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Give It One: Horn in B flat
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You've selected:
Give It One: Horn in B flat
Sheetmusic to print
43 sheet music found
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26
Give It One: Horn in B flat
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Marching band
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Instructional
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Alan Downey and Maynard Fergus
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Anthony M
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Give It One: Horn in B flat
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - Digital Download SKU: AX.00-PC-0016504_BH1 Horn in B flat. Composed by Alan Downey and Maynard Ferguson. Arranged by Anthony M. Fa...
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Marching Band - Digital Download SKU: AX.00-PC-0016504_BH1 Horn in B flat. Composed by Alan Downey and Maynard Ferguson. Arranged by Anthony M. Falcone and Victor López. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016504_BH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016504_BH1). UPC: 038081481050.One of the most well-known charts from jazz legend Maynard Ferguson is now in a terrific new arrangement by Victor LA3pez. LA3pez has adapted this chart to be playable by most bands, while maintaining the excitement and drive of the original. This one sizzles! (2:00).
$3.00
Never Gonna Give You Up
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Clarinet Ensemble
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INTERMEDIATE
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Pop music
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Rick Astley
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David Boyd
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Never Gonna Give You Up
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David Boyd
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1500810 By Rick Astle...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1500810 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by David Boyd. Pop. 30 pages. David Boyd #1076879. Published by David Boyd (A0.1500810). IntroductionNever Gonna Give You Up, a classic pop anthem by Rick Astley, has been reimagined for clarinet choir, bringing its infectious melody and driving rhythm into a new, sonorous setting. This arrangement captures the essence of the original while exploring the rich timbral possibilities of the clarinet family. It aims to provide a fun and engaging performance experience for players and an entertaining piece for audiences.Instrumentation:E-flat ClarinetB-flat Clarinet 1B-flat Clarinet 2B-flat Clarinet 3B-flat Clarinet 4B-flat Clarinet 5B-flat Clarinet 6 (Alternate E-flat Clarinet)B-flat Clarinet 7 (Alternate E-flat Alto Clarinet)Basset Horn in F (Alternate E-flat Alto Clarinet)E-flat Alto ClarinetB-flat Bass Clarinet 1B-flat Bass Clarinet 2B-flat Bass Clarinet 3E-flat Contra Alto ClarinetB-flatContrabass ClarinetDrum Kit (optional)I encourage you to adapt this instrumentation to your ensemble as needed. Alternate B-flat parts are provided. The alto clarinet solo is cued in both the Basset Horn and Clarinet 7 part. The Clarinet 1 solo is cued an octave lower in Clarinet 2.Structure and FormThe arrangement retains much of the original song's form in a condensed format, including the iconic intro, verse, and chorus. It omits the bridge entirely. Careful attention has been given to the balance and texture, ensuring each section of the clarinet choir contributes to the overall sound.Performance ConsiderationsDynamics and Articulation: Players should pay close attention to the dynamic contrasts throughout the arrangement. The verses should be lighter and more articulate, while the chorus demands a fuller, more resonant sound. Articulations are marked to mimic the vocal phrasing of the original song, so accents and staccatos should be crisp and well-defined.Balance and Blend: Given the diverse range of voices in the clarinet choir, balance is crucial. The melody must always be prominent, particularly in the chorus where it may be in unison across several voices. Ensure that the supporting lines do not overpower the melody, especially in the lower clarinets.Technical Challenges: While the arrangement is accessible to intermediate players, some sections, particularly in the Eb Clarinet and 1st Bb Clarinet parts, may require attention to finger dexterity and breath control. Encourage players to practise these passages slowly, focusing on evenness of tone and clarity.
$19.99
Ricercare In B Flat For Brass Orchestra
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Brass ensemble
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INTERMEDIATE
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Thomas R
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Ricercare In B Flat For Brass
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Thomas R. Schadl
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.912507 Composed by Thomas R. Schadl. Concert,Contemporary,Holiday,Instructional,Standards. Score and ...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.912507 Composed by Thomas R. Schadl. Concert,Contemporary,Holiday,Instructional,Standards. Score and parts. 28 pages. Thomas R. Schadl #6438039. Published by Thomas R. Schadl (A0.912507). In writing the Ricercare In B Flat Major For Brass Orchestra, it came to my attention the works of Giovanni Gabrielli, Palestrina and other composers of the sixteenth and seventeenth centuries. The fugues of Johann Sebastien Bach and his contemporaries are the descendants of the ricercare in that the themes are treated contrapuntally. The main feature in the ricercare and the fugue is the melodic imitation of the principal theme. Unlike the fugues of Bach that includes the countersubject, the ricercare has no regular countermelody to provide musical interest to the theme. Another feature to discover in the Ricercare In B Flat Major is the concerto nature, where the trumpet ensemble plays against instruments of lower pitch registration and the French horn chorus plays against instruments of different tone colors. The concluding section of the piece includes all instruments playing together.In performing the work, the brass orchestra performs together on stage. There also may be a possibility of having the work performed in different parts of a hall to give listeners an idea of the concerto-like works of Gabrielli’s sacred symphonies. This idea may be decided at the discretion of the conductor and the ensemble.The work is suitable for concert use and may be used to teach students the compositional techniques composers of previous centuries used in composing their works.
$31.95
Jesu, joy of man's desiring by Bach for Trumpet and French Horn
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Trumpet, Horn (duert)
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EASY
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Classical
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by
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Woods Only, Arrangements
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SheetMusicPlus
B-Flat Trumpet,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1125395 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christma...
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B-Flat Trumpet,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1125395 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 6 pages. Woods Only, Arrangements #726177. Published by Woods Only, Arrangements (A0.1125395). This easy arrangement for trumpet and horn in F duet has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.
$3.99
It's Beginning To Look Like Christmas
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Christmas
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Meredith Willson
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Mark Harrison
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It's Beginning To Look Like Ch
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Mark Harrison
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.547020 Composed by Meredith Willson. Arranged by Mark Harrison. Christmas,Pop. Brass Band. 33 pages. Mark Harrison #156958. Published by Mark Harrison (A0.547020). With some difficult, intricate band parts as well as a tricky solo part, this arrangement will keep everyone in the band busy! From Bell Tones, to weaving lines, to chromatic runs, and swinging Christmas antics, this piece will have everyone swaying in their seats, and gives the Bass player a chance to really shine! Enjoy! - British Style Brass Band - Bass Clef parts available on request.
$49.99
More Cowbell: (wp) 1st Horn in E-flat
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Concert band
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Instructional
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Mark Williams
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More Cowbell:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0000805_WPEH1 (wp) 1st Horn in E-flat. Composed by Mark Williams. Instructional. World Part. 1 pages...
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Concert Band - Digital Download SKU: AX.00-PC-0000805_WPEH1 (wp) 1st Horn in E-flat. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000805_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000805_WPEH1). UPC: 038081278117.More Cowbell was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: slit throat gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn't move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new rock star takes another bow at the end of the piece. Have fun, and may your life always have More Cowbell! Correlated with Accent on Achievement, Book 1, page 27. (1:54) This title is available in SmartMusic.Movement and Staging.
$3.00
Dialogue (for Brass and Saxophone Ensemble)
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P
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Dialogue
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Pete Strohm Music
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SheetMusicPlus
Large Ensemble Alto Saxophone,B-Flat Trumpet,Baritone Saxophone,Horn,Soprano Saxophone,Tenor Saxophone,Tenor Trombone,Tuba - Level 4 - Digital Download SKU: ...
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Large Ensemble Alto Saxophone,B-Flat Trumpet,Baritone Saxophone,Horn,Soprano Saxophone,Tenor Saxophone,Tenor Trombone,Tuba - Level 4 - Digital Download SKU: A0.1036423 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Jazz. Score and parts. 108 pages. Pete Strohm Music #641446. Published by Pete Strohm Music (A0.1036423). Dialogue (for Brass and Saxophone Ensemble), from American composer P. F. Strohm, is an up-tempo, jazz-based work written for a unique 10-part ensemble, comprised of a brass quintet (two Trumpets, Horn, Trombone and Tuba), and a saxophone quintet (Soprano, Alto 2 Tenors, Baritone with low A key). It employs two quintet groupings to create straight-ahead, ensemble energy. The two quintets trade off melodic and rhythmic figures throughout the opening. In the mid-section, two trumpets and the soprano sax trade solo lines, then combine in a riveting climax. The two quintets then trade tight, challenging phrases as the piece rockets to a big tutti ending. Dialogue is an exciting work for ensembles with players looking for more modern and demanding parts. If you already have a big band and want to give the horns their own showpiece without the rhythm players, this would be ideal (if you have the Horn and Tuba available)! Medium-Advanced level of difficulty. Performance time is 4:00. Member, ASCAP.
$12.99
Una Furtiva Lagrima (Brass band w. horn/flugel feature)
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Classical
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Gaetano Donizetti
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Mike Lyons
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Una Furtiva Lagrima
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.767029 Composed by Gaetano Donizetti. Arranged by Mike Lyons. Romantic Period. Brass Band. 28 pages. Lyons Music Services #45767. Published by Lyons Music Services (A0.767029). A setting for band of Donizetti's aria as a horn and Flugel feature. This is very lghtly scored throughout, so it will give the band a chance to rest their lips and it is a well-known tune, frequently played on Classic FM, so it is an audience pleaser. At just under 3 minutes in length, it is an excellent summer concert series item.When printing, be aware that the score is set to A3 size and the parts are A4
$30.00
Brass Quintet - Three Pastoral Sketches
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Contemporary
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Ly...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
Weekend in Paris. Original Jazz Waltz for Brass Sextet.
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Brass ensemble
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INTERMEDIATE
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Grant Horsley
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Weekend in Paris. Original Jaz
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Grant Horsley
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1411739 Composed by Grant Horsley. Contest,Festival,Film/TV,Holiday,Jazz,W...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1411739 Composed by Grant Horsley. Contest,Festival,Film/TV,Holiday,Jazz,Wedding. 41 pages. Grant Horsley #993998. Published by Grant Horsley (A0.1411739). Scored for 2 B flat Trumpets, Horn in F, 2 Trombones and Tuba, Weekend in Paris is a bright jazz waltz intended to convey the excitement and anticipation of a trip to Paris. The music is to bring to mind pleasure in sightseeing, wandering around cafe's, seeing children at play, people dancing and laughing and families gathering in a happy relaxed atmosphere in the glorious sunshine.The piece is in concert F major establishing the bright swingy rhythm, this then flows into the second section which is more lyrical and legato and is in E flat major. A short bridge section follows keeping the motif's heard in the first section but exploring the lower registers and remains largely legato. The first two sections are then heard again before a modulation takes place to give the piece a final lift before the end. The piece concludes quietly with a snippet of the opening motif.I have set it to intermediate level but the whole score is on the youtube link for you to assess suitability.The music would be a great addition to any repertoire as a happy piece, programmatic with a world/travelling theme in mind.Full score 16 pages-parts 4 pages each. 4 mins 15 in length.Price is for score and all parts.NB Versions for Flute choir (4 C flutes, Alto and Bass Flute) and Flute Ensemble of 6 C Flutes are also available as is a Clarinet Choir version.
$13.50
Let It Go
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Walt Disney
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Idina Menzel
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Stephan Langenberg
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Let It Go
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Stephan Langenberg
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SheetMusicPlus
Alto Saxophone,B-Flat Trumpet,Baritone Saxophone,Bass Guitar,C Trumpet,Cello,Clarinet,Double Bass,Drum Set,Electric Guitar,Flute,Horn,Percussion,Piano Accompani...
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Alto Saxophone,B-Flat Trumpet,Baritone Saxophone,Bass Guitar,C Trumpet,Cello,Clarinet,Double Bass,Drum Set,Electric Guitar,Flute,Horn,Percussion,Piano Accompaniment,Piccolo,Steel Guitar,Tenor Saxophone,Tenor Trombone,Viola,Violin,Voice - Level 4 - Digital Download SKU: A0.1136829 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Stephan Langenberg. Broadway,Children,Contest,Festival,Film/TV,Musical/Show. 106 pages. Stephan Langenberg #736755. Published by Stephan Langenberg (A0.1136829). The Hit Song „Let it Go“ from Disney's masterpiece Frozen, we all know and love. Arranged for a large Ensemble commonly used in the Musical-theatre-genre. Pretty Detailed, has high precision in color and is arranged in the full length of both, the Film and Musical-Theater-Version to give you the choice. A must-have for your audience and next concert.
$79.99
Valor (for Brass Quintet & Percussion)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Dr
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Valor
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 p...
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gildedmusicpress.com/ #758673. Published by https://gildedmusicpress.com/ (A0.1158392). “Valor†offers a potent two-minute concert opener, or an attention grabber after intermission. It is also highly effective as an encore (depending on endurance, particularly of the first trumpeter and hornist), leaving the audience with a rush and energy typified by an effective encore. Besides some minor edits and formatting, the composition was completed the day I hit my ten-year anniversary of serving in the United States Air Force Bands—a fitting anthem to celebrate a decade of service to my wonderful country! The title settled the next day as I began my second decade as an Airman Musician: Valor. The best account is recorded in my personal journal on 27 April 2021: “[Valor] is the Thrower family motto from hundreds of years ago. It’s also a concept that helped get me into [Arizona State University] for my doctoral studies. [Professor] Hickman asked for a very difficult orchestral excerpt during my audition. [Béla Bartók’s “Concerto for Orchestra.â€] I expressed some trepidation, but decided to give it a shot. I nailed it! Then Hickman turned to me with a big smile, ‘I give extra points for valor!’ So I’m pretty sure this little two-minute musical journal entry will keep the name ‘Valor’… as a motivational cheer for my next ten years in the Air Force. Valor! Great courage in the face of danger, especially in battle. Ok, in the face of life’s many battles, Valor it is! And on to the next ten years!†The music is in AA’BA’ form. The B section is heavily influenced by the thematic material of the A section, but with a strongly contrasting mood that could be dubbed quiet dignity. A finale section follows the last A with some motivic twists from throughout the piece, decisively ending with a power that could well be accompanied by a dazzling flurry of fireworks. None of the performers get much of a reprieve throughout the two minutes packed full of notes. The first trumpet part stays in the upper mid-range for most of it, which would absolutely sparkle on an E-flat trumpet (alternate part provided). Second trumpet is also demanding. The horn part demands a decent level of mastery in the high range as well as the low range, vehemently forsaking its traditional role of off beats. The trombone and tuba parts also present their challenges, and never really stop longer than to take a breath. Although this work could conceivably be performed without percussion, doing so is strongly discouraged. The power delivered by the snare, bass, and cymbals, and even the triangle in the B section, make the part arguably indispensable.
$19.95
ZENITH for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Contemporary
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Will Whitten
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ZENITH for Brass Quintet
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Gordon Cherry
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1325808 Composed by Will Whitten. 21st Century. 17 pages. Gordon Cherry #91...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1325808 Composed by Will Whitten. 21st Century. 17 pages. Gordon Cherry #913999. Published by Gordon Cherry (A0.1325808). ZENITH for Brass Quintet by Will Whitten is a fast-paced, exciting and rhythmic new composition for Brass Quintet. It is in A-B-A form kickstarted from the first bar with the marking Driving! The contrasting B Section marked Elegant takes the excitement down several notches and gives the tuba player a chance to shine. The final A Section resumes the exciting multimeter rhythms of the opening and ends with a grand flourish.The music is scored for a traditional Brass Quintet comprised of 2 Trumpets in B-flat, Horn, Trombone and Tuba.
$27.50
Mozart's Symphony No. 29 for Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Frank Starobin
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Mozart's Symphony No. 29 for W
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Frank Starobin
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.874038 Composed by Wolfgang Amadeus Mozart. Arranged by Frank Starobin. Classical...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.874038 Composed by Wolfgang Amadeus Mozart. Arranged by Frank Starobin. Classical,Concert,Wedding. 40 pages. Frank Starobin #3023001. Published by Frank Starobin (A0.874038). W. A. Mozart's Symphony NO.29 in A major, K. 201, for horns, oboes, and strings is one of the composer's most notable early works. In this woodwind quintet arrangement of the first movement, Allegro moderato, I've emulated Mozart's scoring for winds to give it a genuine and honest Mozartesque air. A light and fun piece for winds! Clarinet in A and B-flat parts included. https://www.youtube.com/watch?v=pQjyKAoYVHM
$15.00
"The Hunky Punks" Original for Brass Sextet.
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Halloween
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Grant Horsley
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"The Hunky Punks" Original for
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Grant Horsley
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1433697 Composed by Grant Horsley. Classical,Comedy,Contest,Festival,Film/...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1433697 Composed by Grant Horsley. Classical,Comedy,Contest,Festival,Film/TV,Halloween. 33 pages. Grant Horsley #1013929. Published by Grant Horsley (A0.1433697). A Hunky punk is a grotesque carving on the side of a building, typically found on Mid/ Late medieval churches in the UK. They are plentiful in Somerset in the West Country of England Though similar in appearance to a gargoyle, a hunky punk is purely decorative and has no other functional purpose whatsoever!! Unlike the gargoyle, which serves to drain water off the roof through its mouth.The theory behind hunky punks and grotesques in general, was that churches were designed to reflect the balance between good and evil, reminding worshippers of the narrow path leading through life. As a result, for every saint or animal that was intended to signify purity and ‘goodness’, there was also an ugly creature to signify evil and ‘badness’. Scored for 2 Trumpets in B flat, Horn in F, 2 Trombones and Tuba. This piece is in concert C minor and begins with a medieval type of fanfare which occurs throughout. What follows is a haunting theme with lots of flattened 5ths and several discords to represent the uncomfortable nature of this statue. The staccato and accent direction in most of the piece gives the impression of walking on eggshells not knowing what lies around the corner! Then a brief legato section of the fanfare appears to provide a calmer atmosphere before eventually returning to the main theme and big ending. Set at Advanced intermediate level although an intermediate player maybe fine with it. However, the youtube link has the full score for you to assess suitability. It is around 4 mins 30 in length and would be a great addition to a repertoire.Price is for the full score and parts.
$15.00
Excerpts from "Verklärte Nacht" (Schoenberg) - Brass Band
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Arnold Schoenberg
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Rob Bushnell
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Excerpts from "Verklärte Nach
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Rob Bushnell
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1504404 Composed by Arnold Schoenberg. Arranged by Rob Bushnell. 20th Century,Chamber,Classical,Contemporary,Romantic Period. Brass Band. 89 pages. Rob Bushnell #1079845. Published by Rob Bushnell (A0.1504404). Composed in just three weeks in 1899, Verklärte Nacht (Transfigured Night) is a string sextet in one movement by Arnold Schoenberg. Whilst known better for tone rows, his dodecaphonic music and the Second Viennese School, Schoenberg was a master of harmony (writing a number of books on the subject) and, in his early life, was inspired by the music of Brahms and Wagner. This is his best-known tonal work. Its description as a tone poem is not surprising given it takes its inspiration from Richard Dehmel’s poem of the same name, as well as Schoenberg’s strong feelings towards his future wife, Mathilde Zemlinsky, sister of his teacher, Alexander von Zemlinsky.The work is said to have five sections, one for each of the stanzas in the poem. The poem, from 1896, describes a man and woman walking through a dark forest on a moonlit night. The woman shares a secret with him, that she is pregnant but not with his child. The man reflects upon this before warmly accepting (and forgiving) the news.The work premiered on 18 March 1902 in the Vienna Musikverein by the Rosé Quartet. As was normal at the time, Schoenberg produced a string orchestra version that was premiered on 29 November 1916 in Prague, conducted by Zemlinsky, which was later revised in 1943 to better support the soloists, also adding more articulation/accents and tempo markings.Whilst the piece was controversial at the time, both musically and due to the poem’s “inappropriate” subject matter, Richard Dehmel himself was impressed, writing “I had intended to follow the motives of my text in your composition, but soon forgot to do so, I was so enthralled by the music.”This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=vqODySSxYpc.
$54.99
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
On the Seashore of Endless Worlds (SATB Choir)
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Choral SATB
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INTERMEDIATE
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Colin Kirkpatrick
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On the Seashore of Endless Wor
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Colin Kirkpatrick Publications
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.522260 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 33 pages. Colin Kirkpatrick Pub...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.522260 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 33 pages. Colin Kirkpatrick Publications #6028587. Published by Colin Kirkpatrick Publications (A0.522260). This choral work is sure to add excitement to your concert and it was given splendid reviews when it was first performed at London’s Royal Albert Hall. It was later performed at Croydon’s Fairfield Halls just outside London where it received a rapturous reception from the large audience. The work is ideal for music festivals (for which it was originally written) or any important event which needs a celebratory piece for choir and orchestra. The piece celebrates the endless joy of life and light, as children play on the seashore. The choral parts are not difficult and parts of the soprano could also be sung by children’s chorus if necessary. The words of the soprano solo part have a reflective, maternal quality as she watches the children playing on the shore. Singers are sure to enjoy the catchy melodies, the expressive soprano solo and the dramatic middle section of this work. Parts of the piece use several irregular time signatures. Don’t let them put you off! They are good deal easier than they look and the score contains indicates how they break down into simple units of two and three beats.The choral score contains a piano reduction of the orchestral score. The full orchestral score and parts are available separately from SMP. The orchestration is standard and requires: 2 flutes and piccolo, 2 oboes, 2 clarinets in B flat, 2 bassoons; 4 horns in F, 3 trumpets, 3 trombones, 1 tuba, timpani, percussion (4 players), violin 1, violin 2, viola, cello, double bass. A high-quality audio file containing the orchestral accompaniment is also available.The words are by the distinguished and much-loved Bengali poet Rabindranath Tagore (1861-1941). He made significant contributions to literature and wrote a prodigious number of works including essays, philosophical treatises, journals, memoirs, short stories and letters. The text of this work is taken from two poems in the book entitled Gitanjali. The title is translated as Song Offerings and was largely responsible for Tagore winning the Nobel Prize for Literature. The book contains over one hundred poems, translated freely by the author into English from the original Bengali, published in 1910. The English version appeared in 1912 published by the Indian Society of London. The text has been adapted slightly for this choral setting.Colin Kirkpatrick has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester and Belwin Mills. His music has been performed and broadcast world-wide.
$3.99
The Peony Bush
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Meredith Willson
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Rita Arendz
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The Peony Bush
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Rita Arendz
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1085558 Composed by Meredith Willson. Arranged by Rita Arendz. 20th Century,Contemporary,Contest,Festival,Film/TV,Pop. Brass Band. 36 pages. Rita Arendz #689724. Published by Rita Arendz (A0.1085558). Meredith Willson, best known for “The Music Man†and “It’s Beginning to Look A Lot Like Christmasâ€, wrote music for many genres – from classical symphonies to popular songs, some of which are considered standards today. His chart “Chicken Fat†was re-recorded and used in the iPhone 5S television commercials in 2014. “The Peony Bush†has an interesting backstory. In the early 1940s, The Van Wert (north-western Ohio) Woman’s Club would invite “famous†people to speak to the assembly. It is believed that after learning that Van Wert had a huge peony cultivation festival running since the early 1900s, Meredith wrote this song. One of the first recordings was in 1949 by Danny Kaye; the orchestration was for winds, brass, percussion, and piano. This arrangement for brass band gives your 1st baritone player a chance to shine as the tender ballad singer Danny Kaye and gives your principal cornet player the opportunity to counter with the gravellier voice sounds of Louis Armstrong. It’s great for recitals, spring concerts, concerts in parks, and other occasions. Duration ~3:45. 36 Pages.
$48.99
South Africa National Anthem: Nkosi Sikelel' iAfrika
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Concert band
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INTERMEDIATE
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Patriotic
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Enoch Mankayi Sontonga
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Colin Kirkpatrick
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Part 1 in C (oboe, violin)
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South Africa National Anthem:
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 3 - Digital Download SKU: A0.522139 Composed by Enoch Mankayi Sontonga (1873-1905) and Marthinus Lourens de Villiers (1885-1977). ...
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Large Ensemble - Level 3 - Digital Download SKU: A0.522139 Composed by Enoch Mankayi Sontonga (1873-1905) and Marthinus Lourens de Villiers (1885-1977). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 pages. Colin Kirkpatrick Publications #3464591. Published by Colin Kirkpatrick Publications (A0.522139). Colin Kirkpatrick’sNational Anthems ExpressSouth Africa: Nkosi Sikelel' iAfrikaThis quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything!The arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. Tacet sections (e.g. a brass or trombone tacet in quiet passages) can be easily created with the aid of a pencil. For example, in the audio sample you’ll hear that the woodwind alone has been given the melody beginning in measure 24. The arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The score and all the parts are contained in the same 34-page pdf file. The following parts appear on separate pages:Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (oboe, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band).Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet).Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band).Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn); Part 4 in F (French horn).Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon).Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani and percussion (3 players).The music has been digitally scanned at 1,200 dpi, which can produce professional quality output on standard US-size paper.The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$6.99
Pitch Only - Bass Clef (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
Brass Band - Vivaldi Stabat Mater
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Classical
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Antonio Vivaldi
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Mike Lyons
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Brass Band - Vivaldi Stabat Ma
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.767584 Composed by Antonio Vivaldi. Arranged by Mike Lyons. Baroque,Christmas,Easter,Standards. Brass Band. 29 pages. Lyons Music Services #6532973. Published by Lyons Music Services (A0.767584). Stabat Mater Dolorosa (Vivaldi) This is an arrangement of the beautiful first part of the Stabat Mater by Vivaldi for brass band. The solo voice is given to the flugelhorn as it matches the deeper, richer tone of the alto. The band is split into concertante and ripieni groups, The first consisting of Solo cornet, Solo horn, Euphonium and Eb Bass with the rest of the band providing the ripieni. The score is organised in the same way. I thought it would be good to place the concertante group on one side of the stage, with the soloist and have the ripieni group on the other - if there's enough room. Obviously the scoring is very thin wherever the soloist is playing, but the whole piece needs to be quiuet and coontemplative.
$25.00
On the Seashore of Endless Worlds (Orchestral score and parts)
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Colin Kirkpatrick
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On the Seashore of Endless Wor
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Colin Kirkpatrick Publications
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.522061 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 171 pages. Colin Kirkpatrick ...
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Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.522061 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 171 pages. Colin Kirkpatrick Publications #6028589. Published by Colin Kirkpatrick Publications (A0.522061). This choral work is sure to add excitement to your concert and it was given splendid reviews when it was first performed at London’s Royal Albert Hall. It was later performed at Croydon’s Fairfield Halls just outside London where it received a rapturous reception from the large audience. The work is ideal for music festivals (for which it was originally written) or any important event which needs a celebratory piece for choir and orchestra. The piece celebrates the endless joy of life and light, as children play on the seashore. The choral parts are not difficult and parts of the soprano could also be sung by children’s chorus if necessary. The words of the soprano solo part have a reflective, maternal quality as she watches the children playing on the shore. Singers are sure to enjoy the catchy melodies, the expressive soprano solo and the dramatic middle section of this work. Parts of the piece use several irregular time signatures. Don’t let them put you off! They are good deal easier than they look and the score contains indicates how they break down into simple groups of two and three beats.The orchestration is standard and requires: 2 flutes and piccolo, 2 oboes, 2 clarinets in B flat, 2 bassoons; 4 horns in F, 3 trumpets, 3 trombones, 1 tuba, timpani, percussion (4 players), violin 1, violin 2, viola, cello, double bass. The full score and all the orchestral parts are contained in a single PDF file. A high-quality audio file containing the orchestral accompaniment is also available separately. The choral score with piano reduction is available separately too, from SMP.
$69.95
The Marines' Hymn: Apotheosis
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Contemporary
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Sammy Nestico
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Adrian Horn
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The Marines' Hymn: Apotheosis
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AJH Brass
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1241960 Composed by Sammy Nestico. Arranged by Adrian Horn. 20th Century. Brass Band. 35 pages. AJH Brass #837317. Published by AJH Brass (A0.1241960). The Marines’ Hymn is the official hymn of the United States Marine Corps and the oldest official song in the US Armed Forces, authorised for use by the Commandant of the Marine Corps in 1929. The lyrics for the hymn were written by an anonymous author prior to this and includes lines referencing famous battles such as “To the shores of Tripoli†referring to the First Barbary War and “The Halls of Montezuma†referencing the Battle of Chapultepec. The music, however, originates from the “Gendarmes’ Duet†from Offenbach's 1859 opera Genevieve de Brabant. Sammy Nestico, whilst best known as a composer, arranger, and conductor for the Count Basie Orchestra and as a prolific composer of television themes including shows such as M*A*S*H*, and Charlie’s Angels, was also the director of the U.S. Marine Band under both John F. Kennedy and Lyndon B. Johnson. In 1968, Nestico took the original version of the hymn and revamped it in his own inimitable style giving us Apotheosis - Marines' Hymn. I give it my heart… a Marine's heart – Sammy Nestico. Instrumentation - British Brass Band,  Full Score,  Soprano Cornet, Solo Cornets, Repiano Cornet, 2nd Cornets, 3rd Cornets,  Flugel Horn, Solo Tenor Horn, 1st Tenor Horn, 2nd Tenor Horn,  1st Baritone, 2nd Baritone,  1st Trombone, 2nd Trombone, Bass Trombone,  Euphoniums,  Eb Basses, BBb Basses,  Timpani, Tubular Bells.
$24.99
50 Favorite Hymns Piano Accompaniment Tracks
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Piano solo
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Sacred music
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Gospel/Spiritual
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Chris Cooke
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50 Favorite Hymns Piano Accomp
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Chris Cooke
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SheetMusicPlus
Piano - Digital Download SKU: A0.1071369 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Accompaniment. Duration 7162. Chris Cooke #30...
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Piano - Digital Download SKU: A0.1071369 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Accompaniment. Duration 7162. Chris Cooke #3004581. Published by Chris Cooke (A0.1071369). This is a recording of the printed piano accompaniment book. (Other Books also available are for flute, clarinet/trumpet, alto sax, French horn, and trombone.) These recordings may also be used for group singing. There is a short introduction, and enough repeats of the verses in case you would like to play or sing them all! While these recordings contain multiple verses, the print version contains only one verse with no introduction. Many hymns are in their original hymnal keys, but if not, they have been adjusted slightly for a better playing range.This is one large file, containing all 50 accompaniments, plus one bonus recording-a harpsichord version of the first piece. For this reason, the cue point is given which is the time in the recording when each hymn occurs so they can be located more easily within this one-hour and 59-minute MP3. For instance, And Can It Be would be found at the 6-minute and 12-second time point. The full list of hymns, with their concert keys, cue points, and length of introduction, is below:All Things Bright and Beautiful (alternate tune, Monk), C,harpsichord; 4-measure introAll Things Bright and Beautiful, piano, cue point: 0:3:06; 4-measure introAnd Can It Be, F; cue point: 0:06:12; 4-measure introAre You Washed in the Blood, G; cue point: 0:09:33; 4-measure introAt Calvary, C; cue point: 0:11:25; 4-measure introBe Thou My Vision, E-flat; cue point: 0:13:44; 4-measure introBlessed Be the Name, A-flat; cue point: 0:15:29; 4-measure introBreathe on Me, Breath of God, F; cue point: 0:17:47; 4-measure introCome, Christians Join to Sing, E-flat; cue point: 0:19:16; 4-measure introFaith is the Victory, E-flat; cue point: 0:21:02; 4-measure introGlory to His Name, G; cue point: 0:23:21; 4-measure introHe Keeps Me Singing, A-flat; cue point: 0:25:40; 4-measure introHeavenly Sunlight, F; cue point: 0:27:58; 4-measure introI Know Whom I Have Believed, A-flat; cue point: 0:29:39; 4-measure introI Love to Tell The Story, A-flat; cue point: 0:32:06; 4-measure introImortal, Invisible, God Only Wise, A-flat; cue point: 0:34:52; 4-measure introIt Is Mine, B-flat; cue point: 0:36:27; 4-measure introJesus Saves, G; cue point: 0:38:22; 4-measure introJoy Unspeakable and Full of Glory, A-flat; cue point: 0:40:22; 4-measure introJust as I am , E-flat; cue point: 0:42:41; 6-measure introLeaning on the Everlasting Arms, A-flat; cue point: 0:46:36; 4-measure introLike a River Glorious F; cue point: 0:48:23; 4-measure introLove Lifted Me, B-flat; cue point: 0:50:32; 4-measure introMy Faith Looks Up to Thee, D; cue point: 0:53:19; 4-measure introNothing But the Blood, A-flat; cue point: 0:55:32; 4-measure introOh How I Love Jesus, A-flat; cue point: 0:57:51; 4-measure introOn Jordan’s Stormy Banks, E-flat; cue point: 0:59:37; 4-measure introPraise Him! Praise Him! F; cue point: 1:01:56; 4-measure introRedeemed, How I Love to Proclaim It, A-flat; cue point: 1:04:14; 4-measure introRejoice, The Lord Is King! C; cue point: 1:05:49; 4-measure introRevive Us Again, F; cue point: 1:07:52; 4-measure introRock of Ages, B-flat; cue point: 1:09:36; 4-measure introSend the Light, F; cue point: 1:10:54; 4-measure introSince I Have Been Redeemed, F; cue point: 1:13:34; 4-measure introSince Jesus Came Into My Heart, G; cue point: 1:16:02; 4-measure introSoftly and Tenderly, F; cue point: 1:18:30; 4-measure introStand Up, Stand Up for Jesus, G; cue point: 1:22:29; 4-measure introStanding on the Promises, B-flat; cue point: 1:24:48; 4-measure introSunshine in My Soul, F; cue point: 1:27:06; 2-measure introThe Old Rugged Cross, B-flat; cue point: 1:29:21; 4-measure in.
$9.97
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