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If My Mary Were Here
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You've selected:
If My Mary Were Here
Sheetmusic to print
19 sheet music found
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1
If My Mary Were Here
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Guitar notes and tablatures
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Harry Chapin
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If My Mary Were Here
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Hal Leonard - Digital
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SheetMusicPlus
Digital Download SKU: HX.473022 By Harry Chapin. Folk,Pop. Guitar TAB. 4 pages. Published by Hal Leonard - Digital (HX.473022). ...
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Digital Download SKU: HX.473022 By Harry Chapin. Folk,Pop. Guitar TAB. 4 pages. Published by Hal Leonard - Digital (HX.473022).
$4.99
If My Mary Were Here
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Guitar notes and tablatures
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Harry Chapin
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If My Mary Were Here
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Guitar TAB - Digital Download SKU: AX.00-PS-0008238 By Harry Chapin. By Harry Chapin. Pop/Rock;Adult Contemporary. 5 pages. Alfred Music - Digital Sheet ...
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Guitar TAB - Digital Download SKU: AX.00-PS-0008238 By Harry Chapin. By Harry Chapin. Pop/Rock;Adult Contemporary. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0008238. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0008238).
$2.99
I’ll Go Where You Want Me to Go
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Piano, Vocal and Guitar
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INTERMEDIATE
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Sacred music
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The Tabernacle Choir at Temple
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Lyndell Leatherman
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some were not
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I’ll Go Where You Want Me to
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1377000 By The Tabernacle Choir at Temple Square. By Words: Mary Brown, Charles E. Prior / ...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1377000 By The Tabernacle Choir at Temple Square. By Words: Mary Brown, Charles E. Prior / Music: Carrie E. Rounsefell. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #961634. Published by Leatherman Music Services (A0.1377000). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99
If My Mary Were Here by Harry Chapin - Guitar TAB
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Guitar notes and tablatures
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Rock
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Harry Chapin
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If My Mary Were Here
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Musicnotes
Performed by: Harry Chapin: If My Mary Were Here Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music f...
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Performed by: Harry Chapin: If My Mary Were Here Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Voice;Guitar; 4 pages -- Adult Contemporary~~Pop Rock
$5.50
Harry Chapin: If My Mary Were Here - guitar solo (tablature)
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Guitar notes and tablatures
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EASY
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Rock
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Harry Chapin
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Virtualsheetmusic
Instantly printable sheet music by Harry Chapin for guitar solo (tablature) of EASY/MEDIUM skill level. / pop,rock,contemporary
Instantly printable sheet music by Harry Chapin for guitar solo (tablature) of EASY/MEDIUM skill level. / pop,rock,contemporary
$5.97
O Christians, Haste (originally O Zion, Haste)
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Piano, Vocal and Guitar
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INTERMEDIATE
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Saint Mark's Church, Philadelp
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Lyndell Leatherman
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some were not
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O Christians, Haste
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1403825 By Saint Mark's Church, Philadelphia. By Words: Mary Ann Thomson / Music: James Wal...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1403825 By Saint Mark's Church, Philadelphia. By Words: Mary Ann Thomson / Music: James Walch. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #986996. Published by Leatherman Music Services (A0.1403825). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99
Footsteps of Jesus
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Piano, Vocal and Guitar
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INTERMEDIATE
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Mark Trammell Quartet
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Lyndell Leatherman
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some were not
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Footsteps of Jesus
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1399936 By Mark Trammell Quartet. By Words: Mary B.C. Slade / Music: Asa B. Everette. Arran...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1399936 By Mark Trammell Quartet. By Words: Mary B.C. Slade / Music: Asa B. Everette. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #983163. Published by Leatherman Music Services (A0.1399936). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99
Child in the Manger
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Piano, Vocal and Guitar
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INTERMEDIATE
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Sarah Brightman
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Lyndell Leatherman
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some were not
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Child in the Manger
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1292186 By Sarah Brightman. By Words: Mary M. MacDonald (tr. by Lachlan MacBean) / Music: T...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1292186 By Sarah Brightman. By Words: Mary M. MacDonald (tr. by Lachlan MacBean) / Music: Trad. Gaelic melody. Arranged by Lyndell Leatherman. Christian,Christmas,Religious,Sacred. Score. 2 pages. Leatherman Music Services #882774. Published by Leatherman Music Services (A0.1292186). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
I Sought the Lord
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Piano, Vocal and Guitar
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INTERMEDIATE
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Sacred music
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Words: Anonymous / Music: Geor
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Lyndell Leatherman
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I Sought the Lord
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1287219 Composed by Words: Anonymous / Music: George W. Chadwick. Arranged by Lyndell Leath...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1287219 Composed by Words: Anonymous / Music: George W. Chadwick. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #878232. Published by Leatherman Music Services (A0.1287219). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.This hymn is one of the clearest discussions of prevenient grace found in all of hymnody. It would be an appropriate response to a sermon on the subject; indeed, one could start with it as the outline for a sermon on the subject, then sing it as a summary.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
I've Found a Friend
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Piano, Vocal and Guitar
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INTERMEDIATE
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Sacred music
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Rosemary Siemens
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Lyndell Leatherman
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some were not
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I've Found a Friend
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1289260 By Rosemary Siemens. By Words: James G. Small / Music: George C. Stebbins. Arranged...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1289260 By Rosemary Siemens. By Words: James G. Small / Music: George C. Stebbins. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #880020. Published by Leatherman Music Services (A0.1289260). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
I Beseech More Earnestly, a sacred hymn
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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I Beseech More Earnestly, a sa
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1472492 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & ...
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1472492 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 2 pages. Kevin G. Pace #1050138. Published by Kevin G. Pace (A0.1472492). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Like the fog in a storm and the sun who hides its face,Like pure shadows at noon, or a star out of place,Like the moon overhead in a dark and unclear night,I beseech more earnestly, seeking God’s pure light.Like bold sighs braving pain in Gethsemane’s lone space,Like the rock placed therein meant for grief’s leaning place,As blood dripping like rain for the pain is far too great,I beseech more earnestly, seeking God’s own traits.Like a child asking “How?” to his Father up above,Like each step to ascend on his ladder of love,Like each stretch sure to reach far beyond what I now know,I beseech more earnestly, trusting God to show.All at once I see light like a ray in shadowed sky,And it peers through each sphere as God’s voice in reply.Then more light, as if day, sheds its warmth into my soul . . .I still ask more earnestly, trusting to be whole.Perfect light comes from Him as He answers from his sky;From my bowed, lowered head, I can know Him on high.Perfect love shines below, from his ever-holy form,Right into my mended soul . . . his love to adorn.
$1.99
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Chamber Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Mu...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
A Moon, A Minute
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Matthew Nunes
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A Moon, A Minute
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Matthew Nunes Music
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SheetMusicPlus
Choral Choir - Level 5 - Digital Download SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew...
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Choral Choir - Level 5 - Digital Download SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew Nunes Music #855564. Published by Matthew Nunes Music (A0.1262540). Listen to this piece here     During the spring of 2014 four of Jupiter’s moons captured my imagination with their distinctive features as well as the powerful myths associated with each name. For Europa, Ganymede, Callisto, and Io the musical ideas I would use for each became clearer the more I researched. I chose a mixed choir to convey these ideas as the human voice can convey the awe and unknown of space more convincingly than most instruments. Each movement is intended as a vignette evoking what impacted me the most about each moon: I. Europa     Able to drive Jupiter wild with her beauty, Europa was stolen away by the god and proved bountiful to her captor. The moon may have the potential to support life and is now a primary target of our scientific efforts. This movement celebrates this vitality with driving rhythms supporting a soothing melodic line. II. Ganymede      This movement is a lament for the youth and beauty that once had male and female lovers pining for Ganymede. The moon that shares his name, however, has lost its youth and has been declared geologically dead. Written for the males of the chorus this movement features stacking triads and evokes our past where the highest and most beautiful male voices were adored.  III. Callisto      Nearly killed by her own son after Hera (Jupiter’s wife) spitefully transformed her into a bear, Callisto was a beautiful nymph who Jupiter set amongst the stars as Ursa Major. The moon itself has had its share of harm: in the heavy bombardment period it was impacted multiple times by large objects, the many craters of which are visible. I wrote this movement as if it were a reassuring lullaby and is to be performed by the female voices. A solo oboe* carries the melody over thick chords and is later intertwined with the choir.         - *While oboe is the original intent for this movement a flute or violin would make for an acceptable substitution. IV. Io     Io is a woman who suffered greatly under Jupiter’s lust and the bitterness of Hera’s jealousy. This moon represents the frustrations of suffering with its hundreds of active volcanoes and undying rumblings beneath the surface. Because of this it is one of the most tumultuous objects in our galaxy.  The choir churns forth with motives based off of diminished chords until the pressure built up can no longer be contained – eruption is imminent.- Matthew NunesWindsor, August 2014.
$2.50
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Choral SATB
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INTERMEDIATE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brow...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
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Choral SATB
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INTERMEDIATE
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Michael A
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AND THE WORD BECAME FLESH - SE
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Mori...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun. With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.
$9.99
Small Enough
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Gospel/Spiritual
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Sacred music
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Nichole Nordeman
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Lyndell Leatherman
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Small Enough
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Leatherman Music Services
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SheetMusicPlus
Small Ensemble,Strings Piano Accompaniment,Synthesizer,Voice - Level 3 - Digital Download SKU: A0.829346 By Nichole Nordeman. By Nichole Nordeman. Arrang...
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Small Ensemble,Strings Piano Accompaniment,Synthesizer,Voice - Level 3 - Digital Download SKU: A0.829346 By Nichole Nordeman. By Nichole Nordeman. Arranged by Lyndell Leatherman. Christian,Gospel. Score and parts. 20 pages. Leatherman Music Services #5793875. Published by Leatherman Music Services (A0.829346). In 2003 my church asked me to transcribe and orchestrate (for keyboards and string section) Nichole Nordeman's hauntingly beautiful Small Enough for use in their annual Christmas program...a duet between Mary and Joseph. If you are unfamiliar with this song, or it's been a while since you thought of it, you can hear her rendition here: https://www.youtube.com/watch?v=y5wR8PIXPwQActually, the song can be used anytime as it marvels about how our great God can be interested in the minutiae of our lives. Nicole's recording is in the key of C, and that transcription/arrangement is posted separately on SMP. This edition is lowered a minor 3rd to the key of A.
$19.99
Stewball for two-part choir
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Choral 2-part
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EASY
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Folkloric/Traditional
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Peter Paul and Mary
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Kim Kirkman
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Stewball for two-part choir
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Kim Kirkman
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SheetMusicPlus
Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.903534 By Peter Paul and Mary. By Traditional. Arranged by Kim Kirkman. Folk,Traditional. Octa...
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Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.903534 By Peter Paul and Mary. By Traditional. Arranged by Kim Kirkman. Folk,Traditional. Octavo. 6 pages. Kim Kirkman #509660. Published by Kim Kirkman (A0.903534). Stewball was a racehorse - really wonderful folk song This arrangement has harmony, key change and a canonic section. Works really well Lyrics: Oh Stewball was a racehorse, and I wish he were mine. He never drank water, he always drank wine. His bridle was silver, his main it was gold. And the worth of his saddle has never been told. Oh the fairgrounds were crowded, and Stewball was there But the betting was heavy on the bay and the mare. And a-way up yonder, ahead of them all, Came a-prancin' and a-dancin' my noble Stewball. I bet on the grey mare, I bet on the bay If I'd have bet on ol' Stewball, I'd be a free man today. Oh the hoot owl, she hollers, and the turtle dove moans. I'm a poor boy in trouble, I'm a long way from home. Oh Stewball was a racehorse, and I wish he were mine. He never drank water, he always drank wine.
$1.99
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