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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
For I Know
Not classified
1,505
Piano & keyboards
Piano solo
1,077
Piano, Vocal and Guitar
667
Piano, Voice
650
Easy Piano
310
Organ
135
C Instruments
111
Piano Accompaniment
99
1 Piano, 4 hands
33
Big Note Piano
20
Piano Trio: piano, violin, cello
15
Accordion
8
2 Pianos, 4 hands
8
Organ, Trumpet (duet)
5
Organ, Piano (duet)
4
Piano Quartet: piano, 2 violins, cello
4
2 Accordions
4
Keyboard
3
Harpsichord
2
Piano Quintet: piano, 2 violins, viola, cello
1
Melody line, Piano
1
Piano (band part)
1
+ 16 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
236
Guitar
139
Melody line, (Lyrics) and Chords
117
Piano, Guitar (duet)
116
Bass guitar
72
Lyrics and Chords
58
Ukulele
48
Mandolin
11
Dulcimer
11
4 Guitars (Quartet)
10
2 Guitars (duet)
8
Guitar (band part)
5
3 Guitars (trio)
4
Banjo
3
Mandolin, Guitar (duet)
2
Guitar Ensemble
1
2 Dulcimers (duet)
1
+ 12 instrumentations
-
Retract
Voice
Choral SATB
557
Choral 3-part
237
Choral 2-part
140
Choral TTBB
76
Choral Unison
60
Choral SSAA
45
Vocal duet, Piano
34
Soprano voice, Piano
24
Voice solo
20
Vocal duet
19
High voice
15
Alto voice, Piano
15
Baritone voice, Piano
12
Tenor voice, Piano
9
Medium voice, Piano
5
Choral Instrumental Pak
5
Choral
5
Tenor voice
3
Low voice, Piano
2
Choral SSAB, Piano
2
Low voice
2
Choral SSAATB
1
Mezzo-Soprano voice, Piano
1
Choral, Organ
1
Choral SSATB
1
+ 20 instrumentations
-
Retract
Woodwind
Flute and Piano
258
Oboe, Piano (duet)
252
Clarinet and Piano
244
Alto Saxophone and Piano
182
Tenor Saxophone and Piano
167
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
159
Saxophone Quintet: 5 Saxophones
99
2 Saxophones (duet)
90
Clarinet
86
Saxophone Quartet: 4 saxophones
82
Flute
77
Clarinet Quartet: 4 clarinets
64
2 Flutes (duet)
62
Saxophone
58
Saxophone ensemble
57
2 Clarinets (duet)
52
Flute, Oboe, Clarinet, Bassoon
52
Alto Saxophone
48
Clarinet Ensemble
45
Oboe (band part)
41
Flute ensemble
35
Tenor Saxophone
34
Soprano Saxophone and Piano
31
Saxophone (band part)
30
Flute Quartet: 4 flutes
30
Baritone Saxophone, Piano
27
3 Clarinets (trio)
22
Clarinet Quintet: 5 clarinets
17
Flute, Clarinet (duet)
16
Flute Quintet : 5 flutes
14
English horn, Piano
14
Descant (Soprano) Recorder
14
2 Oboes (duet)
13
Flute and Guitar
13
Treble (Alto) Recorder
11
Harmonica
11
3 Saxophones (trio)
9
Saxophone, Clarinet (duet)
8
Recorder Quartet
8
Flute Trio: 3 flutes
8
Flute (band part)
7
English Horn
7
Oboe, Bassoon (duet)
7
Clarinet, Violin (duet)
7
Clarinet, Trumpet (duet)
6
Bass Clarinet, Piano
6
2 Saxophones, Piano
6
Oboe, Clarinet (duet)
6
Recorder
5
Oboe
5
Flute, Clarinet, Piano (trio)
5
Flute, Trumpet (duet)
4
Clarinet and Viola
4
2 Recorders (duet)
3
Clarinet, Bassoon (duet)
3
Piccolo
3
Soprano Saxophone
3
Flute, Violin
3
Flute, Saxophone (duet)
3
Treble (Alto) Recorder, Piano
3
Descent (Soprano) Recorder, Piano
3
Baritone Saxophone
2
Flute, Viola and Piano
2
Flute, French horn (duet)
2
Oboe, Flute
2
2 Oboes, Piano
2
Clarinet, Cello (duet)
2
Ocarina
2
5 Recorders
2
Flute, Viola (duet)
2
Flute, Violin, Piano
2
Tenor Recorder
2
Clarinet (band part)
2
Bass Clarinet
2
Oboe, Guitar (duet)
2
Flute, Clarinet and Bassoon.
2
Clarinet, Guitar (duet)
2
Recorder Ensemble
2
Flute and Strings Trio
1
Oboe, Clarinet and Piano (Trio)
1
Flute, Oboe, Clarinet (trio)
1
Oboe, Cello
1
2 Recorders, Piano
1
Flute and String Quartet
1
2 Flutes, Piano
1
Eb Instruments
1
Saxophone and Guitar
1
2 English horns and Pianoforte
1
Oboe, Clarinet, Bassoon (trio)
1
Pennywhistle
1
2 Clarinets, Piano
1
+ 86 instrumentations
-
Retract
Woodbrass
Trombone and Piano
191
Brass Quintet: 2 trumpets, horn, trombone, tuba
160
Trumpet
134
Trumpet, Piano
118
Brass quartet : 2 trumpets, trombone, tuba
104
Trombone
60
French Horn and Piano
34
Brass Quartet: 2 trumpets, horn, trombone
33
Trombone ensemble
33
Trumpet (band part)
27
2 Trombones (duet)
25
Brass Quartet
24
Tuba and Piano
23
French horn
22
2 Trumpets (duet)
21
Brass Quartet: 4 trombones
17
Trumpet ensemble
17
Trumpet, Trombone (duet)
16
2 French horns (duet)
14
English horn, Piano
14
Trombone (band part)
14
Euphonium, Piano (duet)
13
Tuba
12
English Horn
7
2 Tubas (duet)
5
2 Trumpets, Keyboard (piano or organ)
4
Brass Quartet: 4 trumpets
4
Euphonium
4
Horn Ensemble
4
Trumpet, Saxophone (duet)
3
Brass Trio
3
Brass Quartet: 4 horns
3
3 Trumpets (trio)
3
Trumpet, Horn (duert)
3
Euphonium, Tuba (duet)
2
French horn (band part)
2
2 Euphoniums (duet)
2
Tuba (band part)
2
Bb Instruments
1
Trumpet, Euphonium (duet)
1
Trombone, Tuba (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
F Instruments
1
Clarinet, Horn (duet)
1
Tuba ensemble
1
2 English horns and Pianoforte
1
3 Trombones (trio)
1
Trumpet, Trombone, Piano
1
+ 43 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
266
Violin and Piano
245
Viola, Piano
218
Cello, Piano
210
Violin
89
Cello
85
Harp
53
2 Violins (duet)
42
String Trio: violin, viola, cello
41
Violin, Cello (duet)
40
Viola
30
2 Cellos (duet)
30
Violin, Viola (duet)
22
Double bass, Piano (duet)
20
2 Violas (duet)
19
String Quintet: 2 violins, viola, cello, bass
16
Double Bass
14
Viola (band part)
14
Violin ensemble
13
Viola ensemble
12
2 Harps (duet)
11
String Trio: 2 violins, cello
10
Harp, Voice
6
Violin (band part)
6
4 Cellos
6
Viola, Cello (duet)
5
String Trio: 3 violins
4
Doublebass (band part)
4
Piano Trio: Violin, Viola, Piano
4
Violin, Guitar (duet)
4
String Trio: 2 violins, viola
3
2 Double basses (duet)
3
String Trio: 3 cellos
3
Cello, Guitar (duet)
3
2 Violins, Piano
3
Viola and Harp
2
4 Double Basses
2
String quartet: 4 violins
2
Harp, Violin, Violoncello
1
String Quintet: 2 violins, 2 violas, cello
1
String Trio: 3 violas
1
String Quintet: 2 violins, viola, 2 cellos
1
Cello (band part)
1
+ 38 instrumentations
-
Retract
Orchestra & Percussion
Concert band
229
String Orchestra
134
Orchestra
108
Jazz Ensemble
69
Brass ensemble
56
Chamber Orchestra
48
Drums
34
Handbells
32
Marching band
25
Jazz combo
22
Percussion Ensemble
15
Marimba
6
Xylophone
4
Drum (band part)
3
Xylophone, Piano
3
Percussion (band part)
2
Vibraphone
2
Percussion
1
Timpani (band part)
1
Brass Quintet: other combinaisons
1
Conga
1
Piano and Orchestra
1
2 Marimbas
1
+ 18 instrumentations
-
Retract
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9976
Four Forces (First movement) I. Strong Forces
#
Percussion Ensemble
#
ADVANCED
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
#
Percussion Ensemble
#
ADVANCED
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
#
Trumpet
#
INTERMEDIATE
#
Keith Terrett
#
Keith Terrett
#
Old Cavalry Fanfare for 3 Bb T
#
Keith Terrett
#
SheetMusicPlus
Trumpet - Level 3 - Digital Download SKU: A0.978843 By Keith Terrett. By Anon. Arranged by Keith Terrett. Baroque,Classical,Instructional,Traditional,Wed...
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Trumpet - Level 3 - Digital Download SKU: A0.978843 By Keith Terrett. By Anon. Arranged by Keith Terrett. Baroque,Classical,Instructional,Traditional,Wedding. 6 pages. Keith Terrett #584509. Published by Keith Terrett (A0.978843). A Fanfare for three Bb Trumpets & Timpani. This was arranged from an old melody of unknown origin, for Eb Cavalry Trumpets and Kettledrums of the Queen’s Royal Irish Hussars Band, a former Northern Irish Regiment within the British Army; whose Colonel in Chief was HRH The Duke of Edinburgh. Winston Churchill was a young officer in the regiment, before the amalgamation of the 4th & 8th Hussars, to form the ’Queen’s Royal Irish Hussars’’. All cavalry regiments of the line, have a team of Cavalry Trumpets, who under the ’Trumpet Major’, play at 11am each day outside regimental headquarters, for the Regiment. Traditionally the fanfare ’stables’ would be played first; followed by another fanfare of the ’’Trumpet Major’s’’ choice. In cavalry regiments there is often a drum horse, on which the two timpani are positioned and played. An example would be the Queen’s Own Hussars, who for many years had a fine old drum horse, trained not to panic when the kettledrums were being played fortissimo! During the day, one trumpeter is on duty, and plays various trumpet calls throughout the day to signal important happenings in the regiment’s daily schedule of events. For example, Reveille is at 0630, Mess call at 0700, Mess call 1230, Guard mount 1800, Officers dress for dinner 2000, finishing with last post at 2200! There are also trumpet calls for fire, war and mucking out the horses! One morning when I was on trumpet duty in Germany at the tender age of 18, I woke up late, and just managed to play the ’’Reveille’’ trumpet call out of my bedroom window, in an effort not to be ’charged’ for missing a call! The equivalent in the Infantry would be the bugle, which is also used as a method of signaling to the regiment. This fanfare works well for three Bb trumpets and timpani. Eb cavalry trumpets are often written in the key of C, and harmonically there is no third on chord V due to the harmonics of the instrument, and the fact that they have no valves; giving a bare sounding chord. The trills in the first part are lip trills, on Bb trumpet, simply play a lip trill using the valves 1 & 3. The most famous Eb cavalry trumpeters in the British Army, are undoubtedly the trumpeters of the household cavalry, who perform in spectacular golden uniforms, complete with riding hats, at the state opening of parliament. Don’t forget Eb cavalry trumpeters are musicians from the band,(they could be clarinettists),assigned to trumpet for two to three years, not so good for your embouchure!! So when you hear a mis-pitched note in future, you know that the trumpeter could be a bassoonist, doing his or her very best.
$5.00
Eg veit i himmerik ei borg (I know a castle in heaven)
#
Brass ensemble
#
INTERMEDIATE
#
Nick Walkley
#
Eg veit i himmerik ei borg
#
Nick Walkley
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.940770 Composed by Nick Walkley. Christian,Concert,Contemporary,Spiritual. Score and parts. 31 pages....
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Brass Ensemble - Level 3 - Digital Download SKU: A0.940770 Composed by Nick Walkley. Christian,Concert,Contemporary,Spiritual. Score and parts. 31 pages. Nick Walkley #3422709. Published by Nick Walkley (A0.940770). This is a meditative arrangement of a well known Norwegian hymn. The arrangement sets three verses of the melody 'bookended' by a mirrored introduction and coda. It was originally written for trumpet sextet and performed by the cornet section of the Band of the Welsh Guards, before being expanded to military (wind) and brass band formats.In the hymn, one sings of a hopeful final journey to a place without worry or sorrow. The arrangement reflects the mood of these three verses, with increaing tension and movement through ascending lines as the journey progresses towards a final resting place. The hymn is regularly used at funerals and memorial services. The text was originally old German and translated to Norwegian by Bernt Støyland in 1905. Translated to English, the text reads as:I know a castle in heaven above,shining as bright as the sun;you'll find no sin nor sorrow there,and never a tear is shed. I am a weary traveller;may my path lead mefrom here to my Father's land;God, bless me on my way. We thank you for eternityGod the Father, one in three.For you are gentle and mild to us in Jesus Christ! Amen. Note to conductors:The opening and closing sections require precision in the start and release of notes for the chord progression to function. Attention to detail should be paid to each individual crescendi, diminuendi and articulation. This is excellent training for even the best of bands!An optional vocal part is provided in both Norwegian and English, but the arrangement functions with or without it. Cues are written for important lines should players be missing, otherwise many of the parts are doubled across the band. Therefore this arrangement should be playable by bands from approximately 2nd/3rd division upwards even if some players are missing.
$20.00
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestra
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ADVANCED
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
Bridges, Op. 136 (for Brass Quintet and Chimes)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Dr
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Bridges, Op. 136
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - Digital Download SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World...
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Brass Quintet - Level 4 - Digital Download SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Https://gildedmusicpress.com/ #1066350. Published by https://gildedmusicpress.com/ (A0.1489487). One of my last assignments as an Air Force musician before being stationed in Japan was to perform music in support of the 50th commemoration of what has become known in America as “Vietnam Memorial Day.” It is observed on March 29 every year, the date when the last U.S. troops withdrew from Vietnam in 1973. After the memorable ceremony in 2023, I lingered to talk with those mature veterans and to hear some of their experiences. It was a strange feeling when I told them that my first assignment at my new duty station in Japan would be a series of cultural exchange performances in Vietnam. What a somber generational bridge.I was only in Japan for a matter of days, including some intense rehearsals, before Pacific Brass (the brass quintet from the U.S. Air Force Band of the Pacific) packed up and headed to Hanoi to start our brief musical outreach in three cities. My reflections were sobering as I contrasted my military service in Vietnam with the veterans whom I had just honored three months prior. During some off-duty time, all five of the Pacific Brass military musicians found our way to the well-known Hòa Ló Prison, infamously known as the “Hanoi Hilton.” Indeed, how vastly different was my brief military service in Vietnam!To the Vietnamese people, the “American War,” as they call it, is ancient history. They are extremely forward-thinking, putting those dark years far from them, looking to the bright future that is theirs. What an educational bridge of paradigms. Although it was important for us as U.S. Servicemembers to witness the Hòa Ló Prison firsthand, our lot was to experience the beautiful present-day Vietnam with its rich culture of food, street shops, temples, dance, music, and other wonders that awed us all—including gongs!Our trombone player purchased a gong in a shop that sold little else besides gongs of all sizes and pitches. That struck me as quintessentially Vietnamese, and the sights and sounds of that modest shop lingered in my imagination. As we absorbed the extraordinary majesty of the Temple of Literature in Hanoi, ideas for this musical composition started to formulate as a bridge connecting American musical culture with Vietnamese traditional gongs. For practicality in both notation and live performance, I scored the consort of 18 glorious “gongs” in my head for orchestral tubular bells. It is a passionate hope that someday in a video presentation, a masterful cultural bridge of the two diverse countries will be crafted. Better yet, what an experience it would be to have a legitimate gong consort perform live with Pacific Brass!The year of our visit, as we were coached many times by the Embassy’s Attaché, was a milestone landmark between the two nations, worthy of praise and celebration: the ten-year anniversary of the U.S.-Vietnam Comprehensive Partnership, signed by Presidents Obama and Sang in July 2013. This bilateral relationship has bridged both nations’ commitment to economic engagement, cultural exchange, tourism, education, and human rights. This composition is in celebration of this Comprehensive Partnership and a gift to the wonderful people of Vietnam. May this music contribute to a continuing growth of positive relations bridging the two nations.
$24.95
I Want To Know What Love Is (Intermediate Level, Alto Sax)
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Saxophone
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INTERMEDIATE
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Rock
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Pop music
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Foreigner
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I Want To Know What Love Is
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
I Want To Know What Love Is (Intermediate Level, Tenor Sax)
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Saxophone
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INTERMEDIATE
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Rock
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Pop music
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Foreigner
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I Want To Know What Love Is
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
I Want To Know What Love Is (Easy/Intermediate Level, Alto Sax)
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Saxophone
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EASY
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Rock
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Pop music
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Foreigner
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I Want To Know What Love Is
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
I Want To Know What Love Is (Advanced Level, Alto Sax)
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Saxophone
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ADVANCED
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Rock
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Pop music
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Foreigner
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I Want To Know What Love Is
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
I Want To Know What Love Is (Easy Level, Alto Sax)
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Saxophone
#
EASY
#
Rock
#
Pop music
#
Foreigner
#
I Want To Know What Love Is
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
I Want To Know What Love Is (Advanced Level, Tenor Sax)
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Saxophone
#
ADVANCED
#
Rock
#
Pop music
#
Foreigner
#
I Want To Know What Love Is
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
I Want To Know What Love Is (Easy/Intermediate Level, Tenor Sax)
#
Saxophone
#
EASY
#
Rock
#
Pop music
#
Foreigner
#
I Want To Know What Love Is
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
I Want To Know What Love Is (Beginner Level, Alto Sax)
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Saxophone
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BEGINNER
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Rock
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Pop music
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Foreigner
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I Want To Know What Love Is
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
I Want To Know What Love Is (Easy Level, Tenor Sax)
#
Saxophone
#
EASY
#
Rock
#
Pop music
#
Foreigner
#
I Want To Know What Love Is
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
I Want To Know What Love Is (Intermediate Level)
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Flute
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INTERMEDIATE
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Rock
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Pop music
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Foreigner
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I Want To Know What Love Is
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
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