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You've selected:
Iscariot
SheetMusicPlus
Sheetmusic to print
5 sheet music found
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1
Iscariot
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Choral SATB
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INTERMEDIATE
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Nicholas Petricca
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Logan Widmor
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Iscariot
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Logan Widmor
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1418996 Composed by Nicholas Petricca. Arranged by Logan Widmor. 21st Century...
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1418996 Composed by Nicholas Petricca. Arranged by Logan Widmor. 21st Century,A Cappella,Contemporary,Pop. 13 pages. Logan Widmor #1000442. Published by Logan Widmor (A0.1418996). A Cappella arrangement of Iscariot by Walk The Moon for solo, SSATBB voices, and optional Vocal Percussion.If you have any questions, feel free to contact the arranger at lwidmusic@gmail.com.
$2.35
Vision of Judas (organ solo) Op. 6
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Organ
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ADVANCED
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Salim Haddad
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Vision of Judas
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Salim Haddad
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SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.1375150 Composed by Salim Haddad. 21st Century,Classical,Contemporary. Score. 18 pages. Salim Haddad #959762. ...
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Organ - Level 5 - Digital Download SKU: A0.1375150 Composed by Salim Haddad. 21st Century,Classical,Contemporary. Score. 18 pages. Salim Haddad #959762. Published by Salim Haddad (A0.1375150). A turbulent organ work depicting a vision Judas Iscariot had after betraying Jesus Christ. According to the Gospel of Judas, the latter's vision was of the disciples stoning and persecuting him. This is apparent in the extended section of violence, with its darting harmonies and virtuoso writing. A long moment of calm leads to more turmoil and Judas' eventual hanging (suicide); the final descending pedal notes depict his fall against the noose. The opening scherzo-like passage signifies Judas' initial craftiness at betraying Jesus. This quickly leads to feelings of regret and then dread - portrayed in the darkening music. Recorded by the composer. Salim Haddad is an avid pianist and composer from Edmonton, Canada. https://www.youtube.com/@Haddad.Composer/about
$3.00
Hope of the World:13 Feed the Flock for Slaughter by Stephen R Dalrymple
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Choral SATB
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INTERMEDIATE
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Sacred music
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Stephen R Dalrymple
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Stephen R Dalrymple (Dalrymple
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Hope of the World:13 Feed the
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Stephen R Dalrymple
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.818372 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (D...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.818372 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 29 pages. Stephen R Dalrymple #6709747. Published by Stephen R Dalrymple (A0.818372). Hope of the World: 13 Feed the Flock for Slaughter original song arranged for SATB choir and piano by Stephen R Dalrymple♫ sequenced by the composer♫ music © 1999 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ based on Zechariah 11, John 10, and Matthew 27♫ The Judah of Zechariah was marred by exiles who struggled greatly to obey God’s law. Ezra, Nehemiah, Haggai and Malachi contain many passages that point out the sin of the people. Joshua, the current high priest, is pictured in one of Zechariah’s visions as wearing filthy apparel, desperately needing cleansing. Sheep in Bible times are grown more for their wool and milk, not so much for the slaughterhouse. Zechariah likens the leadership of Judah to shepherds and flock owners who are primarily concerned with selling meat. But there is a good shepherd who intervenes to lead the flock. He is mistreated by the owners and the shepherds and paid the price of a slave for his efforts. The good shepherd, casts the price on the floor for the potter.♫ Zechariah is looking ahead to a time when the religious leaders of Judah were short on compassion and the needs of people. Jesus called Himself the Good Shepherd. We see several parallel’s here in John 10. He called the religious leaders of His day, thieves and robbers, and predators. Judas Iscariot was paid the price of a slave to betray Jesus, which he threw to the ground, but was scooped to purchase a Potter’s Field!♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns.
$2.00
Elegy-Field of Blood
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Concert band
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INTERMEDIATE/ADVANCED
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by ...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
Elegy-Field of Blood
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Concert band
#
INTERMEDIATE/ADVANCED
#
Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Publish...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
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1
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