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In the Meanwhile
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In the Meanwhile
Sheetmusic to print
78 sheet music found
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26
51
76
In the Meanwhile
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Zoe Martlew
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In the Meanwhile
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Schott Music - Digital
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SheetMusicPlus
6 female voices - Digital Download SKU: S9.Q25982 For six female voices. Composed by Zoe Martlew. This edition: choral score. Choral Music of Our ...
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6 female voices - Digital Download SKU: S9.Q25982 For six female voices. Composed by Zoe Martlew. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 10 minutes. Schott Music - Digital #Q25982. Published by Schott Music - Digital (S9.Q25982). English.Setting texts by Indian poet Rabindranath Tagore, this is Zoë Martlew’s first vocal work published by Schott. Beauty, space and control feature strongly in this work for 6 female voices that would be perfect for any ambitious vocal ensemble.
$6.99
Hark! The Herald Angels Sing
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Piano solo
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ADVANCED
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Michael Swedberg
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Terrence Niska
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Hark! The Herald Angels Sing
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1125814 By Michael Swedberg. By Felix Bartholdy Mendelssohn. Arranged by Terrence Niska. Christmas,Contem...
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Piano Solo - Level 5 - Digital Download SKU: A0.1125814 By Michael Swedberg. By Felix Bartholdy Mendelssohn. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726554. Published by Niska Music Publishing (A0.1125814). Once again the influence of George Winston and Mannheim Steamroller can be heard as this prelude begins with a burst of joy and energy that does not subside, but only grows with each verse. The changing meters make this piece a challenge to play and requires a strong technique to handle some of the scale passages. This arrangement is a far cry from the original music of Mendelssohn, but the lyrics inspired me to create something full of vibrancy and passion to match the glorious news that the angels came to deliver! The first verse establishes the 5/4 meter heard throughout the prelude and is filled with the pealing of church bells in the right hand as they send forth the melody in octaves! Meanwhile, the left hand continues the broken chord pattern established in the opening. In the next verse, the left hand is now rising and falling, while the right is still playing the melody in octaves. Only now it is filling the spaces with eighth notes to match the left hand…essentially combining the two hands of the previous verse. For the final verse, the left hand takes on the orchestral role of brass and percussion with thunderous chords punctuating the rhythm of the melody in the right hand. There are moments of fireworks as the hands break free of the 5/4 meter for some wonderful, albeit brief, scales which increase the growing excitement. The piece concludes with a return of the rhythmic material from the opening as the hands work their way down the piano in arpeggiated fashion only to race back up the keyboard for a final flourish before a resounding Amen: Hail the heaven-born Prince of Peace! Glory to the new-born King!
$3.99
The Gift to Sing - SATB choir
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Choral SATB
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Gospel/Spiritual
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Sacred music
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Francis Kayali
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The Gift to Sing - SATB choir
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Francis Kayali
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. P...
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Choral Choir (SATB) - Digital Download SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. Published by Francis Kayali (A0.973048). The Gift to Sing is a poem by James Weldon Johnson (1871-1938) published in 1917. The central theme of the text is one of optimism and resilience, using the power of song – meaning, more broadly, art or any kind of artful, heightened expression – to overcome adversity. Although the poem can be interpreted broadly to pertain to any kind of struggle, it is likely that Johnson, as a civil-rights activist was alluding more specifically to the oppression African-Americans in the United States, a struggle that continues to this day, in 2020. I composed this setting in September of 2020, right after the Black Lives Matter protests that took place that summer, so current events played a role in this interpretation on my part as well. If one reads the poem as pertaining the continued struggle of African Americans, some passages may come across as ambiguous. For instance, I brood not over the broken past should not be taken as suggesting that the horrors of the past should be forgotten, but as an injunction that the memory of these horrors should not discourage us or diminish our resolve to work toward overcoming the injustices. The musical inspiration for the opening of the piece comes from the song Lonesome Valley, which starts with a pentatonic melodic gesture. The pentatonic scale is often used in African American Spirituals, Christian hymns, and folksongs (e.g., Swing Low, Sweet Chariot, Amazing Grace, How Can I Keep from Singing?, Red River Valley, Oh Shenandoah). The more rhythmic parts take inspiration from the African-American spiritual tradition, as found for instance in the choral music of Moses Hogan (1957-2003). Meanwhile, the tenor solo at the end, is intended to be very loud, bright, and without the pronounced vibrato one would find in a Western operatic style. This kind of bright and intense vocal sound is not unfamiliar to most listeners, who may have encountered it in places as varied as Sacred Harp singing, the opening of the Lion King soundtrack, or the Muslim call to prayer.
$1.99
The Rainbow Connection
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Children
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Film/TV
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Carrie Hannah
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Will Corbin
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The Rainbow Connection
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Will Corbin
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1462712 By Carrie Hannah. By Kenny Ascher and Paul Williams. Ar...
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1462712 By Carrie Hannah. By Kenny Ascher and Paul Williams. Arranged by Will Corbin. Children,Film/TV. 22 pages. Will Corbin #1041459. Published by Will Corbin (A0.1462712). Kermit the Frog (his creator, Jim Henson, was behind the curtain) sings this song at the beginning of 1979's The Muppet Movie. It would be nominated for an Oscar for best original song, which subsequent history would indicate it should have won. The honor went to It Goes Like It Goes from the soundtrack of Norma Rae, which hasn't been heard since. The Rainbow Connection, meanwhile, has been covered by just about every singer and group in the universe, just short of the metal rockers. This arrangement is a challenge, although the parts are not technically difficult. I've used stairstep constructions throughout, so a quintet has to be tight and precise to maintain a steady tempo. It ain't easy.It's scored for two trumpets, horn, baritone and tuba, but there's a trombone part included. If you need other instrumentation, please contact me at wilcor@aol.com.
$15.00
Dawn in the Room for alto and guitar (words by S N Solomons) (mp3)
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Contemporary
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David Warin Solomons
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Dawn in the Room for alto and
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Digital Download SKU: A0.1059328 Composed by David Warin Solomons. 20th Century. Full Performance. Duration 259. David Warin Solomons...
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Alto Voice,Guitar - Digital Download SKU: A0.1059328 Composed by David Warin Solomons. 20th Century. Full Performance. Duration 259. David Warin Solomons #2054329. Published by David Warin Solomons (A0.1059328). Score:https://www.sheetmusicplus.com/title/19984192?aff_id=175705Setting of the poem by S N Solomons based on Supervielle's L'Aube dans la chambre for alto and classical guitar. Performed by the composer ... The first light comes, touching the sleeping mind, stroking the head, confirming who it is. Colours prick through the window pane, with silent customary tread. Pale light from Palestine and Java leans over the bed and spreads. Grey light reluctant to leave China powders the glass deepens its image as you come close. Yellow light strokes the window pane, sombre light stains the human comedy sprawled on the bed. And then the watching soul immanent, anxious says All is still well. The substance of our days is whole. No greater pain exists than to feel pain no more, with the soul helpless before locked doors. Alas Time will arrive, and death deprive. Meanwhile take I delight flattering his form guessing his contour beneath the sheets; sensing his blood seeking complexity, feeling his hands fleeting, stirred by some dream; leaving no trace in Time or Space. Let me think no more thoughts for fear he may wake. Let me be quieter than the leaf that grows. Or the rose..
$2.00
While Shepherds watched - in various melodies - version in G ATTB
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Choral SATB
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INTERMEDIATE
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various traditional
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David Warin Solomons
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While Shepherds watched - in v
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.576492 Composed by various traditional. Arranged by David Warin Solomons. 20th Century,Christia...
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.576492 Composed by various traditional. Arranged by David Warin Solomons. 20th Century,Christian,Christmas. Octavo. 8 pages. David Warin Solomons #27253. Published by David Warin Solomons (A0.576492). It all began with the idea one morning that the other tune for Nahum Tate's carol While shepherds watched is, of course, the Yorkshire ditty On Ilkley moor bar t'hat. Well, as the afternoon progressed, other tunes got added, resulting in a curious potpourri for choir and piano. The choir gets to sing On Ilkla Moor, the Este psalter tune known to all, and also Auld Lang Syne. The second voice, in its madrigalian way, gets a sly English cadence!. Meanwhile, the piano gets some sly references to Sing a song of sixpence and Scotland the brave. I sang it in G on this mp3, to fit my multitrack range, but versions are available on sheetmusicplus in G (ATBB), C (SATB) (fairly high for the sopranos) and Bflat (SATB) (fairly low for the basses) It can also be seen as a video here: https://www.youtube.com/watch?v=wRXrzrSY-Vw === While shepherds watched their flocks by night, All seated on the ground, The angel of the Lord came down, And glory shone around. Fear not! said he, for mighty dread Had seized their troubled mind. Glad tidings of great joy I bring To you and all mankind. To you, in David's town, this day Is born of David's line A Saviour, who is Christ the Lord, And this shall be the sign: The heavenly babe you there shall find To human view displayed, All meanly wrapped in swathing bands, And in a manger laid. Thus spake the seraph and forthwith appeared a shining throng of angels praising God who thus addressed their joyful song All glory be to God on high, And to the Earth be peace; Good will henceforth from heaven to men, Begin and never cease!.
$2.99
While Shepherds watched - in various melodies - version in B flat SATB
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Choral SATB
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INTERMEDIATE
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various traditional
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David Warin Solomons
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While Shepherds watched - in v
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David Warin Solomons
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576491 Composed by various traditional. Arranged by David Warin Solomons. 20th Century,Christian...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576491 Composed by various traditional. Arranged by David Warin Solomons. 20th Century,Christian,Christmas. Octavo. 8 pages. David Warin Solomons #27251. Published by David Warin Solomons (A0.576491). It all began with the idea one morning that the other tune for Nahum Tate's carol While shepherds watched is, of course, the Yorkshire ditty On Ilkley moor bar t'hat. Well, as the afternoon progressed, other tunes got added, resulting in a curious potpourri for choir and piano. The choir gets to sing On Ilkla Moor, the Este psalter tune known to all, and also Auld Lang Syne. The second voice, in its madrigalian way, gets a sly English cadence!. Meanwhile, the piano gets some sly references to Sing a song of sixpence and Scotland the brave. I sang it in G on this mp3, to fit my multitrack range, but versions are available on sheetmusicplus in G (ATBB), C (SATB) (fairly high for the sopranos) and Bflat (SATB) (fairly low for the basses) It can also be seen as a video here: https://www.youtube.com/watch?v=wRXrzrSY-Vw === While shepherds watched their flocks by night, All seated on the ground, The angel of the Lord came down, And glory shone around. Fear not! said he, for mighty dread Had seized their troubled mind. Glad tidings of great joy I bring To you and all mankind. To you, in David's town, this day Is born of David's line A Saviour, who is Christ the Lord, And this shall be the sign: The heavenly babe you there shall find To human view displayed, All meanly wrapped in swathing bands, And in a manger laid. Thus spake the seraph and forthwith appeared a shining throng of angels praising God who thus addressed their joyful song All glory be to God on high, And to the Earth be peace; Good will henceforth from heaven to men, Begin and never cease!.
$2.99
While Shepherds watched - in various melodies - version in C SATB
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Choral SATB
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INTERMEDIATE
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various traditional
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David Warin Solomons
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While Shepherds watched - in v
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David Warin Solomons
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576493 Composed by various traditional. Arranged by David Warin Solomons. 20th Century,Christian...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576493 Composed by various traditional. Arranged by David Warin Solomons. 20th Century,Christian,Christmas. Octavo. 8 pages. David Warin Solomons #27255. Published by David Warin Solomons (A0.576493). It all began with the idea one morning that the other tune for Nahum Tate's carol While shepherds watched is, of course, the Yorkshire ditty On Ilkley moor bar t'hat. Well, as the afternoon progressed, other tunes got added, resulting in a curious potpourri for choir and piano. The choir gets to sing On Ilkla Moor, the Este psalter tune known to all, and also Auld Lang Syne. The second voice, in its madrigalian way, gets a sly English cadence!. Meanwhile, the piano gets some sly references to Sing a song of sixpence and Scotland the brave. I sang it in G on this mp3, to fit my multitrack range, but versions are available on sheetmusicplus in G (ATBB), C (SATB) (fairly high for the sopranos) and Bflat (SATB) (fairly low for the basses) It can also be seen as a video here: https://www.youtube.com/watch?v=wRXrzrSY-Vw === While shepherds watched their flocks by night, All seated on the ground, The angel of the Lord came down, And glory shone around. Fear not! said he, for mighty dread Had seized their troubled mind. Glad tidings of great joy I bring To you and all mankind. To you, in David's town, this day Is born of David's line A Saviour, who is Christ the Lord, And this shall be the sign: The heavenly babe you there shall find To human view displayed, All meanly wrapped in swathing bands, And in a manger laid. Thus spake the seraph and forthwith appeared a shining throng of angels praising God who thus addressed their joyful song All glory be to God on high, And to the Earth be peace; Good will henceforth from heaven to men, Begin and never cease!.
$2.99
Meanwhile, On Foot
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Piano solo
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INTERMEDIATE
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Kathleen Ryan
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Meanwhile, On Foot
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1206661 By Kathleen Ryan. By Kathleen Ryan. Blues,Classical,Pop. Score. 4 pages. Indigo Mesa Music LLC #8...
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Piano Solo - Level 3 - Digital Download SKU: A0.1206661 By Kathleen Ryan. By Kathleen Ryan. Blues,Classical,Pop. Score. 4 pages. Indigo Mesa Music LLC #804843. Published by Indigo Mesa Music LLC (A0.1206661). A bluesy piano solo, as composed and performed by Kathleen Ryan on her CD Drivin‘!Kathleen's notes:“Compositions are like children to me: they’re all my favorites. But I have to say, this one holds a very special place in my heart. For one thing, it’s just weird. Doesn’t end on the “right†notes. Has a great walking pace and luscious parallel seventh chords. Is not likely to be anyone else’s favorite piece, ever: my quirky, funny, lovable, strange child. I love to play it. Also: the “A†section of Meanwhile, On Foot is a perfect 12-bar blues. The chords are inverted, and flat 2 substitutes for 4.â€Intermediate level, must be comfortable with swing rhythms syncopated.
$5.25
#WeToo
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Choral SATB
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INTERMEDIATE
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
You've Got A Friend In Me
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Viola (band part)
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INTERMEDIATE
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Film/TV
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Randy Newman And Lyle Lovett
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Edwin Sung
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You've Got A Friend In Me
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Edwin Sung
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SheetMusicPlus
Viola Solo - Level 3 - Digital Download SKU: A0.731329 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Edwin Sung. Film/TV,Pop. Individual ...
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Viola Solo - Level 3 - Digital Download SKU: A0.731329 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Edwin Sung. Film/TV,Pop. Individual part. 8 pages. Edwin Sung #1892779. Published by Edwin Sung (A0.731329). This arrangement emphasises on teamwork / co-operation. The viola part contributes to the main melody throughout the whole piece, and is suitable for violists with intermediate standards or above. Meanwhile, the piano accompaniment thickens the texture of the piece by various techniques and styles to fit the music, and is suitable for enthusiastic pianists. This piece is suitable for any occasions, including talent shows, instrumental lessons, or even just for leisure purposes like a family gathering.
$6.99
Wind Quintet - One Rule
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Serv...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
MOZART: ADAGIO IN Bb K. 411 for woodwind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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W
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Pat Spence
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MOZART: ADAGIO IN Bb K. 411 fo
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.811824 Composed by W.A. Mozart (1756 - 1791). Arranged by Pat Spence...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.811824 Composed by W.A. Mozart (1756 - 1791). Arranged by Pat Spence. Classical,Concert,Graduation,Standards. Score and parts. 100 pages. Piper Publications #6663101. Published by Piper Publications (A0.811824). This Adagio, originally written for 2 clarinets and 3 basset horns, has been arranged for flute, oboe, clarinet, horn and bassoon. The original was composed between 1783 and 1784 but was not published until the mid nineteenth century. Meanwhile the basset horn has been replaced by the clarinet and is now played only by a few specialist early music performers thus making performances of the original piece a rare novelty. I hope that this arrangement will enable more performers and their audiences to enjoy this delightful quintet.Players of good intermediate standard and above will enjoy tackling this piece.
$10.00
Il mondo che non c'è
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Piano solo
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Contemporary
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Monica Bergo
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Il mondo che non c'è
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Monica Bergo
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.976869 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3239709. Published by Monica Bergo (A0...
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Piano Solo - Digital Download SKU: A0.976869 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3239709. Published by Monica Bergo (A0.976869). 2017 Holiday Contest Entry The world that there isn’t How did Dante one day in the hell and after I return Down in the world that there is not In pieces of ice It reduced your heart you walk, walk, do not you think the pain of lost things, caresses denied the cold that you feel and clouds the mind At What you cling and where are you going? it is dark at night and you think only that Close the eyes it means to die in this station might end the life,the joy, but which ? future and that what you have inside It makes you tougher you mirrors, reflect in the void of others Look at them in the eye precipitates, reel this is the life in the world that there is no and while run after a blind butterfly and meanwhile look back on fairy tale ever read and you search the laughter, games and friends return back, hope of happy days everyone is inside his sick world and that who you are looking for is not there, is lost only shadows lurking and the moon that shines but she is not always that here in the world that there is no and while you get lost in 1000 miseries and then you start up into the nothingness that awaits if you touch people they hastens and takes offense and lengthens the step that knows where it goes you don’t look, you don’t dare don’t hope and don’t you think and the snow falls and while you pray that this god distracted realizes that exist a deeper world what light does not but your soul is not dead yet walk, walk and she opens the door that goes to the world that out shines there is still a spark of love that awaits and here it is that rises the charm the flower is reborn fear and fright heat that feeds sun is shining and with its rays protects, defends and while you mirrors ,with the sun in your eyes and while you look back the dark of before there is that girl that inside the night smiles, turns and then goes away ... you look at her, until she is a distant shadow Turn around and answer to life calling As Dante did one day in the hell and after I return Down in the world that there is no ... Monica Bergo
$3.99
Étude in A minor op.10 no.2
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Flute and Piano
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Classical
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Fréderic François Chopin
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Paul Taffanel, James Strauss
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Étude in A minor op.10 no.2
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James Strauss
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SheetMusicPlus
Flute,Piano - Digital Download SKU: A0.1035214 Composed by Fréderic François Chopin ( 1810-1849). Arranged by Paul Taffanel, James Strauss. Romanti...
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Flute,Piano - Digital Download SKU: A0.1035214 Composed by Fréderic François Chopin ( 1810-1849). Arranged by Paul Taffanel, James Strauss. Romantic Period. Score and part. 7 pages. James Strauss #3518023. Published by James Strauss (A0.1035214). Étude Op. 10, No. 2, in A minor, is a technical study composed by Frédéric Chopin for the piano. It was preceded by a relative major key. Composed in 1829, it was first published in 1833 in France, Germany, and England. This étude is an exercise in developing the independence of the weaker fingers of the right hand by playing rapid chromatic scale figures with the third, fourth, and fifth fingers of the right hand. Meanwhile, the first two fingers of the right and the left hand play an accompaniment of short chords and single notes. Chopin indicated the fingering himself note by note for almost 800 notes. Paul Taffanel transcribe this Etude for solo flute as an Etudeof Chromatism, and I Re- arranged it add the piano accompaniment. .
$9.99
Jingle Bells for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
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INTERMEDIATE
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Christmas
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3...
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Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
Ms. Grace
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Johanna Hall and John Hall
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F
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Ms. Grace
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1202140 Composed by Johanna Hall and John Hall. Arranged by ...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1202140 Composed by Johanna Hall and John Hall. Arranged by F. Leslie Smith. Contemporary,Disco,Hip-Hop,Pop,R & B,Rock. Score and parts. 27 pages. Sweetwater Brass Press #800795. Published by Sweetwater Brass Press (A0.1202140). John Hall and his then-wife Johanna had written several hit songs for John's group, Orleans.  Johanna wanted to create a song in the 1950s doo-wop style she so admired.  They did, and their composition described a certain Miss Grace who enchanted the lyricist with her “satin and perfume and lace.† The problem was: that song really did not fit in with Orleans' pop rock repertoire and image.  Meanwhile, The Tymes, a Philadelphia group, was looking for a number that might revive its popularity.  So when the Miss Grace song was suggested they decided to take it on. This was the mid-1970s, just when the honorific Ms. was growing in use.  So The Tymes changed the song's title to “Ms. Grace.† Released as a single, the song did very well in the UK, topping the chart at number one in January 1975.  Written in 4/4 time, this brass quintet version flows along at about 104 BPM.  Beginning notation instructs that eighth-note pairs are to be played so that the first note is about twice as long as the second; in other words, swing style.  It retains the original D major key, but gives most of the melody to Horn and Trombone an octave lower so that it stays within normal playing range of the group.  The nature of the song is such that there are a number of phrases that begin with off-beat pickup notes. Trumpets provide accents and flourishes and occasionally take over the melody for a few measures.  Tuba really does the most work, playing through almost the entire piece.  Completed in 2023, performance time runs about 3 minutes, 3 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
Tondu' Majâng
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Choral SATB
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INTERMEDIATE/ADVANCED
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R
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Otniel Simangunsong
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Tondu' Majâng
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Otniel Simangunsong
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1247408 Composed by R. Amiruddin Tjitraprawira. Arranged by Otniel Simangunsong. 19th Cen...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1247408 Composed by R. Amiruddin Tjitraprawira. Arranged by Otniel Simangunsong. 19th Century,A Cappella,Contest,Festival,Folk,Traditional. 14 pages. Otniel Simangunsong #842045. Published by Otniel Simangunsong (A0.1247408). Tondu' Majâng is a Madurese song composed by R. Amiruddin Tjitraprawira. R. Amiruddin Tjitraprawira, a figure who hails from Bangkalan Madura, is not widely known in his current condition. He was born on May 18, 1920 and died on December 17, 1975. A number of songs created by R. Amiruddin Tjitraprawira, circulated a lot like the song; Pangèran Trunodjojo, Madhurâ O Madhurâ, Asta Aermata, Kerrabhân Sape, Djoko Tole, Tera' Bulân, È Pasèsèr, Kè' Lèsap, Kembhângnga Naghârâ, Tondu' Majâng, Aèng Tantja 'Torowan, Orèng Matrol and others. This song is a regional Madurese song because it really describes the lives of the coastal communities of Madura who work as fishermen. The song Tondu' Majâng tells the life of a Madurese fisherman. Their life is described as very hard because they have to deal with many dangers at sea (atemmo bhâbhâjâ). They also have to risk their lives (abhândhâ nyabâ) to support their families who are left at home. Sometimes to catch a lot of fish they have to stay for days on the boat so they become used to the sea and rely on the waves as a pillow and the wind as their blanket (abhântal ombâ' sapo' angèn salanjhânga). Many write this song from Madura with Tanduk Majeng, even though the word tanduk or tandu' means horn in Indonesian. Meanwhile, when paired with the context and lyrics of this song, it is true that there is tondu' which means arrived. So it is appropriate to use tondu' instead of horns because what is told in this song is the arrival of the fishermen when they are looking for fish. Otniel Simangunsong is a conductor and composer from Indonesia. He was born in Tanjungbalai, North Sumatra on August 19, 1996. Currently he is a conductor of Benedicamus Chante Choir - Darma Cendika Catholic University Student Choir, Surabaya. He has also got some supports from another professional conductors and composers. Tondu' Majâng is arranged a capella with soprano, alto, tenor, baritone and bass voices. This arrangement shows the accompaniment of acoustic musical instruments such as guitar, bass and drums.
$4.20
Pq2 ... (2014) for piano and string quartet, violin 1 part
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Pq2 ...
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869305 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romant...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869305 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #50809. Published by Thomas Oboe Lee (A0.869305). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
$9.99
Pq2 ... (2014) for piano and string quartet, viola part
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Pq2 ...
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869307 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romant...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869307 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 8 pages. Thomas Oboe Lee #50811. Published by Thomas Oboe Lee (A0.869307). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
$9.99
Pq2 ... (2014) for piano and string quartet, cello
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Pq2 ...
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869304 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romant...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869304 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #50815. Published by Thomas Oboe Lee (A0.869304). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
$9.99
Ascoli-Shelley Cycle
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Ascoli-Shelley Cycle
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Thomas Oboe Lee
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1261426 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Contemporary. Score. 54 pag...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1261426 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Contemporary. Score. 54 pages. Thomas Oboe Lee #854502. Published by Thomas Oboe Lee (A0.1261426). I first came upon Percy Bysshe Shelley's poem translated into Italian by Roberto Ascoli in a chamber work by Ottorino Respighi entitled Il Tramonto. I was so taken by this work for mezzo-soprano and string quartet that I did my own version of the Shelley-Ascoli text for soprano and piano, also called Il Tramonto. In the meanwhile, I found at an antique bookstore online a first edition copy of Poesie di P. B. Shelley (Milano Fratelli Treves, Editori, 1905) with more translations into Italian by Roberto Ascoli. The Italian versions are so much more beautiful than the English that I was compelled to create another song cycle of some of these poems in Italian for soprano and piano. I. Canto II. Versi III. Canto Funebre IV. Su Una Violetta Morta V. Filosofia Dell'Amore VI. A .... VII. A Jane VIII. Frammento.
$9.99
Flower Growing Through a Stone Crack [piano solo]
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Piano solo
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INTERMEDIATE/ADVANCED
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Juan MarÃa Solare
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Flower Growing Through a Stone
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.596503 Composed by Juan MarÃa Solare. 20th Century,Concert,Praise & Worship,Standards. Score. 5 pages....
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Piano Solo - Level 4 - Digital Download SKU: A0.596503 Composed by Juan MarÃa Solare. 20th Century,Concert,Praise & Worship,Standards. Score. 5 pages. Juan Maria Solare #3245591. Published by Juan Maria Solare (A0.596503). Have you ever seen a Flower Growing Through a Stone Crack? Is an example of tranquil will, of non-desperate hope. The flower is just doing what she has to do without complaining, neither being proud nor arrogant.This piano piece was composed in Bremen, Germany, from 24 to 29 September 2017. It is dedicated to Ms. Süeda Alten, from Istanbul.Audio coming soon. In the meanwhile, check https://open.spotify.com/artist/0sr00YxbHKRAruzYrJ6PEg
$2.00
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