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Jour de Pan
Sheetmusic to print
328 sheet music found
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326
Jour de Pan (for bass flute and strings) - violin 1 part
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Violin (band part)
#
Contemporary
#
Pat Holmberg
#
Jour de Pan
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Patricia Tanttila Holmberg
#
SheetMusicPlus
String Orchestra - Digital Download SKU: A0.852627 Composed by Pat Holmberg. Contemporary. Score and parts. 9 pages. Patricia Tanttila Holmberg #568773. ...
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String Orchestra - Digital Download SKU: A0.852627 Composed by Pat Holmberg. Contemporary. Score and parts. 9 pages. Patricia Tanttila Holmberg #568773. Published by Patricia Tanttila Holmberg (A0.852627). This is the first violin part for all four movements of Jour de Pan, a concerto for bass flute and strings which was first performed in October of 2015 in Boulder CO with flutist Chris Potter doing the solo flute part. The four movements are: 1)Awakening, 2) In the Glen, 3) Afternoon with the Satyrs, and 4) Twilight of the Muses.
$6.99
Jour de Pan (for bass flute and strings)- viola part
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Contemporary
#
Pat Holmberg
#
Jour de Pan
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Patricia Tanttila Holmberg
#
SheetMusicPlus
Small Ensemble Cello,Double Bass,Flute,Viola,Violin - Digital Download SKU: A0.852579 Composed by Pat Holmberg. Contemporary. Score and parts. 9 pages. P...
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Small Ensemble Cello,Double Bass,Flute,Viola,Violin - Digital Download SKU: A0.852579 Composed by Pat Holmberg. Contemporary. Score and parts. 9 pages. Patricia Tanttila Holmberg #568777. Published by Patricia Tanttila Holmberg (A0.852579). This is the viola part for all four movements of Jour de Pan, a concerto for bass flute and strings which was first performed in October of 2015 in Boulder CO with flutist Chris Potter doing the solo flute part. The four movements are: 1)Awakening, 2) In the Glen, 3) Afternoon with the Satyrs, and 4) Twilight of the Muses. These four movements total approximately 14 minutes of playing time. BMI www.patholmberg.com.
$6.99
Jour de Pan (for bass flute and strings) - cello part
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Pat Holmberg
#
Jour de Pan
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Patricia Tanttila Holmberg
#
SheetMusicPlus
Small Ensemble Cello,Double Bass,Flute,Viola,Violin - Digital Download SKU: A0.852581 Composed by Pat Holmberg. Concert,Contemporary,Folk. Score and part...
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Small Ensemble Cello,Double Bass,Flute,Viola,Violin - Digital Download SKU: A0.852581 Composed by Pat Holmberg. Concert,Contemporary,Folk. Score and parts. 9 pages. Patricia Tanttila Holmberg #570149. Published by Patricia Tanttila Holmberg (A0.852581). This is the cello part for all four movements of Jour de Pan, a concerto for bass flute and strings which was first performed in October of 2015 in Boulder CO with flutist Chris Potter doing the solo flute part. The four movements are: 1)Awakening, 2) In the Glen, 3) Afternoon with the Satyrs, and 4) Twilight of the Muses. These four movements total approximately 14 minutes of playing time. BMI www.patholmberg.com.
$6.99
Jour de Pan (for bass flute and strings) - violin 2 part
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Violin (band part)
#
Contemporary
#
Pat Holmberg
#
Jour de Pan
#
Patricia Tanttila Holmberg
#
SheetMusicPlus
Small Ensemble Cello,Double Bass,Flute,Viola,Violin - Digital Download SKU: A0.852580 Composed by Pat Holmberg. Contemporary. Score and parts. 9 pages. P...
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Small Ensemble Cello,Double Bass,Flute,Viola,Violin - Digital Download SKU: A0.852580 Composed by Pat Holmberg. Contemporary. Score and parts. 9 pages. Patricia Tanttila Holmberg #568775. Published by Patricia Tanttila Holmberg (A0.852580). This is the second violin part for all four movements of Jour de Pan, a concerto for bass flute and strings which was first performed in October of 2015 in Boulder CO with flutist Chris Potter doing the solo flute part. The four movements are: 1)Awakening, 2) In the Glen, 3) Afternoon with the Satyrs, and 4) Twilight of the Muses. These four movements total approximately 12-13 minutes of playing time. BMI www.patholmberg.com BMI www.patholmberg.com.
$6.99
Jour de Pan (for bass flute and strings) - contrabass part
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String Orchestra
#
Pat Holmberg
#
Jour de Pan
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Patricia Tanttila Holmberg
#
SheetMusicPlus
String Orchestra - Digital Download SKU: A0.852582 Composed by Pat Holmberg. Concert,Contemporary. Score and parts. 9 pages. Patricia Tanttila Holmberg #...
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String Orchestra - Digital Download SKU: A0.852582 Composed by Pat Holmberg. Concert,Contemporary. Score and parts. 9 pages. Patricia Tanttila Holmberg #570151. Published by Patricia Tanttila Holmberg (A0.852582). This is the contrabass part for all four movements of Jour de Pan, a concerto for bass flute and strings which was first performed in October of 2015 in Boulder CO with flutist Chris Potter doing the solo flute part. The four movements are: 1)Awakening, 2) In the Glen, 3) Afternoon with the Satyrs, and 4) Twilight of the Muses. These four movements total approximately 14 minutes of playing time. BMI www.patholmberg.com.
$6.99
Op. 47, No. 3: Chanson, voici le jour from Songs of Gouvy, V1 (Downloadable)
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Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 47, No. 3: Chanson, voici
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-36E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 41, No. 8: Quand je pense à ce jour from Songs of Gouvy, V1 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 41, No. 8: Quand je pense
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-14E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-14E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Sakura: Japanese Cherry Blossoms, Op. 154
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Brass Quintet: 2 trumpets, horn, trombone, tuba
#
INTERMEDIATE/ADVANCED
#
Dr
#
Sakura: Japanese Cherry Blosso
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https://gildedmusicpress.com/
#
SheetMusicPlus
Brass Quintet - Level 4 - Digital Download SKU: A0.1489526 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Holiday,Multicultural,World....
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Brass Quintet - Level 4 - Digital Download SKU: A0.1489526 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Holiday,Multicultural,World. 19 pages. Https://gildedmusicpress.com/ #1066389. Published by https://gildedmusicpress.com/ (A0.1489526). Sakura: Japanese Cherry Blossoms, Op. 154, for brass quintet was started on 10 Apr 2024 and completed on 30 Apr 2024. Having heard of the exquisitely celebrated short-lived season of the Japanese cherry blossoms, I longed to experience it for myself. In my first springtime in Japan, I was on a musical tour when the Sakura near my home station of Yokota Air Base in Tokyo were peaking. How fortunate I was to return just in time to enjoy the breathtaking spectacle and to capture some gorgeous footage and photos of the lovely Sakura! The resultant musical journal entry was posted on YouTube to underscore the images rather than another video of sheet music. Duration: 4:00.
$24.95
Op. 48, No. 6: Fuirai-je ainsi toujours from Songs of Gouvy, V1 (Downloadable)
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Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 48, No. 6: Fuirai-je ainsi
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-46E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 7...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-46E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 7 pages. E. C. Schirmer Music Company - Digital #8491-46E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-46E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 48, No. 8: Hélas! combien de jours! from Songs of Gouvy, V1 (Downloadable)
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Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 48, No. 8: Hélas! combien
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-48E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-48E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-48E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-48E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 10: Le calme de me
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-10E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-10E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Jour de Pan (for bass flute and strings) Master Score
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Pat Holmberg
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2. In the Glen
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Jour de Pan
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Patricia Tanttila Holmberg
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Flute,Viola,Violin - Digital Download SKU: A0.852577 Composed by Pat Holmberg. Concert,Contemporary,Film/TV. Score and p...
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Small Ensemble Cello,Double Bass,Flute,Viola,Violin - Digital Download SKU: A0.852577 Composed by Pat Holmberg. Concert,Contemporary,Film/TV. Score and parts. 37 pages. Patricia Tanttila Holmberg #511119. Published by Patricia Tanttila Holmberg (A0.852577). The four movements of this piece are entitled: 1. Awakening; 2. In the Glen; 3. Afternoon with the Satyrs; and 4. Twilight of the Muses There are jazz harmonies and rhythms at time throughout this piece, and memorable melodies abound. Total playing time is around 14 minutes. It's scored for Bass Flute, Violins 1 and 2, Viola, Cello and Double Bass. Parts sold separately on this Sheet Music Plus site. BMI www.patholmberg.com.
$22.95
Mowgli et la Meute des Loups, pour quintette de cuivres et narrateur
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Brass ensemble
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Marc Goris
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Mowgli et la Meute des Loups,
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Brassery Publications
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.999624 Composed by Marc Goris. 20th Century,Children,Contemporary. Score and parts. 158 pages. Brassery Publica...
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Brass Ensemble - Digital Download SKU: A0.999624 Composed by Marc Goris. 20th Century,Children,Contemporary. Score and parts. 158 pages. Brassery Publications #6029565. Published by Brassery Publications (A0.999624). ‘Mowgli et la Meute des Loups’ raconte comment un jeune enfant élevé par des loups dans un milieu souvent hostile devient un jeune homme adulte. C’est un peu ‘Pierre et le Loup’, sauf qu’ici les animaux sont plus durs, plus sauvages, moins prévisibles. L’histoire est toujours passionnante et souvent drôle. L’histoire traîte de différents thèmes tels que la formation de l’identité, la confrontation avec l’étranger, l’anxiété et la sécurité. Il y est question de respect, de séparation, d’adieu, mais aussi de la gaminerie des jeunes et de la sagesse des panthères. Le texte et la musique s’unissent pour évoquer cette histoire. ‘Mowgli et la Meute des Loups’ n’est pas un monologue avec accompagnement musical, c’est un conte où l’image, le texte et la musique se renforcent l’un l’autre.…Musique : Marc Goris Texte original néerlandais : Jos Dom Traduction : Maggy Peré, George Georis Adaptation du texte : Bruno Georis partitions disponible sur demande, à commander via info@brassery.be plus d'infos : https://brassery.be/accueil/production/mowgli-et-la-meute-des-loups.html sur bandcamp : https://brassery.bandcamp.com/album/mowgli-et-la-meute-des-loups-un-conte-musical-pour-quintette-de-...
$90.00
Op. 47, No. 4: Bonjour from Songs of Gouvy, V1 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 47, No. 4: Bonjour from So
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-37E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 3...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-37E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 3 pages. E. C. Schirmer Music Company - Digital #8491-37E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-37E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis (
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Chamber Orchestra
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INTERMEDIATE
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David Catherwood
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$45
Flute, 
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Jack's Journey - A new Musical
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Opus 3 Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.739503 Composed by David Catherwood. Children,Musical/Show. Score and parts. 124 pages. Opus 3 Mus...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.739503 Composed by David Catherwood. Children,Musical/Show. Score and parts. 124 pages. Opus 3 Music #6052713. Published by Opus 3 Music (A0.739503). 'Jack's Journey'(A new Musical by Adeline Dinsmore and David Catherwood)Full set of Orchesrtal Parts (contains 7 songs plus overture and incidental music) - $45Flute, Clarinet in Bb. Trumpet in Bb, Horn in F, Strings, Vln 1 Vln 2 Vla Cello Percussion 1 & 2 Bass/guitarDuration c.40 minutesIdeal for schools, youth groups or adult dramatic/musical companies.Requirements - Narrator, Chorus, (unison/2part) Soloists, Actors, Piano accompanimentOptional - Dancers, orchestral parts for Flute, Clarinet. Trumpet, Horn, Strings, Percussion and Bass/guitar About the MusicalA great story about one of the 20th century.
$45.00
Élégie
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Guitar
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INTERMEDIATE
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Contemporary
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
La Campana (French version) (mp3)
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Classical
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Gaetano Donizetti
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David Warin Solomons
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La Campana
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David Warin Solomons
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SheetMusicPlus
Choir - Digital Download SKU: A0.1059460 Composed by Gaetano Donizetti. Arranged by David Warin Solomons. Christian,Classical,Romantic Period. Full Perfo...
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Choir - Digital Download SKU: A0.1059460 Composed by Gaetano Donizetti. Arranged by David Warin Solomons. Christian,Classical,Romantic Period. Full Performance. Duration 97. David Warin Solomons #3386977. Published by David Warin Solomons (A0.1059460). Performed by the dwsChoraleDéjà le jour baisse et du haut des montsla nuit vient épaisse couvrir les vallons.La cloche lointaine s'émeut lentementet la brise entraîne à travers la plaineson doux tintement. Vous qui passez sur la terre,prenez espoir, prenez espoir :voici l'heure de la prière, la prière du soir.
$2.20
Saxophone Quartet arrangement: Levanta Poeira by Z. De Abreu (score and parts)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Francesco Leone
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Francesco Leone
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Saxophone Quartet arrangement:
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Glissato Edizioni Musicali
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1509899 By F...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1509899 By Francesco Leone. By Zequinha de Abreu. Arranged by Francesco Leone. Latin. 28 pages. Glissato Edizioni Musicali #1085111. Published by Glissato Edizioni Musicali (A0.1509899). Unleash the vibrant rhythms of Brazil with Levanta Poeira - a captivating Choro masterpiece by the renowned Zequinha de Abreu, now meticulously arranged for Saxophone Quartet SATB / AATB. This arrangement, perfect for intermediate-level musicians, offers a rich musical experience that bridges cultural gaps and brings the essence of Brazilian music to your ensemble.Included in this exclusive package are the complete score and a comprehensive set of parts for soprano, alto, tenor, and baritone saxophones, with an additional alto part to offer flexibility in substituting the soprano saxophone. This ensures a seamless fit for various ensemble configurations and personal preferences.To enhance your musical journey, we provide informative pages in multiple languages: English, French, German, Spanish, Italian, and Portuguese. This multilingual support ensures that you have all the necessary information at your fingertips, regardless of your preferred language.Dive into the heart of Brazilian music with Levanta Poeira and let your saxophone quartet bring this exhilarating piece to life. Whether you're performing in a concert hall or gathering with friends, this arrangement promises an unforgettable musical adventure that resonates with audiences worldwide. Embrace the opportunity to explore the rich traditions of Choro music through this beautifully crafted arrangement.- Saxophon-Noten, partitions pour saxophone, partituras para saxofón, partituras para saxofone, spartiti per sassofono, saksofon notaları, nuty na saksofon, noter for saksofon, noter för saxofon, 색소폰 악보, サックスの楽譜 -.
$13.99
Dialogue On An Urgent Journey
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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Mark G
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Dialogue On An Urgent Journey
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M.G.Turner
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.938558 Composed by Mark G. Turner. Contemporary. Score and parts. 59 pages. M.G.Turner #546155. ...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.938558 Composed by Mark G. Turner. Contemporary. Score and parts. 59 pages. M.G.Turner #546155. Published by M.G.Turner (A0.938558). This original nonete (Flute, 1st Bb Clarinet, 2nd Bb Clarinet, Alto Sax, Baritone Sax, Bb Trumpet, Tuba, Timpani & Percussion) was first premiered at the University of Leeds in the UK. As a composer I utilized melodic serialism, consonant whole tone harmonies, intriguing chromatics, frequent syncopation, and a jazz flavour in several sections. Solos are presented by: Flute, Bb Trumpet, Baritone Sax and Tuba. The timpani and percussion (suspended cymbal being used in a high hat style and a woodblock keep things moving well. A number of my other original ensemble pieces are listed under my full name: Mark G. Turner.
$1.99
Canção do Dia de Sempre
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Sergio Roberto de Oliveira
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Canção do Dia de Sempre
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Sergio Roberto de Oliveira
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SheetMusicPlus
Instrumental Duet Guitar,High Voice,Instrumental Duet - Digital Download SKU: A0.962371 Composed by Sergio Roberto de Oliveira. Contemporary,World. Score...
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Instrumental Duet Guitar,High Voice,Instrumental Duet - Digital Download SKU: A0.962371 Composed by Sergio Roberto de Oliveira. Contemporary,World. Score and parts. 27 pages. Sergio Roberto de Oliveira #6355603. Published by Sergio Roberto de Oliveira (A0.962371). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$18.69
4 cancoes sobre cancoes de Mario Quintana
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Choral SATB
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Sergio Roberto de Oliveira
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4 cancoes sobre cancoes de Mar
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Sergio Roberto de Oliveira
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.969395 Composed by Sergio Roberto de Oliveira. 20th Century,A Cappella,Contemporary,World. Octavo. 15 page...
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Choral Choir (SATB) - Digital Download SKU: A0.969395 Composed by Sergio Roberto de Oliveira. 20th Century,A Cappella,Contemporary,World. Octavo. 15 pages. Sergio Roberto de Oliveira #4838975. Published by Sergio Roberto de Oliveira (A0.969395). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$11.22
Cancao de Natal
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Choral SATB
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Sergio Roberto de Oliveira
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Cancao de Natal
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Sergio Roberto de Oliveira
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.962311 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Octavo. 5 pages. S...
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Choral Choir (SATB) - Digital Download SKU: A0.962311 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Octavo. 5 pages. Sergio Roberto de Oliveira #3042081. Published by Sergio Roberto de Oliveira (A0.962311). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$3.10
Preciso de um amor
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Sergio Roberto de Oliveira
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Preciso de um amor
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Sergio Roberto de Oliveira
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SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.962353 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 15 pages. Serg...
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Small Ensemble - Digital Download SKU: A0.962353 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 15 pages. Sergio Roberto de Oliveira #4847205. Published by Sergio Roberto de Oliveira (A0.962353). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$9.45
Incelanca de Domingos
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Contemporary
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Sergio Roberto de Oliveira
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Incelanca de Domingos
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Sergio Roberto de Oliveira
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SheetMusicPlus
Large Ensemble Cello,Flute,Guitar,Harpsichord,Viola,Violin,Voice - Digital Download SKU: A0.962301 Composed by Sergio Roberto de Oliveira (1970 - 2017). ...
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Large Ensemble Cello,Flute,Guitar,Harpsichord,Viola,Violin,Voice - Digital Download SKU: A0.962301 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 63 pages. Sergio Roberto de Oliveira #2831881. Published by Sergio Roberto de Oliveira (A0.962301). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$22.20
Canto de Natal
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Choral SATB
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Contemporary
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Sergio Roberto de Oliveira
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Canto de Natal
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Sergio Roberto de Oliveira
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SheetMusicPlus
Choral Choir (Mixed) - Digital Download SKU: A0.962312 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Octavo. 6 pages. ...
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Choral Choir (Mixed) - Digital Download SKU: A0.962312 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Octavo. 6 pages. Sergio Roberto de Oliveira #3042419. Published by Sergio Roberto de Oliveira (A0.962312). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$3.45
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