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It's a Great Feeling
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You've selected:
It's a Great Feeling
Sheetmusic to print
176 sheet music found
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176
Prelude a l'apres-midi d'un faune by Debussy
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Brass ensemble
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ADVANCED
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Classical
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Claude Debussy
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Phil Lawrence
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Prelude a l'apres-midi d'un fa
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Phillip Lawrence
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.883769 Composed by Claude Debussy. Arranged by Phil Lawrence. 20th Century,World. Score and parts. 76...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.883769 Composed by Claude Debussy. Arranged by Phil Lawrence. 20th Century,World. Score and parts. 76 pages. Phillip Lawrence #3565825. Published by Phillip Lawrence (A0.883769). I recently published Romeo & Juliet Tchiakovsky which is a big bridge musically technically and and needs a big chunk of stamina. Before I did this there was another work on my mind of an opposite challenge for band in the orch rep dep.An impressionist work of great delicacy, subtle beyond belief, the fabric is fragile like lace with a feeling of transparency and lucidity and must move as if played by one person, colour and timbre, light, lithe, the orchestration a masterpiece, utilising fx from all dep’s often at ppp and most difficult to replicate at all for brass band.And, it’s a fair cop! The purists outsiders will say that this is the last piece that should be arranged for a brass band. So why arrange the greatest impressionist work ever written, for Brass Band?Well, because it’s there, and I believe it can be played with the above requirements by band. The work was written in the summer of 1894, and finished in the September. Three months later in December the Societe Nationale de Musique conducted by Gustave Doret with Marcel Moyse playing the opening flute solo gave the first performance. The concept of the piece was built around a poem by Stephan Mallarme, who describes the wishes and dreams of a faun in the heat of a summer afternoon. Prep for tres difficile?
$34.99
It's a Great Feeling
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Piano, Vocal and Guitar
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Jule Styne
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It's a Great Feeling
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0008517 Composed by Jule Styne. Standard. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0008517....
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0008517 Composed by Jule Styne. Standard. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0008517. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0008517).
$3.99
Let It Be
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Christmas
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The...
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
A Proud College Boy
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Amphibia Cultural Legacy
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Amphibia Cultural Legacy
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A Proud College Boy
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Amphibia Cultural Legacy
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SheetMusicPlus
Strings Acoustic Guitar,Bass Voice,Clarinet,Cymbals,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,H...
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Strings Acoustic Guitar,Bass Voice,Clarinet,Cymbals,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harp,Horn,Oboe,Piano and Keyboard,Suspended Cymbal,Synthesizer,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1238228 Composed by Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. Classical,Film/TV,New Age,Soul,Spiritual. 8 pages. Amphibia Cultural Legacy #833702. Published by Amphibia Cultural Legacy (A0.1238228). A Proud College Boy is a cover song from Amphibia Legacy sung by Sprig Plantar (Justin Felbinger), based on the original composition, Evening Wind Blows In My Heart, by Ali Yue.The song features a catchy melody and is accompanied by an upbeat melody. The arrangement is simple yet effective, and the song evokes energy and emotion. The song is upbeat and joyful. Its lyrics are uplifting and inspiring, encouraging listeners to strive for their goals and be proud of their accomplishments. The additional instruments give the song a fuller, more dynamic sound.The song is about a 12-year-old frog Sprig Plantar, full of pride and joy, who is proud of achieving and rewarding with a Master of Music college degree, although he reflects on the hard work he has put in and how it has paid off. He expresses his gratitude for the people who have supported him and encouraged him to reach his goals, as he is proud of himself and the person he has become. He's excited to start a musical adventure of his life and looks forward to the future. The song is full of optimism and hope and is a great reminder to celebrate the small successes in life.A Proud College Boy is a great example of how music can be used to capture the emotions of a time and place, and it is sure to bring back fond memories for many fans. It's an uplifting and inspiring song that will leave listeners feeling proud and inspired.Overall, A Proud College Boy is an inspiring cover song celebrating hard work and perseverance. It's a great reminder that we should all take pride in our achievements and be thankful for the support of everyone.
$70.00
More Than A Feeling
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Drums
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EASY
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Rock
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Boston
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Logan Bruner
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More Than A Feeling
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Logan Bruner
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SheetMusicPlus
Drum Set,Drums - Level 2 - Digital Download SKU: A0.946524 By Boston. By Tom Scholz. Arranged by Logan Bruner. Rock. Score. 3 pages. Logan Bruner #633434...
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Drum Set,Drums - Level 2 - Digital Download SKU: A0.946524 By Boston. By Tom Scholz. Arranged by Logan Bruner. Rock. Score. 3 pages. Logan Bruner #6334343. Published by Logan Bruner (A0.946524). More Than a Feeling - BostonBoston's debut album features the producing and engineering talent of Tom Scholz. This accurate arrangement of More Than a Feeling contains kinetic fills and fun, atypical grooves. More Than a Feeling is a sensational listening experience and a joy to play. It's great for drum set students working on double-16th bass drum patterns and full-measure fills.Interested in more of my transcriptions? https://www.sheetmusicplus.com/publishers/logan-bruner/19937
$4.99
A Sunny Day in Hell (cello and guitar)
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Cello, Guitar (duet)
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Apostolos Paraskevas
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A Sunny Day in Hell
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Silver Sickle Publications
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SheetMusicPlus
Instrumental Duet Cello,Guitar,Instrumental Duet - Digital Download SKU: A0.942094 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,...
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Instrumental Duet Cello,Guitar,Instrumental Duet - Digital Download SKU: A0.942094 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Score and parts. 29 pages. Silver Sickle Publications #6092705. Published by Silver Sickle Publications (A0.942094). A Sunny Day in Hell - for Guitar and Cello A small introduction from the guitar opens the work which brings the introductory material as a feeling of a sluggish and almost joyful day, an opening with a dark feeling. Almost like a sunny day in hell, I could say. This opening material gives its turn to a fast-fierce agitated section in where the guitar mostly plays 16th triplets and the cello introduces an exotic dance-like tune. A limping dance, I must add given the title’s influence. Almost like a small party in hell. The following slow section brings up a sad melancholic mood where both instruments share new material with an evocation of a past happy life. The work ends with the main fast material in a variation form. It was my intention to compose a friendly work for performers and audiences.First twist:Performers: prepare audience for an upcoming performance twist/surprise which will not come (at least not during performance). If or when members of the audience later ask about it, performers should assure them that the twist is still an upcoming great event. Have them re-live the performance as they wonder for years to come...If members of the audience should coerce or threaten you by force, you may reveal the twist: In the unfortunate event that you may later end up in hell, this performance guarantees that you will have at least one Sunny Day in HellOptional Second twist:Performers, could as an extra touch, wear fangs (teeth of a vampire or devil) and after performance could reveal them by either biting the lip or casually smiling or yawning at the audience. No audience preparation is needed for this twist. Although wearing Fangs during the performance, could be a nuisance to some performers, they could give to the work a special extra bite. As a variation, fangs could be wore after the end of the performance. Apostolos Paraskevas, Boston 2008
$14.99
A Woman's Love - Theatre Piece for Soprano
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Contemporary
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Edward David Zeliff
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A Woman's Love - Theatre Piece
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Edward David Zeliff
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SheetMusicPlus
Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.888252 Composed by Edward David Zeliff. Contemporary. 43 pages. Edward David Zeliff #4765299. Publi...
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Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.888252 Composed by Edward David Zeliff. Contemporary. 43 pages. Edward David Zeliff #4765299. Published by Edward David Zeliff (A0.888252). This is a dramatic and highly effective vocal work for one soprano with piano accompaniment. It can be staged with a single prop of a small armchair, or performed as a stand-alone song cycle. It tells the story of a Woman and the Great Love in her life. This Love is called off to war, and she is so sensitive that she knows when the conflict has taken her Partner from her forever. She then has to deal with her loss and come to a point of release. The entire libretto is constructed from the poetry of the 19th century American poet Emily Dickinson. The music is modern yet melodically and harmonically accessible to audiences and performers alike. It is very powerful and communicates a great depth of feeling.
$14.00
A Night In Tunisia
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.746989 By Dizzy Gillespie. By Dizzy Gillespie and Frank...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.746989 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5820835. Published by Keith Terrett (A0.746989). A great sounding arrangement of A Night in Tunisia, your String Orchestra will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keit...
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Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
A Night In Tunisia
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Clarinet Quintet: 5 clarinets
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INTERMEDIATE
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Jazz
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Dizzy Gillespie
#
Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arran...
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827845. Published by Keith Terrett (A0.746990). A great sounding arrangement of A Night in Tunisia, your Clarinet Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
A Night In Tunisia
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Jazz
#
Dizzy Gillespie
#
Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Sco...
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Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and...
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Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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French Horn and Piano
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INTERMEDIATE/ADVANCED
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
French Horn,Piano - Level 4 - Digital Download SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz...
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French Horn,Piano - Level 4 - Digital Download SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899751. Published by Keith Terrett (A0.747029). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Horn players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Flute and Piano
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INTERMEDIATE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Scor...
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Flute,Piano - Level 3 - Digital Download SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899351. Published by Keith Terrett (A0.747025). A great sounding arrangement of A Night in Tunisia arranged for Flute & Piano, Flautists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Trumpet, Euphonium (duet)
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INTERMEDIATE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Euphonium,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by ...
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Euphonium,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5899355. Published by Keith Terrett (A0.747026). A great sounding arrangement of A Night in Tunisia arranged for Baritone, Euphonium, Trombone (BC) & Piano, low brass players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Soprano Saxophone and Piano
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INTERMEDIATE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Tenor Saxophone and Piano
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INTERMEDIATE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. ...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5898999. Published by Keith Terrett (A0.747020). A great sounding arrangement of A Night in Tunisia arranged for Bb Tenor Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Oboe, Piano (duet)
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INTERMEDIATE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.747028 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.747028 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899715. Published by Keith Terrett (A0.747028). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Oboists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Viola, Piano
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INTERMEDIATE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Scor...
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Piano,Viola - Level 3 - Digital Download SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899685. Published by Keith Terrett (A0.747027). A great sounding arrangement of A Night in Tunisia arranged for Viola & Piano, Violists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
Sing! For a Boy has been Born (SAT choir and piano)
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Choral 3-part
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INTERMEDIATE
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Colin Kirkpatrick
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Alto: A3 - D5
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Sing! For a Boy has been Born
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Colin Kirkpatrick Publications
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SheetMusicPlus
Choral Choir,Choral (SAT) - Level 3 - Digital Download SKU: A0.1294135 Composed by Colin Kirkpatrick. Christian,Christmas,Contest,Festival. 13 pages. Col...
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Choral Choir,Choral (SAT) - Level 3 - Digital Download SKU: A0.1294135 Composed by Colin Kirkpatrick. Christian,Christmas,Contest,Festival. 13 pages. Colin Kirkpatrick Publications #884558. Published by Colin Kirkpatrick Publications (A0.1294135). This is a really lively setting of a colorful text by Danny Alorean. The main theme is in 7/8 time, divided into 2, 2, and 3. It might look a bit daunting to some, but it's easy when counted as 1-2-1-2-1-2-3. Its recommended that singers practise this rhythm first, perhaps by clapping on the off-beats. There’s plenty of contrast in the piece and singers are sure to enjoy the music. It’s scored for SAT choir with keyboard accompaniment. It is thus a useful piece for high school or college choirs that have no bass section. The middle section uses much vocal counterpoint and has almost a waltz feeling to it. Choir members need to be reasonably experienced at singing independent vocal parts. The piano part is of moderate difficulty but could be handled by any competent pianist. This is a new arrangement (as of Seotember 2023) in which the music has been transposed down one tone from the original. This joyful anthem would be a great addition to your Christmas concert or service. The vocal range is as follows: Soprano: C4 - F5; Alto: A3 - D5; Tenor C3 - E4. (Duration 03:03).
$3.99
Love's For Sale
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C Instruments
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INTERMEDIATE/ADVANCED
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Frank Joseph Myers and Randy M
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John Fries
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Love's For Sale
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.1119246 Composed by Frank Joseph Myers and Randy McCormick. Arranged by John Fries. 20th Century,Broadw...
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C Instrument - Level 4 - Digital Download SKU: A0.1119246 Composed by Frank Joseph Myers and Randy McCormick. Arranged by John Fries. 20th Century,Broadway,Jazz,Latin,Musical/Show,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #720661. Published by John Fries (A0.1119246). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. The song's chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an 8-bar tag. The tag is often dropped when the song is performed. The tune, like many of Porter's, shifts between a major and minor feeling. The A section is in the key of B-flat minor before modulating to B-flat major and back. When the song came out in 1930, a newspaper labelled it as 'in bad taste'; radio stations avoided broadcasting it. Today it is a jazz standard.
$4.99
The Story of a Leader
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Choral SATB
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ADVANCED
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Classical
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 3...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
Sing! For a Boy Has Been Born (SATB choir and piano)
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Choral SATB
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INTERMEDIATE
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Sacred music
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Colin Kirkpatrick
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Alto: A3 - D5
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Sing! For a Boy Has Been Born
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Colin Kirkpatrick Publications
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.522271 Composed by Colin Kirkpatrick. Christmas,Contemporary,Praise & Worship. 13 pages. ...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.522271 Composed by Colin Kirkpatrick. Christmas,Contemporary,Praise & Worship. 13 pages. Colin Kirkpatrick Publications #6463439. Published by Colin Kirkpatrick Publications (A0.522271). Sing! For a Boy has been BornThis is a really lively setting of a colorful text by Danny Alorean. The main theme is in 7/8 time, divided into 2, 2, and 3. It might look a bit daunting to some, but it's easy when counted as 1-2-1-2-1-2-3. Its recommended that singers practise this rhythm first, perhaps by clapping on the off-beats. There’s plenty of contrast in the piece and singers are sure to enjoy the music. It’s scored for SATB choir with keyboard accompaniment. The middle section uses much vocal counterpoint and has almost a waltz feeling to it. Choir members need to be reasonably experienced at singing independent vocal parts. The piano part is of moderate difficulty but could be handled by any competent pianist. This is a new arrangement (as of Seotember 2023) in which the music has been transposed down one tone from the original. This joyful anthem would be a great addition to your Christmas concert or service. The vocal range is as follows: Soprano: C4 - F5; Alto: A3 - D5; Tenor C3 - E flat 4; Bass F2 - B flat 3 (Duration 03:03).
$3.99
It's Such A Good Feeling from MISTER ROGERS' NEIGHBORHOOD
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Fred Rogers
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Skip Stradtman
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It's Such A Good Feeling from
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Skip Stradtman
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.984784 Composed by Fred Rogers. Arranged by Skip Stradtman. A Cappella,Film/TV. Octavo. 7 pages....
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.984784 Composed by Fred Rogers. Arranged by Skip Stradtman. A Cappella,Film/TV. Octavo. 7 pages. Skip Stradtman #4370066. Published by Skip Stradtman (A0.984784). This is Part 2 of 3 of a Mister Rogers Medley for male a cappella vocal ensembles. This arrangement is an homage to the great Fred Rogers who changed the lives of young people through his public television show, Mr. Rogers' Neighborhood. This medley aims to highlight the joy and sincerity with which Fred Rogers sang these songs to his viewers while reimagining the tunes in the context of contemporary a cappella. This arrangement can be performed with vocal percussion as well to highlight its contemporary a cappella style of singing.
$1.99
Sing! For a Boy Has Been Born (SSA choir and piano)
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Choral 3-part
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INTERMEDIATE
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Sacred music
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Colin Kirkpatrick
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Soprano 2 (C4 - D5)
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Sing! For a Boy Has Been Born
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Colin Kirkpatrick Publications
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.522272 Composed by Colin Kirkpatrick. Christmas,Contemporary,Praise & Worship. 13 pages. C...
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Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.522272 Composed by Colin Kirkpatrick. Christmas,Contemporary,Praise & Worship. 13 pages. Colin Kirkpatrick Publications #6463441. Published by Colin Kirkpatrick Publications (A0.522272). Sing! For a Boy has been Born This is a really lively setting of a colorful text by Danny Alorean. This is a revised version (September 2023) of the original arrangement and has been transposed down a tone with improved voice movement. The main theme is in 7/8 time, divided into 2, 2, and 3. It might sound tricky but singers will soon get to feel the rhythm and become completely at home in this time signature. Its recommended that the singers practise by counting 1-2-1-2-1-2-3 perhaps by also clapping on the off-beats. There’s plenty of contrast in the piece and singers are sure to enjoy the music. It’s scored for SSA choir (or boy choir) with keyboard accompaniment. The middle section uses much vocal counterpoint and has almost a waltz feeling to it so the singers would need to feel confident with indepedent vocal lines. There are no divisi sections and the piano part is of moderate difficulty but should be playable by any competent pianist. This joyful, rhythmic anthem would be a great addition to your Christmas concert or service. The voice ranges are as follows: Soprano 1 (C4 -F5); Soprano 2 (C4 - D5); Alto (A flat 3 – D5). (Duration 03:00) Â
$3.99
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