santa Teresa High School Concert Band in May 2019, the work is scored for a concert band of intermediate size and skill level and is designed to help introduce high school musicians to modal music and unconventional key signatures. Furthermore, the piece is inspired by multiple rhythmic and harmonic elements of rock and folk music in an attempt to help bridge the gap between popular music and contemporary wind ensemble repertoire. Enjoy!
$19.99
18.29 €
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Concert band
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Ben Ledochowski
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The Dancing Forest
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Ben Ledochowski
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Clarinet Quintet: 5 clarinets
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.71 €
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Clarinet Quintet: 5 clarinets
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Herbie Hancock
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
Sången om Bagar Bengtsson
SA chorus ad lib. & piano - Digital Download SKU: BJ.1029 Composed by Stefan Forss…
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SA chorus ad lib. & piano - Digital Download SKU: BJ.1029 Composed by Stefan Forssén. Children. Octavo. 18 pages. Bo Ejeby Forlag - Digital #1029. Published by Bo Ejeby Forlag - Digital (BJ.1029). 8.27 x 11.7 inches.The song about Bengtsson the baker is an absurd story about a man who’s eventually is buried in a loaf of bread. Here in a musical setting by jazz pianist Stefan Forssén. Lennart Hellsing was Sweden’s most original author of children’s books and poems.
$6.00
5.49 €
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Stefan Forssén
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Sången om Bagar Bengtsson
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
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