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You've selected:
In the Image Score
Sheetmusic to print
1,477 sheet music found
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1476
In the Image - Score
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Choral Unison
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Mark Burrows
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In the Image - Score
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Chorister's Guild - Digital
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SheetMusicPlus
Unison/two-part chorus - Digital Download SKU: C7.CGC63 A Children's Musical for unison/two-part voices, and piano with optional oboe (or C instrument...
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Unison/two-part chorus - Digital Download SKU: C7.CGC63 A Children's Musical for unison/two-part voices, and piano with optional oboe (or C instrument) and percussion. Composed by Mark Burrows. General. With Piano and optional oboe (or C instrument) and percussion. Sacred Choral. Choral Collection. 94 pages. Chorister's Guild - Digital #CGC63. Published by Chorister's Guild - Digital (C7.CGC63). Mark Burrows' fantastic and inspiring new children's musical, In the Image, features a group of children who have just experienced the story of The Creation. And now they're starting to wonder what it really means to be created in the image of God. Through humorous, earnest exploration, the children discover that being created in the image of God isn't about physical appearance. It's about creativity, faithfulness, responsibility, community, and the ability to find the good in things. A perfect production for any time of the year, and an exceptional choice for summer arts camps.
$8.95
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Concert band
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INTERMEDIATE
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Contemporary
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and pa...
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
Oh Wondrous Image, Vision Fair [D Minor]
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Piano, Voice
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INTERMEDIATE
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Sacred music
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Stacey Plays Hymns
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Anastace
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Oh Wondrous Image, Vision Fair
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Anastace
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1376978 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Prais...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1376978 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 6 pages. Anastace #961610. Published by Anastace (A0.1376978). Here is a higher key, soprano version of the full piano-vocal performance of Oh Wondrous Image, Vision Fair, as heard on my YouTube channel. This gorgeous, flowing piano arrangement features complex yet intuitive rhythms in 12/8, as well as the optional descant harmonizations as heard in my recording. This song is often used in the time after Epiphany and around Christmas, but most especially during the Sunday of the Transfiguration. It makes for a beautiful solo all year long, if you like soaring Celtic melodies woven around ancient hymn lyrics. These are the lyrics as found in the Lutheran ELW hymnal, translated by John Mason Neale. Also available by searching my name or clicking on it below is a version in the lower key of A Minor to match my original recording, or one in C minor to match most hymnals.For other formats including large print or simplified versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
Oh Wondrous Image, Vision Fair [C Minor]
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Sacred music
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Stacey Plays Hymns
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Anastace
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Oh Wondrous Image, Vision Fair
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Anastace
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1375230 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Prais...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1375230 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 6 pages. Anastace #959843. Published by Anastace (A0.1375230). Here is the full piano-vocal performance version of my arrangement of Oh Wondrous Image, Vision Fair, as heard on my YouTube channel. This gorgeous, flowing piano arrangement features complex yet intuitive rhythms in 12/8, as well as the optional descant harmonizations as heard in my recording. This song is often used in the time after Epiphany and around Christmas, but most especially during the Sunday of the Transfiguration. It makes for a beautiful solo all year long, if you like soaring Celtic melodies woven around ancient hymn lyrics. These are the lyrics as found in the Lutheran ELW hymnal, translated by John Mason Neale. Also available by searching my name or clicking on it below is a version in the lower key of A Minor to match my original recording. For other formats including large print or simplified versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
Oh Wondrous Image, Vision Fair [Piano Accompaniment Only - A Minor]
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Sacred music
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Stacey Plays Hymns
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Anastace
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Oh Wondrous Image, Vision Fair
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Anastace
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1354166 By Stacey Plays Hymns. By 15th Century English Ballad. Arranged by Anastace. Christian,Eas...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1354166 By Stacey Plays Hymns. By 15th Century English Ballad. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Spiritual. Score. 4 pages. Anastace #938867. Published by Anastace (A0.1354166). Here is the full piano accompaniment version of my arrangement of Oh Wondrous Image, Vision Fair, as heard on my YouTube channel. This gorgeous, flowing piano arrangement features complex yet intuitive rhythms in 12/8, supporting the fluid energy of the piece. This song is often used in the time after Epiphany and around Christmas too, and most especially during the Sunday of the Transfiguration and Easter. It makes for a beautiful solo for church services all year long, or just playing for personal enjoyment. If you like soaring Celtic melodies woven around ancient hymn lyrics for a haunting yet uplifting mood, this is the perfect song. These are the lyrics as found in the Lutheran ELW hymnal, translated by John Mason Neale. Also available by searching my name or clicking on it below is a version in the higher key of C Minor to match most hymnals and suit a higher vocal range.For other formats including large print or simplified versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
Oh Wondrous Image, Vision Fair
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Sacred music
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Stacey Plays Hymns
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Anastace
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Oh Wondrous Image, Vision Fair
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Anastace
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1354152 By Stacey Plays Hymns. By 15th Century English Ballad. Arranged by Anastace. Christian,Pra...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1354152 By Stacey Plays Hymns. By 15th Century English Ballad. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 6 pages. Anastace #938851. Published by Anastace (A0.1354152). Here is the full piano-vocal performance version of my arrangement of Oh Wondrous Image, Vision Fair, as heard on my YouTube channel. This gorgeous, flowing piano arrangement features complex yet intuitive rhythms in 12/8, as well as the optional descant harmonizations as heard in my recording. This song is often used in the time after Epiphany and around Christmas, but most especially during the Sunday of the Transfiguration. It makes for a beautiful solo all year long, if you like soaring Celtic melodies woven around ancient hymn lyrics. These are the lyrics as found in the Lutheran ELW hymnal, translated by John Mason Neale.For other formats including large print or simplified versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
Fanfare For The Fallen
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Concert band
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INTERMEDIATE
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George Willson
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Fanfare For The Fallen
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George Willson
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.927174 Composed by George Willson. 20th Century,Contemporary,Patriotic. Score and Parts. 70 pages. Geor...
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Concert Band - Level 3 - Digital Download SKU: A0.927174 Composed by George Willson. 20th Century,Contemporary,Patriotic. Score and Parts. 70 pages. George Willson #4607975. Published by George Willson (A0.927174). War, by its nature, claims the lives of those who enter it, and over the course of history, many have fallen in the service of their countries who have gone to war for one reason or another. Fanfare for the Fallen seeks to honor those who have fallen in service and conjure the image of them marching into their glorious afterlife. Christianity holds that there is no greater love than laying down one's life for another, and many cultures believe that dying in battle yields glory in the great beyond. So whether marching into heaven, Valhalla or some other bright light at the end of the tunnel, let this music provide the soundtrack of trumpeting angels and one last ticker tape parade as these warriors are welcomed into their eternal home.This is a piece of intermediate difficulty with a nice melody and a John Williams' Olympic Fanfare feel to it. While the trumpets soar in their high registers for the heralding sections, the range for the rest of the piece (and the rest of the band) stays mostly in the center of the instruments. While 32nd notes are found here and there, the tempo sitting at around 80 keeps their difficulty, as well as the 16th note woodwind runs, in check. George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.Mp3 provided is a midi extracted from the composition program.
$35.00
Rock of Ages with Hiding in Thee
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Sacred music
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Stephen R Dalrymple
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Stephen R Dalrymple (Dalrymple
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Rock of Ages with Hiding in Th
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Stephen R Dalrymple
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SheetMusicPlus
Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.818333 By Stephen R Dalrymple. By Thomas Hastings, Augustus M Toplady, Ira D Sankey, Will...
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Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.818333 By Stephen R Dalrymple. By Thomas Hastings, Augustus M Toplady, Ira D Sankey, William O Cushing. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score and part. 51 pages. Stephen R Dalrymple #6091833. Published by Stephen R Dalrymple (A0.818333). Rock of Ages hymn arrangement for flute and piano by Stephen R Dalrymple transcribed for solo clarinet, trumpet, euphonium/trombone, violin, and cello   Rock of Ages (text by Augustus M Toplady 1776, tune by Thomas Hastings 1830) Hiding in Thee (text by William O Cushing 1876, tune by Ira D. Sankey 1877)   To describe might, power, security, protection – the images we think of are exploding bombs, a nuclear arsenal, security systems. None of these existed in the ancient world. The image of a rock, its density, its hardness, its inability to be shaken, actually, that is a universal metaphor. And so we find it often in the Bible.   Moses struck the rock to produce water. Paul tells us that rock was Christ. [Ex 17, 1 Cor 10] Moses was hidden in the cleft of a rock to watch the presence and glory of God pass by. [Ex 33] David often alluded to the rock as a fortress in the Psalms. [Ps 18] And the picture of Christ as the cornerstone is another favorite theme. [Mt 21, I Pt 2] Several of our hymns use (and mix) these metaphors to speak of the Rock, a place of refuge, a place of safety, a place of redemption.   Suitable for preludes, offertories, concerts, personal meditation.   Includes pdf of 14 score choices ♫ Full Score for flute and piano letter size ♫ Flute, Oboe, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts, ♫ Full Score for flute and small page format for performing from a 10 inch tablet and ♫ the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$4.50
A Mother's Journey (Orchestral Parts - One Set)
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Contemporary
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W
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2. Struggles on the Journey
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A Mother's Journey
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William David Hedrick
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.881490 Composed by W. David Hedrick. Contemporary. Score and parts. 28 pages. William David Hedrick #...
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Small Ensemble - Level 4 - Digital Download SKU: A0.881490 Composed by W. David Hedrick. Contemporary. Score and parts. 28 pages. William David Hedrick #2025553. Published by William David Hedrick (A0.881490). A Mother's Journey (Orchestral Parts-One Set) is a lyrical composition for orchestra by W. David Hedrick with the subtitle Remembering the Lives of Mothers. It is dedicated to the composer's mother and is a commemorative piece for all mothers who dutifully led their lives and enriched the lives of others. It is an 8 minute work and requires a Harp (or Piano), solo oboe, solo English horn, bassoon solo, and the usual orchestral instrumentation (included). The composition is elegantly written in for sections or moods: 1. A Journey of Fulfillment; 2. Struggles on the Journey; 3. Peace; 4. The Journey Home. The composition is Romantic in nature and will create mental images for the audience and help them reflect on the lives of their own mothers or other important women in their lives. It is suitable for any orchestral concert venue, contests, and festivals.
$24.99
Northwest Passage (Downloadable Piano/Choral Score)
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Choral SATB
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INTERMEDIATE
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Z
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Northwest Passage
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir, wind quintet and string quartet or piano - Medium - Digital Download SKU: MQ.1.3438-E Composed by Z. Randall Stroope. Advanced/Collegiate. Se...
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SATB choir, wind quintet and string quartet or piano - Medium - Digital Download SKU: MQ.1.3438-E Composed by Z. Randall Stroope. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Score & instrument part. 24 pages. Duration 8 minutes, 25 seconds. Galaxy Music Corporation - Digital #1.3438-E. Published by Galaxy Music Corporation - Digital (MQ.1.3438-E). English.Northwest Passage is a set of “poetic landscapes†that reflects on three elements of the great Northwest of the United States—rivers, mountains, and prairies. Each sonic reflection (movement) combines to form a larger image, not unlike someone standing on a vista and seeing rivers, mountains, and prairies—each distinct, but part of one vast expanse.The work is scored for two versions: mixed chorus and piano, or mixed chorus, wind quintet, and string quartet. The harmonic vocabulary of the work maintains an uncomplicated, transparent (“organicâ€) approach in describing nature. The melodic vocabulary immediately pulls the listener's eye to the image, and rhythm is used as the underlying spark that is subtly ever changing and unpredictable. These three poetic landscapes should be performed without applause between movements.1. A Willow by the River|William Carlos Williams was a medical practitioner, pediatrician, and an avid writer. He wrote short stories, novels, plays, critical essays and, of course, poetry. The subjects of his writing were often “local†images, and he preferred to see the world “as it is,†without unnecessary trappings or “airs.†He was an important mentor to many younger poets of his day. “Willow Poem†(A Willow by the River) has no rhyme scheme but is comprised of fourteen individual lines. The willow is the focus of the poem (by its title and content) and how it never changes but will always “be.†The river represents, among other things, life quickly moving by and in a constant state of motion.2. Mountains|Marjorie Seiffert (who often used the pseudonyms Elijah Hay or Angela Cypher) led an incredibly full and balanced life. College introduced her to a world beyond her domestic and civic life and, as a result, she wanted to experience self-empowerment and independence. She prided herself in being a spouse, mother and maintaining a full slate of professional appearances and commissions for writing. Her poetry is vivid, keenly “visual,†and full of fast-paced, tightly woven ideas. “Mountain trails†(Mountains) was written at Glacier Park, Montana in September 1917.3. The Prairie|John Hay was an American statesman who was personal assistant to Abraham Lincoln. He also served as U. S. Secretary of State and Ambassador to Great Britain. He was a cultivated man of letters and wrote poetry which was straightforward in design and delivery. Nature was often the subject of his creative output. -Z. Randall StroopeDuration: 8:25Instrumental Parts packet includes: Flute, Oboe, Clarinet, Horn, Bassoon, Strings (1-1-1-1).
$3.20
Prayers and Blessings (Piano/Vocal Score)
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Gwyneth W
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Prayers and Blessings
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Bass/baritone voice solo, violoncello and organ - Moderately Easy - Digital Download SKU: MQ.6593-E Composed by Gwyneth W. Walker. 21st century, prayer. ...
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Bass/baritone voice solo, violoncello and organ - Moderately Easy - Digital Download SKU: MQ.6593-E Composed by Gwyneth W. Walker. 21st century, prayer. Score. 19 pages. Duration 10 minutes. E. C. Schirmer Music Company - Digital #6593-E. Published by E. C. Schirmer Music Company - Digital (MQ.6593-E). English.The three songs Welcome Love (Ubi caritas), Make Me an Instrument of Thy Peace, and Gaelic Blessing are interconnected motivically yet distinct in meter, tonality, and message. These three songs are interconnected motivically, yet distinct in meter, tonality, and message. Peace and reverence flow throughout. The songs are for a bass-baritone. Commissioned in 2003 by David Arnold, a North Carolina bass-baritone who is a soloist in the 80-voice Chancel Choir at Centenary United Methodist Church in Winston-Salem. Mr. Arnold premiered these songs at Centenary with organist Ray Ebert and cellist Jennifer Alexandra Johnston on February 27, 2005. A new version for voice and piano was created in 2005. A transposition for lyric Baritone was added in 2015, commissioned by Ferris Allen (Baritone) and Linda Holzer (Pianist) of Little Rock, AR.The lyrics for Ubi Caritas are based on a new translation, by Christopher Brunelle, of the traditional Ubi Caritas Est Vera. A recurrent image in this translation is the gesture of welcoming: welcoming love, welcoming God, welcoming the friendly unfamiliar thought, welcoming Christ with us. The musical interpretation of welcoming is stepwise motion, either up or down, around a pitch center. Perhaps this might be heard as an opening of the door, or an opening of the heart.An interlude leads to the second song, Make Me an Instrument of Thy Peace, a musical setting of the Prayer of Saint Francis. The accompaniment is sparse, with material reminiscent of the welcoming pattern in the first song. This song alternates between triple meter for the thematic sections (Lord, make me an instrument of thy peace) and duple meter for the more recitative sections (O Divine Master...). The music ends as it began, with simple open fifths accompaniment, this time filling in the chords to express the fullness of the lyrics born to eternal life.A second interlude provides the bridge to the third song, Gaelic Blessing. The text for this song is a series of blessings for peace. The gentle chordal arpeggiations in the piano are intended to provide a peaceful accompaniment. [Once again, the stepwise intervals and recurrent regular rhythms relate to the first song.]In keeping with the simplicity and repetition of the text, the music is formed by a series of four-measure phrases (blessings). The blessings are similar in contour, each spanning an interval of a fourth. Growth is achieved through repetition and some dynamic contrast. However, the principal aesthetic of this song is constancy and gentle flow. Only at the end of the song, when the voice descends into the deep range, is the melodic contour altered, and dynamic contrast introduced. As the voice ends on low tones, the piano line rises, perhaps to the source of peace.Duration: 10 min.
$11.00
Tales of the Great Water
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Sandra Eithun
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Tales of the Great Water
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Chorister's Guild - Digital
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SheetMusicPlus
4, 5, 6, 7 or 8 octaves handbells with optional flute or violin, drum, chime tree, suspended cymbal and 3, 4, 5, 6 or 7 octaves handchimes - Level 3, Level 4 - ...
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4, 5, 6, 7 or 8 octaves handbells with optional flute or violin, drum, chime tree, suspended cymbal and 3, 4, 5, 6 or 7 octaves handchimes - Level 3, Level 4 - Digital Download SKU: C7.CGB1192 Composed by Sandra Eithun. General. Bay View Week of Handbells. With optional flute or violin, drum, chime tree and suspended cymbal. Score. 28 pages. Chorister's Guild - Digital #CGB1192. Published by Chorister's Guild - Digital (C7.CGB1192). The word Michigan originally referred to the lake itself, and is believed to come from the Ojibwe word michi-gami meaning great water. Commissioned for the Bay View Week of Handbells, which is held on the shores of Lake Michigan, composer Sandra Eithun chose to offer an homage to this beautiful lake and its rich history. Tales of the Great Water is comprised of three short stories. Kinship -The Gathering is a tale of friendship conjuring up images of a place where cultures merged, and people from all over gathered. Shoreline Poem is a tale of longing. So many who settled near the shores of the Great Water, once had a life in another place, perhaps in a distant land. Standing on these remote shores, they can only imagine other places or times. Boundless is a tale of sailing. An adventurous romp on the water awaits our hearty sailors in this tale with stories to tell upon their return. The delightful stories are enhanced with optional flute or violin, drum, chime tree and suspended cymbal.
$7.50
æ„與象 Idea and Image
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String Quartet: 2 violins, viola, cello
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Contemporary
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馬水é¾MA SHUI-LONG
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æ„與象 Idea and
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SpringAutumnmusic
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SheetMusicPlus
String Quartet String Quartet - Digital Download SKU: A0.961981 Composed by 馬水é¾MA SHUI-LONG　. 20th Century. Score and parts. 10 pag...
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String Quartet String Quartet - Digital Download SKU: A0.961981 Composed by 馬水é¾MA SHUI-LONG　. 20th Century. Score and parts. 10 pages. SpringAutumnmusic #2009987. Published by SpringAutumnmusic (A0.961981). IDEA AND IMAGE for xiao and four violoncellos Idea and Image indicates the marriage of image and concept. The poetic means which the composer employs to convey the imagery beauty reflects the creative motivation and concept behind the composition, in which the void and the solid are coexisted to complement each other: the void connotes the solid, and vice versa. It aims to pursue the intangible, spiritual beauty of the sensual imagery. Idea and Image was completed in 1989 and had its world premiere in the same year at the Taiwan National Theater Concert Hall. æ„與象，指的是形象與æ„境的çµåˆã€‚作曲者從詩詞形象表ç¾çš„æ„象美，å射為本曲創作的動機與æ„念，曲ä¸è™›å¯¦ç›¸ç”Ÿï¼Œè™›ä¸æœ‰å¯¦ï¼Œå¯¦è£¡é€è™›ï¼Œä»¥æ±‚感性形象ä¸çš„空éˆèˆ‡æ„境。 ※本曲1989年完æˆï¼ŒåŒå¹´æ–¼åœ‹å®¶éŸ³æ¨‚廳舉行世界首演。
$7.99
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Chamber Orchestra
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own...
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
My Illness is the Medicine I Need
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Cello, Piano
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ADVANCED
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Thomas Larcher
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My Illness is the Medicine I N
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Schott Music - Digital
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SheetMusicPlus
Soprano, violin, cello and piano - difficult - Digital Download SKU: S9.Q45642 For soprano and piano trio. Composed by Thomas Larcher. This editio...
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Soprano, violin, cello and piano - difficult - Digital Download SKU: S9.Q45642 For soprano and piano trio. Composed by Thomas Larcher. This edition: score and parts. Downloadable, Score and parts. Duration 15 minutes. Schott Music - Digital #Q45642. Published by Schott Music - Digital (S9.Q45642). English.In a magazine with reports on mental institutions, Thomas Larcher came across interviews with patients: 'These sentences are of a strong inner power, yet do not claim to convey an overall picture of these people. There rather appear snatches from their world like a stroboscope.' The soprano part in Larcher's composition attends to these texts in a very restraint, often introverted manner, but they continue to have an effect in the instrumental parts, like catalysts of seemingly disturbing processes. The world premiere with Juliane Banse, Christian Tetzlaff, Nikolaj Schneider and the composer on the piano took place at the renowned festival 'Spannungen' in the power station of Heimbach in 2002. Recently, a recording has been released by ECM New Series.Dans un reportage sur les établissements psychiatriques, Thomas Larcher a trouvé des interviews de patients : “Ces phrases sont d’une grande force en soi mais elles ne prétendent pas donner une image globale de ces personnes. Comme avec un stroboscope apparaissent plutôt des lambeaux de leur monde.â€.
$46.99
Around the Cauldron
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Contemporary
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Gilad Cohen
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Around the Cauldron
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Gilad Cohen
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.898935 Composed by Gilad Cohen. Contemporary. Score and parts. 107 pages. Gilad Cohen #43...
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.898935 Composed by Gilad Cohen. Contemporary. Score and parts. 107 pages. Gilad Cohen #4367110. Published by Gilad Cohen (A0.898935). Around the Cauldron was inspired by the three witches from Shakespeare’s play Macbeth. With a nod to multi-movement pieces such as Schumann's Scenes From Childhood and Mussorgsky's Pictures At An Exhibition, Around the Cauldron is comprised of seven short scenes, each of which evokes a mood that resonates with an image of three witches gathered around a cauldron in a dark forest, muttering spells, and adding selected creatures to a bubbling stew. The movements carry individual titles: In Dusk, Pounce, Transmutation, Boiling, Witches Waltz, Newts’ Lament, and Sacrificial. Most of the melodies in the piece were tailored to fit lines from the original Shakespearean text and were also arranged as songs for a production of Macbeth at Ramapo College of New Jersey. Thus, the main theme sets the play’s immortal opening words: Fair is foul and foul is fair / Hover through the fog and filthy air. Honoring the three witches, the piece reflects the number three in its rhythms, which highlight groups of three beats; in its themes, which are constructed of three phrases; and in its instrumentation, which suggests that each instrument represents a different witch. Around the Cauldron was commissioned by Concert Artists Guild with support from the Adele and John Gray Endowment Fund for Lysander Piano Trio, which is fittingly named after another Shakespearean character.
$18.95
The Trinity Service - Magnificat & Nunc dimittis
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Choral SATB
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INTERMEDIATE/ADVANCED
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Ivo Antognini
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The Trinity Service - Magnific
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Ivo Antognini
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1211209 Composed by Ivo Antognini. A Cappella,Contemporary,Latin,Sacred. Octavo. 24 pages...
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1211209 Composed by Ivo Antognini. A Cappella,Contemporary,Latin,Sacred. Octavo. 24 pages. Ivo Antognini #808911. Published by Ivo Antognini (A0.1211209). In this Trinity Service (2021) I used the text of the Magnificat as if it were the storyboard of a film. I tried to describe in the utmost detail the emotion the words conveyed to me and the images they suggested. In this composition I have used word-painting, attempting to colour as many words, phrases and situations as possible; hence the score is full of expression markings such as ‘majestic’, ‘with vigour’, ‘lively’, ‘intense’, ‘with affection’ and ‘with verve’. The result is a piece that changes texture rather quickly, and its noble opening theme (‘My soul doth magnify the Lord’) returns only once in abbreviated form (‘He hath filled the hungry with good things’). The following Nunc dimittis has a much more meditative and intimate character with a sparser texture. There are some references to the themes presented in the Magnificat. A motif from the Magnificat, ‘Glory be to the Father, and to the Son’, recurs in almost the same form towards the close of the Nunc dimittis, but in a quieter vein and in 4 rather than the 43 of the Magnificat. The Magnificat and the Nunc dimittis may be performed individually.
$3.99
DANCE OF THE REED FLUTES from Tchaikovsky's Nutcracker Suite
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Piano solo
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky and S
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Sharon Wilson and Sharon Wilso
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DANCE OF THE REED FLUTES from
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.565783 By Peter Ilyich Tchaikovsky and Sharon Wilson. By Peter Ilyich Tchaikovsky. Arranged by Sharon Wil...
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Piano Solo - Level 3 - Digital Download SKU: A0.565783 By Peter Ilyich Tchaikovsky and Sharon Wilson. By Peter Ilyich Tchaikovsky. Arranged by Sharon Wilson and Sharon Wilson Music. Children,Christmas,Classical,Multicultural,Romantic Period,World. Score. 5 pages. Sharon Wilson #6133471. Published by Sharon Wilson (A0.565783). Here is an upbeat and cheerful arrangement for piano solo of the seventh movement in Peter Ilyich Tchaikovsky's ever-popular Nutcracker Suite. While maintaining characteristics of the original work, subtle variations add a contemporary interpretation creating a simplified, yet festive instrumental selection. This song is the perfect addition to the classical holiday repertoire for the intermediate pianist.This song is one of the 8 piano solo arrangements in the collection The Nutcracker Suite (Complete Collection for Piano Solo).  These arrangements were created to make challenging classical music more accessible for the intermediate player or easier to sight-read by more advanced players. Another feature of these arrangements is they are consistent at the intermediate skill level throughout each piece. Many have been simplified and only include excerpts from the longer original movements. Other simplified characteristics include easier key signatures and timings and some melodies were modified to create a smoother flow between phrases.Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicCover Image Credit: Pixabay.com
$4.99
WALTZ OF THE FLOWERS from Tchaikovsky's Nutcracker Suite
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Piano solo
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky and S
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Sharon Wilson and Sharon Wilso
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WALTZ OF THE FLOWERS from Tcha
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.565784 By Peter Ilyich Tchaikovsky and Sharon Wilson. By Peter Ilyich Tchaikovsky. Arranged by Sharon Wil...
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Piano Solo - Level 3 - Digital Download SKU: A0.565784 By Peter Ilyich Tchaikovsky and Sharon Wilson. By Peter Ilyich Tchaikovsky. Arranged by Sharon Wilson and Sharon Wilson Music. Broadway,Children,Christmas,Multicultural,Musical/Show,Romantic Period,World. Score. 8 pages. Sharon Wilson #6133473. Published by Sharon Wilson (A0.565784). Here is a fun arrangement for piano solo of the eighth and final movement in Peter Ilyich Tchaikovsky's ever-popular Nutcracker Suite. While maintaining characteristics of the original work, subtle variations add a contemporary interpretation creating a simplified, yet festive instrumental selection. This song is the perfect addition to the classical holiday repertoire for the intermediate pianist.This song is one of the 8 piano solo arrangements in the collection The Nutcracker Suite (Complete Collection for Piano Solo).These arrangements were created to make challenging classical music more accessible for the intermediate player or easier to sight-read by more advanced players. Another feature of these arrangements is they are consistent at the intermediate skill level throughout each piece. Many have been simplified and only include excerpts from the longer original movements. Other simplified characteristics include easier key signatures and timings and some melodies were modified to create a smoother flow between phrases.Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicCover Image Credit: Pixabay.com
$4.99
Mystery of the Hills
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Choral SATB
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INTERMEDIATE
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Debbie Allen
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Mystery of the Hills
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Nottingham Scores
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1240133 Composed by Debbie Allen. Children,Contemporary,Contest,Festival,Folk,Historic. Octavo. ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1240133 Composed by Debbie Allen. Children,Contemporary,Contest,Festival,Folk,Historic. Octavo. 14 pages. Nottingham Scores #835514. Published by Nottingham Scores (A0.1240133). Mystery of the Hills is an S.A.T.B. choral work describing the wonder of the Flint Hills, a region in East Central Kansas.  I’m not a native Kansan, but whenever I drive through this area, I am enthralled by the infinite sense of expanse and gently rolling terrain. Geologists believe there was an inland seaway that covered central North America starting 290 million years ago. Over time, alternating layers of hard limestone and softer shale rocks formed. It is believed erosion caused the varied elevations of terrain, unique to the slopes of the Flint Hills. These surface layers of limestone and chert prevented the settler’s ability to farm, which in turn preserved the integrity of the soil. Today, the prairie grasses can reach 10 feet tall if not managed.  The rich grasses are prime for feeding livestock. This music attempts to provide images of traveling through the Flint Hills today, while imagining changes over eons of time, due to weather and eventually, human interaction.  Generally, the upper voices provide the imagery and some history, while the lower voices describe a bedrock foundation.  Describing the rock foundation found in the Flint Hills is also a metaphor for human strife and struggle as man, among living flora and fauna, interact with the area. The vocal ranges and harmonies are accessible for young ensembles, whether in development or with years of experience.
$2.99
String Quartet No. 2 ('Locomotion') - Score Only
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Robert A
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String Quartet No. 2
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Robert A. Howard
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1402959 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Cont...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1402959 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. 95 pages. Robert A. Howard #986178. Published by Robert A. Howard (A0.1402959). This Second String Quartet is in four movements, and runs to over 30 minutes long. The work uses the traditionally expected forms for each movement, as a framework or starting point for departure, but also uses a conceptual title for the work as a whole. In this case 'Locomotion', or the conveying of motion (especially with regards to train travel), was used as a compositional stimulus in creating extended pattern-based textures, as well as the development, or journey, of motifs and themes. Otherwise, there is no particular attempt to evoke the sound of particular modes of transportation, or certain landscapes or scenes. Such imagery is left at the discretion of the listener. Formally, the work begins with a loose sonata form first movement, based around E (modal minor). The second movement, on A, bears the hallmarks of a busy scherzo, while the sentimental slow movement in D minor that follows is based on ground basses, in a ternary form of two varied themes. The extended finale grows out of the previous movement, with a jig-like rondo theme on another ground bass. Contrasting episodes feature modulating material, as well as a secondary theme in C. The final section sees a cyclic return of the first movement's first theme, now at the finale's faster tempo, and in the closing key of G minor. The work as a whole sees much use of canonic, or heterophonic textures, within a broadly minimalist style.  Duration: 32 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$24.99
Other Echoes Inhabit the Garden
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Contemporary
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William Grosvenor Neil
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Other Echoes Inhabit the Garde
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Small Ensemble Bass Clarinet,Pipa - Level 5 - Digital Download SKU: A0.982536 Composed by William Grosvenor Neil. Contemporary. Score and parts. 41 pages...
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Small Ensemble Bass Clarinet,Pipa - Level 5 - Digital Download SKU: A0.982536 Composed by William Grosvenor Neil. Contemporary. Score and parts. 41 pages. TheComposerStudio.Com, LLC #6701343. Published by TheComposerStudio.Com, LLC (A0.982536). Other Echoes Inhabit the Garden (2009) for clarinet, bass clarinet, pipa, and erhu (score and parts) I composed this piece imagining myself in a garden of images, sonorities, and aromas that all merge in an idyllic moment in time. I have taken a line from one of T.S.Eliot’s poems in the Four Quartets, for my title, Other Echoes Inhabit the Garden. The poem, Burnt Norton, concludes with the poignant truth that humankind cannot bear very much reality. I often wonder whether my work as a composer really has any significance or meaning beyond helping my listeners temporarily escape their personal realities. In recalling Eliot’s line, What might have been and what has been/ point to one end, which is always present I am reminded that a melody, a single line of lyric pitch flow evokes memory in the mind of the listener and that rhythm and accent often draws our attention to the present moving towards the future. So, with these inherent powersof music in mind, it was my goal to create a piece of vibrant and engaging music that relentlessly draws the listener into the present moment. Eliot also alludes to a timeless merging of present and past in this poem. His line, then a cloud passed and the pool was empty brought back memories of being a child watching clouds almost unnoticeably move across the sky. I was similarly inspired to conclude Other Echoes Inhabit the Garden with music that evokes an ecstatic stillness tempered with a longing for the past. WGN
$35.00
The Last Brigade (Duet for Flute and 3-Octave Marimba)
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Adam Lenhart
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The Last Brigade
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Adam Lenhart
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SheetMusicPlus
Flute,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.949371 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 12 pages. Ada...
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Flute,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.949371 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 12 pages. Adam Lenhart #5214719. Published by Adam Lenhart (A0.949371). The Last Brigade utilizes the F harmonic minor scale to evoke imagery of an intense battle scene. The contrasting timbres of each instrument must work together over both legato and marcato phrases. Fun and driving, this piece perfectly blends the elements of energizing the audience and showcasing the players' abilities. The marimba part for this piece is suitable for a three-octave instrument (F3-F6) and can be performed with two mallets or four. Medium-hard rubber or yarn mallets are recommended. Includes full score and individual parts.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99
The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas (Downloadable Piano/Vocal Score)
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Gwyneth W
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The Dying of the Light : Music
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 page...
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Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 pages. Duration 10 minutes, 10 seconds. E. C. Schirmer Music Company - Digital #8329-E. Published by E. C. Schirmer Music Company - Digital (MQ.8329-E). English.The poetry of Dylan Thomas (1914–1953) is characteristically Welsh and dark. Death is a common topic in his writings. Yet despite the somber imagery, there is often a strength and resilience. The journey of death is described, but not taken. Death is the adversary, not the ruler. The Hand that Signed the Paper speaks of the often cruel and deadly power of a signed document- a document of taxation, of treaty or of counting casualties. The five fingers mark the dead, but do not soothe. “Hands have no tears to flow.†And Death Shall Have No Dominion expresses the triumph of the human spirit over death. “Though lovers be lost love shall not.†Do Not Go Gentle into that Good Night represents the fight against death. “Rage, rage against the dying of the light.†The musical expression of these poems places the voice in the low (dark) range. Tempi are slow, and minor keys are prevalent. Only occasionally are major tonalities presented. These passages combine with particularly uplifting phrases such as “Though they sink through the sea, they shall rise again†and “Wild men, who caught and sang the sun in flight…†Near the end of the last song, the poet addresses his deceased father: “And you, my father, there on the sad height...†The voice stays on a constant pitch while the harmony lifts beneath (to the heights), in the Lydian (raised) mode. [One might hear the voice as “perched atop†the rising chords.] This is one of the most personal lines of Dylan Thomas' poetry. As the poet speaks to his father, the climax of the song comes with the rising phrases of “Rage, rage against the dying of the light.†The final chords are dissonant, marked “with determination and triumph.†Duration: 10:10.
$12.00
HERE'S TO THE PEOPLE (A New Toastmaster Song)
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Piano, Voice
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INTERMEDIATE
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ROBERT VAN HORNE
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HERE'S TO THE PEOPLE
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White Piano International Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1462932 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Contest,Festival,Historic,Multicultural,Patrioti...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1462932 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Contest,Festival,Historic,Multicultural,Patriotic,Singer/Songwriter,World. Score. 9 pages. White Piano International Publishing #1041646. Published by White Piano International Publishing (A0.1462932). HERE’S TO THE PEOPLE (Piano/Vocal) by ROBERT VAN HORNE9 pagesDuration: 3:15Inspired by TOASTMASTERS INTERNATIONAL and their vision of helping people achieve their full potential and realize their dreams, I composed this song HERE’S TO THE PEOPLE in 2009.As a dedicated member of Toastmasters for over 17 years, I believe that effective communication is essential for success. Through this music, I have found another powerful way to connect and inspire others.My original intention for composing this song was to give back to all the men and women in Toastmasters who have helped me achieve a new image of myself; an image of self-confidence, leadership and self-expression .This song is dedicated to all the men and women who have been influenced by Toastmasters, as well as those who will be in the future.The Piano/Vocal Sheet Music of HERE’S TO THE PEOPLE features a clearly published piano accompaniment and a vocal part with chord identifications. The score provides singers and pianists with a comprehensive guidance for an expressive and delightful performance that can be presented at Toastmaster meetings, contests and events. The original key is E Flat Major modulating to E Major for the last chorus. The mp3 example is performed and sung by Robert in the key of C Major modulating to D Flat Major. Here is the First Original Video of Robert playing and singing HERE’S TO THE PEOPLE.Robert Van Horne is a long standing member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$5.99
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