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IN THE BEGINNING. For soprano and piano
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IN THE BEGINNING. For soprano and piano
Soprano voice, Piano
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.893973 Composed by Gabri…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331901. Published by Gabriel Ruiz-Bernal (A0.893973). Commissioned by Colleen Daly for the St. Louis Concert seriesText by Rabindranath TagoreWhere have I come from, where did you pick me up? the baby asked its mother.She answered, half crying, half laughing, and clasping the baby to her breast-You were hidden in my heart as its desire, my darling.You were in the dolls of my childhood's games; and when with clay I made the image of my god every morning, I made the unmade you then.You were enshrined with our household deity, in his worship I worshipped you.In all my hopes and my loves, in my life, in the life of my mother you have lived.In the lap of the deathless Spirit who rules our home you have been nursed for ages.When in girlhood my heart was opening its petals, you hovered as a fragrance about it.Your tender softness bloomed in my youthful limbs, like a glow in the sky before the sunrise.Heaven's first darling, twain-born with the morning light, you have floated down the stream of the world's life, and at last you have stranded on my heart.As I gaze on your face, mystery overwhelms me; you who belong to all have become mine.For fear of losing you I hold you tight to my breast. What magic has snared the world's treasure in these slender arms of mine? ​
$6.00
5.51 €
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Soprano voice, Piano
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Gabriel Ruiz-Bernal
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IN THE BEGINNING. For soprano and piano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
At the Edge of the Body's Night
Piano solo
Piano Solo - Digital Download SKU: A0.982538 Composed by William Grosvenor Neil. Co…
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Piano Solo - Digital Download SKU: A0.982538 Composed by William Grosvenor Neil. Contemporary. Score. 50 pages. TheComposerStudio.Com, LLC #6709495. Published by TheComposerStudio.Com, LLC (A0.982538). Program Notes: At the Edge of the Body’s Night (2008) for piano and digital acoustics is a setting of Seven Poems by the late poet, Mark Strand. These poems intrigued me with their potent brevity and mysterious symbolism. I found in their riddle-like form a concise emotional message, ideal for creating short melodic themes and inspiring fantastic piano music. When I recorded Mark’s voice reading the poems, I knew that his recitation would be part of the compositional resources for the piece. His resonant voice, enhanced by the audio editing process, provided a powerful context for the musical interpretation of his words. The addition of a soprano voice (Ashley Parker) in the digital landscape alludes to the traditional art song setting of poems. and her siren-call voice recalls the female muse that I imagined inspired the poet in writing his words. The piano music guides the listener throughout this fantastic journey of sound and music reflecting on the meaning and character of the poems and driving the dream-like narrative forward. Performance of the digital acoustic: Each of the six movements (I & II are combined) for piano are accompanied by a digital audio landscape as part of the performance. At the beginning of each section, a cue is notated in the score to start the audio wave file. It is recommended that a high fidelity audio play back system be employed in the recital hall or performance space. The sound system could be interfaced with a laptop computer or iPad operated by the pianist using a foot pedal similarly used with iPads supporting a digital part or it could be executed during the performance by a technician. The rental of the digital acoustic files includes a Key File license from Qlab that TheComposerStudio will email to be uploaded to a PC or Mac laptop computer for the duration of the rental. The uploaded software will ensure that the files are executed during a performance with ease and accuracy. The rental agreement also includes support from TheComposerStudio.Com, LLC from the time of rental through the performance of the piece. Duration: ca. 24 mins. www.williamneil.net www.thecomposerstudio.com for more info: thecomposerstudio@gmail.com
$25.00
22.94 €
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Piano solo
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William Grosvenor Neil
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At the Edge of the Body's Night
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Two Dream Poems (2020) for Soprano and Piano
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1103534 By Corinne Byrne, so…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1103534 By Corinne Byrne, soprano and Seth Mayer, piano. By George Edward Brandon. 20th Century,Classical,Contemporary. Score. 21 pages. Blue Unity Music #706801. Published by Blue Unity Music (A0.1103534). George Brandon: Two Dream Poems (2020) for Soprano and Piano This piece consists of musical settings of two 20th century poems concerning the dream state: one by the American poet Gary Snyder; the other by Mavash Sabet from Iran. Gary Snyder’s poem, “Maudgalyayana Saw Hellâ€, is a complex and multilayered portrayal of a passage through the dream state, beginning with falling asleep and ending with waking up. At the same time as it describes a mythical journey and an inward psychological journey, it also presents a Buddhist metaphysical perspective in which the whole of life, and our ordinary sense of reality, appear and are questioned as dream states as well. At the time that Mavash Sabet wrote her poem “Hello Again†she was a political prisoner sentenced to twenty years in prison for her religious and educational activities. on behalf of the Bahai faith, a religion which is persecuted by Iran's theocratic government. “Hello Againâ€, from her book Prison Poems, describes a dream experience that renewed her inner sense of freedom despite being incarcerated, and provided her with strength and hope for the future. Complex but singable, intense and lyrical, these compelling songs will make a great impact in a concert or recital program. Duration: approximately 9 mins. Advanced.
$6.95
6.38 €
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Piano, Voice
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Corinne Byrne, soprano and Seth Mayer, piano
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Two Dream Poems
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Blue Unity Music
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SheetMusicPlus
It Is Well (Easy Bowed Psaltery Solo with Piano Accompaniment)
Piano Accompaniment
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level…
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565911 By Philip P. Bliss and Sharon Wilson. By Horatio G. Spafford and Philip P. Bliss. Arranged by Sharon Wilson. 20th Century,Sacred,Standards,Wedding. Score and individual part. 6 pages. Sharon Wilson #6574701. Published by Sharon Wilson (A0.565911). The beloved hymn When Peace Like a River by Philip P. Bliss is presented here as a flowing, peaceful instrumental duet (for BOWED PSALTERY solo with PIANO accompaniment). The psaltery part was designed for a beginning psaltery player and is written in the key of C major, but does include one sharp (F♯ = Gâ™). The piano accompaniment is at the early-intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C…). The PSALTERY plays the melody throughout. An optional repeat is included in case a longer song is desired. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: It Is Well (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is only 1 octave. Also, the notes are written an octave lower on the staff so they are easier to read and learn for beginner musicians. The notated range for this song is D4 (first D above middle C) to D5 (second D above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names). The solo part could also be played by other instruments with the same range such as a violin.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
3.66 €
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Piano Accompaniment
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Philip P
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It Is Well
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Sharon Wilson
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SheetMusicPlus
Nearer My God, to Thee (Easy Bowed Psaltery Solo with Piano Accompaniment)
Piano Accompaniment
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level…
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565912 By Sharon Wilson. By Lowell Mason. Arranged by Sharon Wilson. Easter,Folk,Praise & Worship,Sacred,Traditional. Score and individual part. 7 pages. Sharon Wilson #6574783. Published by Sharon Wilson (A0.565912). The beloved hymn Nearer My God, to Thee by Lowell Mason is presented here as a flowing, peaceful instrumental duet (for BOWED PSALTERY solo with PIANO accompaniment). The PSALTERY part was designed for a beginning psaltery player and includes only 2 flats; B♠below middle C and B♠above middle C. The piano accompaniment is at the early-intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C…). The PSALTERY plays the melody for the first verse and most of the second verse. There are a couple short phrases during the second verse where the PIANO plays the melody and the PSALTERY provides the harmony. The first verse is in the key of C major. For the second verse, the PIANO transitions up to the key of F major during a short interlude. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: Nearer My God, to Thee (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is only 1-1/2 octaves. Also, the notes are written an octave lower on the staff so they are easier to read and learn for beginner musicians. The notated range for this song is G3 (first G below middle C) to D5 (second D above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names). The solo part could also be played by other instruments with the same range such as a violin.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
3.66 €
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Piano Accompaniment
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Sharon Wilson
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Nearer My God, to Thee
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Sharon Wilson
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SheetMusicPlus
Father, Lead Me Day by Day (Easy Bowed Psaltery Solo with Piano Accompaniment)
Piano Accompaniment
Small Ensemble C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument…
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Small Ensemble C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 1 - Digital Download SKU: A0.565897 By Sharon Wilson. By George Strattner. Arranged by Sharon Wilson. Easter,Instructional,Praise & Worship,Sacred,Standards. Score and individual part. 5 pages. Sharon Wilson #6508649. Published by Sharon Wilson (A0.565897). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the familiar hymn Father, Lead Me Day by Day by George C. Strattner with lyrics by John P. Hopps. The psaltery part was designed for a beginning psaltery player and is presented in the key of C major with no sharps or flats. The piano accompaniment is at the early-intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C…). The PSALTERY plays the melody throughout. An optional repeat is included in case a longer song is desired. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: Father, Lead Me Day by Day (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is only 1 octave. Also, the notes are written an octave lower on the staff so they are easier to read and learn for beginner musicians. The notated range for this song is C4 (middle C) to C5 (one octave above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names). The solo part could also be played by other instruments with the same range such as a violin, recorder, or any instrument with as little as an 8-note diatonic scale range.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
3.66 €
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Piano Accompaniment
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Sharon Wilson
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Father, Lead Me Day by Day
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Sharon Wilson
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.55 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.55 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Christmas Carols (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment)
Piano Accompaniment
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level…
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565924 By Sharon Wilson. By Christina Georgina Rossetti, George Frideric Handel, Gustav Holst, Isaac Watts, James R. Murray, John Francis Wade, John Henry Hopkins, Jr, Polish Folk melody, and Traditional French Carol. Arranged by Sharon Wilson and Sharon Wilson Music. Advent,Christmas,Folk,Multicultural,Sacred,World. Score and individual part. 55 pages. Sharon Wilson #6597315. Published by Sharon Wilson (A0.565924). This collection features ten easy Christmas Carols arranged for a soprano BOWED PSALTERY with PIANO accompaniment. The psaltery part was designed for a beginning psaltery player. The piano accompaniment is at the intermediate level. The psaltery plays the melody for the first verse of each song with an optional repeat included in case a longer song is desired. For each song in this book, piano accompaniment tracks (MP3 format) are available as a separate purchase. To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C. . .). The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some soprano psalteries have fewer than 25 strings, the range used in this book is less than 2 octaves. Also, the notes are written an octave lower on the staff to avoid the ledger line notes that would be required to notate the upper notes. Thus, the notated range in this book is from A3 (A below middle C) to D5 (the second D above middle C).For each song, there is a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names). Each song is also available separately with accompanying preview pages and audio samples. Titles included in this collection:Away in a MangerBring a Torch, Jeannette, IsabellaIn the Bleak MidwinterInfant Holy, Infant LowlyJoy to the WorldO Come, All Ye FaithfulO Come, O Come, EmmanuelO Thou Joyful DayUkrainian Bell CarolWe Three KingsVisit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
13.76 €
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Piano Accompaniment
#
Sharon Wilson
#
Christmas Carols
#
Sharon Wilson
#
SheetMusicPlus
Jesu, joy of man's desiring by Bach for Recorder and Piano
Descant (Soprano) Recorder
Recorder Solo,Soprano Recorder - Level 1 - Digital Download SKU: A0.1049413 Compose…
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Recorder Solo,Soprano Recorder - Level 1 - Digital Download SKU: A0.1049413 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. Individual part. 6 pages. Woods Only, Arrangements #653762. Published by Woods Only, Arrangements (A0.1049413). This easy arrangement for recorder and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.
$1.99
1.83 €
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Descant (Soprano) Recorder
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Johann Sebastian Bach
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Jesu, joy of man's desiring by Bach for Recorder and Piano
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Woods Only, Arrangements
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SheetMusicPlus
i thank You God, Song Cycle for Mezzo Soprano and piano
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1419026 Composed by Liz Nede…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1419026 Composed by Liz Nedela. 20th Century,Christian,Classical,Contemporary,Religious. Score. 24 pages. Liz Nedela #1000466. Published by Liz Nedela (A0.1419026). This piece is a Song Cycle of three songs. The titles of the songs are lines from the poem. The poem is by e.e. cummings, used with permission. Each song emphasizes portions of the complete poem. The composer's intent is to place the same emphasis as Cummings portrayed in his recitation, a copy of which is online; see the YouTube link.NOTE: The mp3 uses samples of each of the three songs, using this guide:Song #1: Beginning of recording to #1:37; Measures 1-41 of the scoreSong #2: From #1:57-3:28 of recording; Measures 1-46 of the scoreSong #3: From #3:43-end of recording; Measures 1-57 of the score 1. a true blue dream of sky, states the entire poem, with emphasis as portrayed inCummings recitation. The voice is lyrical and theatrical, with spoken words andhumming, as well as singing. The accompaniment implicates solidity, predictability,strength of the nature of God; but also wonderment, freedom and being light-hearted.The composer chose to title this song using a line in the poem, rather than the mostused title — which begins the cycle of key elements of the poem used to title andcomprise songs 2 and 3 — thereby placing importance as Cummings recited.2. of life and of love and wings, is more lyrical and lighter in nature than song #1. This song emphasis God’s creations, and seemingly joy He displayed while creating them, giving them wings of freedom for life and love.3. unimaginable You, is more reflective, using a modal tone — all to emphasize thereactions of Cummings to the wonderment and magnitude of God.  He concludes with:(and now the ears of my ears awake andnow the eyes of my eyes are opened)Also please note: The price includes permission to make two copies of the pdf.
$25.00
22.94 €
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Piano, Voice
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Liz Nedela
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see the YouTube link
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i thank You God, Song Cycle for Mezzo Soprano and piano
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Liz Nedela
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SheetMusicPlus
Come Thou Fount (Easy Bowed Psaltery Solo with Piano Accompaniment)
Piano Accompaniment
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level…
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565900 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Easter,Folk,Sacred,Standards. Score and individual part. 6 pages. Sharon Wilson #6515931. Published by Sharon Wilson (A0.565900). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the ever-popular hymn Come Thou Fount of Every Blessing. The psaltery part was designed for a beginning psaltery player and is presented in the key of C major with no sharps or flats. The piano accompaniment is at the early-intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C…). The PSALTERY plays the melody throughout. An optional repeat is included in case a longer song is desired. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: Come Thou Fount (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is only 1 octave. Also, the notes are written an octave lower on the staff so they are easier to read and learn for beginner musicians. The notated range for this song is C4 (middle C) to C5 (one octave above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names). The solo part could also be played by other instruments with the same range such as a violin.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
3.66 €
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Piano Accompaniment
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Sharon Wilson
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Come Thou Fount
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Sharon Wilson
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.55 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.55 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Musik Fabrik Music Publishing
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SheetMusicPlus
8 Swinging Xmas Carols for Descant (Soprano Recorder) & Piano
Descant (Soprano) Recorder
Recorder Solo,Soprano Recorder - Level 4 - Digital Download SKU: A0.1315338 By Keit…
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Recorder Solo,Soprano Recorder - Level 4 - Digital Download SKU: A0.1315338 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christian,Christmas,Contest,Festival,Praise & Worship. Individual part. 29 pages. Keith Terrett #904087. Published by Keith Terrett (A0.1315338). An exciting arrangement of eight popular swinging xmas carols arranged for Soprano/Descant Recorder & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.For more of my music for Recorder, check out:AMERICAN RECORDER SOCIETY MEMBERS LIBRARYGlen Shannon, EditorKeith TerrettHavana Rhubarb Rumbafor 4-7 RecordersPublished as a supplement to American Recorder.
$15.99
14.67 €
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Descant (Soprano) Recorder
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Keith Terrett
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Piano
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8 Swinging Xmas Carols for Descant
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Keith Terrett
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SheetMusicPlus
8 Swinging Xmas Carols for Bb Soprillo Saxophone & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1315135 By Keith Terre…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1315135 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christian,Christmas,Praise & Worship. Score and part. 39 pages. Keith Terrett #903878. Published by Keith Terrett (A0.1315135). An exciting arrangement of eight popular swinging xmas carols arranged for Bb Soprillo/Soprano Saxophone & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.
$15.99
14.67 €
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Soprano Saxophone and Piano
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Keith Terrett
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Piano
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8 Swinging Xmas Carols for Bb Soprillo Saxophone & Piano
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Keith Terrett
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SheetMusicPlus
High Desert Apparitions for Soprano Saxophone and Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.754889 Composed by Sy …
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.754889 Composed by Sy Brandon. Contemporary. Score and part. 37 pages. Sy Brandon #3130197. Published by Sy Brandon (A0.754889). High Desert Apparitions is inspired by the beautiful and mystical lands and traditions of the Native American people of Northern Arizona. It consists of three movements. Shape Shifters (Skinwalkers or yee naaldlooshii) are evil creatures that appear as humans or as animals. This movement has the piano representing the human form and the saxophone representing coyotes, owls, foxes, and crows in that order. The human shape musically appears at the beginning and in between the animals. Multiphonics are used for some of the animal sounds. Mirages is at a soft dynamic throughout with a lot of sustained sounds. The saxophone sustained sounds begin and end without vibrato with slight vibrato or timbre trills used in the middle of the sustained sound. The intent is to musically represent a vision of water that appears to be evaporating. All mirages are fleeting and the rapid passages in both the saxophone and piano musically represent impermanence. Ancient Spirits is in two sections. The slower opening is atmospheric, evoking images of Native American flutes calling to the ancient spirits. The second section is chant-like and is influenced by recordings of Navajo Yeibichai songs. A Yeibichai is a supernatural represented by a masked dancer in an initiation or curative ceremony. The piano chords are dissonant and steady imitating the sound of drums. While the music is repetitive, there are subtle changes to the melodic material as well as the accompanying chords.
$9.99
9.17 €
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Soprano Saxophone and Piano
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Sy Brandon
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High Desert Apparitions for Soprano Saxophone and Piano
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Sy Brandon
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SheetMusicPlus
Beach Spring (Easy Bowed Psaltery Solo with Piano Accompaniment)
Piano Accompaniment
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level…
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565910 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Easter,Folk,Holiday,Patriotic,Sacred. Score and individual part. 6 pages. Sharon Wilson #6574539. Published by Sharon Wilson (A0.565910). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the classic hymn tune BEACH SPRING. Many lyrics have been set to this tune attributed to Benjamin F. White, including Come, All Christians, Be Committed and God of Day and God of Darkness. The psaltery part was designed for a beginning psaltery player and is written in the key of F major with only 1 flat (B♠= A♯). The piano accompaniment is at the intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation. The second solo part is identical to the standard music but includes the note names below each note (example A, B, C…). The PSALTERY plays the melody throughout. An optional repeat is included in case a longer song is desired. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: Beach Spring (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is just over 1 octave. Also, the notes are written an octave lower on the staff so they are easier to read and learn for beginner musicians. The notated range for this song is C4 (middle C) to D5 (second D above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one in standard notation, one with alphabetic note names). The solo part could also be played by other instruments with the same range such as a violin.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
3.66 €
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Piano Accompaniment
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Sharon Wilson
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Beach Spring
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Sharon Wilson
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SheetMusicPlus
We're Forgiven (God of Grace)
Piano, Voice
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.921766 Composed by Lisa Wait…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.921766 Composed by Lisa Waites. Christian,Christmas,Praise & Worship,Sacred. Score. 1 pages. Servant Song Music and Ministry #6617305. Published by Servant Song Music and Ministry (A0.921766). This short, accessible piece of worship music was written as a liturgical response for use during Christian services during the Advent/Christmas/Epiphany seasons of the church calendar. It returns the work of the people TO the people, placing these musical Words of Assurance into the mouths and hearts of the congregation and/or choir, rather than having the minister alone speaking the words of absolution/assurance after the Prayer of Confession. Set in a simple key for beginning accompanists and including chord charts for guitarists (or pianists who prefer to play by reading the melody notes in the RH and playing by chord symbol with their LH), this song has been set in a perfect vocal range for congregational voices and/or church choirs. Melody and harmony parts have been included in the score so that you can divide into soprano/alto parts if you'd like to, but the piece works equally well if you stick to the melody alone. Non-liturgical churches have also appreciated this piece as a way for congregants to respond musically to services on themes such as God's Grace, Forgiveness, Reconciliation, Prodigals, Mercy, and also throughout Advent or whenever the pastor is focusing on themes of Hope, Peace, Joy, Love, etc. Published by Servant Song Music & Ministry, this piece is hot off the press for use in Advent 2021, but watch for an SATB Choral version to follow at Sheet Music Plus in the next week or two! There is also a video available on YouTube at https://youtu.be/orgm6VuEJVo which you are free to use for digital or hybrid worship services. The lyrics are Closed Captioned, so your people can learn to sing the piece in rhythm with the piano accompaniment. .
$2.99
2.74 €
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Piano, Voice
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Lisa Waites
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We're Forgiven
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Servant Song Music and Ministry
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SheetMusicPlus
In the Bleak Midwinter (Easy Bowed Psaltery Solo with Piano Accompaniment)
Piano Accompaniment
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level…
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565956 By Sharon Wilson. By Gustav Holst. Arranged by Sharon Wilson. Advent,Christmas,Folk,Multicultural,Sacred,World. Score and individual part. 6 pages. Sharon Wilson #6602447. Published by Sharon Wilson (A0.565956). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the classic Christmas tune CRANHAM by Gustav Theodore Holst using the lyrics from Christina Georgina Rossetti's poem In the Bleak Midwinter. The psaltery part was designed for a beginning psaltery player and is written in the key of F major with one flat (B-flat/A-sharp). The piano accompaniment is at the intermediate level.To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C. . .).The psaltery plays the melody for one verse. An optional repeat is included in case a longer selection is desired. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: In the Bleak Midwinter (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is less than one octave. Also, the notes are written an octave lower on the staff to avoid the ledger line notes that would be required to notate the upper notes. The notated range for this song is E4 (first E above middle C) to D5 (second D above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names).This arrangement is one of the 10 songs in the collection Christmas Carols (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$3.99
3.66 €
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Piano Accompaniment
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Sharon Wilson
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In the Bleak Midwinter
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Sharon Wilson
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SheetMusicPlus
Away in a Manger (Easy Bowed Psaltery Solo with Piano Accompaniment)
Piano Accompaniment
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level…
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565931 By Sharon Wilson. By James R. Murray and Martin Luther. Arranged by Sharon Wilson. Advent,Children,Christmas,Folk,Sacred. Score and individual part. 7 pages. Sharon Wilson #6597487. Published by Sharon Wilson (A0.565931). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the beloved Christmas lullaby Away in a Manger using the tune MUELLER by James R. Murray. The psaltery part was designed for a beginning psaltery player and is written in the key of F major with one flat (B-flat/A-sharp). The piano accompaniment is at the intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C. . .). The psaltery plays the melody throughout for two verses. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: Away in a Manger (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is only one octave. Also, the notes are written an octave lower on the staff to avoid the ledger line notes that would be required to notate the upper notes. The notated range for this song is C4 (middle C) to C5 (one octave above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names). This arrangement is one of the 10 songs in the collection Christmas Carols (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$3.99
3.66 €
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Piano Accompaniment
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Sharon Wilson
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Away in a Manger
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Sharon Wilson
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SheetMusicPlus
Joy to the World (Easy Bowed Psaltery Solo with Piano Accompaniment)
Piano Accompaniment
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level…
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565928 By Sharon Wilson. By George Frideric Handel and Isaac Watts. Arranged by Sharon Wilson. Advent,Baroque,Christmas,Classical,Sacred. Score and individual part. 5 pages. Sharon Wilson #6597479. Published by Sharon Wilson (A0.565928). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the classic Christmas carol Joy to the World using the tune ANTIOCH by George F. Handel and lyrics by Isaac Watts. The psaltery part was designed for a beginning psaltery player and is written in the key of C major with no sharps or flats. The piano accompaniment is at the intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C. . .). The psaltery plays the melody for one verse. An optional repeat is included in case a longer selection is desired. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: Joy to the World (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is only one octave. Also, the notes are written an octave lower on the staff to avoid the ledger line notes that would be required to notate the upper notes. The notated range for this song is C4 (middle C) to C5 (one octave above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names). This arrangement is one of the 10 songs in the collection Christmas Carols (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$3.99
3.66 €
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Piano Accompaniment
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Sharon Wilson
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Joy to the World
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Sharon Wilson
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SheetMusicPlus
Minuet in G major by Bach for Recorder and Piano
Descant (Soprano) Recorder
Recorder Solo,Soprano Recorder - Level 1 - Digital Download SKU: A0.1050871 Compose…
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Recorder Solo,Soprano Recorder - Level 1 - Digital Download SKU: A0.1050871 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Renaissance,Traditional,Wedding. Individual part. 4 pages. Woods Only, Arrangements #655208. Published by Woods Only, Arrangements (A0.1050871). This easy arrangement for recorder and piano has been adapted to be simple to perform and understand the period minuet form of the original work for various levels of musical knowledge. It can be freely played by beginning students due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performance in academic recitals, and public festivals, it also serves as a study of Baroque repertoire. This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach.
$1.99
1.83 €
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Descant (Soprano) Recorder
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Christian Petzold and Johann Sebastian Bach
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Minuet in G major by Bach for Recorder and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Ukrainian Bell Carol (Easy Bowed Psaltery Solo with Piano Accompaniment)
Piano Accompaniment
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level…
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565926 By Sharon Wilson. By Mykola Leontovich. Arranged by Sharon Wilson. Christmas,Folk,Multicultural,Sacred,Traditional,World. Score and individual part. 9 pages. Sharon Wilson #6597465. Published by Sharon Wilson (A0.565926). Here is a fun instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the ever-popular Christmas tune Carol of the Bells by Mykola Leontovich. The psaltery part was designed for a beginning psaltery player and is written in the key of C major with no sharps or flats. The piano accompaniment is at the intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation (since the lyrics are still under copyright, they are not included). The second solo part is identical to the standard music except the note names are provided below each note (example A, B, C. . .). The psaltery plays the melody for one verse. An optional repeat is included in case a longer selection is desired. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: Ukrainian Bell Carol (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is just over one octave. Also, the notes are written an octave lower on the staff to avoid the ledger line notes that would be required to notate the upper notes. The notated range for this song is A3 (first A below middle C) to C5 (one octave above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one in standard notation, one with alphabetic note names). This arrangement is one of the 10 songs in the collection Christmas Carols (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$3.99
3.66 €
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Piano Accompaniment
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Sharon Wilson
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Ukrainian Bell Carol
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Sharon Wilson
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SheetMusicPlus
The Love Round (Easy Bowed Psaltery Solo with Piano Accompaniment)
Piano Accompaniment
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level…
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565805 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Praise & Worship,Sacred,Traditional. Score and individual part. 6 pages. Sharon Wilson #6228857. Published by Sharon Wilson (A0.565805). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the classic praise chorus Love, Love, Love, Love. The psaltery part was designed for a beginning psaltery player and is written in the key of C major, but does include one sharp (G♯ = Aâ™). The piano accompaniment is at the intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C…). The psaltery plays the melody for the first verse and then adds harmony for the second verse. The song concludes with the psaltery playing melody for the final tag. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: The Love Round (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is less than 2 octaves. Also, the notes are written an octave lower on the staff to avoid the ledger line notes that would be required to notate the upper notes. The notated range for this song is E4 (the first E above middle C) to E5 (the second E above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names). This arrangement is one of the 10 songs in the collection Hymns and Choruses (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment).Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
3.66 €
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Piano Accompaniment
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Sharon Wilson
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The Love Round
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Sharon Wilson
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SheetMusicPlus
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