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It's Curtain Time!
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You've selected:
It's Curtain Time!
Sheetmusic to print
27 sheet music found
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1
26
It's Curtain Time! (Unison w/Flashlights or Finger Lights)
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Carol Troutman Wiggins
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It's Curtain Time!
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir,Choral,Unison Chorus - Level 2 - Digital Download SKU: A0.1516024 Composed by Carol Troutman Wiggins. Broadway,Children,Film/TV,Instructiona...
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Choral Choir,Choral,Unison Chorus - Level 2 - Digital Download SKU: A0.1516024 Composed by Carol Troutman Wiggins. Broadway,Children,Film/TV,Instructional,Musical/Show. 4 pages. Carol Troutman Wiggins #1090270. Published by Carol Troutman Wiggins (A0.1516024). Light up the stage with a smile with this fun, Broadway-style song! Add flashlights or finger lights for an exciting opening song for your concert! Unison with call & response lyrics Great for early & upper elementary Flashlight cues in score Intermediate level piao accompaniment (Track available) Chords included
$2.99
It's Curtain Time! (Unison w/Flashlights or Finger Lights) Piano Accompaniment Track
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Carol Troutman Wiggins
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It's Curtain Time!
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Carol Troutman Wiggins
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SheetMusicPlus
Piano Accompaniment - Level 3 - Digital Download SKU: A0.1516033 Composed by Carol Troutman Wiggins. Broadway,Children,Instructional,Musical/Show. Accomp...
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Piano Accompaniment - Level 3 - Digital Download SKU: A0.1516033 Composed by Carol Troutman Wiggins. Broadway,Children,Instructional,Musical/Show. Accompaniment. Duration 84. Carol Troutman Wiggins #1090278. Published by Carol Troutman Wiggins (A0.1516033). Piano accompaniment track for sheet musicPiano only ~ No voices.
$9.99
1. Une dernière fois (One last time)
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Ralph Coleman
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1. Une dernière fois
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Ralph Coleman
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SheetMusicPlus
B-Flat Clarinet,B-Flat Trumpet,Bass Drum,Bassoon,Cabasa,Cello,Double Bass,Drum Set,Flute,Horn,Oboe,Trombone,Viola,Violin - Level 3 - Digital Download SKU: A0...
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B-Flat Clarinet,B-Flat Trumpet,Bass Drum,Bassoon,Cabasa,Cello,Double Bass,Drum Set,Flute,Horn,Oboe,Trombone,Viola,Violin - Level 3 - Digital Download SKU: A0.1169115 Composed by Ralph Coleman. Broadway,Christian,Classical,Musical/Show,Religious. 46 pages. Ralph Coleman #769465. Published by Ralph Coleman (A0.1169115). This musical Ruth tells the story according to the Jewish tradition. This story is also one of the books in the Bible, in the Old Testament. While artistic and historical licence has been taken, I believe that this musical is true to the essence, values and integrity of a story that is part of the religious tradition of millions of people worldwide.The musical has been written for a small orchestra with a difficulty grade of 3, making it perfectly accessible to collegiate symphonic ensembles. Lyrics in English and French are available.The opening piece (first of 16) named Une dernière fois (One last time) has a duration of 06:40. It starts with an instrumental introduction foreseen to be played before the rise of the curtain. The opening scene is the burial of Ruth's husband, which explains the Larghetto doloroso mood of the piece, and the mournful lyrics sung by Naomi. It ends with the hope of a new start in Bethlehem.
$50.00
Locke's Theatre
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Matthew Locke and Ryan Wiggles
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Ryan Wigglesworth
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Locke's Theatre
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Schott Music - Digital
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SheetMusicPlus
Pic.2.2.3.2.cbsn-4.3.3.1-timp.4perc(glsp, vib(bow), xly, bells, tri, clash cym, 2 sus cym, Chinese cym(bow), Sizz cym, Antique cym, tam-t, clave, 4s.d., b.d., t...
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Pic.2.2.3.2.cbsn-4.3.3.1-timp.4perc(glsp, vib(bow), xly, bells, tri, clash cym, 2 sus cym, Chinese cym(bow), Sizz cym, Antique cym, tam-t, clave, 4s.d., b.d., tamb, 4templeblck, 2 anvils, whip)-2hp.cel-str(12.10.8.6.6 min) orchestra - Digital Download SKU: S9.Q45639 For orchestra. Composed by Matthew Locke and Ryan Wigglesworth. Arranged by Ryan Wigglesworth. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 17 minutes. Schott Music - Digital #Q45639. Published by Schott Music - Digital (S9.Q45639). Locke’s Theatre, an orchestral work in three short movements, takes as its departure point incidental music written for Shakespeare’s The Tempest by the seventeenth-century English composer Matthew Locke. Aspects of Locke’s idiosyncratic and daringly advanced harmonic and rhythmic language were to be adopted (some might say perfected) by his younger friend and protégé Henry Purcell. But it is the very rawness and directness of Locke’s theatre music that I wished to acknowledge and emulate. In each of my work's three movements – entitled respectively ‘The First Music’, ‘Rustic Music’, and ‘Curtain Music (with Storm)’ – the baroque originals, though very often submerged, remain a constant, shadowy presence. Locke’s Theatre was commissioned by the Aldeburgh Festival to mark the centenary of Benjamin Britten’s birth. Ryan Wigglesworth.
$23.99
Intermezzo from Cavalleria Rusticana - 4 intermediate guitars
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Opera
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Classical
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Pietro Mascagni
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Derek Hasted
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Intermezzo from Cavalleria Rus
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797827 Composed by Pietro Mascagni. Arranged by Derek Hasted. Classical,Opera,Romantic Period...
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797827 Composed by Pietro Mascagni. Arranged by Derek Hasted. Classical,Opera,Romantic Period. Score and parts. 13 pages. Derek Hasted #6428743. Published by Derek Hasted (A0.797827). INTERMEZZO (Cavalleria Rusticana) - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes The opera Cavalleria Rusticana opened on 17 May 1890 in Rome to a half empty house. However, the audience included not only the most authoritative music critics in the country but also Queen Margherita, a great music lover. It was a success from its opening notes. Following Stagno's rendition of the Siciliana behind the curtain the audience leaped to their feet with a thunderous applause not heard for many years. Mascagni took 40 curtain calls.The intermezzo is an orchestra interlude that most people recognise, that far fewer can name, and virtually no-one can identify the composer. My arrangement was inspired by hearing the original orchestral version at the funeral of Bill, a fellow guitarist, and this is my tribute to him - an arrangement for 4 guitars.In order to make the very best of the compass of the guitar, I’ve had to change to pitch a little, but it makes it all the more playable.The tempo is slow - really slow and relaxed. I’ve not added fingering, because although much can be played in low positions, you may well find that there is plenty of time to take much of the piece up the neck, where the guitar really comes alive.I hope you enjoy performing this!
$2.99
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
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Classical
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Contemporary
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Erik Satie
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Ray Thompson
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Satie: Parade - Choral & Prél
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 pages. RayThompsonMusic #884220. Published by RayThompsonMusic (A0.1293743). Arranged wind dectet/bass (double wind quintet)A taster of the opening music for Erik Satie's Ballet Parade.Choral and Prelude of the red curtainOther scores to follow.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.
$4.99
La nemesi
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now your fire is spent
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Monica Bergo
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La nemesi
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Monica Bergo
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SheetMusicPlus
Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - Digital Download SKU: A0.976861 Composed by Monica Bergo. Contemporary,Hallo...
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Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - Digital Download SKU: A0.976861 Composed by Monica Bergo. Contemporary,Halloween. Score and parts. 43 pages. Monica Bergo #3238977. Published by Monica Bergo (A0.976861). 2017 Holiday Contest EntryNEMESIS I enter the room of my consciousness That incredible disorder I rummage through the drawers Where I keep sufferings And the ineradicable memories Dust that knows of regret Spider webs cover my time, I recompose pieces of life But I'm here for you Fleeting shadow And my face reflects, Inside you My nemesis, my alter ego You reflect me and then Are a dark ghost The imperfect and the unsaid I will let you be what you are, My soul, black and rending. If you destroy my image It does not matter Finally that door remains open And opening the border between dream and reality I stumble among people at my funeral Who cry, who laugh, It is my Carnival I look at them from above, a spectral profile Rush down into the void that I have inside Nobody hugs me, I touch the silence, Slow-motion of a movie without more viewers, Close the curtain of the world outside and ... and ... The snow falls , how cold it is For this actress without identity I escape from the frost of my uncertainties But there is no refuge save me from she Who is heat, but to hurt Is my animal instinct I'm alone in this storm But certainly I do not regret Your mood swings, your sterile love Even without, I will survive My nemesis now dominates Be careful! If she comes for you She destroys you, crushes you, is cruel and savage, And then she will laugh in your face And sitting here on the bank of my river I'm waiting for you to pass this way Naked and without arrogance I'll never get enough This dance that gives me joy And in the darkness I move safe and stealthy (what are you?) I'm not afraid of anything and I feel wicked (you are lost now) Souls dancing to the beat of their sins (you like us) In this limbo I disown my past days (and so will you be...) Wind and storm I'm not just this, The rumble of thunder I don't understand any longer which side I’m on And it goes against the wind and sharpens my torment I'm hungry for the Sun Nemesis cannot dominate me My nemesis is here, Is stronger than ever And I know that she is reaching for me And it’s she who does not know Ever to stop halfway, Is Lady of Vice and Deception She seizes me , she exhausts me because She does not accept the peace that I have inside She has no balance, Makes me waver, And frustrates what I have achieved Tell me that you'll disappear As a dream in the morning light And will be, within me, A memory clouded by time I leave the room of my consciousness To make order is impossible Strange this drawer, not only sufferings But something relentless Nemesis, it is no longer your time By now your fire is spent And I will be born again to enchantment By words and music Food for the soul ... Monica Bergo
$3.99
Il teatro
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Piano solo
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INTERMEDIATE
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Contemporary
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Monica Bergo
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more lives
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Il teatro
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Monica Bergo
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.976874 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3244129. Published by Monica...
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Piano Solo - Level 3 - Digital Download SKU: A0.976874 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3244129. Published by Monica Bergo (A0.976874). 2017 Holiday Contest EntryTHEATER If you want to transform your reality If you want another life The theater is here Choose the character What will you interpret Follow your script and you will not be wrong A blue curtain The lights are down And music begins An ox eye That will turn on The scene lights up Offstage, me Look out for my turn my legs tremble Increase the beat People in the audience Silent is And thet expects to live The story you will tell theyr And everything is possible I grab the moment I commit myself to the utmost There is rhythm, there is energy There is grief, there is joy Here everything is fake but there is truth And fate here, nothing can Because history already has its plot and its ending We will incarnate here Vices and virtues In the comedy you will lose You will breathe with us The magic that's here tonight Live in this atmosphere Trash and a bit surreal It will involve you With its cardboard trees, canvas palaces Paper skies, foam lakes Tears drawn on blood red cheeks Imperfect moons and sunshine that does not shine It's all a theater this my life I play more roles In prose or poetry We are all actors In this reality Browse your script It will surprise you Finished the show I bow for you Applause and music A moment and I already find my self The usual Monica I feel a bit Pierrot Between joy and tears But it went well and then tomorrow replies Live more lives for never die Sweet illusion that will cull me And it will accompany me Even out of this scene If I recite good ,you will know Unsuspecting sides of me I'll be nice O arrogant and bad A witch or a diva Heroes of a time gone Who will I ever be? and how Pirandello wrote I’m none and one hundred thousand I interpret myself And it's never good the first I'm not convincing in my dirty clothes And I change the script bugs Of my days a little shaken Absurd Theater It turns into a silent film And crying out loud In this desolate stage If you are looking for an identity An interruption of reality Write your script or improver Get on that stage and you'll be what you want .... Monica Bergo
$3.99
Black Crook Galop
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Concert band
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ADVANCED
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Thomas Baker
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Ted R
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Black Crook Galop
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Ted R. Marcus
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.840483 Composed by Thomas Baker. Arranged by Ted R. Marcus. 19th Century,Broadway,Historic,Holiday,Musi...
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Concert Band - Level 5 - Digital Download SKU: A0.840483 Composed by Thomas Baker. Arranged by Ted R. Marcus. 19th Century,Broadway,Historic,Holiday,Musical/Show. Score and Parts. 71 pages. Ted R. Marcus #3118747. Published by Ted R. Marcus (A0.840483). Historians of American musical theatre often consider The Black Crook the first Broadway musical. The 1866 extravaganza was an enormous hit, with multiple Broadway revivals and numerous productions around the United States throughout the 19th century. The only extant music from any version of The Black Crook is sheet music published in 1866: One song and four selections for piano solo by Thomas Baker, the show's musical director. This is a unique concert band arrangement of one of those piano pieces, a lively galop that has musical as well as historical interest. It's particularly appropriate for outdoor summer concerts, or as a curtain-raiser, finale, or encore for concerts at any time of the year. Written for an adult community band, it's also suitable for a college band or an adventurous high school wind ensemble. Â Duration: approx. 3:10. The audio clip is a complete outdoor summer concert performance by the Peninsula Symphonic Winds.Instrumentation: Piccolo / Flute / Oboe / E-flat Clarinet / Clarinet 1-2-3 / Alto Clarinet / Bass Clarinet / Bassoon / Alto Saxophone 1-2 / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 / Euphonium / Baritone T.C. / String Bass / Percussion 1 (snare drum) / Percussion 2 (crash cymbal, concert bass drum) / Mallets (bells, xylophone) / TimpaniPlease visit my Web site to explore more classics for adventurous concert bands.
$40.00
Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Trombone or Euphonium and Piano
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Opera
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Classical
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavalleria ru
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RBMusic
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SheetMusicPlus
B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - Digital Down...
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B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.1320503 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. Score and individual part. 9 pages. RBMusic #909019. Published by RBMusic (A0.1320503). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement (for solo trombone or euphonium and piano accompaniment) includes an alternative part for trombone/euphonium in treble clef. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
Intermezzo from "Cavalleria rusticana" (Mascagni) - Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Opera
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Classical
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavalleria ru
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RBMusic
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Ro...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 15 pages. RBMusic #913462. Published by RBMusic (A0.1325229). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for clarinet in E-flat and alto clarinet in E-flat. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
Intermezzo from "Cavalleria rusticana" (Mascagni) - Brass Quintet
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Opera
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Classical
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavalleria ru
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RBMusic
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1321540 Composed by Pietro Mas...
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Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1321540 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 18 pages. RBMusic #910007. Published by RBMusic (A0.1321540). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$19.99
Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Violin and Piano
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Opera
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Classical
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavalleria ru
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RBMusic
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.1315952 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic ...
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Piano,Violin - Level 4 - Digital Download SKU: A0.1315952 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 8 pages. RBMusic #904730. Published by RBMusic (A0.1315952). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
A Little Bit Here and A Little Bit There (instrumental) from "The Kings" - ACT 1:Song 2
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Tuba and Piano
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INTERMEDIATE
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McCorkle, Dennis F
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A Little Bit Here and A Little
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Tuba - Level 3 - Digital Download SKU: A0.784815 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musi...
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Instrumental Duet Instrumental Duet,Piano,Tuba - Level 3 - Digital Download SKU: A0.784815 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Score and parts. 21 pages. DF McCorkle Music and eBook Publications #11633. Published by DF McCorkle Music and eBook Publications (A0.784815). ACT ONE: Song 2. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 8:1-3 - And it came to pass, when Samuel was old, that he made his sons judges over Israel. 2 Now the name of his firstborn was Joel; and the name of his second, Abijah: they were judges in Beersheba. 3 And his sons did not walk in his ways, but turned aside after lucre, and took bribes, and perverted judgment.] [Prologue] The curtain rises on the main room of the King’s palace in Jerusalem where the funeral service for King DAVID is being held. The eulogy recounts the life of David and his kingship over Israel that had begun over eighty years prior. A time when there were no kings in Israel except for their God, a time when the Judges governed the people and a time when SAMUEL, an elderly Prophet of God and last Judge, turned his position as Judge over to his two sons. Self-serving and motivated by greed and self-importance, his sons choose paths that were contrary to their father. [A Little Bit Here and a Little Bit There]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Shamus O'Brien. A Beautiful Song and Chorus
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Piano, Voice
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Will S
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Shamus O'Brien. A Beautiful So
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.4502 Composed by Will S. Hays. Love, Homecomings, Sailors, Distress. Lester S. Levy Collection. 5 pages. Publi...
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Piano and voice - Digital Download SKU: LV.4502 Composed by Will S. Hays. Love, Homecomings, Sailors, Distress. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4502). Shamus O'Brien. Answer to Nora O'Neal. A Beautiful Song and Chorus. Words and Music by Will S. Hays. Published 1870 by John L. Peters, 599 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Love, Homecomings, Sailors, Distress. First line reads Oh! Sweet is the smile of the beautiful morn, as it peeps thro' the curtain of night.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
One last bar then Joe can sing
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Gavin Bryars
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One last bar then Joe can sing
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Schott Music - Digital
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SheetMusicPlus
Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score an...
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Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99
We Are The Champions - Piano Solo
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Piano solo
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INTERMEDIATE/ADVANCED
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Rock
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Queen
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Mario Stallbaumer
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We Are The Champions - Piano S
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download By Queen. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer...
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Piano Solo - Advanced Intermediate - Digital Download By Queen. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here's how to play "We Are The Champions" by Queen on piano!
With these piano sheets, you can play "We Are The Champions" by the British band Queen.
It's an accurate piano arrangement of this legendary song including all parts of the song.
It's a "We Are The Champions" piano version which is not too hard to play, and sounds fantastic!
You can also get a version of this arrangement which includes the song's full lyrics:
https://www.sheetmusicplus.com/title/21186075
If you want to play more Queen songs on piano, here are more of my arrangements:
"Love Of My Life": https://www.sheetmusicplus.com/title/21145110
"Love Of My Life" (Easy Piano): https://www.sheetmusicplus.com/title/21145489
"Bohemian Rhapsody": https://www.sheetmusicplus.com/title/21155920
"Bohemian Rhapsody" (Piano Solo): https://www.sheetmusicplus.com/title/21156151
"We Are The Champions" is a song from Queen's 1977 album "News of the World", and served as the album's first single.
Of course, it was written by the one and only Freddie Mercury.
The song became a world wide hit, a popular anthem for sports events, the official theme song for the 1994 FIFA World Cup, and stayed one of Queen's most recognizable and popular songs.
Now you can play it, too!
Here are the full lyrics to "We Are The Champions":
[Verse 1]
I've paid my dues
Time after time
I've done my sentence
But committed no crime
And bad mistakes
I've made a few
I've had my share of sand kicked in my face
But I've come through
(And I need to go on and on, and on, and on)
[Chorus]
We are the champions, my friends
And we'll keep on fighting till the end
We are the champions
We are the champions
No time for losers
'Cause we are the champions
Of the world
[Verse 2]
I've taken my bows
And my curtain calls
You brought me fame and fortune and everything that goes with it
I thank you all
But it's been no bed of roses
No pleasure cruise
I consider it a challenge before the whole human race
And I ain't gonna lose
(And I need just go on and on, and on, and on)
[Chorus]
We are the champions, my friends
And we'll keep on fighting till the end
We are the champions
We are the champions
No time for losers
'Cause we are the champions
Of the world
$4.99
Better Days
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OneRepublic
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Kyle Pudenz
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Better Days
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ViolinVagabond Music
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SheetMusicPlus
Small Ensemble,Strings Bass Guitar,Cello,Drum Set,Viola,Violin - Level 5 - Digital Download SKU: A0.845978 By OneRepublic. By Brent Kutzle, John Nathanie...
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Small Ensemble,Strings Bass Guitar,Cello,Drum Set,Viola,Violin - Level 5 - Digital Download SKU: A0.845978 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedder. Arranged by Kyle Pudenz. Contemporary,Pop,Rock. Score and parts. 56 pages. ViolinVagabond Music #5739325. Published by ViolinVagabond Music (A0.845978). Whether you are a tried and true OneRepublic fan looking to add to your ensemble's catalog, a struggling musician hoping for Better Days, or simply want to create a little social media buzz by playing that song that you saw in a commercial about a Jeep, or ESPN, or NBC... THIS is the chart you are looking for!Check out Dallas String Quartet performing this arrangement in their latest music video: https://youtu.be/BBEdsXRELywWhat you have here, ladies & gentlemen, is no half-baked attempt at a transcription that you might find illegally floating around the internet for a few bucks. This meticulously-arranged instrumental reimagining of OneRepublic's new smash is much, MUCH more. Your journey through the pop-string realm starts out with a silky, cinematic intro that will filter out the commotion of your futile existence, opening the curtains to reveal a plane of pure musical ecstasy. When the groove finally drops, and OH, does it DROP... you will not be able to stop yourself from foot-tapping, head-banging, or otherwise moving one or more body parts in a definitively rhythmic fashion. Hip rhythmic chopping grooves, fingerboard slaps, and a healthy dose of syncopation will take this sick beat to another level! And if that isn't enough to pique your interest, be on the lookout for some sexy reharminizations throughout the tune that will make you honestly wonder why those chords weren't in the song to begin with...Just when you thought this couldn't get any better: THERE IS A SOLO SECTION!! I've included some written solos, but if you prefer to improvise your own, that is allowed and encouraged. You can also vamp it if you need to kill a little time, or just want to show off for a few more bars.This version of the score includes optional RHYTHM SECTION PARTS for guitar, bass, & drum set in addition to the standard string quartet. To be clear, you do not have to perform this chart with bass and drums. I have gone to great pains to ensure that, with proper preparation, a string quartet performance will sound every bit as groovy as a full 7-piece band. So if you try to play this without a drummer and it doesn't go well, I don't want to hear about it. Go practice.Having a great ensemble may be the first step to successfully landing the big gigs, but having repertoire that gives your musicians the chance to shine will make you stand out from the rest. So don't settle for reading off of a piano score or hacking through questionably-obtained transcriptions when you can have the real deal. Fresh tunes, arranged by a real string player who has been in your shoes and knows how to wow the crowd!Thanks for visiting, and I hope this chart brings us all to some Better DaysPerformance time - 4:00 as written, longer if you vamp the solo, shorter if you cut the intro. Because I get it; we all need flexibility when wedding parties and/or emcee's are involved.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$24.99
Better Days
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String Quartet: 2 violins, viola, cello
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ADVANCED
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OneRepublic
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Kyle Pudenz
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Better Days
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ViolinVagabond Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.845979 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Te...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.845979 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedder. Arranged by Kyle Pudenz. Contemporary,Pop,Rock. Score and parts. 29 pages. ViolinVagabond Music #5739335. Published by ViolinVagabond Music (A0.845979). Whether you are a tried and true OneRepublic fan looking to add to your ensemble's catalog, a struggling musician hoping for Better Days, or simply want to create a little social media buzz by playing that song that you saw in a commercial about a Jeep, or ESPN, or NBC... THIS is the chart you are looking for!Check out Dallas String Quartet performing this chart in their latest music video: https://youtu.be/BBEdsXRELywWhat you have here, ladies & gentlemen, is no half-baked attempt at a transcription that you might find illegally floating around the internet for a few bucks. This meticulously-arranged instrumental reimagining of OneRepublic's new smash is much, MUCH more. Your journey through the pop-string realm starts out with a silky, cinematic intro that will filter out the commotion of your futile existence, opening the curtains to reveal a plane of pure musical ecstasy. When the groove finally drops, and OH, does it DROP... you will not be able to stop yourself from foot-tapping, head-banging, or otherwise moving one or more body parts in a definitively rhythmic fashion. Hip rhythmic chopping grooves, fingerboard slaps, and a healthy dose of syncopation will take this sick beat to another level! And if that isn't enough to pique your interest, be on the lookout for some sexy reharminizations throughout the tune that will make you honestly wonder why those chords weren't in the song to begin with...Just when you thought this couldn't get any better: THERE IS A SOLO SECTION!! I've included some written solos, but if you prefer to improvise your own, that is allowed and encouraged. You can also vamp it if you need to kill a little time, or just want to show off for a few more bars.**This score is also available with Rhythm Section Parts for guitar, bass & drum set, which your ensemble can use to perform with a full band. Visit https://www.sheetmusicplus.com/title/21765313?aff_id=655189 for more details**Having a great ensemble may be the first step to successfully landing the big gigs, but having repertoire that gives your musicians the chance to shine will make you stand out from the rest. So don't settle for reading off of a piano score or hacking through questionably-obtained transcriptions when you can have the real deal. Fresh tunes, arranged by a real string player who has been in your shoes and knows how to wow the crowd!Thanks for visiting, and I hope this chart brings us all to some Better DaysPerformance time - 4:00 as written, longer if you vamp the solo, shorter if you cut the intro. Because I get it; we all need flexibility when wedding parties and/or emcee's are involved.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$19.99
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