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Here Is My Servant
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Here Is My Servant
Sheetmusic to print
33 sheet music found
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1
26
Here Is My Servant
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Choral SATB
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David Neff
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Here Is My Servant
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David Neff
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.829026 Composed by David Neff. A Cappella,Christian,Jewish,Sacred. Octavo. 3 pages. David Neff #4290931. P...
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Choral Choir (SATB) - Digital Download SKU: A0.829026 Composed by David Neff. A Cappella,Christian,Jewish,Sacred. Octavo. 3 pages. David Neff #4290931. Published by David Neff (A0.829026). An SATB a cappella anthem in a classic style, Here Is My Servant celebrates the biblical promise of justice through God's chosen servant. The text is from Isaiah 42:1-4. It is especially appropriate for the Sundays following Epiphany and for the season of Advent. It works well with as few as 8 voices and with larger forces as well. .
$1.99
In My End is My Beginning Guitar Vocal Performance
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Bass guitar
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dying he was living the life H
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Steven H
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In My End is My Beginning Guit
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Boothe Publishing
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SheetMusicPlus
Bass Guitar - Digital Download SKU: A0.1069985 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 234. Boothe Publishing #473...
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Bass Guitar - Digital Download SKU: A0.1069985 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 234. Boothe Publishing #4737083. Published by Boothe Publishing (A0.1069985). The death of Jesus Christ was not the end of the son of God. Having passed the test of His mortal probation here on earth, and giving His life to pay the price of our sins, He then entered the world of spirits. There He would organize His servants to preach His gospel to those who had died without a knowledge of it. It was the beginning of His role as the first fruit of the resurrection. Jesus Christ is the Savior and Redeemer of all mankind. When the Jews crucified Him they thought that they were putting an end to He who would be God. They thought that by killing Him they would be in control of the people. They had no idea that they were fulfilling the prophecy that they would kill their own God. They gave Him the opportunity to use His power over death to redeem all mankind. His end truly was His beginning. By dying he was living the life He had planned.
$1.99
In My End is My Beginning PVG
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Piano, Voice
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INTERMEDIATE
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dying he was living the life H
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Steven H
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In My End is My Beginning PVG
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Boothe Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.984025 Composed by Steven H. Boothe. Christian,Pop. Score. 7 pages. Boothe Publishing #5984093. Pu...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.984025 Composed by Steven H. Boothe. Christian,Pop. Score. 7 pages. Boothe Publishing #5984093. Published by Boothe Publishing (A0.984025). The death of Jesus Christ was not the end of the son of God. Having passed the test of His mortal probation here on earth, and giving His life to pay the price of our sins, He then entered the world of spirits. There He would organize His servants to preach His gospel to those who had died without a knowledge of it. It was the beginning of His role as the first fruit of the resurrection. Jesus Christ is the Savior and Redeemer of all mankind. When the Jews crucified Him they thought that they were putting an end to He who would be God. They thought that by killing Him they would be in control of the people. They had no idea that they were fulfilling the prophecy that they would kill their own God. They gave Him the opportunity to use His power over death to redeem all mankind. His end truly was His beginning. By dying he was living the life He had planned.
$4.99
In My End is My Beginning Piano Vocal Performance
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Piano, Voice
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dying he was living the life H
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Steven H
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Ashley Ivers
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In My End is My Beginning Pian
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Boothe Publishing
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SheetMusicPlus
Piano,Voice - Digital Download SKU: A0.1069984 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 2...
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Piano,Voice - Digital Download SKU: A0.1069984 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 223. Boothe Publishing #4737077. Published by Boothe Publishing (A0.1069984). The death of Jesus Christ was not the end of the son of God. Having passed the test of His mortal probation here on earth, and giving His life to pay the price of our sins, He then entered the world of spirits. There He would organize His servants to preach His gospel to those who had died without a knowledge of it. It was the beginning of His role as the first fruit of the resurrection. Jesus Christ is the Savior and Redeemer of all mankind. When the Jews crucified Him they thought that they were putting an end to He who would be God. They thought that by killing Him they would be in control of the people. They had no idea that they were fulfilling the prophecy that they would kill their own God. They gave Him the opportunity to use His power over death to redeem all mankind. His end truly was His beginning. By dying he was living the life He had planned.
$1.99
This is Our Prayer
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Piano, Vocal and Guitar
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BEGINNER
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Sacred music
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Lisa Waites
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Lisa Waites
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This is Our Prayer
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.965763 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Children,Film/TV,Praise & W...
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.965763 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Children,Film/TV,Praise & Worship,Sacred,Spiritual. Score. 1 pages. Servant Song Music and Ministry #571431. Published by Servant Song Music and Ministry (A0.965763). I wrote this contemporary hymn as a musical prayer response to the invasion of Ukraine in 2022. In liturgical churches, it functions beautifully as a congregational sung response following the Prayers of the People (or even replacing the Prayers of the People). In evangelical settings, it can be sung as a stand-alone worship hymn right after the sermon, or as part of a set of worship songs at the beginning or conclusion of the service. I am a prolific songwriter, and I've been writing music for 35+ years now. Through all of those years, there have only been a handful of occasions where I have felt more like a conduit of the Holy Spirit than the composer of the hymn; this was definitely one of those times. This is Our Prayer is written in the key of F Major, making it highly accessible for beginning church accompanists. It has a moderate tempo, set in a 3/4 time signature with a lilting rhythm. The vocal range is designed for robust congregational singing. The melody line is just one octave, ranging from Middle C to the C above it; the Alto line is just a six note range, from Middle C to the A above. This score includes the piano accompaniment in a strophic, hymn style format, two-part vocal harmony, and guitar chords (which can also assist pianists who play by chord + melody line, instead of by reading the score). The simplicity of this hymn does not detract from its' beauty, however. This is a highly singable, memorable tune with some interesting rhythmic patterns. The lyrics of this hymn are loosely based on Romans 12:12-21 (As far as it depends upon you, live at peace with all people). The words of the hymn are truly a prayer, asking God for peace, but they also remind us that as people of faith, we are invited to participate WITH God in the process of making peace on earth, by how we pray, live, give, and place our trust in God. One lyric reads that we dare to pray for peace; this is an intentional choice on my part, flagging the potential costliness of becoming people who prioritize peace. The week this hymn was released to Spotify, iTunes, Amazon Music Unlimited, Reverbnation, and Deezer, it debuted at #30 on the Top 100 Contemporary Christian Music Charts on Spotify. The YouTube video version of the hymn (link attached below) was viewed over 7,000 times in the first ten days, by people in over 40 countries. You are welcome to stream it for worship services, on church websites, and on social media. The more people view it, the more ad revenue it will generate, and all profits from the sale of this hymn in any form (video ad revenue, digital MP3 sales on the sites listed above, and the sale of this musical score) will be donated to the Red Cross and the United Church of Canada's Mission & Service Fund; both of these registered charities have targeted programs running to assist Ukrainians who've been displaced by the war. Once the Ukrainian war ends, I will continue to send all profits from the hymn to those same charities to help refugees in other conflict zones. May this hymn comfort and discomfort you. My prayer is that it will prompt all of us to live more faithfully as people of peace - in our individual lives, but also in our families, in our communities, our nations, and our world. To God be the glory!
$3.99
I WANT TO BE THERE TO HEAR GOD SINGING - SATB with piano accompanyment.
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Choral SATB
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EASY
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Sacred music
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PAUL A
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Paul A
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I WANT TO BE THERE TO HEAR GOD
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.522294 Composed by PAUL A. AND MARCIA L. JORG. Arranged by Paul A. Jorg. Christian,Gospel,Praise...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.522294 Composed by PAUL A. AND MARCIA L. JORG. Arranged by Paul A. Jorg. Christian,Gospel,Praise & Worship,Sacred. Octavo. 8 pages. Paul A. Jorg #2027759. Published by Paul A. Jorg (A0.522294). The following scriptures support the fact that God is a musician. He not only composes, but He SINGS! God composed a song which He gave to Moses to teach the children of Israel - The Song of Moses. Deut. 31:19 Now write down for yourselves this song and teach it to the Israelites and have them sing it....... The first lines of the song go like this: Deut. 32:1-4 Listen, O heavens, and I will speak; hear, O earth, the words of my mouth. Let my teaching fall like rain and my words descend like dew, like showers on new grass, like abundant rain on tender plants. I will proclaim the name of the LORD. Oh, praise the greatness of our God! He is the Rock, His works are perfect, and all His ways are just. A faithful God who does no wrong, upright and just is He. This song will be sung by the redeemed in heaven! Revelation 15:2,3 And I saw what looked like a sea of glass mixed with fire and, standing beside the sea, those who had been victorious over the beast and his image and over the number of his name. They held harps given them by God and sang the song of Moses the servant of God and the song of the Lamb: Great and marvelous are your deeds, Lord God Almighty. Just and true are your ways, King of the ages. AND GOD SINGS! Zephaniah 3:17: The LORD your God is with you, He is mighty to save. He will take great delight in you, he will quiet you with his love, He will rejoice over you with SINGING. I WANT TO BE THERE TO HEAR GOD SINGING UP IN GLORY!
$4.59
Ye Servants of God
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Piano, Vocal and Guitar
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INTERMEDIATE
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Sacred music
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Grace Community Church
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Lyndell Leatherman
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some were not
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Ye Servants of God
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1253784 By Grace Community Church. By Words: Charles Wesley / Music: William Croft. Arrange...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1253784 By Grace Community Church. By Words: Charles Wesley / Music: William Croft. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #847408. Published by Leatherman Music Services (A0.1253784). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
23rd Psalm (Pastures of Green) (David) from "The Kings" ACT 1:Song 11
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High voice
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INTERMEDIATE
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McCorkle, Dennis F
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23rd Psalm
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784825 Composed by McCorkle, Dennis F. Christian,Jewish,Pop,Rock,Sacred. 10 pages. DF McCorkle...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784825 Composed by McCorkle, Dennis F. Christian,Jewish,Pop,Rock,Sacred. 10 pages. DF McCorkle Music and eBook Publications #11739. Published by DF McCorkle Music and eBook Publications (A0.784825). ACT ONE: Song 11. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 16:11 - And Samuel said to Jesse: ‘Are here all your children?’ And he said: ‘There remains yet the youngest, and, behold, he tends the sheep.’ And Samuel said unto Jesse: ‘Send and fetch him; for we will not sit down till he come here.’ [Psalm 23 Sacred Melody of David.YAHWEH is My Shepherd I shall not want]. SAMUEL leaves SAUL and goes to the house of Jesse in Bethlehem where he chooses DAVID and anoints him as king. DAVID returns to the field and his sheep, trying to understand the meaning of the previous events [Pastures of Green – David and Ensemble]. The next morning, his father Jessie sends one of his servants to ask DAVID to take provisions to his brothers who are on the front line with SAUL engaged in a fierce battle with the Philistines. David leaves the sheep with the servant and goes off to the battlefield. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Pastures of Green (23rd Psalm) (David) from "The Kings" - ACT 1:Song 11
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Tenor voice, Piano
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INTERMEDIATE
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McCorkle, Dennis F
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Pastures of Green
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784824 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Pop. 10 pages. ...
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Tenor Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784824 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Pop. 10 pages. DF McCorkle Music and eBook Publications #11737. Published by DF McCorkle Music and eBook Publications (A0.784824). ACT ONE: Song 11. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 16:11 - And Samuel said to Jesse: ‘Are here all your children?’ And he said: ‘There remains yet the youngest, and, behold, he tends the sheep.’ And Samuel said unto Jesse: ‘Send and fetch him; for we will not sit down till he come here.’] [Psalm 23 Sacred Melody of David. YAHWEH is My Shepherd I shall not want] SAMUEL leaves SAUL and goes to the house of Jesse in Bethlehem where he chooses DAVID and anoints him as king. DAVID returns to the field and his sheep, trying to understand the meaning of the previous events [Pastures of Green – David and Ensemble]. The next morning, his father Jessie sends one of his servants to ask DAVID to take provisions to his brothers who are on the front line with SAUL engaged in a fierce battle with the Philistines. David leaves the sheep with the servant and goes off to the battlefield. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Variations on hélas madame for flute quartet (mp3)
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Flute Quartet: 4 flutes
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INTERMEDIATE/ADVANCED
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Contemporary
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Budapest Scoring
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David Warin Solomons
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Variations on hélas madame fo
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David Warin Solomons
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.1136040 By Budapest Scoring. By King Henry VIII (attrib.). Arranged by David Warin Solomons. Classical,Contemporary. F...
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Level 4 - Digital Download SKU: A0.1136040 By Budapest Scoring. By King Henry VIII (attrib.). Arranged by David Warin Solomons. Classical,Contemporary. Full Performance. Duration 144. David Warin Solomons #736065. Published by David Warin Solomons (A0.1136040). Hélas madame is attributed to King Henry VIII. It is part of a secular collection, found on a manuscript that was used in Henry's court. The originality of the song has been questioned, with various parts of the song allegedly taken from similar pieces in Europe. The song itself is a courtship conversation in Middle French between a man and woman. Hélas madame, celle que j’ayme tant: Souffrez que soye vostre humble servant; Vostre humble servant je serays a toujours Et tant que je viv’ray aultr’ n’aymeray que vous. Hélas, beau sire, vous estez bel et bon, Sage et courtoys et de noble maison, Et aussi bon que l’on scairoit finer, Mais cil que j’ayme, ne scairoye oublier. Hellas, ma dame, pences en vostre cas: Entre nous deulx ne fault point d’avocatz. Certes non pas, et vous le scavez bien. Allez vous en, car vous ne faictez rien. Mon cueur souspire et se plaint tendrement, Quant il ne peult trouver allegement. Ne scay comment on me veult dechasser; S’il est ainsi, j’ayray ailleurs chasser. Hellas, ma dame, et n’en seray-je point? Certes beau sire, je ne le vous dis point. Servez a point: il vous sera mery. Hellas, ma dame, de bon cueur vous mercy. Alas my lady, whom I do so love: Suffer me to be your humble servant; Your humble servant I shall always be. And while I live, I'll love none else but you. Alas, fair sir, you are good and kind, Wise and courteous and from a noble house, And as good as one could find, But I can't forget the one I love. Alas my lady, think upon your case: Between us two, no need for advocate. Certainly not, and you know it well. Be gone, for you are doing nothing. My heart sighs and tenderly complains, When it cannot find relief. I know not how it wants me to woo; If it is so, I'll go wooing elsewhere. Alas my lady, and shall I not? Certainly, fair sir, I have not said so. Behave rightly and you will be rewarded. Alas my lady, from my whole heart, thank you. Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.
$4.50
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
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Alto voice, Piano
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INTERMEDIATE
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McCorkle, Dennis F
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I Can See
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. ...
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Three Laments of Heloise for Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
Good King Wenceslas
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Piano solo
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INTERMEDIATE/ADVANCED
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Christmas
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Michael Swedberg
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Terrence Niska
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Good King Wenceslas
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1125812 By Michael Swedberg. By 13th Century Finnish Carol. Arranged by Terrence Niska. Christmas,Contemp...
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Piano Solo - Level 4 - Digital Download SKU: A0.1125812 By Michael Swedberg. By 13th Century Finnish Carol. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726552. Published by Niska Music Publishing (A0.1125812). This carol holds a special memory for me. I was living in Green Bay following my graduate studies and I was teaching private voice lessons at Appleton West High School with my brother and his wife at the request of the choral director, Kevin Meidl. Kevin was also the director of the Appleton Boychoir and one year he asked me to sing the solo part of this carol for a recording they were making. My arrangement of this carol is rather straightforward with very little altering of the basic rhythms found in the original tune. However, the melody in the first verse is found among triplet figures and therefore one must be sure to bring out the important notes. There is a dance-like quality to the music, reminiscent of a gigue from the Baroque period. Following a brief reprise of the opening material the melody shifts to the left hand, starting out as a single note and soon joined in harmony. To me, it represents the page and the king from the story as they walk through the cold, winter night to bring food and fuel to the peasant living near the mountain. The melody then moves back to the right hand, but is now played in half notes indicating the difficult terrain and the snow they must traverse causing them to move more slowly. The left hand rumbles below as a reminder of the wind blowing and the snow swirling about them. The page, fears he cannot go on, but the king tells him to walk in his footsteps and all will be well. Soon, monarch and servant are moving swiftly to their destination. The music slowly fades as they pass into the mountain’s shadow only to grow once again as they arrive at the poor man’s home. The final chords ring out as the door is thrown open and they step inside to share what they have brought.
$3.99
Let It Be
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Christmas
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The...
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
We Open In Venice (from "Kiss Me Kate")
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Piano, Vocal and Guitar
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Cole Porter
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We Open In Venice
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0012989 We Open In Venice. Composed by Cole Porter. Standard. 3 pages. Alfred Music - Digital ...
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0012989 We Open In Venice. Composed by Cole Porter. Standard. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0012989. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0012989). ISBN 9780739073124. UPC: 038081402178.This songbook contains all of the classic songs from Cole Porter's greatest success, the hilarious and tuneful Broadway production Kiss Me, Kate. A total of 19 songs are featured in the book, which includes two that were never used. The book also includes an essay about the history of the show, illustrations and memorabilia from its various productions, and a personal remembrance from Patricia Morison, who played Kate in the original Broadway run. Titles: Another Op'nin', Another Show * Why Can't You Behave? * Wunderbar * So in Love * We Open in Venice * Tom, Dick or Harry * I've Come to Wive It Wealthily in Padua * I Hate Men * Were Thine That Special Face * I Sing of Love * Too Darn Hot * Where Is the Life That Late I Led? * Always True to You in My Fashion * Bianca * Brush Up Your Shakespeare * From This Moment On * I Am Ashamed That Women Are So Simple * We Shall Never Be Younger * What Does Your Servant Dream Bout.
$3.99
Were Thine That Special Face (from "Kiss Me Kate")
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Piano, Vocal and Guitar
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Cole Porter
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Were Thine That Special Face
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0012991 Were Thine That Special Face. Composed by Cole Porter. Standard. 4 pages. Alfred Music...
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0012991 Were Thine That Special Face. Composed by Cole Porter. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0012991. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0012991). ISBN 9780739073124. UPC: 038081402178.This songbook contains all of the classic songs from Cole Porter's greatest success, the hilarious and tuneful Broadway production Kiss Me, Kate. A total of 19 songs are featured in the book, which includes two that were never used. The book also includes an essay about the history of the show, illustrations and memorabilia from its various productions, and a personal remembrance from Patricia Morison, who played Kate in the original Broadway run. Titles: Another Op'nin', Another Show * Why Can't You Behave? * Wunderbar * So in Love * We Open in Venice * Tom, Dick or Harry * I've Come to Wive It Wealthily in Padua * I Hate Men * Were Thine That Special Face * I Sing of Love * Too Darn Hot * Where Is the Life That Late I Led? * Always True to You in My Fashion * Bianca * Brush Up Your Shakespeare * From This Moment On * I Am Ashamed That Women Are So Simple * We Shall Never Be Younger * What Does Your Servant Dream Bout.
$3.99
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Choral TTBB
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BEGINNER
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditio...
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
We Must Learn to Walk Together
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Piano, Vocal and Guitar
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EASY
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Sacred music
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
Lord Jesus, Think on Me — SATB voices, organ
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Choral SATB
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INTERMEDIATE
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Todd Marchand
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Lord Jesus, Think on Me — SA
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1359972 Composed by Todd Marchand. Christian,Lent,Sacred. 4 pages. Con Spirito Music #944...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1359972 Composed by Todd Marchand. Christian,Lent,Sacred. 4 pages. Con Spirito Music #944462. Published by Con Spirito Music (A0.1359972). “Lord Jesus, Think on Me†is a translation and free paraphrase of a 5th-century poem by Synesius of Cyrene (ca. 375-414), Bishop of Ptolemais in north Africa and contemporary of Augustine, Bishop of Hippo (354-430). Synesius was a public servant and statesman, a neo-Platonic philosopher and poet. In 410, he was popularly chosen as Bishop of Ptolemais, a position he reluctantly accepted, as his views on certain beliefs of the church, including the soul's creation, a literal resurrection, and the end of the world (eschatos) were unorthodox. In the last of 10 odes Synesius authored, he describes himself bowing humbly in the presence of Christ. In the 1930s, a literal prose translation of the ode was made by the Anglican cleric Harold Costley-White:Be mindful, Christ Son of Godwho rules on high, of thy servant,sinful of heart, who wrote these words.And grant to me release from passions breeding death,which are inborn in my unclean soul.But give me to behold, Saviour Jesus,thy divine brightness, wherein appearingI shall sing a song,to the healer of souls,to the healer of limbs,with the great Fatherand the Holy Spirit.Amen. The text of this setting for SATB voices and organ selects verses from a free paraphrase of that ode, crafted by the Anglican priest and scholar, Allen William Chatfield (1808-1896) and published in his Songs and Hymns of Earliest Greek Christian Poets (1876):Lord Jesus, think on me and purge away my sin; from earthborn passions set me free, and make me pure within. Lord Jesus, think on me, nor let me go astray; through dark-ness and perplexity point Thou the heav'nly way.Lord Jesus, think on me amid the battle's strife; in all my pain and misery be Thou my Health and Life.Lord Jesus, think on me with many a care oppressed; let me Thy loving servant be and taste Thy promised rest.Lord Jesus, think on me that I may sing above to Fa-ther, Spirit, and to Thee the strains of praise and love.The incipit of each verse, “Lord Jesus, think on [remember] me, recalls the words of the penitent thief to Jesus at their crucifixion, and the petitions for guidance, forgiveness, and succor make this a fitting anthem for the penitential season of Lent. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, holiday, and patriotic music for instruments and voices, visit www.conspiritomusic.com
$2.00
House Of Faith
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Choral SATB
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BEGINNER
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Sacred music
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John Botts
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John Botts
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House Of Faith
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John A. Botts
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1091802 By John Botts. By John Botts. Arranged by John Botts. Praise & Worship,Sacred,Spiritual....
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1091802 By John Botts. By John Botts. Arranged by John Botts. Praise & Worship,Sacred,Spiritual. Octavo. 7 pages. John A. Botts #695934. Published by John A. Botts (A0.1091802). We Christians have a hope of living one day with God in heaven. The lyrics of this song express a desire to please God with our faithful work in his honor while living here on earth. We are so thankful for that promise of heaven that we want to build a house of faith while here on earth. Our desire is that when we enter that transition from earth to heaven, God will say, Well done thou good and faithful servant of mine. My devoted one, your house of faith is done!.
$2.50
Dearest Savior, sacred choral music
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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Dearest Savior, sacred choral
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1284599 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise ...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1284599 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 12 pages. Kevin G. Pace #875773. Published by Kevin G. Pace (A0.1284599). An epically beautiful choral arrangement with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:Dearest Savior, bring me to knowAll the goodness and light that is in Thee.Words of the prophets reach into my heart to teachHow to befriend every brother.Dearest Savior bring me to know Thee then share what I know to be true.Dearest Savior, help me obeyWhen thy Word and thy Law seem to bind me.Help me to persevere, even when sin is nearKnowing that freedom will find me.Dearest Savior, help me obey and find joy in the choice to be Thine.Dearest Savior, welcome me homeWhen my work here on earth is completed.Gifts thou hast given me. May they bring praise to thee,Calling thy sheep to the Shepherd.Dearest Savior, welcome me home as a servant both faithful and kind.
$1.99
THE GREAT HUMILITY OF CHRIST (SATB) – Philippians 2:5-11
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Choral SATB
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INTERMEDIATE
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Michael A
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THE GREAT HUMILITY OF CHRIST
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizi...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Published by M.A. Morizio (A0.926663). In chapter two of Paul's letter to the Philippians, Paul begins speaking to his readers about encouragement, comfort from love, participation in the Spirit, and godly affection and sympathy for one another. He says, we are to count others as more important than ourselves. He pleads, Complete my joy by doing these things. From this point, Paul breaks immediately into this other known 1st century Hymn to Christ (Verses 5-11), which I have called, The Great Humility of Christ. The hymn text is a beautiful exposition of the Gospel; Christ in the form of God, did not hold onto (grasp) His equality with God, but humbled Himself and took on the human form of a servant (slave) and poured Himself out for all of mankind. The anthem is composed for SATB (a cappella) choir in two stanzas, with a bridge section and a coda. The piece is scored in D minor, but weaves between D minor and G Major (representing the dual natures of Christ-fully God and fully man). After the first stanza, regarding Christ’s taking on human flesh, the unthinkable happens; Christ humbles Himself in holy obedience to be put to death, even a humiliating and repugnant death on a cross. Here in the anthem we find the musical bridge between the two stanzas with the sopranos holding onto a single note (high D) followed by a cascade of dissonant suspensions, one voice handing off to the other, finally resolving in a descending scale.The second stanza declares God’s having exalted Christ as a consequence of His sacrifice, giving Him a name that is above every name, that at the name of Jesus every knee shall bow, in heaven and on earth and under the earth. The final coda (in G Major) trumpets the pronouncement that; Every tongue will confess that Jesus Christ is Lord, to the glory of the Father.
$1.99
Nunc Dimittis
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Choral SATB
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Sacred music
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Philip Le Bas
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Nunc Dimittis
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Philip Le Bas
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.818166 Composed by Philip Le Bas. Praise & Worship,Sacred. Octavo. 7 pages. Philip Le Bas #3619921. Publis...
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Choral Choir (SATB) - Digital Download SKU: A0.818166 Composed by Philip Le Bas. Praise & Worship,Sacred. Octavo. 7 pages. Philip Le Bas #3619921. Published by Philip Le Bas (A0.818166). The Nunc Dimittis is sung at every choral Evensong or Vespers, as the words of the prophet Simeon (Luke 2:29-32) on seeing the child Jesus in the Temple at Jerusalem. Here the canticle is set in English (Lord, now your servant depart in peace) for SATB choir and organ. It has a grand opening in D minor (My eyes have seen your light), followed by the main canticle text set in a rich D flat major tune. The opening theme returns towards the end, and the piece finishes with a glorious Glory be to the Father... Amen. The canticle would also be particularly appropriate at Candlemas celebrations, as well as at services expressing letting go... Its partner Magnificat by the same composer is also available in SheetMusicDirect and Sheet MusicPlus.
$1.99
Rosary Sonatas: The Visitation
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Orchestra
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INTERMEDIATE/ADVANCED
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Visitation
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1081580 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1081580 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 47 pages. JMJ Arrangements #685702. Published by JMJ Arrangements (A0.1081580). In those days, Mary arose and went with haste into the hill country, to a city of Judah, and she entered the house of Zechariah and greeted Elizabeth. And when Elizabeth heard the greeting of Mary, the babe leaped in her womb; and Elizabeth was filled with the Holy Spirit and she exclaimed with a loud cry, 'Blessed are you among women, and blessed is the fruit of your womb! And why is this granted me, that the mother of my Lord should come to me? For behold, when the voice of your greeting came to my ears, the babe in my womb leaped for joy. And blessed is she who believed that there would be a fulfillment of what was spoken to her from the Lord.' And Mary said, “'My soul magnifies the Lord, and my spirit rejoices in God my Savior, for he has regarded the low estate of his handmaiden. For behold, henceforth all generations will call me blessed; for he who is mighty has done great things for me, and holy is his name. And his mercy is on those who fear him from generation to generation. He has shown strength with his arm, he has scattered the proud in the imagination of their hearts, he has put down the mighty from their thrones, and exalted those of low degree; he has filled the hungry with good things, and the rich he has sent empty away. He has helped his servant Israel, in remembrance of his mercy, as he spoke to our fathers, to Abraham and to his posterity for ever.' And Mary remained with her about three months, and returned to her home. (Luke 1:39-56 RSV-CE).
$19.99
Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156205 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Class...
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156205 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 43 pages. Socrates Arvanitakis #756519. Published by Socrates Arvanitakis (A0.1156205). This is the seventeenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)I Love My LoveI must live all aloneI saw a maidenI will Give my Love an AppleI will give you the keys of Heaven (Cheshire)I wish I was Single AgainI wish I wish 1 (My True Love Once He courted Me 1)I wish I wish 2 (My True Love Once He courted Me 2)I wish I wish 3 (My True Love Once He courted Me 3)I wish I wish 4 (My True Love Once He courted Me 4)I Wonder as I WanderI’ll Build Myself A Gallant ShipI’ll Mount the Air on Swallow’s Wings [The Loyal Lover]I’ll Tell You of a FellowI’m a Man that’s done wrong to my ParentsI’m A’ Doon For Lack of JohnnieI’se the B’y That Builds the BoatI’ve Set My Face For Zion’s KingdomIn a British Man O’ WarIn Bethlehem CityIn Good King Arthur’s Time (King Arthur’s Servants)In My Father’s GardenIn Nightly StillnessIron Horse (THE)Isle of DreamsIt’s of a farmer all in the town.
$25.00
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