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Homage To Vivaldi
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Homage To Vivaldi
Sheetmusic to print
6 sheet music found
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1
Homage To Vivaldi
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Concert band
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ADVANCED
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Julia Perry
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John Ivor Holland
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Homage To Vivaldi
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1502793 Composed by Julia Perry. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,Wo...
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Concert Band - Level 5 - Digital Download SKU: A0.1502793 Composed by Julia Perry. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. 109 pages. John Ivor Holland #1078459. Published by John Ivor Holland (A0.1502793). Julia Perry (25 March 1924 – 24 April 1979) was an American classical composer and teacher who combined European classical and neo-classical training with her African-American heritage. In 1952, Perry began studying under Nadia Boulanger in Paris, during which time she was awarded the Boulanger Grand Prix for her Viola Sonata; after five and a half years in Europe, Perry returned to America and continued her work in composition. 'Homage to Vivaldi' (alternatively known as 'Requiem for Orchestra') is built upon four short phrases by Italian Baroque composer Antonio Vivaldi and was composed in 1959; this arrangement has been made as part of an ongoing project to widen the repertoire of music by women composers for concert band around the world.
$79.99
Vivaldi - Four Seasons - Summer for Piano Trio (score and parts)
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Piano Trio: piano, violin, cello
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Classical
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Antonio Vivaldi
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Neil Crossland
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Vivaldi - Four Seasons - Summe
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Neil Crossland
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SheetMusicPlus
Piano Trio,String Ensemble - Digital Download SKU: A0.1501207 Composed by Antonio Vivaldi. Arranged by Neil Crossland. Baroque,Classical. 43 pages. Neil ...
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Piano Trio,String Ensemble - Digital Download SKU: A0.1501207 Composed by Antonio Vivaldi. Arranged by Neil Crossland. Baroque,Classical. 43 pages. Neil Crossland #1077165. Published by Neil Crossland (A0.1501207). My arrangement of Vivaldi's Spring Concerto from The Four Seasons breathes new life into this timeless masterpiece. I aimed to capture the vibrant energy and delicate nuances that define Vivaldi's original composition while introducing fresh elements to engage modern listeners. The arrangement opens with the familiar, lively Allegro, where I've emphasized the interplay between the strings, creating a dynamic conversation that mirrors the awakening of nature in spring.In the second movement, the Largo, I've highlighted the pastoral serenity through a delicate balance of the melody, allowing the solo violin to sing with a gentle yet expressive tone, underscored by a rich harmonic texture in the accompaniment. This movement evokes a peaceful landscape, where the listener can almost feel the warmth of the sun and the gentle breeze.The final Allegro portrays the exuberant dance of spring. I've infused this section with rhythmic vitality and a playful spirit, enhancing the contrast between the soloist and the ensemble. My arrangement pays homage to Vivaldi’s genius while offering a contemporary perspective that invites the audience to experience Spring with renewed appreciation and joy.
$19.99
Vivaldi - Four Seasons - Spring for Piano Trio (score and parts)
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Piano Trio: piano, violin, cello
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Classical
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Antonio Vivaldi
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Neil Crossland
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Vivaldi - Four Seasons - Sprin
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Neil Crossland
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SheetMusicPlus
Piano Trio,String Ensemble - Digital Download SKU: A0.1501195 Composed by Antonio Vivaldi. Arranged by Neil Crossland. Baroque,Classical. 41 pages. Neil ...
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Piano Trio,String Ensemble - Digital Download SKU: A0.1501195 Composed by Antonio Vivaldi. Arranged by Neil Crossland. Baroque,Classical. 41 pages. Neil Crossland #1077153. Published by Neil Crossland (A0.1501195). My arrangement of Vivaldi's Spring Concerto from The Four Seasons breathes new life into this timeless masterpiece. I aimed to capture the vibrant energy and delicate nuances that define Vivaldi's original composition while introducing fresh elements to engage modern listeners. The arrangement opens with the familiar, lively Allegro, where I've emphasized the interplay between the strings, creating a dynamic conversation that mirrors the awakening of nature in spring.In the second movement, the Largo, I've highlighted the pastoral serenity through a delicate balance of the melody, allowing the solo violin to sing with a gentle yet expressive tone, underscored by a rich harmonic texture in the accompaniment. This movement evokes a peaceful landscape, where the listener can almost feel the warmth of the sun and the gentle breeze.The final Allegro portrays the exuberant dance of spring. I've infused this section with rhythmic vitality and a playful spirit, enhancing the contrast between the soloist and the ensemble. My arrangement pays homage to Vivaldi’s genius while offering a contemporary perspective that invites the audience to experience Spring with renewed appreciation and joy.
$19.99
La Serenissima (2013) for ten wind instruments
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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La Serenissima
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.869288 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,C...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.869288 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431451. Published by Thomas Oboe Lee (A0.869288). Instrumentation: 2 flutes, 2 oboes, 2 clarinets in Bb, 2 horns in F, 2 bassoons Program note.Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music. Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro … II. Largo … III. Presto … IV. Allegretto … V. Adagio … VI. Molto Allegro … TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99
La Serenissima (2013) for ten wind instruments
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
#
Thomas Oboe Lee
#
La Serenissima
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Thomas Oboe Lee
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.869301 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,C...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.869301 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431227. Published by Thomas Oboe Lee (A0.869301). Program note. Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music.Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro … II. Largo …III. Presto … IV. Allegretto … V. Adagio … VI. Molto Allegro … TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99
La Folia in D Minor
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Jose Bravo
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La Folia in D Minor
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Jose Bravo
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SheetMusicPlus
Cello,Cembalo,Violin - Level 4 - Digital Download SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #8...
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Cello,Cembalo,Violin - Level 4 - Digital Download SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published by Jose Bravo (A0.1224544). From the Composer:I committed last year (2022) to review my musical works that have been in digital storage, complete them as necessary, and release them for the world to hear. I finally finished my first work on this list, one that's been on my hard drive in one version or another since 1999 (that's 24 whole years!).Las Follias de España (which despite its name, originally came from Portugal) is a chord progression usually in either D minor or G minor in the form of i-V-i-VII-III-VII-i-V. Composers for the last 500 years have used this chord progression to come up with some fantastic theme and variations, ranging from unaccompanied works, trio sonatas, to even full orchestral implementations. You can spend a looooong time listening to all the beautiful compositions that composers have made over the centuries highlighting this very captivating set of chords.I humbly submit my own version of La Folia in D minor for String Trio and Cembalo (harpsichord). I wrote my first version of this in my senior year of High School as a challenge to myself to write music in a genre I loved. I made updates here and there over the years, but its sat on a hard drive the entire time. It's taken me months to essentially rework it to my satisfaction and has been submitted for copyright. I have uploaded it to YouTube to share with others.BIG SHOUT OUTS to the three composers that inspired me in this work:Corelli: - His version of La Folia is probably the most popular for violinists, especially those that play out of the Suzuki books. I included a modified version of his Folia (Variation 9) in my work (with all other parts being vastly different from his interpretation) as an homage to his work.J.S. Bach - He showed me that music can be as intelligent as it is beautiful. I have two variations inspired by his work. Variation 8 is one that I wrote this year (2023) which I wanted to write for a long time is a variation that showcases the Harpsichord. Bach's keyboard works and unaccompanied violin works inspired me here. Second, Variation 14 I feel has Bach's inspiration all over it. The violin parts are each playing separate distinct melodies in double counterpoint which trade parts on the repeat. The bass line follows a pattern that Bach has employed for the bass on a number of Violin concertos and lastly, the Harpsichord treble part is a mensuration canon based on one of the violin parts, with the keyboard part playing the melody 4x as fast with variations. Lastly on a play of numbers, number 14 was a very special number for Bach, and as a tribute, I've made this the 14th variation in my work. This was also a new variation I added this year (2023) as well.Vivaldi - My first musical love. I feel that I captured a little bit of his musical DNA in all my works and this piece showcases this. Vivaldi's works is what made me fall in love with Baroque music and I am indebted to him for the profound impact his works have had on my life.So here you go. 413 measures. My longest individual work to date. And because I love playing with numbers, I decided to release this to the world on my 41st Year, 3rd month. Enjoy!- Jose Bravo.
$5.00
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