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Go The Distance for String Quartet
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String Quartet: 2 violins, viola, cello
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You've selected:
Go The Distance for String Quartet
Sheetmusic to print
7 sheet music found
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1
Go The Distance
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Walt Disney
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Michael Bolton
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Denise Flatness
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Go The Distance
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Denise Flatness
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1133157 By Michael Bolton. By Alan Menken and David Zippel. Arrange...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1133157 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Denise Flatness. Film/TV,Pop,Wedding. Score and parts. 11 pages. Denise Flatness #733317. Published by Denise Flatness (A0.1133157). Who doesn't love a powerful ballad-like song from a great Disney movie? Go the Distance is a strong motivational song that stole the hearts of every Disney lover. This arrangement is a simple arrangement for a string quartet to be performed for any Disney-related gig. Find the string trio arrangement and more at dflatstrings.com.
$14.99
Go The Distance for String Quartet
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Walt Disney
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Michael Bolton
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Go The Distance for String Qua
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SheetMusicPlus
By Michael Bolton. Score, Set of Parts. 19 pages. Published by Graham Boag
By Michael Bolton. Score, Set of Parts. 19 pages. Published by Graham Boag
$16.99
Go The Distance
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String Quartet: 2 violins, viola, cello
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EASY
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Michael Bolton
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Oliver Clifford-Franklin
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Go The Distance
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Oliver George Franklin
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1415582 By Michael Bolton. By Alan Menken and David Zippel. Arrange...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1415582 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Oliver Clifford-Franklin. 20th Century,Broadway,Children,Film/TV,Musical/Show,Wedding. 10 pages. Oliver George Franklin #997298. Published by Oliver George Franklin (A0.1415582). Go The Distance from Disney's Hercules arranged for String Quartet. Perfect for weddings.
$14.99
Go The Distance
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String Trio: violin, viola, cello
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INTERMEDIATE/ADVANCED
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Walt Disney
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Michael Bolton
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Denise Flatness
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Go The Distance
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Denise Flatness
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1133168 By Michael Bolton. By Alan Menken and David Zippel. Arranged ...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1133168 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Denise Flatness. Film/TV,Pop,Wedding. Score and parts. 11 pages. Denise Flatness #733328. Published by Denise Flatness (A0.1133168). Who doesn't love a powerful ballad-like song from a great Disney movie? Go the Distance is a strong motivational song that stole the hearts of every Disney lover. This arrangement is a simple arrangement for a trio to be performed for any Disney-related gig. Find the string quartet arrangement and more at dflatstrings.com.
$14.99
String Quartet No. 3
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Patrick Prejean
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String Quartet No. 3
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Patrick Prejean
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1179068 Composed by Patrick Prejean. 20th Century,Chamber,Classical...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1179068 Composed by Patrick Prejean. 20th Century,Chamber,Classical,Contemporary. 75 pages. Patrick Prejean #779041. Published by Patrick Prejean (A0.1179068). This is a massive undertaking. Written in six movements, this quartet has much to say.I - Church Bells are heard throughout in many keys. No matter where I go I can always hear them in the distanceII - This movement is untitled seeing as I didn't come up with a clever name for it. I wrote it on very cloudy day and that is all I can remember about it.III - Happy Times is a reduction of the same piece in my Piano Sonata: Blue. IV - Dance - This movement is a dance of death. It is very obvious that something has gone wrong and there is no chance of fixing it.V - Taking Turns - The title is self -explanatory. Originally this was going to be the beginning of a mini quartet but I decided against it. VI - Death March - This is a feeling I know all to well. It is held together by the canonical wandering melody that attempts to shine through the dark.
$40.00
Go The Distance
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Walt Disney
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Michael Bolton
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Bill Swick
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Go The Distance
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Bill Swick
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SheetMusicPlus
Small Ensemble - Level 5 - Digital Download SKU: A0.810613 By Michael Bolton. By Alan Menken. Arranged by Bill Swick. Contemporary. Score and parts. 29 p...
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Small Ensemble - Level 5 - Digital Download SKU: A0.810613 By Michael Bolton. By Alan Menken. Arranged by Bill Swick. Contemporary. Score and parts. 29 pages. Bill Swick #6537815. Published by Bill Swick (A0.810613). This unique arrangement is part of the Disney Movies series entitled Guitars and Strings. This arrangement of Go the Distance may be performed with four guitars only, as a large guitar ensemble with four parts, as a guitar quartet along with a string quartet, and/or a large guitar ensemble with a full string orchestra. The rhythms include sixteenth notes and many tied notes creating some simple syncopation rhythms. The high range pushes this into a late to mid- advanced level. This is ideal for Year 3, Quarter 2.
$25.00
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
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