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11
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5
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Caprice en forme d'arabesques (Caprice in the Form of Arabesques) for piano solo
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Piano solo
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INTERMEDIATE/ADVANCED
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Joseph Dillon Ford
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Caprice en forme d'arabesques
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David Warin Solomons2
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.958513 Composed by Joseph Dillon Ford. 20th Century,African,Contemporary,World. Score. 15 pages. David Wa...
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Piano Solo - Level 4 - Digital Download SKU: A0.958513 Composed by Joseph Dillon Ford. 20th Century,African,Contemporary,World. Score. 15 pages. David Warin Solomons2 #3860339. Published by David Warin Solomons2 (A0.958513). A rare and enchanting collection of contemporary keyboard music from North Africa.
$12.00
In Memoriam ... Children's Songs (2022)
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Piano solo
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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In Memoriam ... Children's Son
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Thomas Oboe Lee
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1082546 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz. Score. 38 pages. Thomas Ob...
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Piano Solo - Level 4 - Digital Download SKU: A0.1082546 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz. Score. 38 pages. Thomas Oboe Lee #686739. Published by Thomas Oboe Lee (A0.1082546). Chick Corea died at the age of 69 on February 9, 2021. I have been a huge fan of his music and piano playing since I heard the album Now He Sings, Now He Sobs (1968). Assisted by Miroslav Vitous and Roy Haynes, Chick was in absolutely rare form on that seminal recording!!! As a tribute to him and a in memoriam to his musicianship, I wrote these movements for solo piano inspired by his compositions in the album Children's Songs (1984). Corea's Children's Songs is a suite of twenty solo piano pieces, each lasting between 1 to 2 minutes. These are truly little gems of composition in miniature, like the Chopin Preludes. But every time I hear them I always felt that these nice little pieces, at least to my ears, always came up short. A lot of them seem to end in mid-air. In my humble opinion, they needed development. But that is of course coming from the mouth of a classical composer, me. LOL!!! Nevertheless, in this tribute, I have taken some ideas from the original Corea songs and reinvented them in my own fashion. You will detect a thing or two from Chick, but mostly it's TOL music. Since my songs get development, the entire suite consists of ten movements, rather than Corea's twenty. Enjoy!!! Children's Song No. 1 ... Moderato Children's Song No. 2 ... Allegretto Children's Song No. 3 ... Adagio Children's Song No. 4 ... Moderato TRIO Children's Song No. 5 ... Allegro Children's Song No. 6 ... Moderato TRIO Children's Song No. 7 ... Presto TRIO Children's Song No. 8 ... Moderato Children's Song No. 9 ... Molto Allegro TRIO Children's Song No. 10 ... Largo.
$9.99
Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
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Orchestra
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INTERMEDIATE
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Opera
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Classical
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Johann Simon Mayr
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Fabrizio Capitanio & Michele G
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Concerto n° 1 for cembalo [fo
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Centur...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Century,Instructional,Opera,Romantic Period. 110 pages. Artistic Score Engraving di Galvagno Michele #906154. Published by Artistic Score Engraving di Galvagno Michele (A0.1317490). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible.A reduction for two pianos is available under Catalogue N° ASE 0051, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$45.00
Six Etudes in Canonic Form Op.56 No.1 for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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Robert Schumann
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Mikio Kamada
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Six Etudes in Canonic Form Op.
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ACORDO Sheet Music
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.777791 Composed by Robert Schumann (1810-1856). Arranged by Mikio Kamada. Romantic Perio...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.777791 Composed by Robert Schumann (1810-1856). Arranged by Mikio Kamada. Romantic Period. Score and parts. 6 pages. ACORDO Sheet Music #2021149. Published by ACORDO Sheet Music (A0.777791). The Six Etudes were originally for the Pedal Piano, which is rarely met at the present day. So these pieces are not so famous, however, they are very beautiful. This Opus 56-1 sounds like interactions between two streams of water.
$7.00
Pisendel – Sonata in E Major for violin and continuo
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Classical
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Johann Georg Pisendel
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Antonio Montanari
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Pisendel – Sonata in E Major
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Sneakwood Editions
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SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.890762 Composed by Johann Georg Pisendel. Arranged by Antonio...
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Instrumental Duet Harpsichord,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.890762 Composed by Johann Georg Pisendel. Arranged by Antonio Montanari. Baroque. Score and parts. 7 pages. Sneakwood Editions #2968107. Published by Sneakwood Editions (A0.890762). Composed by Pisendel and containing annotations by Antonio Montanari.Authenticated in 2005 as a piece by Pisendel, the Sonata in E major was written during his journey through Italy and is a perfect exponent of the personal and virtuoso compositional Pisendel’s style. It is very rarely performed, partly because of the relative novelty of the pisendelian paternity of the piece and in part by the difficulty of reading the manuscript, that contains lots of annotations and corrections. However these corrections add interest to the piece as recent studies suggest that were made by Antonio Montanari, making the composition a perfect example of musical experiences Pisendel in Italy.Score, friendly performance edition and Prefacewww.snakewoodeditions.com
$12.00
Handel-Cessa omai di sospirare,from 'Giulio Cesare',in F Major,for Voice and Piano
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Piano, Voice
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INTERMEDIATE
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Classical
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George Frideric Handel
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MSM
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Handel-Cessa omai di sospirare
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.667046 Composed by George Frideric Handel. Arranged by MSM. Classical,Romantic Period. Score. 6 pa...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.667046 Composed by George Frideric Handel. Arranged by MSM. Classical,Romantic Period. Score. 6 pages. Open Cloud #4410049. Published by Open Cloud (A0.667046). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Handel (George Frideric Handel), 1685-1759, for Voice and Piano, published by More Sheet Music Press.
$3.99
Preludio e Fantasia in LA [Italian]
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Piano solo
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INTERMEDIATE/ADVANCED
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Guido Umberto Sacco
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Guido Umberto Sacco
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Preludio e Fantasia in LA [Ita
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Stefano Barzan
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1512571 By Guido Umberto Sacco. By William Byrd. Arranged by Guido Umberto Sacco. Renaissance. Score. 35 ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1512571 By Guido Umberto Sacco. By William Byrd. Arranged by Guido Umberto Sacco. Renaissance. Score. 35 pages. Stefano Barzan #1065113. Published by Stefano Barzan (A0.1512571). L'edizione critica del Preludio e Fantasia di William Byrd, curata da Guido Umberto Sacco, si propone di rendere accessibile la musica del compositore inglese nel contesto del pianoforte moderno, adattandola dagli antichi strumenti a tastiera al pianoforte. Rivolta agli studenti di scuole di musica e conservatori, quest'opera si basa su uno studio approfondito delle fonti storiche e musicali per offrire soluzioni interpretative autentiche.Non è necessario conoscere le informazioni riguardanti la genesi delle opere di Byrd per poterne godere, né tantomeno appartenere alla Chiesa Cattolica o essere cristiani o, più in generale, credenti.Qualcosa di universale emerge da questa vicenda particolare, così come da altre analoghe: la forza espressiva del canto dei deboli e degli oppressi.Questa edizione cerca di celebrare la profondità emotiva e la complessità formale della musica di Byrd, rendendola accessibile e significativa per un pubblico più ampio.The critical edition of William Byrd's Prelude and Fantasia, edited by Guido Umberto Sacco, aims to make the English composer's music accessible in the modern piano context, transforming it from ancient keyboards to the piano. Targeted at students of music schools and conservatories, this work is based on an in-depth study of historical and musical sources to offer authentic interpretative solutions.One does not need to know any background information regarding the genesis of Byrd’s works to enjoy them, nor is it necessary to belong to the Catholic Church, to be Christian, or, more generally, to be a believer. Something universal emerges from this particular story, as from others like it: the expressive power of the song of the weak and the oppressed.This edition seeks to celebrate the emotional depth and formal complexity of Byrd's music, making it accessible and meaningful to a broader audience.English Editon available on Sheet Music Plus and Sheet Music Direct
$19.99
Jacques Leguerney: String Quartet in D for two violins, viola and cello
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Contemporary
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95
In Rare Form (Sound Innovations Soloist, Snare Drum)
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Instructional
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Dave Black
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In Rare Form
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Solo & Small Ensemble Solo & Small Ensemble - Digital Download SKU: AX.00-PS-0016325 Composed by Dave Black. Instructional. 3 pages. Alfred Music - Digit...
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Solo & Small Ensemble Solo & Small Ensemble - Digital Download SKU: AX.00-PS-0016325 Composed by Dave Black. Instructional. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0016325. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0016325).
$3.99
Grieg-The Foraret Op.43 No.6,for Piano
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Piano solo
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INTERMEDIATE
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Classical
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Edvard Grieg
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MSM
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Grieg-The Foraret Op.43 No.6,f
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Open Cloud
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.672258 Composed by Edvard Grieg. Arranged by MSM. Classical,Romantic Period. Score. 7 pages. Open Cloud #...
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Piano Solo - Level 3 - Digital Download SKU: A0.672258 Composed by Edvard Grieg. Arranged by MSM. Classical,Romantic Period. Score. 7 pages. Open Cloud #4991915. Published by Open Cloud (A0.672258). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Grieg (Grieg Edvard), 1843-1907, for Piano, published by More Sheet Music Press.
$1.99
String Quartet in F.
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Saxophone Quartet: 4 saxophones
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Classical
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J
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Spence Bundy
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String Quartet in F.
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Spencer Bundy
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.837566 Composed by J.B ...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.837566 Composed by J.B Vanhal. Arranged by Spence Bundy. Classical. 35 pages. Spencer Bundy #5041271. Published by Spencer Bundy (A0.837566). A rarely performed gem of a Classical String Quartet which deserves to be played more often. Here transcribed for Saxophone Quartet.
$6.99
String Quartet in F
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Classical
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J
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Spence Bundy
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String Quartet in F
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Spencer Bundy
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Digital Download SKU: A0.837567 Composed by J.B. Vanhal. Arranged by Spence Bundy. Classical. 39 pages. Spencer Bundy #...
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Woodwind Ensemble Bass Clarinet - Digital Download SKU: A0.837567 Composed by J.B. Vanhal. Arranged by Spence Bundy. Classical. 39 pages. Spencer Bundy #5041285. Published by Spencer Bundy (A0.837567). A rarely performed gem of a Classical String Quartet. Here it has been transcribed for Clarinet Quartet.
$6.99
String Quartet in F
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Classical
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J
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Spence Bundy
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String Quartet in F
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Spencer Bundy
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Digital Download SKU: A0.837568 Composed by J.B. Vanhal. Arranged by Spence Bundy. Class...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Digital Download SKU: A0.837568 Composed by J.B. Vanhal. Arranged by Spence Bundy. Classical. 37 pages. Spencer Bundy #5041299. Published by Spencer Bundy (A0.837568). A rarely performed gem of a Classical String Quartet which has been transcribed for Woodwind Quartet.
$6.99
Mozart: Adagio in B Minor, K. 540 (as played by Víkingur Ólafsson)
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart and V
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Flavio Regis Cunha
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Mozart: Adagio in B Minor, K.
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1153231 By Wolfgang Amadeus Mozart and VÃkingur Ólafsson. By Wolfgang Amadeus Mozart. Arranged by ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1153231 By Wolfgang Amadeus Mozart and VÃkingur Ólafsson. By Wolfgang Amadeus Mozart. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Film/TV,Instructional. Score. 8 pages. Flavio Regis Cunha #753469. Published by Flavio Regis Cunha (A0.1153231). Adagio in B Minor, K. 540 for Piano Solo (as interpreted by VÃkingur Ólafsson). The Adagio in B minor, K. 540, is a composition for piano solo by Wolfgang Amadeus Mozart. He entered it into his Verzeichnis aller meiner Werke (Catalogue of all my Works) on 19 March 1788. At 57 measures, the length of the piece is largely based on the performer's interpretation, including the decision of whether to do both repeats; it may last between 5+1â„2 and 16 minutes. The key of B minor is very rare in Mozart's compositions; it is used in only one other instrumental work, the slow movement from the Flute Quartet No. 1 in D major, K. 285. The Austrian composer and academic Gerhard Präsent has made an arrangement for string quartet in four movements Fantasy Quartet in D in which this piece acts as the third one. Advanced Intermediate.Format: Concert, 9 x 12 inches.8 pages.
$5.99
Mozart: Adagio in B Minor, K. 540 (as interpreted by Víkingur Ólafsson)
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart and V
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Flavio Regis Cunha
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Mozart: Adagio in B Minor, K.
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FRC Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1153232 By Wolfgang Amadeus Mozart and VÃkingur Ólafsson. By Wolfgang Amadeus Mozart. Arranged by ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1153232 By Wolfgang Amadeus Mozart and VÃkingur Ólafsson. By Wolfgang Amadeus Mozart. Arranged by Flavio Regis Cunha. Classical,Contemporary,Contest,Festival,Film/TV,Wedding. Score. 8 pages. FRC Music #753470. Published by FRC Music (A0.1153232). Adagio in B Minor, K. 540 for Piano Solo (as interpreted by VÃkingur Ólafsson). The Adagio in B minor, K. 540, is a composition for piano solo by Wolfgang Amadeus Mozart. At 57 measures, the length of the piece is largely based on the performer's interpretation, including the decision of whether to do both repeats; it may last between 5+1â„2 and 16 minutes. The key of B minor is very rare in Mozart's compositions; it is used in only one other instrumental work, the slow movement from the Flute Quartet No. 1 in D major, K. 285. Phrasing and dinamics indications.Advanced Intermediate.Format: Concert, 9 x 12 inches.8 pages.
$5.99
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestra
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ADVANCED
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #94204...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
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Orchestra
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ADVANCED
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Contemporary
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #94126...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
"Laudate Dominum - Rare Baroque Baroque Choral Piece - Mateo de Dallo y Lana
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Choral SATB
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Arturo Escorza
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Arturo Escorza
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"Laudate Dominum - Rare Baroqu
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Arturo Escorza
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SheetMusicPlus
Choral,Mixed Chorus Choir,Choral - Digital Download SKU: A0.1468146 By Arturo Escorza. By Mateo de Dallo y Lana. Arranged by Arturo Escorza. Baroque,Cham...
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Choral,Mixed Chorus Choir,Choral - Digital Download SKU: A0.1468146 By Arturo Escorza. By Mateo de Dallo y Lana. Arranged by Arturo Escorza. Baroque,Chamber,Early Music,Historic,Sacred. 13 pages. Arturo Escorza #1046457. Published by Arturo Escorza (A0.1468146). Laudate Dominum - A Rare Baroque New Spanish Masterpiece by Mateo de Dallo y LanaLaudate Dominum, an unpublished before Baroque composition by the renowned Spanish composer Mateo de Dallo y Lana, Master of Chapel of the Cathedral of Puebla de los Ángeles. This exceptional piece, written for 6 voices (Alto, Tenor of the first choir, Soprano, Alto, Tenor, Bass of the second choir) with basso continuo, captures the essence of 18th-century sacred music in the New World.With its harmonies and rich textures, Laudate Dominum is a must-have for choral ensembles and music historians alike.Ideal for performances, academic study, and collectors of rare music, this piece offers a glimpse into the musical heritage of colonial Mexico. Enhance your repertoire with this extraordinary work and bring the timeless sounds of Baroque Novohispano music to life.Key Features:Composer: Mateo de Dallo y LanaTitle: Laudate DominumGenre: New Spanish Baroque (modern Mexico)Voicing: 6 voices (Alto, Tenor of the first choir, Soprano, Alto, Tenor, Bass of the second choir) with basso continuoLength: 13 pages, 63 measuresPerfect for: Choral performances, music historians, academic study, collectors of rare music.
$2.00
Nocturne No. 4 in Eâ™ major, Op. 36
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Gabriel Faure
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Wendolien Krul
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Nocturne No. 4 in Eâ™ maj
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Wendolien Krul
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1294757 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1294757 Composed by Gabriel Faure. Arranged by Wendolien Krul. 19th Century,Classical,Romantic Period. 25 pages. Wendolien Krul #885112. Published by Wendolien Krul (A0.1294757). Discover the captivating allure of Gabriel Fauré's Nocturne No. 4 in E♠major, Op. 36, in this exquisite arrangement crafted for saxophone quartet (SATB). Showcasing the seamless transition of Fauré's timeless elegance from the piano to the rich, resonant tones of the saxophones, this adaptation offers both players and audiences a musical journey of rare beauty.This arrangement is rated at Grade 5 (advanced level), making it an ideal choice for experienced quartets seeking a rewarding challenge. The warm, velvety timbres of thesaxophones expertly capture the essence of Fauré's romanticism, creating an enchanting atmosphere suitable for both intimate settings and grand performances.Whether you're a seasoned quartet performer or an avid listener, this rendition of Fauré's Nocturne No. 4 promises to lead you through its evocative passages, evoking the sametimeless beauty and emotion that have charmed audiences for generations. Embrace the elegance and sophistication of this saxophone quartet adaptation, a testament to the enduring allure of Fauré's music.Duration: 7:19.
$15.99
Rare Bird
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Steve Lockwood
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Rare Bird
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Stephen Lockwood
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SheetMusicPlus
Alto Flute,Bass Voice,Drums,Piano - Level 4 - Digital Download SKU: A0.1158134 By Steve Lockwood. By Steve Lockwood. 20th Century,Chamber,Jazz. Full Perf...
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Alto Flute,Bass Voice,Drums,Piano - Level 4 - Digital Download SKU: A0.1158134 By Steve Lockwood. By Steve Lockwood. 20th Century,Chamber,Jazz. Full Performance. Duration 354. Stephen Lockwood #758436. Published by Stephen Lockwood (A0.1158134). This mp3 is in a jazz trio format. Notice the use of Alto flute here. I felt that C flute would be to low to much of the time, and Alto would better project the melody, as it is pitched lower. If you wish to play it with C flute anyway, remember to use a piano part, not the Alto flute part of course.
$2.00
Seltenes Glück (Rare Happiness) - 2 baroque flutes (mp3)
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Classical
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Robert Billington, Emma Mellin
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David Warin Solomons
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Seltenes Glück
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David Warin Solomons
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SheetMusicPlus
Flute - Level 3 - Digital Download SKU: A0.1161716 By Robert Billington, Emma Mellinger. By Georg Philipp Telemann. Arranged by David Warin Solomons. Bar...
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Flute - Level 3 - Digital Download SKU: A0.1161716 By Robert Billington, Emma Mellinger. By Georg Philipp Telemann. Arranged by David Warin Solomons. Baroque,Classical. Full Performance. Duration 88. David Warin Solomons #762093. Published by David Warin Solomons (A0.1161716). This arrangement is based on a song by Telemann in which the poet says that if you wish for and get everything you want, you have achieved rare happiness. The 2nd flute part is based on a 2 octave transposition of the bottom part of the accompaniment.
$4.50
Smoke Gets In Your Eyes
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Piano solo
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ADVANCED
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The Platters
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Timothy Stapay
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Smoke Gets In Your Eyes
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1225761 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Timothy Stapay. Broadway,Film/TV,Ja...
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Piano Solo - Level 5 - Digital Download SKU: A0.1225761 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #821814. Published by Timothy Stapay (A0.1225761). Smoke Gets In Your Eyes is arranged as played by piano artist, Liberace.This version is from the rare early album Liberace At Home. Smoke Gets in Your Eyes is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical Roberta. The song was sung in the Broadway show by Tamara Drasin. Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction from Ray Sinatra, Frank Sinatra's second cousin,[1] on October 13, 1933. On October 30, 1946, Nat King Cole recorded the song in his trio with Oscar Moore on guitar and Johnny Miller on double bass, during a live broadcast from New York City.[10] Cole performed it on television in 1957 for The Nat King Cole Show. Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics below:They asked me how I knewMy true love was trueI of course repliedSomething here inside cannot be deniedThey said someday you'll find all who love are blindWhen your heart's on fire,You must realize, smoke gets in your eyesSo I chaffed them and I gaily laughedTo think they could doubt my loveYet today my love has flown away,I am without my love (without my love)Now laughing friends derideTears I cannot hideSo I smile and sayWhen a lovely flame dies, smoke gets in your eyes(Smoke gets in your eyes, smoke gets in your eyes)Smoke gets in your eyes
$8.99
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)- Full Ensemble performance
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Harp
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INTERMEDIATE/ADVANCED
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn f
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Blue Steer Studios
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SheetMusicPlus
Celtic Harp,Folk Harp,Pedal Harp - Level 4 - Digital Download SKU: A0.1264873 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,F...
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Celtic Harp,Folk Harp,Pedal Harp - Level 4 - Digital Download SKU: A0.1264873 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full Performance. Duration 277. Blue Steer Studios #857711. Published by Blue Steer Studios (A0.1264873). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)- Full Ensemble performance
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Harp
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INTERMEDIATE/ADVANCED
#
Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn f
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Blue Steer Studios
#
SheetMusicPlus
Harp - Level 4 - Digital Download SKU: A0.1267054 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New ...
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Harp - Level 4 - Digital Download SKU: A0.1267054 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full Performance. Duration 279. Blue Steer Studios #859689. Published by Blue Steer Studios (A0.1267054). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
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