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JUST ONE PIECE for Four Timpani
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JUST ONE PIECE for Four Timpani
Sheetmusic to print
6 sheet music found
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1
JUST ONE PIECE for Four Timpani
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Contemporary
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Morgan Resendes
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JUST ONE PIECE for Four Timpan
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Morgan Resendes
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SheetMusicPlus
Percussion Solo,Timpani - Level 3 - Digital Download SKU: A0.1329997 Composed by Morgan Resendes. Contemporary. Individual part. 5 pages. Morgan Resendes...
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Percussion Solo,Timpani - Level 3 - Digital Download SKU: A0.1329997 Composed by Morgan Resendes. Contemporary. Individual part. 5 pages. Morgan Resendes #917943. Published by Morgan Resendes (A0.1329997). This piece is written as an homage to Elliott Carter’s timpani solo EIGHT PIECES for Four Timpani. It takes inspiration from small parts of Carter’s solo and especially calls out to metric modulations.circa 4’ 45â€For purchasing physical copies of this piece, please visit my website: MorganResendes.com.
$5.00
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Percussion Ensemble
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ADVANCED
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages....
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Four Winds
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Contemporary
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Don Bowyer
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Four Winds
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Dolphin Don's Music School
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SheetMusicPlus
Large Ensemble Alto Saxophone,B-Flat Clarinet,Baritone Saxophone,Bass Clarinet,Bassoon,Chimes,Euphonium,Flute,Horn,Marimba,Oboe,Percussion,Tenor Saxophone,Timpa...
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Large Ensemble Alto Saxophone,B-Flat Clarinet,Baritone Saxophone,Bass Clarinet,Bassoon,Chimes,Euphonium,Flute,Horn,Marimba,Oboe,Percussion,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Xylophone - Digital Download SKU: A0.990176 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 105 pages. Dolphin Don's Music School #6475223. Published by Dolphin Don's Music School (A0.990176). The title refers to the Four Winds of the Apocalypse. This single movement work is based entirely on a six-note synthetic scale including the notes C, D, E, G, Ab, A. Every other note of this scale is combined into two different triads, one augmented and the other suspended. The alternation of these two triads serves as the only harmonic structure for the piece.The trombone begins by stating a simple idea, which is blown around the ensemble until it develops into the first theme when the woodwinds take over. Following a driving ostinato percussion transition, the trumpet states the second theme.The chimes state the third theme, a twisted interpretation of the Medieval hymn, Dies Irae. The bass instruments join the chimes in repeating the third theme, while the rest of the winds restate the second theme and the percussion continue their ostinato.Each section states and repeats its own motive in a group effort that constitutes the fourth theme, then the woodwinds gently return to the first theme, accompanied by a subdued and rhythmically altered version of the third theme.The percussion ostinato returns, though rhythmically altered. The trumpets and horns bring back an altered version of the second theme, while the woodwinds do the same for the first theme. Just before the end, the trombone tries to return to the calm that began the performance. A final strong gust from the entire ensemble puts an end to this idea, simultaneously signaling the end of the piece.
$39.99
Running, Searching (for Orchestra)
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Organ
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Tito Abeleda
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Running, Searching
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Visionary Quest Records
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SheetMusicPlus
Bassoon,Cello,Clarinet,Double Bass,Drums,Flute,Harp,Horn,Oboe,Organ,Piano,Timpani,Trombone,Trumpet,Viola,Violin,Xylophone - Digital Download SKU: A0.1070251
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Bassoon,Cello,Clarinet,Double Bass,Drums,Flute,Harp,Horn,Oboe,Organ,Piano,Timpani,Trombone,Trumpet,Viola,Violin,Xylophone - Digital Download SKU: A0.1070251 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 162. Visionary Quest Records #4794299. Published by Visionary Quest Records (A0.1070251). Full Orchestra: Flutes 1-2, Oboe 1-2, Clarinet 1-2, Bassoon 1-2, Trumpet 1-2, Horn 1-2, Trombone 1-2, Timpani, Tom-Tom, Concert Bass Drum, Cymbal, Wood Blocks, Xylophone, Piano, Organ with Pedals, Harp, Violin 1-2, Viola 1-2, Violoncello 1-2, Contrabass 1-2 Composed by Tito Abeleda (1964 - ) Digital Download Music score plus parts = 92 Pages, Duration 2 minutes 37 secondsMP3 is HQ CD Quality Recording of Music recorded at 48,000 hz 320 kbps. This song musically expresses what the title states. It is well suited in teaching students how action underscore with a chase, running, or searching scene work. Likewise, this piece can be used as an underscore for such scenes. The score has the timer marking used when composing for film. The timer adjusts to the tempo. Because timing is of the essence in film scoring, theses markers are helpful to the composer in adjusting tempo as needed and for overall ending time. his piece is on the upcoming neoclassical and cinematic album entitled Pathos set for release on 11/29/2019. Pathos is a collection of emotional and passionate neoclassical and cinematic songs from orchestral, string ensemble to piano solos and piano ensemble music composed and produced by Tito Abeleda. This is a preview of the upcoming music album scheduled for official release on November 29, 2019 Black Friday. Be a part of Tito's 23,500 followers on Spotify and follow him at http://bit.ly/Spotify_TitoAbeleda. The album will be delivered to you on the day of release.Pre-save album links - http://bit.ly/PathosMusicAlbumLinksBuy now with Bonus Sheet Music on BandCamp - http://bit.ly/PathosAlbum_TitoAbeledaPre-order on Google Play - http://bit.ly/PathosAlbum_GooglePlayPre-order on Apple Music - http://bit.ly/PathosAlbum_AppleMusicPre-order on Amazon Music - http://bit.ly/PathosAlbum_AmazonAlbum song list:Pathos (for String Sextet)The New World PowerTempus Fugit (for Piano)Running, Searching (for Piano)JingyiProcession in D Minor (for Four Pianos and Eight Hands)Running, Searching (for Orchestra)Forged in FireMissing You (for Piano)Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesPerforming Rights Organization is BMI.com.Customer Service: 800-925-8451
$2.99
Elegy-Field of Blood
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Concert band
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INTERMEDIATE/ADVANCED
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by ...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
Elegy-Field of Blood
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Concert band
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INTERMEDIATE/ADVANCED
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Publish...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
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