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You've selected:
Gradually Graduating
Sheetmusic to print
8 sheet music found
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1
Gradually Graduating
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1387150
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1387150 Composed by Paul Nagle. Arranged by Paul Nagle. Chamber,March,Traditional. 10 pages. Paul Nagle #971007. Published by Paul Nagle (A0.1387150). An easy to play, processional type piece for Brass Quintet. If you are ever stuck playing for a graduation or other ceremony with endless streams of people making it impossible to get the horn off you face, this may be for you. Repeating the section from C to E allows each player to have a brief rest while the piece continues to provide the necessary pomp for the occasion! Of course it also works as a nice little piece for any situation.
$20.00
17.96 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Paul Nagle
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Gradually Graduating
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Paul Nagle
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SheetMusicPlus
Red Polka Dots On Green
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1005860 Composed by Neille Willia…
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Concert Band - Level 3 - Digital Download SKU: A0.1005860 Composed by Neille Williams. Contemporary,Jazz,Pop. Score and parts. 47 pages. Neille Williams #6202355. Published by Neille Williams (A0.1005860). For concert band - GRADE 3. The low woodwinds have the spotlight in this lovely piece reminiscent of a jazz waltz. Layers of counterpoint bathe the piece in an ethereal wash of beautiful textures and colours which soar above the melody line. It's an arrangement that your band will adore playing!Concert Band - GRADE 3. DURATION: 2’.05’Program notes:The low woodwinds have the spotlight in this lovely piece reminiscent of a jazz waltz. Layers of counterpoint bathe the piece in an ethereal wash of beautiful textures and colours which soar above the melody line.Rehearsal notes:This study in counterpoint needs clear layers with beautifully balanced and blended dynamics and tone. The piece should build up gradually with crescendos and decrescendos carefully observed so that the band swells and fades as a whole, particularly at rehearsal figure B. The chromatic phrases at rehearsal figures B and D need to be smooth and in time, not at all hurried. The melody is a feature for the lower instruments, including tuba, and is an opportunity for these instruments to explore increased ranges and to work on a full well- rounded, lyrical tone.About the composer:Neille Williams is a multi-instrumentalist, singer and composer based in Canberra, Australia. After graduating from the Sydney Conservatorium of Music, Neille worked as an in-demand musician, composer and conductor on the Sydney music scene before taking her talents abroad. Neille’s original works have been performed all over the world and on Australia’s ABC radio. *all music published by nwilliamscreative **more pieces and information available at nwilliamscreative.com ***copyright Neille Williams 2015
$59.95
53.84 €
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Concert band
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Neille Williams
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Red Polka Dots On Green
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Neille Williams
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SheetMusicPlus
MÉDITATION - From the Opera Thaïs (for Violin and Piano accompaniment)
Violin and Piano
Piano Accompaniment, Violin - Intermediate - Digital Download Composed by Jules Masse…
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Piano Accompaniment, Violin - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period, Opera, Wedding, Graduation, Recital. Score, Solo Part. 12 pages. Published by Flavio Regis Cunha
This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.<br> <br> The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.<br> <br> The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.
$5.99
5.38 €
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Violin and Piano
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Jules Massenet (1842-1912)
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MÉDITATION - From the Opera Thaïs
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Flavio Regis Cunha
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SheetMusicPlus
Little Studies Volume 2
Piano solo
Piano Solo - Advanced - Digital Download Composed by Panagiotis Theodossiou. Arranged…
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Piano Solo - Advanced - Digital Download Composed by Panagiotis Theodossiou. Arranged by Panagiotis Theodossiou. Contemporary Classical, Etudes and Exercises, Repertoire, Graduation, Recital. Individual Part. 17 pages. Published by Panagiotis Theodossiou
“Little Studies”, for piano solo (1998 – 2002). 12 Studies,( 1st and 2nd volume) each of different style, character and technical demands using at the beginning a very simple tonic idiom, growing gradually to apply composition with symmetry of intervals, jazz harmony and free serialism. Parts of the work has been performed by Valeria Athanasiadou at “Athenaeum” Concert Hall”, Athens in 2002.<br> Ι.<br> a. “First Steps”, for the Five Fingers<br> b. “Gnome”, for the Staccatto ( to Gyorgy Ligeti)<br> c. “Clouds”, for the “Tenutae”<br> d. “Gallop”, for the Crossing Hands<br> e. “ A Knight’s Fanfare”, for the Chords<br> f. “Sentiments”, for the sonority (to Bernard Hermmann)<br> II.<br> a. “Nocturne”, for the Sostenuto Pedal (to Keith Jarret)<br> b. “Sorrow”, for Multiple Layers<br> c. “Step by Step”, for the Wrist<br> d. “Riddle”, for the Subtle Dynamics (to Anton Webern)<br> e. “Fire Dance”, for the Large Intervals (to Arnold Scoenberg)<br> f. “Jazzy”, for the “Swing” Feeling (to Thelonius Monk and Cecil Taylor) <br> https://www.youtube.com/watch?v=qt_UFYkamQA
$10.00
8.98 €
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Piano solo
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Panagiotis Theodossiou
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Little Studies Volume 2
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Panagiotis Theodossiou
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SheetMusicPlus
Versos
Choral SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1263441 Composed by…
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1263441 Composed by Juan Carlos Guerra González. 21st Century,A Cappella. Octavo. 42 pages. Juan Carlos Guerra Gonzalez #856403. Published by Juan Carlos Guerra Gonzalez (A0.1263441). Versos was written as a graduation gift to my dear friend Gabriela Fernández, who premiered the piece in Argentina while doing her graduation recital in Choral and Orchestral Conducting in 2023. I had the great privilege of using a poem by Salvadoran poet Andrea Montano, who is also living in Argentina. In the poem, Andrea explores the idea of the quest of every artist for creativity and ideas that sparks the imagination. As a composer, the words resonated in my mind, and I immediately had ideas for the music.The music reflects the journey of every artist through the waters of inspiration using a series of textures created by the voices that are gradually evolving and contracting. The piece is very challenging and demanding for the performers and the conductor. The main musical lines will flourish in between the textures created by the other voices. ___The work might be described as impressionistic in its character. The piece might be very demanding for the singers, but they will for sure enjoy performing it.
$3.99
3.58 €
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Choral SATB
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Juan Carlos Guerra González
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Versos
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Occasional Fanfare - Orchestra Score and Parts PDF
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.750712 Composed by Brendan Elli…
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Full Orchestra - Level 3 - Digital Download SKU: A0.750712 Composed by Brendan Elliget. Contemporary,Graduation. Score and parts. 42 pages. BJE Music #3489863. Published by BJE Music (A0.750712). Occasional Fanfare - Orchestra Score and Parts PDFThis short Fanfare starts with a Solo F Horn and Trumpet with a high woodwind countermelody which gradually builds by adding extra instrumental parts on each restatement, including 3 more horns until the full orchestra and percussion climax in the final time … Even though it is scored with 4 horns, 4 trumpets etc., it should still work effectively with fewer resources! The Euphonium part is optional but would enhance the sound! There are combined and separated percussion parts for the Side/Snare Drum and Bass Drum. Suitable for a school or community group for a Graduation etc.
$15.00
13.47 €
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Orchestra
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Brendan Elliget
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Occasional Fanfare - Orchestra Score and Parts PDF
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BJE Music
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SheetMusicPlus
Intrada
Organ
Organ - Level 3 - Digital Download SKU: A0.904471 Composed by Laurence Caldecote. C…
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Organ - Level 3 - Digital Download SKU: A0.904471 Composed by Laurence Caldecote. Concert,Contemporary,Graduation. Score. 4 pages. Laurence Caldecote #2881263. Published by Laurence Caldecote (A0.904471). After the opening fanfare, a grand and stately theme takes over and gradually develops. The middle lighter section is reminiscent of works by composers such as Eric Coates. The first idea is then recapitulated with a short coda to finish.
$3.99
3.58 €
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Organ
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Laurence Caldecote
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Intrada
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Laurence Caldecote
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SheetMusicPlus
TRITONE Sonata for Trumpet in B-flat and Piano
Trumpet, Piano
Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by John Frith. 21st…
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Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by John Frith. 21st Century, Contemporary Classical. Score, Solo Part. 36 pages. Published by Cherry Classics Music
Here is a description of the TRITONE Sonata for Trumpet and Piano by the composer, John Frith:<br> <br> "One of my most enjoyable roles in music was conducting the Herefordshire Young People’s Orchestras (UK) in the late 1980s. Stuart Essenhigh was a very talented young trumpeter who toured Belgium with the orchestra as a soloist in 1989.<br> <br> Encouraged by this experience Stuart went on to study in London graduating as a fine professional trumpeter working firstly in Hong Kong and then as a freelancer with major U.K. orchestras.<br> <br> My TRITONE Sonata for Trumpet and Piano of 2016 was written specifically for Stuart. Each of its three movements uses the interval of a tritone in different ways. We hear it initially as a ‘benign’ element of the first movement; ‘ironic’ in the second and even ‘playful’ in the last.<br> <br> I - Moderato<br> <br> The use of a ‘straight’ mute to open and close this movement greatly enlarged my palate of sound colours and, together with some unconventional ‘flutter- tonguing’ techniques, it allowed me to emphasize the declamatory and strident possibilities of this powerful instrument…... I call for ‘ffff’ (fortissississimo) at one point! The muted coda creates an otherworldly’ atmosphere - distant and questioning at the close.<br> <br> II – Andante espressivo – piu mosso – Tempo primo<br> <br> The opening austere and angular melody (which demands great lip flexibility and control) leads to a relaxed and flowing ‘piu mosso’ with quasi baroque idioms. This builds towards florid, technical passages for the soloist which are matched by more assertive piano lines heralding the return of the opening material and a soulful resolution.<br> <br> III – Maestoso – rondo<br> <br> A traditional martial ‘fanfare’ opens the final movement by answering phrases from both instruments. There is something of a power struggle in progress here which is momentarily resolved at the ‘rondo’ where the piano accepts a supportive ‘um-pa-pa’ accompanimental role. The trumpet melody is dominant and confident but the piano gradually asserts itself propelling the music with a powerful ‘boogie-woogie’ style bass line. This encourages both instruments to climb ever higher in, what I trust will be, a thrilling race for the final bar." John Frith 2020<br> <br> This work is about 12 minutes in length and is appropriate for advanced to virtuoso performers.
$30.00
26.94 €
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Trumpet, Piano
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John Frith
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TRITONE Sonata for Trumpet in B-flat and Piano
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Cherry Classics Music
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SheetMusicPlus
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