Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Four Year Strong
Not classified
17
Piano & keyboards
Piano solo
6
Piano, Voice
2
C Instruments
1
Piano, Vocal and Guitar
1
Guitars
Guitar
8
Dulcimer
1
Guitar notes and tablatures
1
Voice
Choral SATB
8
Choral SSAA
2
Choral 3-part
1
Choral TTBB
1
Woodwind
Saxophone Quartet: 4 saxophones
4
Clarinet and Piano
2
Flute and Piano
2
Flute, Oboe, Clarinet, Bassoon
2
Flute Quartet: 4 flutes
1
Clarinet Quintet: 5 clarinets
1
Recorder Quartet
1
+ 2 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
3
2 Euphoniums and 2 Tubas
1
Brass quartet : 2 trumpets, trombone, tuba
1
Brass Quartet: 4 trombones
1
Brass Quartet: 2 trumpets, horn, trombone
1
Trumpet, Piano
1
+ 1 instrumentations
-
Retract
Strings
Violin and Piano
3
String Quartet: 2 violins, viola, cello
2
4 Cellos
2
String quartet: 4 violins
2
Cello, Piano
1
Viola, Piano
1
String Quartet : 4 violas
1
Cello
1
Violin
1
+ 4 instrumentations
-
Retract
Orchestra & Percussion
String Orchestra
4
Chamber Orchestra
2
Orchestra
1
Concert band
1
Brass ensemble
1
Others
Free Sheet Music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
235
Digital Sheet Music
94
Sheet Music Books
80
Music Equipment
37
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Four Year Strong
Sheetmusic to print
94 sheet music found
<
1
26
51
76
Jesus, Joy of Mary
#
Choral SATB
#
INTERMEDIATE
#
Joseph
#
Jesus, Joy of Mary
#
Joseph B. Baker
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.907073 Composed by Joseph. B . Baker. Christian,Christmas,Sacred. Octavo. 7 pages. Joseph B. Bak...
(+)
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.907073 Composed by Joseph. B . Baker. Christian,Christmas,Sacred. Octavo. 7 pages. Joseph B. Baker #6705525. Published by Joseph B. Baker (A0.907073). It is not easy to find new and interesting Christmas music year after year. Here is a fresh and singable original Christmas Carol that choirs can easily learn and enjoy singing. At a little over 2 minutes in length, this gentle carol features a melody hinting at plainsong, alternating male and female parts and strong four part harmony in a refrain. Did not Mary bear the son of God, in a stable, animals in sleep?
$2.50
Just a Closer Walk With Thee
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Raluca Bojor
#
Raluca Bojor
#
Just a Closer Walk With Thee
#
Raluca Bojor
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1466320 By Raluca Bojor. By Traditional. Arranged by Raluca Bojor. Christian,Sacred,Traditional. Score. 4...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1466320 By Raluca Bojor. By Traditional. Arranged by Raluca Bojor. Christian,Sacred,Traditional. Score. 4 pages. Raluca Bojor #1044932. Published by Raluca Bojor (A0.1466320). A happy-sounding piano arrangement of the traditional African American hymn “Just a Closer Walk With Thee” written in the gospel style. This piano arrangement has three sections, each with its distinct register and characteristic. The first section is played in the middle register with strong chords on the off-beats. The second section is played in a higher register and features right hand fill-ins between melodic phrases. As we approach the third section, you’ll head a sequencing chord progression modulating from the home key of B flat major to the new key of A flat major – yes, I modulated DOWN a step! Usually I go up :) Finally, this last section presents a ticker texture, with both hands playing octaves and jumping across the keyboard. This piano arrangement is suitable for church prelude, offertory or postlude all year long. LISTEN to the full recording below.Product details:• sheet music PDF• four (4) pages long• key of B flat major with a modulation to A flat major• difficulty: advanced• performance time 2’32”DOWNLOAD the sheet music today!
$5.99
You're The Voice
#
Choral SATB
#
INTERMEDIATE
#
Rebecca St
#
Sandra Milliken
#
You're The Voice
#
Sandra Milliken
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.774738 By Rebecca St. James. By Andy Quanta, Chris Thompson, Keith Reid, and Maggie Ryder. Arran...
(+)
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.774738 By Rebecca St. James. By Andy Quanta, Chris Thompson, Keith Reid, and Maggie Ryder. Arranged by Sandra Milliken. Christian,Gospel. Octavo. 16 pages. Sandra Milliken #4408392. Published by Sandra Milliken (A0.774738). You’re the Voice is a powerful protest song written by Andy Qunta, Keith Reid, Chris Thompson and Maggie Ryder, and recorded by the very popular Australian singer John Farnham for his album Whispering Jack in 1986.The song was one of the biggest hits of 1986 in Australia, topping the singles chart for seven weeks. In 1987 it was awarded the ARIA Award for Single of the Year. It was also one of Farnham’s biggest successes in Europe, charting at No. 1 in Germany and Sweden and reaching the Top 10 in Austria, Ireland, Switzerland and the UK.The song’s main message is an empowering one, encouraging people everywhere to take a stand against corruption and to make their voices heard. To wake up to your own power. It can also be described it as an anti-war song, since it was released in the mid-80s, during the height of the Cold War.Farnham’s version of You’re the Voice contains one of the most famous bagpipe solos ever recorded. It was played by a group of four pipers. If you have a bagpipe soloist/s available, tacet the choir in the bagpipe section (from measure 59) to get the full effect!The SATB arrangement provides scope for a massed choir situation: have a children’s choir sing the Soprano or Soprano and Alto parts in the section beginning at measure 84, with the semi chorus being a group of 3 or more strong singers, ensuring an appropriate balance between the solo, semi-chorus and full choir.
$2.30
From Ode 14 of the Odes of Solomon
#
Greg Bartholomew
#
From Ode 14 of the Odes of Sol
#
Burke & Bagley
#
SheetMusicPlus
Choir - Digital Download SKU: A0.1071141 Composed by Greg Bartholomew. Christian,Contemporary,Jewish,Sacred. Full Performance. Duration 300. Burke & Bagl...
(+)
Choir - Digital Download SKU: A0.1071141 Composed by Greg Bartholomew. Christian,Contemporary,Jewish,Sacred. Full Performance. Duration 300. Burke & Bagley #2880405. Published by Burke & Bagley (A0.1071141). This is the second of Greg Bartholomew's three choral settings of text From the Odes of Solomon, as recorded by the Ars Brunensis Chorus. The Odes of Solomon are believed to have been written around the year 100 A.D., and include strong parallels to the Dead Sea Scrolls. Scholars have debated whether the Odes should be considered Jewish, Christian or Gnostic, and whether they were first written in Greek, Hebrew or Syriac. Early Christian writings refer to and quote from them. A Syriac manuscript containing the text of most of the Odes was discovered in 1909 by the English scholar J. Rendel Harris, and other partial texts in various languages have also been found. There are 42 Odes. Some fragments are still missing from Odes I and III, and no part of Ode II has yet been found. For these choral settings, I selected text from four of the Odes of Solomon which I found particularly compelling. From the Odes of Solomon was premiered in concert on June 2, 2002, by the Ars Brunensis Chorus under the direction of conductor Roman Valek and choirmaster Dan Kalousek at the Husov Sbor, in Brno, Czech Republic.For more information: www.gregbartholomew.com/odesindex.html
$1.99
From Ode 17 of the Odes of Solomon
#
Greg Bartholomew
#
From Ode 17 of the Odes of Sol
#
Burke & Bagley
#
SheetMusicPlus
Choir - Digital Download SKU: A0.1071143 Composed by Greg Bartholomew. Christian,Contemporary,Jewish,Sacred,Spiritual. Full Performance. Duration 329. Bu...
(+)
Choir - Digital Download SKU: A0.1071143 Composed by Greg Bartholomew. Christian,Contemporary,Jewish,Sacred,Spiritual. Full Performance. Duration 329. Burke & Bagley #2880407. Published by Burke & Bagley (A0.1071143). This is the third of Greg Bartholomew's three choral settings of text From the Odes of Solomon, as recorded by the Ars Brunensis Chorus. The Odes of Solomon are believed to have been written around the year 100 A.D., and include strong parallels to the Dead Sea Scrolls. Scholars have debated whether the Odes should be considered Jewish, Christian or Gnostic, and whether they were first written in Greek, Hebrew or Syriac. Early Christian writings refer to and quote from them. A Syriac manuscript containing the text of most of the Odes was discovered in 1909 by the English scholar J. Rendel Harris, and other partial texts in various languages have also been found. There are 42 Odes. Some fragments are still missing from Odes I and III, and no part of Ode II has yet been found. For these choral settings, I selected text from four of the Odes of Solomon which I found particularly compelling. From the Odes of Solomon was premiered in concert on June 2, 2002, by the Ars Brunensis Chorus under the direction of conductor Roman Valek and choirmaster Dan Kalousek at the Husov Sbor, in Brno, Czech Republic.For more information: www.gregbartholomew.com/odesindex.html
$1.99
You're The Voice
#
Choral SSAA
#
INTERMEDIATE
#
Rebecca St
#
Sandra Milliken
#
You're The Voice
#
Sandra Milliken
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.774737 By Rebecca St. James. By Andy Quanta, Chris Thompson, Keith Reid, and Maggie Ryder. Arran...
(+)
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.774737 By Rebecca St. James. By Andy Quanta, Chris Thompson, Keith Reid, and Maggie Ryder. Arranged by Sandra Milliken. Christian,Gospel. Octavo. 16 pages. Sandra Milliken #4408390. Published by Sandra Milliken (A0.774737). You’re the Voice is a powerful protest song written by Andy Qunta, Keith Reid, Chris Thompson and Maggie Ryder, and recorded by the very popular Australian singer John Farnham for his album Whispering Jack in 1986.The song was one of the biggest hits of 1986 in Australia, topping the singles chart for seven weeks. In 1987 it was awarded the ARIA Award for Single of the Year. It was also one of Farnham’s biggest successes in Europe, charting at No. 1 in Germany and Sweden and reaching the Top 10 in Austria, Ireland, Switzerland and the UK.The song’s main message is an empowering one, encouraging people everywhere to take a stand against corruption and to make their voices heard. To wake up to your own power. It can also be described it as an anti-war song, since it was released in the mid-80s, during the height of the Cold War.Farnham’s version of You’re the Voice contains one of the most famous bagpipe solos ever recorded. It was played by a group of four pipers. If you have a bagpipe soloist/s available, tacet the choir in the bagpipe section (from measure 59) to get the full effect!The SATB arrangement provides scope for a massed choir situation: have a children’s choir sing the Soprano or Soprano and Alto parts in the section beginning at measure 84, with the semi chorus being a group of 3 or more strong singers, ensuring an appropriate balance between the solo, semi-chorus and full choir.
$2.30
16 Favourite Hymns Vol.1 for Recorder Quartet
#
Recorder Quartet
#
EASY
#
Sacred music
#
Various
#
David McKeown
#
#
16 Favourite Hymns Vol.1 for R
#
David McKeown
#
SheetMusicPlus
Recorder - Level 2 - Digital Download SKU: A0.590398 Composed by Various. Arranged by David McKeown. Praise & Worship,Sacred. Recorder Ensemble. 59 pages...
(+)
Recorder - Level 2 - Digital Download SKU: A0.590398 Composed by Various. Arranged by David McKeown. Praise & Worship,Sacred. Recorder Ensemble. 59 pages. David McKeown #6210123. Published by David McKeown (A0.590398). 16 Favourite Hymns for Recorder Quartet (Vol 1.) is a collection of commonly performed traditional hymns. They are arranged for four Descant or Soprano Recorders. The file contains the score plus the separate parts.The hymns are arranged in accessible keys and range for the instruments and are suitable for players at an early intermediate stage, after a year or two’s playing.The hymns are in alphabetical order and are as follows· Abide with Me, (Eventide)· All People that on Earth do Dwell, (Old 100th)· All Things Bright and Beautiful, (Bright and Beautiful)· Amazing Grace, (Old Britain)· Be Thou My Vision, (Slane)· Christ the Lord is Risen Today, (Crosby)· The Church’s One Foundation, (Aurelia)· City of God, (Richmond)· Crown Him with Many Crowns, (Diademata)· The Day Thou Gavest, (St Clement)· Dear Lord and Father of Mankind, (Repton)· Eternal Father Strong to Save, (Melita)· The God of Love My Shepherd Is, (University)· O God, Our Help in Ages Past, (St Anne)· Guide Me O Thou Great Jehovah, (Cwm Rhondda)· Praise My Soul the King of Heaven, (Laude Anima)Volume 2 contains another 16 hymns arranged in the same way and is available via my home page at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
16 Favourite Hymns Vol.1 for Violin Quartet
#
String quartet: 4 violins
#
EASY
#
Sacred music
#
Various
#
David McKeown
#
#
16 Favourite Hymns Vol.1 for V
#
David McKeown
#
SheetMusicPlus
String Quartet String Quartet,Violin - Level 2 - Digital Download SKU: A0.590402 Composed by Various. Arranged by David McKeown. Praise & Worship,Sacred....
(+)
String Quartet String Quartet,Violin - Level 2 - Digital Download SKU: A0.590402 Composed by Various. Arranged by David McKeown. Praise & Worship,Sacred. Score and parts. 59 pages. David McKeown #6210133. Published by David McKeown (A0.590402). 16 Favourite Hymns for Violin Quartet (Vol 1.) is a collection of commonly performed traditional hymns. They are arranged for four Violins. The file contains the score plus the separate parts.The hymns are arranged in accessible keys and range for the instruments and are suitable for players at an early intermediate stage, after a year or two’s playing.The hymns are in alphabetical order and are as follows· Abide with Me, (Eventide)· All People that on Earth do Dwell, (Old 100th)· All Things Bright and Beautiful, (Bright and Beautiful)· Amazing Grace, (Old Britain)· Be Thou My Vision, (Slane)· Christ the Lord is Risen Today, (Crosby)· The Church’s One Foundation, (Aurelia)· City of God, (Richmond)· Crown Him with Many Crowns, (Diademata)· The Day Thou Gavest, (St Clement)· Dear Lord and Father of Mankind, (Repton)· Eternal Father Strong to Save, (Melita)· The God of Love My Shepherd Is, (University)· O God, Our Help in Ages Past, (St Anne)· Guide Me O Thou Great Jehovah, (Cwm Rhondda)· Praise My Soul the King of Heaven, (Laude Anima)
$9.99
From Odes 1 & 3 of the Odes of Solomon
#
Greg Bartholomew
#
From Odes 1 & 3 of the Odes of
#
Burke & Bagley
#
SheetMusicPlus
Choir - Digital Download SKU: A0.1071144 Composed by Greg Bartholomew. Christian,Contemporary,Jewish,Sacred. Full Performance. Duration 301. Burke & Bagl...
(+)
Choir - Digital Download SKU: A0.1071144 Composed by Greg Bartholomew. Christian,Contemporary,Jewish,Sacred. Full Performance. Duration 301. Burke & Bagley #2880409. Published by Burke & Bagley (A0.1071144). This is the first of Greg Bartholomew's three choral settings of text From the Odes of Solomon, as recorded by the Ars Brunensis Chorus. The Odes of Solomon are believed to have been written around the year 100 A.D., and include strong parallels to the Dead Sea Scrolls. Scholars have debated whether the Odes should be considered Jewish, Christian or Gnostic, and whether they were first written in Greek, Hebrew or Syriac. Early Christian writings refer to and quote from them. A Syriac manuscript containing the text of most of the Odes was discovered in 1909 by the English scholar J. Rendel Harris, and other partial texts in various languages have also been found. There are 42 Odes. Some fragments are still missing from Odes I and III, and no part of Ode II has yet been found. For these choral settings, I selected text from four of the Odes of Solomon which I found particularly compelling. From the Odes of Solomon was premiered in concert on June 2, 2002, by the Ars Brunensis Chorus under the direction of conductor Roman Valek and choirmaster Dan Kalousek at the Husov Sbor, in Brno, Czech Republic.Watch a score video here: https://youtu.be/tEHr8Q-Rg6Y?list=PLfOoI8O24sbw_30-GpKg6qkyT5tpYKNbB For more information: www.gregbartholomew.com/odesindex.html
$1.99
Hello, Dolly!
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Louis Armstrong
#
Keith Terrett
#
Hello, Dolly!
#
Keith Terrett
#
SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1149132 By Louis Armstrong. By Jerry Herman. Arranged by Keith Terrett. 20th Century,Blue...
(+)
Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1149132 By Louis Armstrong. By Jerry Herman. Arranged by Keith Terrett. 20th Century,Blues,Film/TV,Jazz. 15 pages. Keith Terrett #749261. Published by Keith Terrett (A0.1149132). A classic arranged for Brass Quintet with optional drums. The chart features a fully written Louis style Trumpet solo. Enjoy!Hello, Dolly! is the title song of the popular 1964 musical of the same name. Louis Armstrong's version was inducted into the Grammy Hall of Fame in 2001.The music and lyrics were written by Jerry Herman, who also wrote the scores for many other popular musicals including Mame and La Cage aux Folles.History:Hello, Dolly! was first sung by Carol Channing, who starred as Dolly Gallagher Levi in the original 1964 Broadway cast. In December 1963, at the behest of his manager, Louis Armstrong made a demonstration recording of Hello, Dolly! for the song's publisher to use to promote the show. Hello, Dolly! opened on January 16, 1964, at the St. James Theatre in New York City, and it quickly became a major success.The same month, Kapp Records released Armstrong's publishing demo as a commercial single. His version reached No. 1 on the U.S. Billboard Hot 100, ending the Beatles' streak of 3 chart-topping hits in a row over 14 consecutive weeks. Hello Dolly! became the most successful single of Armstrong's career, followed by a Gold-selling album of the same name.[2] The song also spent nine weeks atop the adult contemporary chart shortly after the opening of the musical. The song also made Armstrong the oldest artist ever to reach No. 1 on the Hot 100 since its introduction in 1958. Billboard ranked the record as the No. 3 song of 1964, behind the Beatles' I Want to Hold Your Hand and She Loves You.Hello, Dolly! won the Grammy Award for Song of the Year in 1965, and Armstrong received a Grammy for Best Vocal Performance, Male. Louis Armstrong also performed the song (together with Barbra Streisand) in the popular 1969 film Hello, Dolly!.Lyndon B. Johnson, often referred to by the moniker LBJ, used the tune, rechristened Hello, Lyndon!, as a campaign song for his run in the 1964 U.S. presidential election. This version of the song was performed by Carol Channing at that year's Democratic National Convention, and a recording was made by Ed Ames for distribution at the convention.The Sunflower controversy:Hello, Dolly! became caught up in a lawsuit which could have endangered plans for filming the musical. Mack David, a composer, sued for infringement of copyright, because the first four bars of Hello, Dolly! were the same as those in the refrain of David's song Sunflower from 1948. As he recounts in his memoirs, Herman had never heard Sunflower before the lawsuit, and wanted a chance to defend himself in court, but, for the sake of those involved in the show and the potential film, he reluctantly agreed to pay a settlement before the case would have gone to trial.
$15.99
Chorus and Aria from Ariadne auf Naxos
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne a
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariad
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
#
Guitar
#
INTERMEDIATE
#
Classical
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxo
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Tchaikovsky: The Seasons Op.37 No.2 Feburary (Carnival)
#
String Orchestra
#
INTERMEDIATE
#
Classical
#
Peter Ilyich Tchaikovsky
#
Ryuichi Horikoshi
#
Tchaikovsky: The Seasons Op.37
#
R1音楽ä¼ç”»å®¤
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1370819 Composed by Peter Ilyich Tchaikovsky. Arranged by Ryuichi Horikoshi. 19th Century. 20 pages...
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1370819 Composed by Peter Ilyich Tchaikovsky. Arranged by Ryuichi Horikoshi. 19th Century. 20 pages. R1音楽ä¼ç”»å®¤ #955160. Published by R1音楽ä¼ç”»å®¤ (A0.1370819). String ensemble arrangement of Tchaikovsky’s Februrary (Carnival) from The piano collection The Seasons  Op. 37a. Score, Set of Parts. 20 pages.February (Carnival) is a winter scene from the piano collection The Four Seasons, Op. 37a. The piano collection The Four Seasons (originally titled Les Saisons) is known as a collection of 12 piano pieces, one for each month, depicting the customs of the Russian year. To me, as the arranger, it seems to strongly reflect scenes from the composer's own homeland, Ukraine.Tchaikovsky's Ukrainian roots are not surprising. Tchaikovsky's surname was changed from Chaika (Чайка: a traditional Ukrainian surname meaning seagull) by his grandfather, and his family originated from the Chaika family of Ukrainian Cossacks who had a territory in what is now Poltava Oblast.
$17.99
Tchaikovsky: The Seasons Op37 No.10 October (Autumn Song)
#
String Orchestra
#
INTERMEDIATE
#
Classical
#
Peter Ilyich Tchaikovsky
#
Ryuichi Horikoshi
#
Tchaikovsky: The Seasons Op37
#
R1音楽ä¼ç”»å®¤
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1320905 Composed by Peter Ilyich Tchaikovsky. Arranged by Ryuichi Horikoshi. 19th Century. 13 pages...
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1320905 Composed by Peter Ilyich Tchaikovsky. Arranged by Ryuichi Horikoshi. 19th Century. 13 pages. R1音楽ä¼ç”»å®¤ #909344. Published by R1音楽ä¼ç”»å®¤ (A0.1320905). String ensemble arrangement of Tchaikovsky’s  October (Autumn Song)  from The piano collection The Seasons  Op. 37a. Score, Set of Parts. 11 pages.October (Autumn Song) depicts an autumn scene from the piano collection The Four Seasons, Op. 37a. The Four Seasons (originally titled Les Saisons) is known as a collection of 12 piano pieces, one for each month, depicting the customs of the Russian year. To me, as the arranger, it seems to strongly reflect scenes from the composer's own homeland, Ukraine.Tchaikovsky's Ukrainian roots are not surprising. Tchaikovsky's surname was changed from Chaika (Чайка: a traditional Ukrainian surname meaning seagull) by his grandfather, and his family originated from the Chaika family of Ukrainian Cossacks who had a territory in what is now Poltava Oblast.
$12.34
Tchaikovsky: The Seasons Op37 No.7 July (Song of the Reapers)
#
String Orchestra
#
INTERMEDIATE
#
Classical
#
Peter Ilyich Tchaikovsky
#
Ryuichi Horikoshi
#
Tchaikovsky: The Seasons Op37
#
R1音楽ä¼ç”»å®¤
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1191148 Composed by Peter Ilyich Tchaikovsky. Arranged by Ryuichi Horikoshi. 19th Century. Score an...
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1191148 Composed by Peter Ilyich Tchaikovsky. Arranged by Ryuichi Horikoshi. 19th Century. Score and Parts. 12 pages. R1音楽ä¼ç”»å®¤ #790662. Published by R1音楽ä¼ç”»å®¤ (A0.1191148). July (Song of the Reapers) is an intact depiction of a summer farming scene in the piano collection The Four Seasons, Op 37a. The piano collection The Four Seasons (originally titled Les Saisons) is known as a collection of 12 piano pieces, one for each month, depicting the customs of the Russian year. To me, as the arranger, it seems to strongly reflect scenes from the composer's own homeland, Ukraine.Tchaikovsky's Ukrainian roots are not surprising. Tchaikovsky's surname was changed from Chaika (Чайка: a traditional Ukrainian surname meaning seagull) by his grandfather, and his family originated from the Chaika family of Ukrainian Cossacks who had a territory in what is now Poltava Oblast.
$12.34
Fantasia on God Rest You Merry - SATB
#
Choral SATB
#
INTERMEDIATE/ADVANCED
#
Phil Beaman
#
Fantasia on God Rest You Merry
#
Phil Beaman
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.844381 Composed by Phil Beaman. A Cappella,Christmas,Contemporary,Jazz,Sacred. Octavo. 8 pages. ...
(+)
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.844381 Composed by Phil Beaman. A Cappella,Christmas,Contemporary,Jazz,Sacred. Octavo. 8 pages. Phil Beaman #2950269. Published by Phil Beaman (A0.844381). For this Christmas here is a dramatic a capella piece that is a Fantasia based on the old English carol God Rest You Merry Gentlemen. It is an eclectic fusion of Classical music and 1950's Free Jazz and West Indian/Caribbean rhythms with exuberance and pulse. It is in verse-refrain form, but is very freely treated and each of the four verses is wholly unique while expressing, and sometimes expanding upon, each word. There is no Time Signature and thus irregular measures which change every few bars which would utilize 2/4, 3/4, 4/4, 5/4, 6/4, and 7/4, but always maintains a strong pulse. It contains abrupt changes in dynamics and a rubato tempo. This is a challenging work with dynamic results.8 pages (I have only printed the refrain once (after the first verse) and it is repeated the same after every verse. If I inserted it after each verse this would have been a 19 page score to print. Best to just memorize the short catchy refrain.)4:45 minutesI originally wrote this as an a capella piece. Years later I also transcribed it for Instrumental Quartet. If you do not wish to do this piece a capella there are 15 different Instrument Quartet combinations also published on this site which double the four voice parts and are all in the same concert key and can be used as accompaniment. Â The recording attached is of the Brass Quartet version which exactly doubles the SATB voices so that you can get an idea of the rhythms and harmonies. Â
$3.25
Kyrie (Durante) (Trombone Quartet)
#
Brass Quartet: 4 trombones
#
INTERMEDIATE
#
Francesco Durante
#
Regis Bookshar
#
Kyrie
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble,Trombone Quartet Trombone - Level 3 - Digital Download SKU: A0.1092487 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,...
(+)
Brass Ensemble,Trombone Quartet Trombone - Level 3 - Digital Download SKU: A0.1092487 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 7 pages. Regis Bookshar #696578. Published by Regis Bookshar (A0.1092487). Kyrie - by Francesco Durante; Trombone Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Trombone Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Trombone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Bassoon Quartet)
#
Basson ensemble
#
INTERMEDIATE
#
Francesco Durante
#
Regis Bookshar
#
Kyrie
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.1092442 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,S...
(+)
Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.1092442 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 7 pages. Regis Bookshar #696534. Published by Regis Bookshar (A0.1092442). Kyrie - by Francesco Durante; Bassoon Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Bassoon Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Bassoon Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Flute Quartet)
#
Flute Quartet: 4 flutes
#
INTERMEDIATE
#
Francesco Durante
#
Regis Bookshar
#
Kyrie
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1092455 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sac...
(+)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1092455 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 7 pages. Regis Bookshar #696547. Published by Regis Bookshar (A0.1092455). Kyrie - by Francesco Durante; Flute Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Flute Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Flute Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Euphonium Quartet - Treble Clef)
#
Francesco Durante
#
Regis Bookshar
#
Kyrie
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.1092454 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sa...
(+)
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.1092454 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696546. Published by Regis Bookshar (A0.1092454). Kyrie - by Francesco Durante; Euphonium Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Euphonium Quartet, written in Treble Clef. There is also a version written in Bass Clef, if you would prefer. This would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Euphonium Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Brass Quartet - 1 Trp, 1 Hrn, 1 Trb, 1 Tuba)
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE
#
Francesco Durante
#
Regis Bookshar
#
Kyrie
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1092443 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1092443 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696535. Published by Regis Bookshar (A0.1092443). Kyrie - by Francesco Durante; Brass Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Brass Quartet, consisting of 1 Bb Trumpet, 1 French Horn, 1 Trombone and 1 Tuba. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Brass Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Euphonium Quartet - Bass Clef)
#
Francesco Durante
#
Regis Bookshar
#
Kyrie
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.1092452 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sa...
(+)
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.1092452 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 7 pages. Regis Bookshar #696544. Published by Regis Bookshar (A0.1092452). Kyrie - by Francesco Durante; Euphonium Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Euphonium Quartet, written in Bass Clef. There is also a version written in Treble Clef, if you would prefer. This would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Euphonium Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Brass Quartet - 2 Trp, 1 Hrn, 1 Trb)
#
Brass Quartet: 2 trumpets, horn, trombone
#
INTERMEDIATE
#
Francesco Durante
#
Regis Bookshar
#
Kyrie
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1092445 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Inst...
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1092445 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696537. Published by Regis Bookshar (A0.1092445). Kyrie - by Francesco Durante; Brass Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Brass Quartet, consisting of 2 Bb Trumpets, 1 French Horn and 1 Trombone. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Brass Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
<
1
26
51
76
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
