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Four Dialogues
Sheetmusic to print
13 sheet music found
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1
CHOLERIC _ fourth part of Dialogues for cello duo
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Cello
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INTERMEDIATE
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Contemporary
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Pavel Kopecky
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CHOLERIC _ fourth part of Dial
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Pavel Kopecky
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SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.1022653 Composed by Pavel Kopecky. Contemporary. Individual part. 5 pages. Pavel Kopecky #1910351. Publis...
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Cello Solo - Level 3 - Digital Download SKU: A0.1022653 Composed by Pavel Kopecky. Contemporary. Individual part. 5 pages. Pavel Kopecky #1910351. Published by Pavel Kopecky (A0.1022653). CHOLERIC _ fourth part of Dialogues for cello duo ___.
$2.50
Pacific Dialogues, opus 252
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Contemporary
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Michael Kibbe
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Pacific Dialogues, opus 252
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Stretto Music
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Marimba - Level 5 - Digital Download SKU: A0.984151 Composed by Michael Kibbe. Contemporary. Score and parts. 4...
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Instrumental Duet Cello,Instrumental Duet,Marimba - Level 5 - Digital Download SKU: A0.984151 Composed by Michael Kibbe. Contemporary. Score and parts. 45 pages. Stretto Music #4595545. Published by Stretto Music (A0.984151). Four movement work for Cello and Marimba, [13:40].
$15.00
Four Dialogues
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2 Clarinets (duet)
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Friedrich K
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Four Dialogues
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Schott Music - Digital
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SheetMusicPlus
2 clarinets - Digital Download SKU: S9.Q15845 Composed by Friedrich K. Wanek. This edition: performance score. Clarinet Library. Downloadable, Performanc...
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2 clarinets - Digital Download SKU: S9.Q15845 Composed by Friedrich K. Wanek. This edition: performance score. Clarinet Library. Downloadable, Performance score. Duration 6 minutes. Schott Music - Digital #Q15845. Published by Schott Music - Digital (S9.Q15845).
$15.99
Sonata No. 6 "Kharkiv", Op. 48
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Guitar
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ADVANCED
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Classical
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published b...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Hänsel und Gretel
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Vocal duet, Piano
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INTERMEDIATE
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the way, the ‘cock-a-doo
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Engelbert Humperdinck
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Hänsel und Gretel
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Schott Music - Digital
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SheetMusicPlus
2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet...
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2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99
Canon K555
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Flute, Oboe, Clarinet, Bassoon
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EASY
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Classical
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Wolfgang Amadeus Mozart
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André Nusa
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Canon K555
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Andre_Nusa
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1242558 Composed by Wolfgang Amadeus Mozart. Arranged...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1242558 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Chamber,Classical,Wedding. 7 pages. Andre_Nusa #837695. Published by Andre_Nusa (A0.1242558). Experience the timeless beauty of Mozart's Canon K. 555 with this captivating arrangement for woodwind quartet. This sheet music brings the exquisite harmonies and delicate interplay of the original composition to life, allowing you to immerse yourself in the elegance and sophistication of Mozart's music. The four voices of the wind quartet blend together in perfect harmony, creating a rich and resonant sound that showcases the intricate musical dialogues. From the very first note, you'll be transported to a world of serenity and musical mastery. The flowing melodies and mesmerizing harmonies create a sense of tranquility and emotional depth, drawing you into the timeless beauty of Mozart's composition. Perfect for performances, weddings, or chamber music enthusiasts, this arrangement allows you to showcase the talents of a woodwind quartet and bring the elegance and sophistication of Canon K. 555 to your audience. Whether you're a professional string quartet or an advanced ensemble, this arrangement invites you to explore the intricate harmonies and musical subtleties of Mozart's composition. The combination of flute, oboe, clarinet and bassoon allows each player to contribute their unique voice, resulting in a rich and captivating performance.
$7.99
Canon K555
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String Quartet: 2 violins, viola, cello
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EASY
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Classical
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Wolfgang Amadeus Mozart
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André Nusa
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Canon K555
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Andre_Nusa
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1242557 Composed by Wolfgang Amadeus Mozart. Arranged by André N...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1242557 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Chamber,Classical,Wedding. 7 pages. Andre_Nusa #837691. Published by Andre_Nusa (A0.1242557). Experience the timeless beauty of Mozart's Canon K. 555 with this captivating arrangement for string quartet. This sheet music brings the exquisite harmonies and delicate interplay of the original composition to life, allowing you to immerse yourself in the elegance and sophistication of Mozart's music. The four voices of the string quartet blend together in perfect harmony, creating a rich and resonant sound that showcases the intricate musical dialogues. From the very first note, you'll be transported to a world of serenity and musical mastery. The flowing melodies and mesmerizing harmonies create a sense of tranquility and emotional depth, drawing you into the timeless beauty of Mozart's composition. Perfect for performances, weddings, or chamber music enthusiasts, this arrangement allows you to showcase the talents of a string quartet and bring the elegance and sophistication of Canon K. 555 to your audience. Whether you're a professional string quartet or an advanced ensemble, this arrangement invites you to explore the intricate harmonies and musical subtleties of Mozart's composition. The combination of violin, viola, and cello allows each player to contribute their unique voice, resulting in a rich and captivating performance.
$7.99
Rose Moon
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Nora Morrow
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Rose Moon
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Nora Morrow
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SheetMusicPlus
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1014611 Composed by Nora Morrow. Concert,Contemporary. Score and parts. 40 pages. Nora...
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1014611 Composed by Nora Morrow. Concert,Contemporary. Score and parts. 40 pages. Nora Morrow #5008169. Published by Nora Morrow (A0.1014611). A contemporary tonal string quartet in three movements totaling about 6.5 minutes. Fun, lyrical, beautiful and evocative.Nora Morrow’s endearing Rose Moon, named after the composer’s mother, in the form of three homespun dialogues filled with lovely lyrical things for the four players to do, especially the cello. Review from Gramophone Magazine
$24.99
Proezas da Julinha - Schottisch for Concert Band
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Concert band
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INTERMEDIATE
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Thiago Osorio
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Proezas da Julinha - Schottisc
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Thiago Osorio Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.946717 Composed by Thiago Osorio. Children,Concert,Standards,World. Score and parts. 51 pages. Thiago O...
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Concert Band - Level 3 - Digital Download SKU: A0.946717 Composed by Thiago Osorio. Children,Concert,Standards,World. Score and parts. 51 pages. Thiago Osorio Music #6504243. Published by Thiago Osorio Music (A0.946717). ''Proezas da Julinha'' (in english: Little Julia feats'') is a schottisch made in July 2019 at Chapada dos Veadeiros in Goiás, originally for mandolin in honor of my daughter who was one year and four months old, portraying her games with crystals at Cachoeira São Félix. On December 18, 2020 I made this arrangement for Concert Band, keeping the lightness of the piece, with its fun themes being exposed as dialogues between the suits.
$20.00
Stefano Maria Torchio: Consul æterni
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Choral SATB
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INTERMEDIATE/ADVANCED
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Stefano Maria Torchio
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Stefano Maria Torchio: Consul
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Stefano Torchio
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1022753 Composed by Stefano Maria Torchio. Concert,Contemporary,Sacred. Octavo. 18 pages. Stefan...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1022753 Composed by Stefano Maria Torchio. Concert,Contemporary,Sacred. Octavo. 18 pages. Stefano Torchio #3116259. Published by Stefano Torchio (A0.1022753). Stefano Maria Torchio: Consul æterniA powerful and suggestive hymn for mixed Choir (with Soli) and Organ up to 8 voices and all the available colours of Organ stops and harmonies. Composed in 2007 for the International Competition for Sacred Composition of Diocesi di Faenza - Modigliana, this wide breathed piece is the first of a couple of hymns in honor of S. Apollinare and is very suitable for Choir Concerts, expecially in the Church and for liturgical pourpose. It's majestic and articulated and explores the various possibilities of wide Choir and well fournished Organ together with solo - voices and smooth and coloured chord grouping. One of the pourpose is that the accompaignement is not only a simple harmonic sustain but a richer one (almost like an orchestral one), which dialogues with Choir part.Composer's data:Stefano Maria Torchio is an Italian Violinist, Composer and Orchestra and Choir Conductor born in Padova. He builded his education between the Conservatories of Padova and Vicenza, the Accademia Chigiana in Siena, the Accademia L. Perosi in Biella, the R. Romanini Foundation in Brescia and the University of Music and performing Arts in Vienna.He's member of S.A.C.E.M. for copyright protection.You can find me on: facebook, instagram (stefano.mus) and twittere-mail: stefanotorchio84@gmail.com
$16.50
Stefano Maria Torchio: Crux mundi benedictio
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Choral SATB
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INTERMEDIATE/ADVANCED
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Stefano Maria Torchio
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Stefano Maria Torchio: Crux mu
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Stefano Torchio
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1022756 Composed by Stefano Maria Torchio. Concert,Contemporary,Film/TV,Sacred. Octavo. 10 pages...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1022756 Composed by Stefano Maria Torchio. Concert,Contemporary,Film/TV,Sacred. Octavo. 10 pages. Stefano Torchio #3116295. Published by Stefano Torchio (A0.1022756). Stefano Maria Torchio: Crux mundi benedictioA powerful and suggestive hymn for mixed Choir and Organ up to 8 voices and all the available colours of Organ stops, whispered voices and harmonies. Composed in 2007 for the International Competition for Sacred Composition of Diocesi di Faenza - Modigliana, this wide breathed piece is the second of a couple of hymns in honor of S. Apollinare and is very suitable for Choir Concerts, expecially in the Church and for liturgical pourpose. It's majestic and articulated and explores the various possibilities of wide Choir and well fournished Organ, smooth and coloured voicing (also whispered) and chord grouping. One of the pourpose is that the accompaignement is not only a simple harmonic sustain but a richer one (almost like an orchestral one), which dialogues with Choir part.Composer's data:Stefano Maria Torchio is an Italian Orchestra and Choir Conductor, Composer and Violinist born in Padova. He builded his education between the Universitry of Music and performing Arts in Vienna, the Accademia Chigiana in Siena, the Accademia L. Perosi in Biella, the R. Romanini Foundation in Brescia and the Conservatories of Padova and Vicenza. He's member of S.A.C.E.M. for copyright protection.You can find me on: facebook, instagram (stefano.mus) and twittere-mail: stefanotorchio84@gmail.com
$14.50
Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
I Am Jesus' Little Lamb
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Robert A
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I Am Jesus' Little Lamb
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Solo voice (optional duet) and piano - Easy - Digital Download SKU: MQ.41-100-E Composed by Robert A. Hobby. Good Shepherd Sunday, Children's Sabbath/Emp...
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Solo voice (optional duet) and piano - Easy - Digital Download SKU: MQ.41-100-E Composed by Robert A. Hobby. Good Shepherd Sunday, Children's Sabbath/Emphasis, Confirmation. Instrument part. 5 pages. MorningStar Music Publishers - Digital Sheet Music #41-100-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.41-100-E). English.A tender, simple solo or duet perfect for the Fourth Sunday of Easter (Good Shepherd Sunday). Flowing and supportive piano acompaniment, moderate tessitura in the mezzo-soprano range. The second part is an optional descant that dialogues with the solo on the final verse. Key of D-flat.
$7.75
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