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Friday Nite
Sheetmusic to print
15 sheet music found
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1
Hymne Pénitentiel
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J
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Hymne Pénitentiel
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J. Randolph Hall
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SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Interactive Download SKU: A0.482577 Arranged by J. Randolph Hall. This edition: Interactive Download. Classic...
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Interactive Download SKU: A0.482577 Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Holiday,Praise & Worship,Standards. Score and parts. 7 pages. Duration 76. Published by J. Randolph Hall (A0.482577). An anonymous write of a tune that Thomas Pollock would set words to for Good Friday in the 1800's. Section A is the hymn exposition followed by Section B which changes to g minor. It then segues into Bb Major in Section C. One almost gets a feel of one humbling themselves before God, experiencing contrition for their wrong doing, and then finally feeling the release of being forgiven of all sins.
$3.00
Friday Nite
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Guitar notes and tablatures
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Christian contemporary
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Slick Shoes
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Friday Nite
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Hal Leonard - Digital
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SheetMusicPlus
Guitar - Digital Download SKU: HX.6850 By Slick Shoes. Christian,Rock. Guitar TAB. 6 pages. Published by Hal Leonard - Digital (HX.6850). ...
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Guitar - Digital Download SKU: HX.6850 By Slick Shoes. Christian,Rock. Guitar TAB. 6 pages. Published by Hal Leonard - Digital (HX.6850).
$4.99
On That Cross (Piano part ONLY)
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Sacred music
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Chri...
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
On That Cross
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Choral SSATTB
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EASY
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Sacred music
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Chri...
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00
On That Cross (choir pack + piano part + licence)
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Sacred music
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Chri...
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
Lonely Days
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Bee Gees
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Peet du Toit
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Lonely Days
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Peet du Toit
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SheetMusicPlus
Small Ensemble Drum Set,Euphonium,Horn,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802648 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb....
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Small Ensemble Drum Set,Euphonium,Horn,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802648 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 17 pages. Peet du Toit #6198223. Published by Peet du Toit (A0.802648). Lonely Days is a ballad written and performed by the Bee Gees. It appeared on their album 2 Years On, and was released as a single, becoming their first Top Five hit in the US, peaking at number three in the Billboard Hot 100 and reaching number one in the Cashbox and Record World charts. Barry Gibb later re-recorded the song with country quartet Little Big Town for his 2021 album Greenfields.On Friday, 21 August 1970, the three Gibb brothers announced they would reunite and start recording together, nearly 16 months after Robin quit the group. They said later that they wrote Lonely Days and How Can You Mend a Broken Heart at their first reunion session, but the exact day when they recorded the song is unknown. However, a tape of stereo mixes received at Atlantic in October bears the tantalizing notation August 20, 1970 which, if true, means the brothers announced the reunion the day after it happened. According to Robin Gibb in a 2001 Billboard interview with the Bee Gees, That was written on Addison Road in Holland Park in London, in the basement of Barry's place.This song was sung by all three together to Maurice's piano and bass and Bill Shepherd's string and horn arrangement, the slow verses contrasting with the pounding chorus. 'Lonely Days' was written in ten minutes. It was that quick. I was at the piano ten minutes. Barry revealed later in 1998, A manager we had about five years back heard 'Lonely Days' in a restaurant and he said to a friend, 'That's one of my favorite Beatles songs' And he was managing us!Well, beyond the Covid-19 pandemic, brass quintets would want to re-unite. What better way than to play a shortened version (for the fragile chops) of Lonely Days... Enjoy!
$15.00
Psalm 22: Why Hast Thou Forsaken Me
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Choral SATB
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INTERMEDIATE
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Sacred music
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Denise M
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Psalm 22: Why Hast Thou Forsak
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Denise M. Owen
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.881192 Composed by Denise M. Owen. Baroque,Christian,Easter,Sacred. Octavo. 3 pages. Denise M. ...
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.881192 Composed by Denise M. Owen. Baroque,Christian,Easter,Sacred. Octavo. 3 pages. Denise M. Owen #13451. Published by Denise M. Owen (A0.881192). A solo setting of the Good Friday Psalm 22, the words Jesus spoke from the Cross: My God, my God, why hast Thou forsaken me? This Psalm setting would be perfect for Good Friday services or for use during Lent or other penitential seasons. It can be sung by a treble soloist, unison choir, soprano or tenor soloist. The accompaniment can be played on piano or organ (organ preferred) and is written in Baroque-style four parts which are distinct from the solo part. The melody uses the descending-second sighing technique to indicate the strong emotions of questioning and pleading with God. This would be a very effective solo or unison choir piece for Tenebrae or Good Friday.
$3.99
March: Helping Hands (Rob Bushnell) - Brass Band
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Rob Bushnell
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March: Helping Hands
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RBMusic
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1203187 Composed by Rob Bushnell. 20th Century,Contest,Festival,March,Traditional. Brass Band. 41 pages. RBMusic #801860. Published by RBMusic (A0.1203187). Helping Hands is a march written for the British Bandsman March Composition Contest, entered into category 2 (marches for 3rd/4th section bands). It is dedicated to all the volunteers that make the Whit Friday March Contests possible, which is said to be the greatest free show on Earth. The piece is loosely programmatic in nature.The introduction is fanfare-like, announcing the date of the next Whit Friday Contests and the bands’ anticipation of and preparation for the event. The first section is the march of the volunteers, as they descend upon the many venues, ready to run the contests. There is the usual hustle and bustle before the second section sees the contests start. The bands strike up, march, finish and go from place to place, whilst the volunteers manage them, the audiences, and all manner of issues and problems thrown at them. The third section represents the bad weather which has, at times, presented itself on that particular Friday. But everyone carries on (possibly the sun comes out) and we enjoy the day.The trio uses the hymn St. Vincent by Sigismund Neukomm: St. Vincent de Paul is the patron saint of charities and volunteering, hence its use here. There is a small bridge that is reminiscent of previously used motifs and melodies before the hymn returns. The piece is influenced by marches that are commonly heard during the Whit Friday March Contests, using motifs, rhythms and harmonic progressions (sparingly) throughout the piece.This piece is for the UK-style brass band, includes march-card sized parts, with alternatives for horns in F and bass-clef lower brass.Other searchable terms: Delph, Denshaw, Diggle Dobcross, Friezland, Greenfield, Grotton, Lees and Springhead, Lydgate, Scouthead and Austerlands, Uppermill, Broadoak, Carrbrook, Denton, Droylsden, The Bush, Dukinfield, Tame Valley, Heyrod, Hurst Village, Ashton United FC, Stalybridge, Labour Club, Knight Templar, The Wizard, The President, Ravenswood, Honest Toil, Mephistopheles, Melphi, O.R.B., Castell Coch, Cornish Cavalier William Rimmer, T. J. Powell, W. E. Moyle, Charles Anderson, George Allan, William Gerrman, Shipley Douglas.
$44.99
How Deep the Father's Love for Us
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Sacred music
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Stuart Townend
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Stuart Townend
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Larry Shackley
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How Deep the Father's Love for
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Hope Publishing - Digital
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SheetMusicPlus
Vocal, Solo Med. Voice Solo - Key of E - Digital Download SKU: H1.8604DP Composed by Stuart Townend. Arranged by Larry Shackley. Piano Accompaniment. Voc...
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Vocal, Solo Med. Voice Solo - Key of E - Digital Download SKU: H1.8604DP Composed by Stuart Townend. Arranged by Larry Shackley. Piano Accompaniment. Vocal Solo Sheet Music Series. Communion, Contemporary, Lent, Good Friday, General Worship, Communion, Cross of Christ, Devotion, God - Love, God's Love, Gratefulness, Lamb of God, Lord's Supper, Love, Redemption, Sacrifice. Score. 7 pages. Hope Publishing - Digital #8604DP. Published by Hope Publishing - Digital (H1.8604DP). By Stuart Townend. John 3:16 - John 19:30 - Psalms 103:1 - Psalms 103:2 - Psalms 103:3 - Psalms 103:4 - Psalms 103:5 - Psalms 103:6 - Psalms 103:7 - Psalms 103:8 - Psalms 103:9 - Psalms 103:10 - Psalms 103:11 - Psalms 103:12 - Psalms 103:13 - Psalms 10.Classic ballad by Stuart Townend This earnest ballad from Stuart Townend explores the infinite love of God that allowed his Son to be sacrificed for us. Larry Shackley's gentle blending of melodies and piano accompaniment brings dignity to the folk-like tune and lends this contemporary worship song a classic feel. A top-seller in SATB, this dynamic arrangement is now available in a new SAB version as well as a Medium Voice solo.
$7.95
Slick Shoes: Friday Nite - guitar (tablature)
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Guitar notes and tablatures
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INTERMEDIATE
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Slick Shoes
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Virtualsheetmusic
Instantly printable sheet music by Slick Shoes for guitar (tablature) of MEDIUM skill level. / christian,rock
Instantly printable sheet music by Slick Shoes for guitar (tablature) of MEDIUM skill level. / christian,rock
$6.97
Sunday's Joy Will Come, sacred music for SATB choir
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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Sunday's Joy Will Come, sacred
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1273512 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Easter,Praise & Worsh...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1273512 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Easter,Praise & Worship,Religious,Sacred. Octavo. 13 pages. Kevin G. Pace #865651. Published by Kevin G. Pace (A0.1273512). A stunningly beautiful choral composition with music by Kevin G. Pace and text by Mary Ann W. Snowball.  The subject of this piece is the joy felt at Christ's resurrection following the darkness of his crucifixion.Text:Though Jesus raised the dead in his mortal life,He would die a shameful death caused by angered strife.On that fateful day when clouds covered sun,Jesus’ enemies rejoiced, thinking they had won.This Friday, dark like stain, never came again.Jesus Christ was in the tomb, killed by spiteful men.Soon a miracle honored all mankind:Jesus burst the bonds of death, bringing life past time.Christ’s resurrection claims all will live once more.His gift renders unity for each soul restored.This is Christ’s pure love giv’n on Sunday morn.Now, throughout eternity, new life will be born.Hereafter we will praise Jesus Christ, our Lord,Thanking Him for giving us life forevermore.With those gone in death, we will reunite.Sunday’s joy will come to all filled with heaven’s light.We will be with those we love all because of One.Sunday’s joy will ever come; Sunday’s joy will come!
$1.99
Sunday's Joy Will Come, a sacred hymn
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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Sunday's Joy Will Come, a sacr
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1220697 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Reli...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1220697 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #817036. Published by Kevin G. Pace (A0.1220697). A stirring, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Though Jesus raised the dead in his mortal life,He would die a shameful death caused by angered strife.On that fateful day when clouds covered sun,Jesus’ enemies rejoiced, thinking they had won.This Friday, dark like stain, never came again.Jesus Christ was in the tomb, killed by spiteful men.Soon a miracle honored all mankind:Jesus burst the bonds of death, bringing life past time.Christ’s resurrection claims all will live once more.His gift renders unity for each soul restored.This is Christ’s pure love giv’n on Sunday morn.Now, throughout eternity, new life will be born.Hereafter we will praise Jesus Christ, our Lord,Thanking Him for giving us life forevermore.With those gone in death, we will reunite.Sunday’s joy will come to all filled with heaven’s light.We will be with those we love all because of One.Sunday’s joy will ever come; Sunday’s joy will come!
$1.99
O Holy Jesus
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Choral SATB
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INTERMEDIATE
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Sacred music
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Brian Cockburn
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O Holy Jesus
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Brian Cockburn
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1007964 Composed by Brian Cockburn. Christian,Easter,Sacred. Octavo. 5 pages. Brian Cockburn #43...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1007964 Composed by Brian Cockburn. Christian,Easter,Sacred. Octavo. 5 pages. Brian Cockburn #4301229. Published by Brian Cockburn (A0.1007964). This simple, but dramatic anthem is perfect for Lent, Communion, Good Friday, or any penitential moment to focus on Jesus' sacrifice.While simple and easy to rehearse and perform, it offers a contemporary Whitacre - type sound using the organ and simply approached and left dissonances. It also provides opportunities to feature male and female soloists or semi-chorus.
$1.99
Jesus Our Savior (Downloadable)
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Choral SATB
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Michael Burkhardt
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Stz. 2: SATB
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Jesus Our Savior
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, optional congregation, organ - Moderately Easy to Medium - Digital Download SKU: MQ.50-3042-E Composed by Michael Burkhardt. Triduum/Three Da...
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SATB choir, optional congregation, organ - Moderately Easy to Medium - Digital Download SKU: MQ.50-3042-E Composed by Michael Burkhardt. Triduum/Three Days. 7 pages. MorningStar Music Publishers - Digital Sheet Music #50-3042-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-3042-E). Original hymn tune for 10th century Latin hymn textAd te Rex summe in plaintive, yet hopeful setting. Stanza 1: Unison; Stz. 2: SATB; Stz. 3: Unison with opt. congregation and soprano descant using a portion of Gloria Ordinary text,Domine Fili unigenite. Ash Wednesday, Good Friday Tenebrae.
$1.25
La Blonde
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Flute ensemble
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INTERMEDIATE
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Edward Elgar
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Sharla Nichols Fasko
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La Blonde
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Sharla Nichols Fasko
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1454879 By Edward Elgar. By Edward Elgar. Arranged by Sh...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1454879 By Edward Elgar. By Edward Elgar. Arranged by Sharla Nichols Fasko. 19th Century. 20 pages. Sharla Nichols Fasko #1033845. Published by Sharla Nichols Fasko (A0.1454879). Long before he became famous for the Pomp & Circumstance March we hear at graduations all over the United States, Edward Elgar was a band director at a hospital for people with mental disabilities. The Powick Lunatic Asylum held dances every Friday afternoon for its inmates as a therapeutic activity, and Elgar had to compose the dances the band played for the events. The musicians were hospital employees with a bit of musical training. Elgar named his charming polkas and quadrilles after fellow musicians, fiancées, and friendly ladies of his acquaintance. He continued there from 1879-84. La Blonde was written in honor of his then-fiancee Helen Weaver. This version was edited and arranged for a small to medium flute ensemble.
$14.99
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